Ira Levin: an Appreciation by Robert S
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Tolkien, Hispanic, Koonts, Evanovich Bkmrks.Pub
Fantasy for Tolkien fans Hispanic Authors If you like J.R.R. Tolkien, why not give these authors a try? Kathleen Alcala Machado de Assis Piers Anthony Robert Jordan Julia Alvarez Gabriel Garcia Marquez A.A. Attanasio Guy Kavriel Kay Isabel Allende Ana Menendez Marion Zimmer Bradley Tanith Lee Jorge Amado Michael Nava Terry Brooks Ursula K. LeGuin Rudolfo Anaya Arturo Perez-Reverte Lois McMaster Bujold George R. R. Martin Gioconda Belli Manuel Puig Susan Cooper L.E. Modesitt Sandra Benitez Jose Saramago John Crowley Elizabeth Moon Jorge Luis Borges Mario Vargas Llosa Tom Deitz Andre Norton Ana Castillo Alfredo Vea Charles de Lint Mervyn Peake Miguel de Cervantes David Eddings Terry Pratchett Denise Chavez Eric Flint Philip Pullman Sandra Cisneros Alan Dean Foster Neal Stephenson Paulo Coehlo C. S. Friedman Harry Turtledove Humberto Costantini Neil Gaiman Margaret Weis Jose Donoso 7/05 Barbara Hambly Connie Willis Laura Esquivel Elizabeth Hand Roger Zelazny Carlos Fuentes Tracy Hickman Cristina Garcia Oscar Hijuelos 7/05 ]tÇxà XätÇÉä|v{ If you like Dean Koontz 7/05 Janet Evanovich, Romantic mysteries you might like: Pseudonyms of Dean Martin H. Greenberg filled with action Susan Andersen Koontz: Caitlin Kiernan and humor. J.S. Borthwick David Axton Stephen King Stephanie Plum Jan Burke Brian Coffey Joe Lansdale Dorothy Cannell Mysteries K.R. Dwyer James Lasdun Harlan Coben One for the money Leigh Nichols Ira Levin Jennifer Crusie Two for the dough Anthony North Bentley Little Jennifer Drew Three to get deadly Richard Paige H.P. Lovecraft G.M. Ford Four to score Owen West Robin McKinley Kinky Friedman High five Sue Grafton Graham Masterton Hot six Heather Graham If you like Dean Koontz, Richard Matheson Seven up Sparkle Hayter you might like: Joyce Carol Oates Hard eight Carl Hiassen Richard Bachman Tom Piccirilli To the nines P.D. -
Teaching Speculative Fiction in College: a Pedagogy for Making English Studies Relevant
Georgia State University ScholarWorks @ Georgia State University English Dissertations Department of English Summer 8-7-2012 Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant James H. Shimkus Follow this and additional works at: https://scholarworks.gsu.edu/english_diss Recommended Citation Shimkus, James H., "Teaching Speculative Fiction in College: A Pedagogy for Making English Studies Relevant." Dissertation, Georgia State University, 2012. https://scholarworks.gsu.edu/english_diss/95 This Dissertation is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. TEACHING SPECULATIVE FICTION IN COLLEGE: A PEDAGOGY FOR MAKING ENGLISH STUDIES RELEVANT by JAMES HAMMOND SHIMKUS Under the Direction of Dr. Elizabeth Burmester ABSTRACT Speculative fiction (science fiction, fantasy, and horror) has steadily gained popularity both in culture and as a subject for study in college. While many helpful resources on teaching a particular genre or teaching particular texts within a genre exist, college teachers who have not previously taught science fiction, fantasy, or horror will benefit from a broader pedagogical overview of speculative fiction, and that is what this resource provides. Teachers who have previously taught speculative fiction may also benefit from the selection of alternative texts presented here. This resource includes an argument for the consideration of more speculative fiction in college English classes, whether in composition, literature, or creative writing, as well as overviews of the main theoretical discussions and definitions of each genre. -
“Something Strange Is Happening in the Town of Stepford”
