Fafnir – Nordic Journal of Science Fiction and Fantasy Research Journal.Finfar.Org
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman
The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton American Literary History, Volume 25, Number 2, Summer 2013, pp. 317-340 (Article) Published by Oxford University Press For additional information about this article http://muse.jhu.edu/journals/alh/summary/v025/25.2.clayton.html Access provided by Vanderbilt University Library (6 Jun 2013 09:56 GMT) The Ridicule of Time: Science Fiction, Bioethics, and the Posthuman Jay Clayton* Suppose you were a science fiction fan, a Trekkie, and a transhumanist; you once paid to attend a seminar with Rae¨l, knew all about Extropy back in the day, and subscribed to Longevity Meme Newsletter; you have read articles about an “immortality gene” and were thrilled to see Science publish a genome-wide association study in 2010 identifying 150 genes that might improve your chances of living to 100; and you practice extreme caloric restriction while spending a fortune on dietary supple- ments. Over the years, you have zealously collected the following quotes but have forgotten the sources. Which of them do you think came from classic 1950s works of science fiction and which from publications by distinguished scientists, doctors, philosophers, and law professors? 1. We, or our descendents, will cease to be human in the sense in which we now understand that idea. (3) 2. By the standards of evolution, it will be cataclysmic— instantaneous. It has already begun. (181) 3. The new immortals, in the decisive sense, would not be like us at all. (265) 4. Man will go into history along with the Java ape man, the Neanderthal beast man, and the Cro-Magnon Primitive. -
The Hugo Awards for Best Novel Jon D
The Hugo Awards for Best Novel Jon D. Swartz Game Design 2013 Officers George Phillies PRESIDENT David Speakman Kaymar Award Ruth Davidson DIRECTORATE Denny Davis Sarah E Harder Ruth Davidson N3F Bookworms Holly Wilson Heath Row Jon D. Swartz N’APA George Phillies Jean Lamb TREASURER William Center HISTORIAN Jon D Swartz SECRETARY Ruth Davidson (acting) Neffy Awards David Speakman ACTIVITY BUREAUS Artists Bureau Round Robins Sarah Harder Patricia King Birthday Cards Short Story Contest R-Laurraine Tutihasi Jefferson Swycaffer Con Coordinator Welcommittee Heath Row Heath Row David Speakman Initial distribution free to members of BayCon 31 and the National Fantasy Fan Federation. Text © 2012 by Jon D. Swartz; cover art © 2012 by Sarah Lynn Griffith; publication designed and edited by David Speakman. A somewhat different version of this appeared in the fanzine, Ultraverse, also by Jon D. Swartz. This non-commercial Fandbook is published through volunteer effort of the National Fantasy Fan Federation’s Editoral Cabal’s Special Publication committee. The National Fantasy Fan Federation First Edition: July 2013 Page 2 Fandbook No. 6: The Hugo Awards for Best Novel by Jon D. Swartz The Hugo Awards originally were called the Science Fiction Achievement Awards and first were given out at Philcon II, the World Science Fiction Con- vention of 1953, held in Philadelphia, Pennsylvania. The second oldest--and most prestigious--awards in the field, they quickly were nicknamed the Hugos (officially since 1958), in honor of Hugo Gernsback (1884 -1967), founder of Amazing Stories, the first professional magazine devoted entirely to science fiction. No awards were given in 1954 at the World Science Fiction Con in San Francisco, but they were restored in 1955 at the Clevention (in Cleveland) and included six categories: novel, novelette, short story, magazine, artist, and fan magazine. -
1943 Retrospective Hugo Award Results
