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24 Music makes the movie. NEW Cinescore makes the music. Cinescore: Professional Soundtrack Creation Cinescore™ software introduces new levels of customization, performance, and accuracy to the world of professional soundtrack creation. Automatically generate an unlimited number of musical compositions using royalty-free Theme Packs in a wide array of popular styles—perfect for movies, slide shows, commercials, and radio productions. With Cinescore there are no loops to stack or complicated licensing fees to sap your budget. Multiple tracks with functional editing capabilities ensure the most accurate fit for your media, while highly customizable, user-defined settings yield a nearly infinite number of musical choices. Discover the true potential of your video by taking full control over your soundtrack. www.sony.com/cinescore Copyright © 2006. Madison Media Software, Inc., a subsidiary of Sony Corporation of America. All rights reserved. Cinescore_FullPage_STASH.indd 1 4/24/06 5:12:25 PM �������������������� Each of the these limited edition sets Include: Own 14 hours of inspiration - The complete disks from six issues of Stash Magazine - Over 175 outstanding animation, VFX and motion design projects for one low price* - Behind the scenes extras - Hi-res PDF fi les of the 40-page companion book for every disk * BUY ALL THREE SIXPACKS TODAY AND SAVE $50 at www.stashmedia.tv. Just some of the studios featured on the NEW SIXPACK3 (in no particular order because we love them all): MOTION THEORY EYEBALL NYC BILL PLYMPTON PARTIZAN LAB MODEL ROBOT LOGAN LYNN FOX THE ORPHANAGE CAVIAR BLUR DAF BENT FRAMESTORE CFC LOST IN SPACE A52 STUDIO AKA HONEST RESOLUTION ANIMAL LOGIC STARDUST INTERSPECTACULAR ADDICTION LOYAL KASPAR EXOPOLIS METHOD MASSIVE TRANSISTOR HEAD GEAR HEAT CREATIVE TROIKA RED ROVER POST PANIC NEXUS PRODUCTIONS BRAND NEW SCHOOL BITSTATIC LOBO FILMTECKNARNA PASSION PICTURES FOREIGN OFFICE DESIGNERS REPUBLIC BERMUDA SHORTS GOLDEN SQUARE BUCK DIGITAL DOMAIN ONESIZE NEILL BLOMKAMP SHYNOLA BLACK GINGER MK12 DOMA GLASSWORKS SAIMAN CHOW TOPIX RYTHYM+HUES PSYOP HUNTERGATHERER RHINOFX SHERBET RIOT DIGITAL KITCHEN SPRITE STUDIOS TROLLBACK SWAY HORNET FONZTEEVEE IMAGINARY FORCES RENASCENT JOSEPH KOSINSKI AARDMAN IAMSTATIC CURIOUS PICTURES GOBELINS Sitting here in Boston for Siggraph, I suddenly had flashbacks of the ’04 conference two years ago in LA. We had just dropped Stash 01 on the stash world and watched like new bewildered parents as it landed with a polite DVD MAGAZINE 24 thud. Greg Robins, our publisher, and I had just spent way too much time STASH MEDIA INC. and money assembling those first 1,000 disks and had only fuzzy ideas Editor: STEPHEN PRICE what to do with them. Publisher: GREG ROBINS That initial fuzz didn’t include subscribers in 50 countries or Stash retail Associate editor: HEATHER GRIEVE displays in fashion boutiques in Paris and HMV Tokyo. It didn’t include Associate publisher: LARA OSLAND bonus films or music samplers, Sixpacks, the Global Student Animation Newbizwiz: ANDREAS VAGELATOS Awards, The Best of Stash Tour or Feed with its loyal posters and legion Administration: MARILEE BOITSON of readers. Art production: KRISTIN DYER Music editor: STEVE MARCHESE The only clear idea we had was that animation, vfx and motion design Technical guidance: IAN HASKIN artists and directors deserved the same recognition accorded their live DVD production: ASSET DIGITAL action peers and the way to do that was to get the work out there in full- Montage editor: JEFF ZEMETIS quality video and audio. Title animation: KYLE SIM, TOPIX Music: TREVOR MORRIS The evolution of Stash is still underway. In the coming months you can Cover image: 21-19 expect more behind the scenes material, more Stash-sponsored events ISSN 1712-5928 and screenings and some larger stuff I’m dying to brag about but am not SUBSCRIBE, BUY BACK ISSUES, allowed to tell you yet. SUBMIT, ADVERTISE OR JUST FIND OUT MORE ABOUT STASH: Anyway, as we turn two I want to offer my heartfelt thanks to all of you for WWW.STASHMEDIA.TV staying with us and helping those fuzzy ideas come into focus. Legal things: Stash Magazine and Stash DVD are published 12 times per year by Stash Media Inc. All rights reserved and contents copyright Stephen Price Stash Media Inc. No part of this booklet nor Editor the Stash DVD may be copied without express written permission from the publisher. Stash September 2006 Media Inc. does not promote or endorse products, services or events advertised by [email protected] third party advertisers. Submissions: www. stashmedia.tv/submit. Subscrptions available from www.stashmedia.tv. Contact us at: Stash Media Inc. 233-1433 Lonsdale Ave, North Vancouver, BC V7M 2H9 Canada Printed in Canada. stash 24.01 CALTEX “FLIES” TVC :60 Agency: GEORGE PATTERSON Y&R, SYDNEY Director: GRAEME BURFOOT Production: FILMGRAPHICS Animation/VFX: ANIMAL LOGIC www.animallogic.com Long-time collaborators Animal Logic and Filmgraphics director Graeme Burfoot (see Tooheys “War of the Applliances” in Stash 14) extend the boundaries of particle animation in this :60 for Australian petrol peddler Caltex. Working with footage shot at the Ipswich Race Track in Queensland, the VFX team built the fly car by piling up 30 layers and as many as 500,000 flies. AL 3D lead Tim Quarry reveals that once the director had approved the motion of the car, “we developed a tool that added For George Patterson Y&R For FilmGraphics For Animal Logic flies to the car shape with a range CD: Michael Stanford EP: Jude Lengel Producer: Victoria Taplin of weights so some flies would AD: Chris Northam DOP: Andrew Lesnie 3D lead: Tim Quarry stick and others would be removed Copy: Chris Northam, Sri Mogeri AD/fly wrangler: Martin O’Neill Lead compositor: Leoni Willis from the swarm to trail off.” The Producer: Craig Sloane Sr editor: Sue Schweikert AD: Ben Walsh particle work was complemented in many scenes by up to 100 hand- Watch extensive Behind the Sound/music: Song Zu animated flies. Scenes on the DVD. stash 24.02 HP “HANDS” TVC :60 Agency: GOODBY, SILVERSTEIN & PARTNERS Director: MATHEW CULLEN Production/VFX: MOTION THEORY www.motiontheory.com In the second phase of HP’s global brand campaign, Motion For Motion Theory Theory creates a series of mini- DP: Eric Schmidt autobiographies for billionaire HOP/producer: Scott Gemmell Dallas Mavericks owner Mark EP: Javier Jimenez Cuban, reality-show pioneer Mark Editor: Jason Webb Burnett and musician/producer CD: Mathew Cullen Pharrell Williams, each of whom AD: Mark Kudsi reveals their identity through the VFX super: Vi Nguyen contents of their computer. Each 3D: Jesse Franklin, Danny Zobrist, spot is a one-shot performance Christina Lee, Nick Losq, layered with carefully orchestrated Chris Clyne, Andrew Romatz, 3D elements. The results are Ira Shain, Helen Choi, Grace Lee, smooth, sophisticated and stand Jim Goodman, Sarah Bocket. up to multiple viewing if not frame- Designers/animators: Mark Kudsi, by-frame analysis. Mathew Cullen, Jake Sargeant, Jesus De Francisco, Mike Slane, Ron Delizo, Mark Kulakoff, Matt Motal, Rob Resella, Paul K. Lee, Chad Howitt, John Fan, Christian De Castro Post super: James Taylor Compositing/VFX: Danny Yoon stash 24.03 SAMSUNG “M-GENERATION” TVC :30 Agency: CHEIL COMMUNICATIONS MÉXICO Director: JORGE LUIS VAZQUEZ Production: CENTRAL FILMS Animation/VFX: CLUSTER STUDIO www.clusterstudio.com Apparently even sex between electronic gadgets sells. With 17 shots and 24 seconds of animation to deliver in six weeks, the biggest challenge for Mexico City’s Cluster Studio was to deal with the large cast of characters: 15 Samsung products plus 34 electronic components to be modeled, For Central Films 3D animators: David Camiro, Eddy For Prado Sur Audio textured, shaded and rigged. And CEO: Enrique Nava Mendoza , Michèle Quéré, Sound designer: Emilio Ortega some of those shots contain over DOP: Sergei Tanaka Lighting/shading: Edgar Piña “Chino” 200 characters. AD: Victoria Nieto Textures: Fernanda Heredia, Ted Toolkit EP: Blanca Moreno Keys For Cheil Communications Maya with proprietary scripts, Motion graphics: Fernando México For Cluster Studio Mental Ray, Advanced Skeleton, Cabestany CD: Carlos Batiz CGI/VFX super: Armando Ricalde Shake, After Effects, Final Cut Pro Compositors: Armando Ricalde, Copy: Anaietzin Chavez Animation super/TD: Eddy Luis Montemayor Watch Behind the Scenes on AD: Victor del Castillo Mendoza the DVD Producer: Samuel Rosete For Estudio Sonideros 3D modelers: Juan C. Lepe, David Composers: Ramiro del Real, Camiro, David Watztein, Juan Renato del Real, Joaquin Rosendo Zubiaga stash 24.04 SPECIALIZED “HAPPY ENTRAILS” Viral Agency: GOODBY, SILVERSTEIN & PARTNERS Director: TOM KOH For Goodby, Silverstein & Animation: Partners BL:ND CDs: Rich Silverstein, www.blind.com Steve Simpson According to Bl:nd director Associate CD: Bob Winter Tom Koh, the biggest creative ADs: Aaron Dietz, Jason Warne, challenge on this viral project for Kevin Jordan California bike maker Specialized Copy: Mandy Dietz, Nick Prout, was to ride the fine line between Spencer Riviera cute and gruesome, “It’s not Producer: MJ Otto that often you’re asked to design For Bl:nd bunnies with Molotov cocktails.” EP: Santino Sladavic The team of one illustrator and Director/CD: Tom Koh three animators spent a week Producer: Amy Knerl on character design and another Designer/illustrators: Tom Koh, two weeks in production. “It was Bill Sneed, Joseph Chan a rewarding project,” continues 2D: Jason Kim, Tom Koh, Koh, “where the creatives on both Joseph Chan sides (us