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The Popular Culture Studies Journal
THE POPULAR CULTURE STUDIES JOURNAL VOLUME 6 NUMBER 1 2018 Editor NORMA JONES Liquid Flicks Media, Inc./IXMachine Managing Editor JULIA LARGENT McPherson College Assistant Editor GARRET L. CASTLEBERRY Mid-America Christian University Copy Editor Kevin Calcamp Queens University of Charlotte Reviews Editor MALYNNDA JOHNSON Indiana State University Assistant Reviews Editor JESSICA BENHAM University of Pittsburgh Please visit the PCSJ at: http://mpcaaca.org/the-popular-culture- studies-journal/ The Popular Culture Studies Journal is the official journal of the Midwest Popular and American Culture Association. Copyright © 2018 Midwest Popular and American Culture Association. All rights reserved. MPCA/ACA, 421 W. Huron St Unit 1304, Chicago, IL 60654 Cover credit: Cover Artwork: “Wrestling” by Brent Jones © 2018 Courtesy of https://openclipart.org EDITORIAL ADVISORY BOARD ANTHONY ADAH FALON DEIMLER Minnesota State University, Moorhead University of Wisconsin-Madison JESSICA AUSTIN HANNAH DODD Anglia Ruskin University The Ohio State University AARON BARLOW ASHLEY M. DONNELLY New York City College of Technology (CUNY) Ball State University Faculty Editor, Academe, the magazine of the AAUP JOSEF BENSON LEIGH H. EDWARDS University of Wisconsin Parkside Florida State University PAUL BOOTH VICTOR EVANS DePaul University Seattle University GARY BURNS JUSTIN GARCIA Northern Illinois University Millersville University KELLI S. BURNS ALEXANDRA GARNER University of South Florida Bowling Green State University ANNE M. CANAVAN MATTHEW HALE Salt Lake Community College Indiana University, Bloomington ERIN MAE CLARK NICOLE HAMMOND Saint Mary’s University of Minnesota University of California, Santa Cruz BRIAN COGAN ART HERBIG Molloy College Indiana University - Purdue University, Fort Wayne JARED JOHNSON ANDREW F. HERRMANN Thiel College East Tennessee State University JESSE KAVADLO MATTHEW NICOSIA Maryville University of St. -
Professional Wrestling, Sports Entertainment and the Liminal Experience in American Culture
PROFESSIONAL WRESTLING, SPORTS ENTERTAINMENT AND THE LIMINAL EXPERIENCE IN AMERICAN CULTURE By AARON D, FEIGENBAUM A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2000 Copyright 2000 by Aaron D. Feigenbaum ACKNOWLEDGMENTS There are many people who have helped me along the way, and I would like to express my appreciation to all of them. I would like to begin by thanking the members of my committee - Dr. Heather Gibson, Dr. Amitava Kumar, Dr. Norman Market, and Dr. Anthony Oliver-Smith - for all their help. I especially would like to thank my Chair, Dr. John Moore, for encouraging me to pursue my chosen field of study, guiding me in the right direction, and providing invaluable advice and encouragement. Others at the University of Florida who helped me in a variety of ways include Heather Hall, Jocelyn Shell, Jim Kunetz, and Farshid Safi. I would also like to thank Dr. Winnie Cooke and all my friends from the Teaching Center and Athletic Association for putting up with me the past few years. From the World Wrestling Federation, I would like to thank Vince McMahon, Jr., and Jim Byrne for taking the time to answer my questions and allowing me access to the World Wrestling Federation. A very special thanks goes out to Laura Bryson who provided so much help in many ways. I would like to thank Ed Garea and Paul MacArthur for answering my questions on both the history of professional wrestling and the current sports entertainment product. -
Grappling with Race: a Textual Analysis of Race Within the Wwe
GRAPPLING WITH RACE: A TEXTUAL ANALYSIS OF RACE WITHIN THE WWE BY MARQUIS J. JONES A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Communication April 2019 Winston-Salem, North Carolina Approved By: Ronald L. Von Burg, PhD, Advisor Jarrod Atchison, PhD, Chair Eric K. Watts, PhD ii ACKNOWLEDGEMENTS I would first like to thank my thesis advisor, Dr. Ron Von Burg of the Communication Graduate School at Wake Forest University. Dr. Von Burg’s office was always open whenever I needed guidance in the completion of this thesis. He consistently allowed this paper to be my own work, but steered me in the right direction whenever he thought I needed. I would also like to thank Dr. Jarrod Atchison and Dr. Eric Watts for serving as committed members of my Graduate Thesis Committee. I truly appreciate the time and energy that was devoted into helping me complete my thesis. Finally, I must express my very profound gratitude to my parents, Marcus and Erika Jones, for providing me with unfailing support and continuous encouragement throughout my years of sturdy and through the process of research and writing this thesis. This accomplishment would not have been possible without them. Thank you. I love you both very much. Thank you again, Marquis Jones iii TABLE OF CONTENTS ABSTRACT…………………………………………………………………..iv Chapter 1: INTRODUCTION………………………………………………Pg. 1 Chapter 2: HISTORY OF WWE……………………………………………Pg. 15 Chapter 3: RACIALIZATION IN WWE…………………………………..Pg. 25 Chapter 4: CONCLUSION………………………………………………......Pg. -