“Something Strange is Happening in the Town of Stepford” A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) By Kristina Dahl A Thesis Submitted to The Department of Literature, Area Studies, and European Languages UNIVERSITETET I OSLO In Partial Fulfillment of the Requirements for the MA degree February 2014 II “Something Strange is Happening in the Town of Stepford” A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) By Kristina Dahl A Thesis Submitted to The Department of Literature, Area Studies, and European Languages UNIVERSITETET I OSLO In Partial Fulfillment of the Requirements for the MA degree February 2014 III © Kristina Dahl 2014 “Something Strange is Happening in the Town of Stepford”*: A Thesis on Portrayal of Women in The Stepford Wives (1975, 2004) *Tagline retrieved from www.IMDB.com. Kristina Dahl http://www.duo.uio.no/ Trykk: Reprosentralen, Universitetet i Oslo. Picture on the Previous Page: Paramount Pictures’ cover photo for The Stepford Wives (2004) DVD. Application for permission to use has been submitted. IV Abstract The thesis presented works from the assumption that films produced in Hollywood are important historical documents that can provide interesting comments on changes in U.S society and culture. Through a comparative analysis of The Stepford Wives film from 1975 and its 2004 remake, this thesis aims to examine how changes in genre, plot and overall narrative from the original to the remake reflect public understandings of feminism, and what the lead characters in both movies can reveal about the changing roles of women in American society. -
029457 Deathtrap Insert.Indd
OUR SPONSORS ABOUT CENTER REPERTORY COMPANY “Hilarious. Fluid physicality and impreccable execution. Moore’s talents Chevron (Season Sponsor) has been the Center REP is the resident, professional theatre are wondrous to behold! Brilliant.” - Jean Schiffman, San Francisco Examiner leading corporate sponsor of Center REP and company of the Lesher Center for the Arts. Our CENTER REPERTORY COMPANY the Lesher Center for the Arts for the past nine season consists of eight productions a year – a years. In fact, Chevron has been a partner of variety of musicals, dramas and comedies, both Michael Butler, Artistic Director Scott Denison, Managing Director the LCA since the beginning, providing funding classic and contemporary, that continually strive for capital improvements, event sponsorships to reach new levels of artistic excellence and presents and more. Chevron generously supports every professional standards. Center REP show throughout the season, and is the primary sponsor for events including Our mission is to celebrate the power of the the Chevron Family Theatre Festival in July. human imagination by producing emotionally Chevron has proven itself not just as a generous engaging, intellectually involving, and visually supporter, but also a valued friend of the arts. astonishing live theatre, and through Outreach and Education programs, to enrich and advance Diablo Regional Arts Association (DRAA) the cultural life of the communities we serve. (Season Partner) is both the primary fundraising organization of the Lesher Center for the Arts (LCA) What does it mean to be a producing theatre? and the City of Walnut Creek’s appointed curator We hire the finest professional directors, actors The Resident Professional Theatre Company of the for the LCA’s audience outreach. -
Download the Playbill
The 2018/2019 Season is generously sponsored by This production is generously sponsored in part by Carol Beauchamp, Kathy Gaona, Ronni Lacroute Diane Lewis, Linda Morrisson, Pat Reser & Bill Westphal & Jan Simmons OCT 4,5,6,7,11,12,13,14,18,19,20,21,25,26,27,28,29,30,31 DIRECTOR’S NOTES By Scott Palmer IRA LEVIN is no stranger to murder, his attention successfully to Broadway. upper crust New England convention; mayhem, terror, demons, the He adapted a now-forgotten book by Mac Ralph Lauren woolen sweaters, classical supernatural, or good old-fashioned blood Hyman – No Time For Sergeants – and the architecture, an attractive and supportive and gore. In fact, Levin’s career was 1955 play ran for over 700 performances wife, influential neighbors, with just a largely based on scaring the pants off on Broadway, launching the career of the hint of celebrity here and there; a fading people, and his iconic play, Deathtrap, is lead actor, Andy Griffith. Levin stayed with career and the recognition that younger, perhaps his greatest achievement. theatre for the next 10 years, although more energetic talents may soon eclipse less successfully. His work may not have you. In so many ways, these characters According to the UK’s Independent been hugely impactful for the theatre, are pretty commonplace. newspaper, Ira Levin was “the king of but it was for a number of Broadway the high-concept thriller.” Although he stars. Interlock (1958) starring Maximilian But underneath all of that convention produced more plays than he did novels Schell ran for four performances. -
