Master of Puppets

Home , Cliff Burton, Master of Puppets, Metallica

MASTER OF PUPPETS As recorded by Metallica (From the 1986 Album MASTER OF PUPPETS) Transcribed by Jon Symons, Music by James Hetfield, Lars Ulrich, Kirk Bakerman Hammett, Cliff Burton

E5 D5 C5 A5 B5 D 5 xxx x xx 5 fr. x xx 3 fr. x xx x xx x b xx 6 fr.

A Intro = 210 P D5 Cb5 C5 N.C.(E5)

1 g 4 V j V W U I 4 V V ggV ffW U V eV V Elec. Gtr. w/Dist. V V V V V V Gtrs I, II f P.M. P.M. P.M. T A 9 10 (10) B 7 12 11 10 (10) 0 10 9 8 (8) 0 0 12 0 0 11 0 0 g 4 j V W U j I 4 V ggV ffW U V V Gtr III mf Elec. Gtr. w/Dist. P.M. T A 10 (10) B 2 12 11 10 (10) 2 0 10 9 8 (8) 0 *each Gtr. was layered multiple

D5 Cb5 C5 N.C.(E5) 4x 5 g V W I V ggV ffW V V V V V eV V V V V gV V fV V V fV P.M. P.M. P.M. P.M. P.M. P.M. T A 10 B 12 11 10 10 9 8 0 0 7 0 0 6 0 0 5 0 4 0 3 0 2 1

g 4x I V gV fW j V g V f W V *V T A 10 B 12 11 10 2 10 9 8 0 *not played last

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N.C. 8 g I V gV fV V V gV V V V V V fV V V V V V V fV V V V V V fV V V V V V V V V V V V V V Gtr I P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A B 2 3 4 3 2 2 2 3 5 4 5 4 5 4 0 1 0 1 0 1 0 1 0 1 0 1 0 1 1 0 3 2 0 3 2 0 3 2 sl. sl. sl. g j I V gV V V V V V V V V V V V V V Gtr II P.M. P.M. P.M. T A B 2 5 4 5 4 5 4 0 3 2 0 3 2 0 3 2 sl. sl. sl.

N.C. 12 g I V gV fV V gV fV V V fV V V V V V V fV V V V V V fV V V V V V V fV V V V Gtrs I, II P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A 4 B 2 3 4 3 2 2 2 3 4 3 2 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1 1 0

16 g I V gV fV V V gV V V V V V fV V V V V V V fV V V V V V fV V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A B 2 3 4 3 2 2 2 3 5 4 5 4 5 4 0 1 0 1 0 1 0 1 0 1 0 1 0 1 1 0 3 2 0 3 2 0 3 2 sl. sl. sl.

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E5 N.C.(E5) 20 g j I V gV V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A 2 B 5 4 5 4 5 4 2 3 2 0 3 2 0 3 2 0 0 0 0 0 0 0 0 0 sl. sl. sl.

g j I V eV V V V eV V V V V V V V V V V Gtr III f P.M. P.M. P.M. P.M. P.M. A.H.[[[[[[[[[[[[ T A 8 8 8 8 8 (8) B 7 7 7 7 7 0 0 0 0 0 D

24 g 11 c l I V V fV V V V 16 V V V V V V V V e V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A B 5 7 8 7 5 7 5 7 5 7 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 0 3 5 3 5 sl. sl. sl. sl. sl.

B Verse T N.C.(E5)TT 4x 27 g 4 11 c l I 4 V V fV V V V 16 V V V V V V V V V V V V V V V Ve V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A B 5 7 8 7 5 7 5 7 5 7 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 0 3 5 3 5 sl. sl. sl. sl. sl.