Revue De Recherche En Civilisation Américaine, 4 | 2013 Professional Wrestling As Culturally Embedded Spectacles in Five Core Countri
Revue de recherche en civilisation américaine 4 | 2013 Le catch et... Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Édition électronique URL : http://journals.openedition.org/rrca/548 ISSN : 2101-048X Éditeur David Diallo Référence électronique Dan Glenday, « Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan », Revue de recherche en civilisation américaine [En ligne], 4 | 2013, mis en ligne le 12 janvier 2014, consulté le 19 avril 2019. URL : http:// journals.openedition.org/rrca/548 Ce document a été généré automatiquement le 19 April 2019. © Tous droits réservés Professional wrestling as culturally embedded spectacles in five core countri... 1 Professional wrestling as culturally embedded spectacles in five core countries: the USA, Canada, Great Britain, Mexico and Japan Dan Glenday Introduction 1 This paper addresses a succession of complicated issues surrounding the cross-cultural popularity of professional wrestling. While boasting fans in several countries from across the globe, today, professional wrestling maintains a lasting presence in five territories - USA, Canada, United Kingdom, Japan and Mexico. ‘Culturally embedded spectacle’ is the unique conceptual framework developed for this paper to explain the longevity of professional wrestling in these five locations and includes the following factors: a continuous history of professional wrestling, national television exposure during the Old School era highlighting larger-than-life characters playing the face, an extensive group of independent professional wrestling federations and commemorative cultural experiences for young and old fans. 2 Granted, there may be other aspects not included here. -
Wrestling Observer Newsletter March 23, 1992
Wrestling Observer Newsletter March 23, 1992 Years of lies and deception caught up with Vince McMahon in 29, Hodgson met with McMahon and after the meeting, what had to be a week the likes of which he has to hope he'll Patterson was waiting for Hodgson when he came out of never have to live through again. McMahon's office and allegedly said, "Wouldn't listen to me, would you?" A series of wrestling scandals, from Hulk Hogan's lies about steroids, to claims of homosexual harassment of the wrestlers The next day, Steve Planamenta sent out a press release all the way to the charge of WWF executives sexually abusing saying: "The San Diego Union has published a story containing underage ringboys went from the front page of newspapers serious inaccuracies about alleged widespread wrongdoing in around the country and even as far as England, all the way to the World Wrestling Federation. We do not believe the charges People Magazine, Larry King Live on CNN and the syndicated in that newspaper to be true and we are so outraged that we Phil Donahue show. have asked our attorneys to determine what legal action might be appropriate. However, as a responsible corporate citizen, we On Monday, the one charge that threatened the merchandising recognize that even false allegations must be investigated, and future of the multi-million (not billion) dollar Titan empire was we will continue to do so. The WWF promotes good family settled in a most bizarre turn of events. Tom Cole, the 20-year- entertainment. -
“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE's Portrayals of Samoans Across Generations
Utah State University DigitalCommons@USU All Graduate Plan B and other Reports Graduate Studies 8-2020 “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations John Honey Utah State University Follow this and additional works at: https://digitalcommons.usu.edu/gradreports Part of the American Popular Culture Commons Recommended Citation Honey, John, "“Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans Across Generations" (2020). All Graduate Plan B and other Reports. 1469. https://digitalcommons.usu.edu/gradreports/1469 This Report is brought to you for free and open access by the Graduate Studies at DigitalCommons@USU. It has been accepted for inclusion in All Graduate Plan B and other Reports by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. 