Fall 2019 Pegasus Books
PEGASUS BOOKS FALL 2019 PEGASUS BOOKS FALL 2019 NEW HARDCOVERS THE KING’S WAR The Friendship of George VI and Lionel Logue During World War II Peter Conradi and Mark Logue Following the New York Times bestselling The King’s Speech, this eagerly anticipated sequel takes King George VI and his speech therapist Lionel Logue into the darkest days of World War II. The broadcast that George VI made to the British nation on the outbreak of war in September 1939—which formed the climax of the multi-Oscar-winning film The King’s Speech—was the product of years of hard work with Lionel Logue, his iconoclastic, Australian- born speech therapist. Yet the relationship between the two men did not end there. Far from it: in the years that followed, Logue was to play an even more important role at the monarch’s side. The King’s War follows that relationship through the dangerous days of Dunkirk and the drama of D-Day to eventual victory in 1945—and beyond. Like the first book, it is written by Peter Con- radi, a London Sunday Times journalist, and Mark Logue, Lionel’s grandson, and again draws on exclusive material from the Logue Archive—the collection of diaries, letters, and other documents left by Lionel and his feisty wife, Myrtle. This gripping narrative provides a fascinating portrait of two men and their respective families—the Windsors and the Logues—as they together face the greatest chal- lenge in Britain’s history. PETER CONRADI is an journalist with the London Sunday Times. -
Press Release
BOHO THEATRE P.O. Box 409267, Chicago, IL, 60640 Office: (773) 791-2393 [email protected] FOR IMMEDIATE RELEASE CONTACT: Kaela Altman, Executive Director August 19, 2013 [email protected] BOHO THEATRE DELIVERS CHILLING 10TH SEASON OPENER WITH VERONICA’S ROOM CHICAGO—BoHo Theatre kicks off its milestone 10th season with Ira Levin’s horror thriller Veronica’s Room at the Heartland Studio in Rogers Park. Running September 27th through October 27th, the play is a rarely-produced work from the acclaimed author of the novels Rosemary’s Baby, The Stepford Wives, and A Kiss Before Dying, as well as Deathtrap, which holds the record for Broadway’s longest running mystery play. Veronica’s Room represents the Bohemian Pillar of Freedom in BoHo’s 2013/2014 Season. THE PLAY “[Ira Levin] is the Swiss watchmaker of the suspense novel… he makes what the rest of us do look like those five-dollar watches you can buy in the discount drugstores.” -Stephen King, Danse Macabre This intimate thriller explores the thin line between fantasy and reality, and the lengths one is willing to go to find absolution. Students Susan and Larry find themselves enticed to an old New England mansion by its elderly caretakers in order to meet Cissie, the sole surviving member of the mansion’s family. They insist that Susan bears a striking resemblance to Cissie’s long-dead sister, Veronica. If Susan will agree to briefly impersonate Veronica, they believe it will comfort the dementia-afflicted Cissie and allow her to die in peace. But what begins as a simple errand of mercy quickly spirals into a nightmare cycle of guilt, sacrifice, and murder. -
Sisters in Libraries Historical Research Crime Fiction in College
h h The Sisters in Crime Quarterly Vol. 27, No. 1 Sisters in Libraries Historical Research Crime Fiction in College Awards & Rewards Getting Facts Straight Rage Fantasies… Get a Clue inSinC Editor’s Note Molly Weston ..............3 Laura’s Letter The mission of Sisters in Crime is to promote the Laura DiSilverio.............4 professional development and advancement of women crime writers to achieve equality in the industry. Sisters in Libraries Laurie King & Zoë Eckaim . 