Worldcon 76 in San Jose PO Box 61363 [email protected] Sunnyvale CA 94088-1363, +1-408-905-9366 USA For Immediate Release 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA WORLDCON 76 REVEALS WINNERS FOR SCIENCE FICTION’S MOST PRESTIGIOUS FAN-NOMINATED AWARD SAN JOSE, CA, August 16, 2018: The winners of the 1943 Retrospective Hugo Awards were announced on Thursday, August 16, 2018, at the 76th World Science Fiction Convention. 703 valid ballots (688 electronic and 15 paper) were received and counted from the members of the 2018 World Science Fiction Convention. The Hugo Awards, presented first in 1953 and annually since 1955, are science fiction’s most prestigious award, and one of the World Science Fiction Convention’s unique and distinguished institutions. Since 1993, Worldcon committees have had the option of awarding Retrospective Hugo Awards for past Worldcon years prior to 1953 where they had not been presented 25, 50, or 100 years prior to the contemporary convention, with the exception of the hiatus during World War II when no Worldcon was convened. A recent change in this policy has now allowed for Retro Hugos to be awarded for the years 1942-1945. 1943 Retrospective Hugo Award Winners Best Fan Writer Forrest J Ackerman Best Fanzine Le Zombie, edited by Arthur Wilson "Bob" Tucker Best Professional Artist Virgil Finlay Best Editor - Short Form John W. Campbell Best Dramatic Presentation - Short Form Bambi, written by Perce Pearce, Larry Morey, et al., directed by David D. Hand et al. (Walt Disney Productions) For Immediate Release more Page 2 1943 RETROSPECTIVE HUGO AWARD WINNERS REVEALED IN SAN JOSE, CA Best Short Story "The Twonky," by Lewis Padgett (C.L. -
UTOPIAN THOUGHT: RACE, CLASS, GENDER, DISABILITY Amber Knight, University of North Carolina-Charlotte Justin Mueller, Lesley
UTOPIAN THOUGHT: RACE, CLASS, GENDER, DISABILITY Amber Knight, University of North Carolina-Charlotte Justin Mueller, Lesley University Leocadia Diaz Romero, Murcia State University Lee Trepanier, Saginaw Valley State University Goal To create a syllabus resource for a course about utopian thought with attention to the issues of race, class, gender, and disability. Learning Outcomes To use utopias as reflective tools to analyze ethical and political values in the world To use utopias to think of alternative possible futures in the world To use utopias to think beyond present boundaries of what is considered normal To use utopias to identify points of overlap and conflict between values systems with respect to race, class, gender, and disability Skills To develop students’ critical thinking To develop students’ analytical writing To develop students’ effective communication skills Success To be familiar with the literature of utopias To understand how race, class, gender, and disability exist as systems of privilege and oppression in the world To think, write, and communicate critically, analytically, and effectively Assess Success Iterative essay assignments Course Level and Class Size Elective 15-20 students Classroom Preference for classroom, hybrid optional Utopian Academic Literature Bahng, Aimee. Migrant Futures (Duke University Press, 2018) Bell, David M. Rethinking Utopia: Place, Power, Affect (Routledge, New York and London, 2017) Bey, Hakim. T.A.Z. The Temporary Autonomous Zone (Pacific Publishing Studio, 2011) Chrostowska, S. D. and James D. Ingram, eds., Political Uses of Utopia: New Marxist, Anarchist, and Radical Democratic Perspectives (New York: Columbia University Press, 2016) Claeys, Gregory, ed. The Cambridge Companion to Utopian Literature (Cambridge: Cambridge University Press, 2010) Claeys, Gregory and Lyman Tower Sargent, eds. -
HG Wells and Dystopian Science Fiction by Gareth Davies-Morris
The Sleeper Stories: H. G. Wells and Dystopian Science Fiction by Gareth Davies-Morris • Project (book) timeline, Fall 2017 • Wells biography • Definitions: SF, structuralism, dystopia • “Days to Come” (models phys. opps.) • “Dream of Arm.” (models int. opps.) • When the Sleeper Wakes • Intertextuality: Sleeper vs. Zemiatin’s We • Chapter excerpt Herbert George Wells (1866-1946) The legendary Frank R. Paul rendered several H. G. Wells narratives as covers for Hugo Gernsback’s influential pulp magazine Amazing Stories, which reprinted many of Wells’s early SF works. Clockwise from top: “The Crystal Egg” (1926), “In the Abyss” (1926), The War of the Worlds (1927), and When the Sleeper Wakes (1928) Frank R. Paul, cover paintings for Amazing Stories, 1926-1928. “Socialism & the Irrational” -- Wells-Shaw