1 2 Copyright © John B. Honey 2020 All Rights Reserved 3 ABSTRACT “Racist, Sexist, Profane, and Violent”: Reinterpreting WWE’s Portrayals of Samoans across Generations By John B. Honey, Master of Science Utah State University, 2020 Major Professor: Dr. Eric César Morales Program: American Studies This paper examines the shifting portrayals of Pacific Islanders in World Wrestling Entertainment (WWE) across three generations. As both a popular and historically racially problematic venue, WWE’s politically incorrect programming has played an underappreciated and under examined role in representing the USA. Although 4 many different groups have been portrayed by gross stereotypes in WWE, this paper uses the family of Dwayne “the Rock” Johnson—the Samoan Dynasty—as a case study. The WWE originally presented Pacific Islanders using the most offensive stereotypes, and the first two generations of the Samoan Dynasty had to “play Indian” or cosign onto gross representations of their people to be recognized by American audiences unfamiliar with representations of Pacific Islanders. -
The Three Pillars of Catch in Japan Pro-Wrestling"
ne go g e in ith v rn ve w ha a a d le o le h ho u itt to t er y w fe ly l c m ft a s d nt is gi e a . M r ry n re e lo y se n st he ve a a er r an 't pa e ot t ts pp th o sn a W d u gh a t - ad g e J e e , b fi n bu ve h in o to th nc n is ka , ro is tl D k n e pa . H ? ed p th es ac i flu a e d n to t r b ch in J er K? e ha -W at d/ to h pp ce - t ro C e n e a n P n in ur nc h de te n pa ra et e vi la o a t r id e cu e J id ev pe nc in d e s e A ttl d flu M li an in M d US to n n k , a i ac an g ch b z lin at it do st C ht ki e n g Ri r i ou d -W ed r le ro in , b st P ra pe re n T ro w ow u , s E an hi p d on Ja te ti ar iza st n ga or ; an ap nt J e to ud h st tc a o so t G al h y ug el , ro lik rs B t e os ch ch d ry m ot a A ve G te m 't of y ro n to at an f e as t d m ng th w o e d ni g n a g oy a ar tin o ur he tr h le si n m n s sz g vi a Ki e de e in d ig s h t f Th d n W s y ; w go t o lu a in on a d e it n nc el it si S lle h P e is i nt P a ki n e ud h . -
The Sportingcopthioht, 1894, by the 8Pohtino Lipb Pub
THE SPORTINGCOPTHIOHT, 1894, BY THE 8POHTINO LIPB PUB. CO. BNTEBED AT FHILA. P. O. AS SECOND CLASS MATTBB. LIFE VOLUME 22, NO. 15. PHILADELPHIA, PA., JANUARY 6, 1894. PRICE, TEN CENTS. 'vow that both Lowell and Manchester ganization, and he claims he has al re not members of the New England ready received assurances from enough THE SPORTING LIFE. ..eague, the chances are that it will clubs to make the new league a success. ie sometime to come THAT NEW LEAGUE, QUITE A TRADE. LAW ON FRANCHISES. A WEEKLY JOURNAL before these critics That a league composed of semi-pro vill again he represented in the leading fessional clubs which will play games Devoted to minor league of this section. So the WHICH IS TO BE A TAIL TO THE 'HE BALTIMORE AND in this vicinity on Sunday can be made utlook for the formation of the Merri BROOKLYN to pay was clearly proven by tho crowds SOME POINTS IN THE CONSTITUTION BASE BALL, BICYCLING AND mack Valley League looks bright. What which attended the games of the New GENERAL SPORTS AND ay you, brother Jake Morse. WESTERN LEAGUE KITE. CLUBS SWAP NOTED PLAYERS. York Semi-Professional League two OF THE BIG LEAGUE PASTIMES. CAMPION'S DKATH. years ago. The league would probably The many friends of William Cam still be in existence but for the trouble ion in this city which are legion, were Colonel Hicfcey, ol Lincoln, the Pro Brooklyn Gives Bronthers and Keeler the colored Gorhajn and Cuban Giants Relating to tbe Sale or Transfer Published by ained to read the obituary notices of had with their players. -
The 7 Steps - June
The 7 Steps - June 1. CONTEXT Mindmap anything you know about the topic, including UFC vocabulary. Do some research online to help. Listening Questions 1 1. Who did Muhammad Ali fight in 1976 and what kind of fighter was he? 2. QUESTIONS . 2. What kind of tournament was UFC1? Read the listening . questions to 3. How many rules were there for UFC1 and what were they? check your understanding. Look up any new 4. What part of UFC has remained the same? vocabulary. 5. How much did WME-IMG pay for the UFC in 2017? . Listening Questions 2 3. LISTEN 1. What is pay-per-view? . Listen and answer the questions 2. Who is one of the UFC’s biggest stars and where is he from? using full . sentences. Circle the number of 3. How many PPV purchases did UFC229 sell and what was the cost of one? times and % you . understood. 4. Where was UFC 229 held and how much money did it sell for attendance? . 5. How much of the UFC’s total revenue came from PPV earnings in 2016? . Listening 1 1 2 3 4 5 % % % % % Discussion Questions Listening 2 1. What benefits are there to doing martial arts? Do you think they should be taught to children? 1 2 3 4 5 2. What are some big events broadcast on Japanese TV? Do you % % % % % think the pay-per-view model will become more popular? 4. CHECK ANSWERS TRANSCRIPT 1 What is the most effective martial art in the world? Is it karate or perhaps wrestling? Over the years many people have tried to answer this question. -