N.C.(Fb5) 31 g 4 k 11 c l I 4 V V V V V V 16 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A 0 4 5 4 0 4 0 4 0 4 B 0 2 3 2 0 2 0 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 H sl. H H H

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C Pre-Chorus C Pre-Chorus 1. , 2. , 3. B5 E5 D5 E5 C5 B5 Db5 B5 35 g 4 V V V V R gV I 4 V V V V V V V V V V V V V V P W V V V V V Vg V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. [[[[[[[ P.M. P.M. T A 4 4 4 4 4 4 4 4 9 7 9 9 8 B 2 2 2 2 2 2 2 2 7 5 7 7 9 10 9 10 10 9 6 9 0 0 0 7 7 7 7 8 7 8 8 8 8 7 H

D Chorus 4. N.C. E5 F5 E5 40 g k k c k c k c k c k I V V eV V V V V V V V fV V W V V V V Gtr I Gtrs I, II P.M. T A B 9 7 6 6 2 2 3 3 2 8 7 0 0 1 1 0 0 0 0 g k k I V V V V V eV Gtr II T A 7 5 4 4 B 7 6

Fb5 G5 C5 44 g 2 4 I 4 gV 4 U U W V V V V V U U V V V P.M. P.M. T A 5 B 4 5 (5) 3 0 0 0 2 0 0 0 3 (3)

B5 A5 D5 48 g 2 4 I 4 V 4 U U W V V V V V U U W V V V V P.M. P.M. T A 4 2 (2) 7 B 2 0 0 0 0 (0) 5 3 3 3

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C5 B5 E5 52 g 2 4 W V I 4 V 4 U W V V V V U V V V P.M. P.M. T A 5 4 9 B 3 2 7 3 3 3 0 0 0

D5 C5 E5

55 g 2 V 4 2 4 c k c k I 4 V 4 U 4 W 4 V V V V V P.M. T A 7 5 (5) B 5 3 (3) 2 2 0 0 0 0 0

F5 E5 59 g c k c k 2 I V V 4 gV fV V W V V V V V V V V P.M. P.M. T A B 3 3 2 4 1 1 0 0 0 0 2 0 0 0

To Coda To Dbl. Coda C5 E5 F5 62 g 4 c k c k c k c k I 4 U U V V V V fV V T A 5 (5) B 3 (3) 2 2 3 3 0 0 1 1

N.C. 66 g I V gV fV V V fV V V V V V V fV V V V V V fV V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A B 2 3 4 3 2 2 2 3 0 1 0 1 0 1 0 1 0 1 0 1 0 1 0 1

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1. 2. D.S. al Coda B5 69 g I gV fV V V gV V V V V V gV V V V V V fV V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. T A 4 B 4 3 2 5 4 5 4 5 4 5 4 5 4 5 4 0 1 1 0 3 2 0 3 2 0 3 2 3 2 0 3 2 0 3 2 sl. sl. sl. sl. sl. sl.

SF5 72 g c k c k I V V fV V w/vocal effects (delay T A B 3 3 1 1

E Interlude = 105 EmP D Cadd9 Asus2 B7 B7/Db

75 g V V V V I 42 V 4 V V V V V V V V V V V V V V V V 42 V V V V 3 V V gV V V V V V V V Gtr IV mf Elec. Gtr. with clean tone, chorus and let ring 0 2 0 3 T 3 3 3 3 0 0 0 0 0 2 2 2 (0) 0 0 0 2 2 2 A 2 0 2 1 B 2 3 0 0 2 2 0 3 H P P Em D Cadd9 Asus2 B7 B7/Db

80 g V V V V I V 4 V V V V V V V V V V V V V V V V 42 V V V V 3 V V gV V V V V V V V let ring 0 2 0 3 T 3 3 3 3 0 0 0 0 0 2 2 2 (0) 0 0 0 2 2 2 A 2 0 2 1 B 2 3 0 0 2 2 0 3 H P P g 4 2 I 4 W W W W W W 4 W W vol. swells Gtr III mp

T 2 4 A 2 4 5 4 B

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Em D Cadd9 8va V V V 85 g V V V V V V V V V I 4 V V V V V V V V V V