5 Laura DiSilverio, President Catriona McPherson, Vice President Chapters......................9 Stephanie Pintoff, Secretary Julie Hennrikus, Publicity Finding & Using Research in Lori Roy, Treasurer Historical Mysteries Martha Reed, Chapter Liaison Eleanor Sullivan...........12 Sally Brewster, Bookstore Liaison Carolyn Dubiel, Library Liaison Crime in the College Classroom Barbara Fister, Monitoring Project/Authors Coalition William Edwards, PhD.....14 Sally Brewster, Bookstore Liaison Carolyn Dubiel, Library Liaison Awards and Rewards Frankie Bailey, At Large Margaret Maron........... 16 Robert Dugoni, At-Large Val McDermid, At-Large Nominations & Awards Hank Phillippi Ryan, Immediate Past President Gay Toltl Kinman..........17 Molly Weston, inSinC Editor Laurel Anderson, inSinC Proofreader Writing Contests .............17 Kaye Barley, inSinC Proofreader Gavin Faulkner, inSinC Proofreader Getting Facts Straight Sarah Glass, Web Maven/Social Media Leslie Budewitz ........... 18 Rage Fantasies and Beth Wasson, Executive Secretary Character Development PO Box 442124 Lawrence, KS 66044-2124 Katherine Ramsland, PhD . 19 Email: [email protected] Events & Happenings .........21 Phone: 785.842.1325 Fax: 785.856.6314 The Docket ..................22 ©2014 Sisters in Crime International Beth’s Bits Beth Wasson .............24 inSinc is the official publication of Sisters in Crime International and is published four times a year. -
March2015insincquarterly-C-L.Pdf
Get a Clue Editor’s Note Molly Weston.....................3 The mission of Sisters in Crime is to promote the Catriona’s Letter professional development and advancement of women crime writers to achieve equality in the industry. Catriona McPherson...............4 Catriona McPherson, President Chapters ............................5 Leslie Budewitz, Vice President Susan C. Shea, Secretary How Did You Become a SinC Member ..8 Lori Roy, Treasurer Library Liaison The Peace Corps Affected My Writing Carolyn Dubiel, Barbara Fister, Monitoring Chair Carolyn Mulford ..................9 Clare O’Donohue, Bookstore Liaison Martha Reed, Chapter Liaison Everything in Moderation Simon Wood, Publicity Laura Brennan ...................10 Frankie Bailey, At Large Julie Hennrikus, At Large Beth’s Bits G. M. Malliet, At Large Beth Wasson ....................13 Hank Phillippi Ryan, At Large Laura DiSilverio, Immediate Past President Crimelandia ........................13 Molly Weston, inSinC Editor Laurel Anderson, inSinC Proofreader SinC Monitoring Project Report 2014 Gavin Faulkner, inSinC Proofreader Barbara Fister ...................14 Marisa Young, inSinC Proofreader Sarah Glass, Web Maven/Social Media A Lost Sister Restored: New Vera Caspary Reprints Beth Wasson, Executive Director A. B. Emrys ......................16 PO Box 442124 Lawrence, KS 66044-2124 Best Source for Inspiration: The Quickening [email protected] Katherine Ramsland, PhD .........18 785.842.1325 (P) • 785.856.6314 (F) Getting the Facts Straight ©2015 Sisters in Crime International Leslie Budewitz ..................20 We Love Libraries! Andrea Smith....................22 Awards & Nominations inSinc is the official publication of Sisters in Crime International and is published four times a year. • One-year dues are $40 for professional US and Canada writers and $35 Gay Toltl Kinman .................24 for non-professionals (add $5 for other countries). -
UTOPIAN THOUGHT: RACE, CLASS, GENDER, DISABILITY Amber Knight, University of North Carolina-Charlotte Justin Mueller, Lesley
UTOPIAN THOUGHT: RACE, CLASS, GENDER, DISABILITY Amber Knight, University of North Carolina-Charlotte Justin Mueller, Lesley University Leocadia Diaz Romero, Murcia State University Lee Trepanier, Saginaw Valley State University Goal To create a syllabus resource for a course about utopian thought with attention to the issues of race, class, gender, and disability. Learning Outcomes To use utopias as reflective tools to analyze ethical and political values in the world To use utopias to think of alternative possible futures in the world To use utopias to think beyond present boundaries of what is considered normal To use utopias to identify points of overlap and conflict between values systems with respect to race, class, gender, and disability Skills To develop students’ critical thinking To develop students’ analytical writing To develop students’ effective communication skills Success To be familiar with the literature