Claims Department 27
Vice is doing a series of documentaries about the heavier aspects of the history of Pro Wrestling called The Dark Side of the Ring. These docs are taking a look at tragedies in the wrestling, and there are quite a few to choose from. The first one they released, and one of the finest true crime docs if you like the human side instead of the hard core investigative side, is about Bruiser Brody. And thus, having finished watching it, I realized I’d never done an issue dedicated to him. This issue, more than any other Claims Department I’ve ever done, will be the story of what it means to be a genius, to live in a world that has rules that are not those of the outside world. This is a story of an American who was a giant star in Japan, partly because he had so much trouble getting along with promoters in the US. This issue tells the story of a man who was an incredibly brawler, who bled in so many matches, who helped re-define what brawling was in an era when wrestling was completely being redefined. He was also an amazing wres- tler, could go on the ground , work a match that would make you believe he was a former Olympian. In short, it is the story of a man who was a master of his craft, and a man who knew he was a master of his craft. Yes, it has a tragic ending. In other news, I’m happy to report that the Boys are turning 4 shortly, and that’s a good thing! JP is reading. -
Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2016 Professional Wrestling: Local Performance History, Global Performance Praxis Neal Anderson Hebert Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the Theatre and Performance Studies Commons Recommended Citation Hebert, Neal Anderson, "Professional Wrestling: Local Performance History, Global Performance Praxis" (2016). LSU Doctoral Dissertations. 2329. https://digitalcommons.lsu.edu/gradschool_dissertations/2329 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. PROFESSIONAL WRESTLING: LOCAL PERFORMANCE HISTORY, GLOBAL PERFORMANCE PRAXIS A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The School of Theatre By Neal A. Hebert B.A., Louisiana State University, 2003 M.A., Louisiana State University, 2008 August 2016 TABLE OF CONTENTS ACKNOWLEDGMENTS .............................................................................................. iv ABSTRACT ......................................................................................................................v -
Robschambergerartbook1.Pdf
the Champions Collection the first year by Rob Schamberger foreward by Adam Pearce Artwork and text is copyright Rob Schamberger. Foreward text is copyright Adam Pearce. Foreward photograph is copyrgiht Brian Kelley. All other likenesses and trademarks are copyright to their respective and rightful owners and Rob Schamberger makes no claim to them. Brother. Not many people know this, but I’ve always considered myself an artist of sorts. Ever since I was a young kid, I invariably find myself passing the time by doodling, drawing, and, on occasion, even painting. In the space between my paper and pencil, and in those moments when inspiration would strike, my imagination would run amok and these bigger-than-life personas - football players and comic book characters and, of course, professional wrestlers - would come to life. I wasn’t aware of this until much later, but for all those years my mother would quietly steal away my drawings, saving them for all prosperity, and perhaps giving her a way to relive all of those memories of me as a child. That’s exactly what happened to me when she showed me those old sketches of Iron Man and Walter Payton and Fred Flintstone and Hulk Hogan. I found myself instantly transported back to a time where things were simpler and characters were real and the art was pure. I get a lot of really similar feelings when I look at the incredible art that Rob Schamberger has shared with 2 foreward us all. Rob’s passion for art and for professional wrestling struck me immediately as someone that has equally grown to love and appreciate both, and by Adam Pearce truth be told I am extremely jealous of his talents.