Conference, London School of Economics Fall 2017 Keynote: Michael Cox Sci-Fi artwork exhibit at the Royal Albert Hall! Fabian stained -glass window in LSE “Pray devoutly, hammer stoutly” Gareth with Professor Patrick Parrinder of England’s U. of Reading • Studied at the Normal School (now Imperial College London) with T.H. Huxley. • Schoolteacher, minor journalist until publication of The Time Machine (1895). • By 1910, known worldwide for his “scientific romances” and sociological forecasting. • By the 1920s, syndicated journalist moving in the highest social circles in England and USA. • Met Lenin, Stalin, and several US Presidents. • Outline of History (1920) a massive best-seller. • World State his philosophical goal; Sankey Declaration/UN -
Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, Non-Member; $1.35, Member) JOURNAL CIT Arizona English Bulletin; V15 N1 Entire Issue October 1972
DOCUMENT RESUME ED 091 691 CS 201 266 AUTHOR Donelson, Ken, Ed. TITLE Science Fiction in the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Oct 72 NOTE 124p. AVAILABLE FROMKen Donelson, Ed., Arizona English Bulletin, English Dept., Ariz. State Univ., Tempe, Ariz. 85281 ($1.50); National Council of Teachers of English, 1111 Kenyon Rd., Urbana, Ill. 61801 (Stock 37882; $1.50, non-member; $1.35, member) JOURNAL CIT Arizona English Bulletin; v15 n1 Entire Issue October 1972 EDRS PRICE MF-$0.75 HC-$5.40 PLUS POSTAGE DESCRIPTORS Booklists; Class Activities; *English Instruction; *Instructional Materials; Junior High Schools; Reading Materials; *Science Fiction; Secondary Education; Teaching Guides; *Teaching Techniques IDENTIFIERS Heinlein (Robert) ABSTRACT This volume contains suggestions, reading lists, and instructional materials designed for the classroom teacher planning a unit or course on science fiction. Topics covered include "The Study of Science Fiction: Is 'Future' Worth the Time?" "Yesterday and Tomorrow: A Study of the Utopian and Dystopian Vision," "Shaping Tomorrow, Today--A Rationale for the Teaching of Science Fiction," "Personalized Playmaking: A Contribution of Television to the Classroom," "Science Fiction Selection for Jr. High," "The Possible Gods: Religion in Science Fiction," "Science Fiction for Fun and Profit," "The Sexual Politics of Robert A. Heinlein," "Short Films and Science Fiction," "Of What Use: Science Fiction in the Junior High School," "Science Fiction and Films about the Future," "Three Monthly Escapes," "The Science Fiction Film," "Sociology in Adolescent Science Fiction," "Using Old Radio Programs to Teach Science Fiction," "'What's a Heaven for ?' or; Science Fiction in the Junior High School," "A Sampler of Science Fiction for Junior High," "Popular Literature: Matrix of Science Fiction," and "Out in Third Field with Robert A. -
SFRA Newsletter 169 Ouly-August 1989): 14-16
University of South Florida Scholar Commons Digital Collection - Science Fiction & Fantasy Digital Collection - Science Fiction & Fantasy Publications 4-1-1999 SFRA ewN sletter 239 Science Fiction Research Association Follow this and additional works at: http://scholarcommons.usf.edu/scifistud_pub Part of the Fiction Commons Scholar Commons Citation Science Fiction Research Association, "SFRA eN wsletter 239 " (1999). Digital Collection - Science Fiction & Fantasy Publications. Paper 58. http://scholarcommons.usf.edu/scifistud_pub/58 This Article is brought to you for free and open access by the Digital Collection - Science Fiction & Fantasy at Scholar Commons. It has been accepted for inclusion in Digital Collection - Science Fiction & Fantasy Publications by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. #1a. APRIL 1### CoedHors: lIonljdjon Reyjew EdHor: Karen Hellekson & Crajl Jacobsen lIejl Barron • ~ • ~I .. .:. [;) CYBERSPACE PATROL Alan Elms Cyberspace fictions continue to be of considerable interest to SFRA members; note for instance the twenty pages on "Approaching Neuromancer" in the February issue of the SFRAReview. Until recently, SFRA itself has been nearly invisible in cyberspace-but no more! First, Peter Sands has been working to expand the scope and content of the official SFRA Web page, with the help of vice president Adam Frisch and oth ers. If you haven't visited our Web page in the past few weeks, give it a try at <http://www.uwm.edu/~sands/sfralscifi.htm>. (If you bookmarked the page ear lier, you may be using an old address that leads to an earlier version; replace it with the address above.) By the time you read this, we may have been able to obtain an address that's easier to remember: <http://www.sfra.org>. -