of utopias To understand how race, class, gender, and disability exist as systems of privilege and oppression in the world To think, write, and communicate critically, analytically, and effectively Assess Success Iterative essay assignments Course Level and Class Size Elective 15-20 students Classroom Preference for classroom, hybrid optional Utopian Academic Literature Bahng, Aimee. Migrant Futures (Duke University Press, 2018) Bell, David M. Rethinking Utopia: Place, Power, Affect (Routledge, New York and London, 2017) Bey, Hakim. T.A.Z. The Temporary Autonomous Zone (Pacific Publishing Studio, 2011) Chrostowska, S. D. and James D. Ingram, eds., Political Uses of Utopia: New Marxist, Anarchist, and Radical Democratic Perspectives (New York: Columbia University Press, 2016) Claeys, Gregory, ed. The Cambridge Companion to Utopian Literature (Cambridge: Cambridge University Press, 2010) Claeys, Gregory and Lyman Tower Sargent, eds. -
The Sisters in Crime Newsletter Volume XXII • Number 3 September 2009
IInnSSiinnCC The Sisters in Crime Newsletter Volume XXII • Number 3 September 2009 SinC Puts Forward StroPnick. MgarySis anlawaardt- eat tfheoRefreren2ce D0esk0and9as -the2lib0rary1’s PR0 co - ByCRlicohébyeers,tabuItsitletriubl,y PseeamsstlPikereyessitderednayt that winning poet and short ordinator. One of the very best parts of her job is Libby Hellmann called to ask if I’d consider tak - story writer and former bringing writers — especially mystery writers — ing a spot on the Sisters in Crime National Board recording engineer. She to the library. “There is absolutely nothing better of Directors. These four years have been chal - lives in Nashville. than for a library user to tell me they have been lenging and so very rewarding and it’s with mixed Treasurer Kathryn reading a mystery author because they met her at feelings that I step down. On behalf of the nomi - R. Wall is the author of the library and that they can’t wait for her next nating committee, I am delighted to offer SinC Covenant Hall and book to come out!” members a very strong slate for the 2009-2010 eight previous Bay Tan - Nancy Martin board. Elections will take place at Bouchercon in ner mysteries set in the (Member At Large) Indiana. If you’re not planning to attend, please Mary Saums Low Country of South wrote more than 40 ro - vote by mail, using the ballot on page 15 in this is - Carolina. The Mercy mance novels before sue. And now, the slate: Oak , released in 2008, turning to her real pas - President-elect was a Southeastern In - sion – murder myster - Marcia Talley is the dependent Book - ies. -
HG Wells and Dystopian Science Fiction by Gareth Davies-Morris
The Sleeper Stories: H. G. Wells and Dystopian Science Fiction by Gareth Davies-Morris • Project (book) timeline, Fall 2017 • Wells biography • Definitions: SF, structuralism, dystopia • “Days to Come” (models phys. opps.) • “Dream of Arm.” (models int. opps.) • When the Sleeper Wakes • Intertextuality: Sleeper vs. Zemiatin’s We • Chapter excerpt Herbert George Wells (1866-1946) The legendary Frank R. Paul rendered several H. G. Wells narratives as covers for Hugo Gernsback’s influential pulp magazine Amazing Stories, which reprinted many of Wells’s early SF works. Clockwise from top: “The Crystal Egg” (1926), “In the Abyss” (1926), The War of the Worlds (1927), and When the Sleeper Wakes (1928) Frank R. Paul, cover paintings for Amazing Stories, 1926-1928. “Socialism & the Irrational” -- Wells-Shaw Conference, London School of Economics Fall 2017 Keynote: Michael Cox Sci-Fi artwork exhibit at the Royal Albert Hall! Fabian stained -glass window in LSE “Pray devoutly, hammer stoutly” Gareth with Professor Patrick Parrinder of England’s U. of Reading • Studied at the Normal School (now Imperial College London) with T.H. Huxley. • Schoolteacher, minor journalist until publication of The Time Machine (1895). • By 1910, known worldwide for his “scientific romances” and sociological forecasting. • By the 1920s, syndicated journalist moving in the highest social circles in England and USA. • Met Lenin, Stalin, and several US Presidents. • Outline of History (1920) a massive best-seller. • World State his philosophical goal; Sankey Declaration/UN