Fifty Works of Fiction Libertarians Should Read
Liberty, Art, & Culture Vol. 30, No. 3 Spring 2012 Fifty works of fiction libertarians should read By Anders Monsen Everybody compiles lists. These usually are of the “top 10” Poul Anderson — The Star Fox (1965) kind. I started compiling a personal list of individualist titles in An oft-forgot book by the prolific and libertarian-minded the early 1990s. When author China Miéville published one Poul Anderson, a recipient of multiple awards from the Lib- entitled “Fifty Fantasy & Science Fiction Works That Social- ertarian Futurist Society. This space adventure deals with war ists Should Read” in 2001, I started the following list along and appeasement. the same lines, but a different focus. Miéville and I have in common some titles and authors, but our reasons for picking Margaret Atwood—The Handmaid’s Tale (1986) these books probably differ greatly. A dystopian tale of women being oppressed by men, while Some rules guiding me while compiling this list included: being aided by other women. This book is similar to Sinclair 1) no multiple books by the same writer; 2) the winners of the Lewis’s It Can’t Happen Here or Robert Heinlein’s story “If This Prometheus Award do not automatically qualify; and, 3) there Goes On—,” about the rise of a religious-type theocracy in is no limit in terms of publication date. Not all of the listed America. works are true sf. The first qualification was the hardest, and I worked around this by mentioning other notable books in the Alfred Bester—The Stars My Destination (1956) brief notes. -
The Novels of Ira Levin
The Novels of Ira Levin Markéta Šťovíčková Bachelor Thesis 2013 ABSTRAKT Tato práce se zabývá analýzou témat vyskytujících se v románech Iry Levina. Jmenovitě jde o díla: Polib mne a zemřeš (A Kiss Before Dying, 1952), Rosemary má děťátko (Rosemary’s Baby, 1967), Ten báječný den (This Perfect Day, 1970), Stepfordské paničky (The Stepford Wives, 1972), Hoši z Brazílie (The Boys from Brazil, 1976), Někdo se dívá (Sliver, 1991) a Rosemary a její syn (Son of Rosemary, 1997). Sestává se ze čtyř částí, ve kterých je postupně představen Ira Levin, jeho díla, témata, kterými se daná díla zabývají, a na závěr je provedeno výsledné shrnutí. Klíčová slova: Americká literatura, Ira Levin, analýza díla, fikce, feminismus, technologie, dystopie. ABSTRACT This thesis analyses themes occurring in the works of Ira Levin. It deals with novels: A Kiss Before Dying (1952), Rosemary’s Baby (1967), This Perfect Day (1970), The Stepford Wives (1972), The Boys from Brazil (1976), Sliver (1991) and Son of Rosemary (1997). The paper consists of four parts in which will be introduced Ira Levin, his work, the themes of his novels and the final summary of the findings. Keywords: American literature, Ira Levin, novels analysis, fiction, feminism, technology, dystopia. ACKNOWLEDGEMENTS The biggest acknowledgement belongs to Mgr. Roman Trušník, Ph.D., the supervisor of my thesis, for his patience and number of important advices he gave me. I would also like to thank to Christer Mathiesen, who has been a great mental support of mine. Finally, I would like to thank to Barbora Kadlčková, who had proven to be a great supplier of equipment necessary in order to finish my thesis. -
Winter 2020 Pegasus Books
PEGASUS BOOKS WINTER 2020 PEGASUS BOOKS WINTER 2020 NEW HARDCOVERS JANUARY MARKETING $27.95 | Hardcover • Social media Territory: U.S. (X) • Co-op available ISBN: 978-1-64313-367-6 • Major review attention 6 x 9 | 304 pages | CQ 16 • 2020 is the 400th anniversary 8 pages of B&W illustrations of the sailing of the Mayflower History 2 | PEGASUS BOOKS | WINTER 2020 | NEW HARDCOVERS THE JOURNEY TO THE MAYFLOWER God’s Outlaws and the Invention of Freedom Stephen Tomkins An authoritative and immersive history of the far-reaching—and often dangerous—events in England that led to the sailing of the Mayflower. 2020 brings readers the 400th anniversary of the sailing of the Mayflower—the ship that took the Pilgrim Fathers to the New World. It is a foundational event in American history, but it began as an English story, which pioneered the idea of religious freedom. The illegal underground movement of Protestant separatists from Elizabeth I’s Church of England is a story of subterfuge and danger, arrests and interrogations, prison and executions. It starts with Queen Mary’s attempts to burn Protestantism out of England, which created a Protestant underground. Later, when Elizabeth’s Protestant reforma- tion didn’t go far enough, radicals recreated that underground, meeting illegally throughout England, facing prison and death for their crimes. They went into exile in the Netherlands, where they lived in poverty—and finally to the New World. Historian Stephen Tomkins tells this fascinating story—one that is rarely told as an important piece of English, as well as American, history—that is full of contemporary relevance: religious violence, the threat to national security, freedom of religion, and tolerance of dangerous opinions. -
I Romanzi Di Urania
Urania&Co. - Indice I Romanzi di Urania Le schede complete de "I Romanzi di Urania" dal n°1 al n°152 n° 1 - 10 OTT. Le sabbie di Marte di Arthur Charles n° 77 - 20 APR. I giorni dell'atomo di Naïm TELDY 1952 CLARKE 1955 n° 2 - 20 OTT. Il clandestino dell'astronave di n° 78 - 30 APR. Decimo pianeta di C. H. BADET 1952 Lester DEL REY 1955 n° 3 - 10 NOV. L'orrenda invasione di John n° 79 - 10 MAG. Tentazione cosmica di M. Roger 1952 WYNDHAM 1955 SOREZ n° 4 - 20 NOV. Il figlio della notte di Jack n° 80 - 20 MAG. S.O.S. dischi volanti di R. M. 1952 WILLIAMSON 1955 WALLISFURTH n° 5 - 10 DIC. Il terrore dalla sesta luna di R. A. n° 81 - 2 GIU. L'astronave fantasma di Philip 1952 HEINLEIN 1955 LATHAM n° 6 - 20 DIC. La legione dello spazio di Jack n° 82 - 9 GIU. Trappola nel tempo di Rog PHILLIPS 1952 WILLIAMSON 1955 n° 7 - 10 GEN. Schiavi degli invisibili di Eric Frank n° 83 - 16 GIU. Nettunio 237 di Fletcher PRATT 1953 RUSSELL 1955 n° 8 - 20 GEN. Il segreto degli Slan di Alfred Elton n° 84 - 23 GIU. Il pianeta nero di David DUNCAN 1953 VAN VOGT 1955 n° 9 - 10 FEB. Il triangolo quadrilatero di William F. n° 85 - 30 GIU. Il mostro immortale di J. D. 1953 TEMPLE 1955 KERRUISH n° 10 - 20 FEB. n° 86 - 7 LUG. Anno 2650 di Alfred Elton VAN VOGT La rivolta dei titani di Alan E.NOURSE 1953 1955 n° 11 - 10 MAR. -
The Novelist As Engineer
The Novelist as Engineer A thesis on credible engineering components of fiction novels (supplemented by an “engineering” fiction novel) by D R Stevens for the Masters Degree in Engineering (Hons) 2007 University of Western Sydney Dedication This thesis is dedicated to Professor Steven Riley who inspired the writing of the thesis in the first place and provided encouragement when motivation waned. Acknowledgement I acknowledge the assistance of Professor Steven Riley, Professor of Research, School of Engineering, University of Western Sydney. I also acknowledge Professor Leon Cantrell who gave significant and important advice particularly on the development of the supplementary novel, (called by the new genre name En-Fi) the title of which is “Amber Reins Fall”. Thanks also go to Dr Stephen Treloar, CEO of Cumberland Industries Limited, where I am the Director of Marketing and Social Enterprises. His contribution is through the scarce resource of time the company allowed me to formulate this thesis. Finally the thesis is dedicated in no small part to Caroline Shindlair who helped tremendously with the typing and construction of the actual documentation. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, is original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. (Signature) Table of Contents Abbreviations Page ................................................................................................