Gtr I 19 15 17 14 17 14 15 12 15 12 T 17 17 15 15 15 15 15 13 13 13 13 13 A B

8va V V V g V V V V V V V V V V V V V V V V V V V I 4 Gtr II 22 19 20 17 20 17 19 15 19 15 T 20 20 19 19 19 19 19 17 17 17 17 17 A B

(Gtr 3 final swell & g V V V V I V 4 V V V V V V V V V V V V W V V 3 V V V V

Gtr IV let ring let ring 0 2 0 3 T 3 3 3 3 0 0 2 2 2 (0) 0 0 0 A 2 2 0 2 B 2 3 0 H P P Asus2 B7 B7/D 8va b V 88 g V V V V eV V V V V V 2 gV V V I 3 4 14 12 14 12 11 15 T 13 12 13 15 13 16 17 19 A B H P sl. sl. 8va V g V V V V V V gV V V V 2 V V V I 3 4 17 15 17 15 14 19 T 17 16 17 19 17 19 20 22 A B H P sl. sl. g I V V V V 42 V V V V V V gV V let ring T 0 0 0 2 2 2 A 1 B 0 0 2 2 3 Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org MASTER OF PUPPETS - Metallica Page 8 of 18

F Guitar Solo Em D Cadd9 8va 8va V V V V V V V 90 g V V V 4 V V V V V k V V V V I 4 3 3 Gtr III f played w/neck [[[[[[[ [[[[[[[ [[[[[[[ FullM FullM 17 19 T 17 17 19 20 19 20 20 19 20 17 20 17 13 15 O (15) O A B H P sl. 8va g W U I 4 Gtr I

T 17 (17) A B

8va 8va

(Gtr. 2 final note & out) g W U V V V V I V 4 V V V V V V V V V V V V V V 3 V V V V

Gtr IVlet ring let ring 0 2 0 3 T 20 (20) 3 3 3 3 0 0 2 2 2 (0) 0 0 0 A 2 0 2 B 2 3 0 H P P

Asus2 B7 B7/D Em 8va b V V V V 93 g V V V V V V V V I V V V V V V V 42 V 3 u Gtr III let ring [[[[[[[[[ FullM FullM [[[[[[[[[ 15 14 15 14 T 12 12 15 12 15 12 14 14 (14) (14) (14) 12 12 A O O 14 14 12 B H P P

g V V 2 V I V V 4 gV V V V V V V V V V V Gtr IV let ring T 0 0 0 2 2 2 0 A 1 2 B 0 0 2 2 2 3 0

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D Cadd9 Asus2 B7 8va V V V V V V V V V V 96 g 4 V V V V V V V V V V V V V V V I 4 3 V 3 3 [[[[[[P.M. [[[[[[ 15 14 T 12 12 14 12 11 14 12 11 12 11 9 11 12 12 A 12 10 9 10 9 10 12 10 12 B 12 H P sl.

g 4 V V V V V V V V I 4 V V V V V V V V V V V V V V 3 V V V V V let ring 0 2 0 3 T 3 3 3 3 0 0 0 2 2 2 (0) 0 0 0 2 2 A 0 2 B 3 0 0 2 2 H P P

B7/D Em D 8va b 8va Gtr. 3 final note, 1st time only V V V V V 99 g V WV V V V V V I 42 gV V V V 4 V V V V V 3 3 Gtr III Gtr I

11 12 11 19 19 15 17 14 17 14 (17) (14) T 12 10 17 17 15 15 15 15 15 A B H P sl. H P hammer/pulloff notes in parentheses 8va played 2nd time only V V V V V g 2 V V 4 V V V V V V V V I 4 4 3 Gtr II 22 19 20 17 20 17 (20) (17) T 20 20 19 19 19 19 19 A B H P

g V V V V I 42 V V V 4 V V V V V V gV V V 3 V V V Gtr IV let ring 0 2 0 3 T 0 3 3 2 0 2 2 2 (0) A 1 2 0 B 2 3 0 H P P

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Cadd9 Asus2 B7 B7/D 8va b V V V 102 g V V V V V V V V V V V eV V V V V V 2 gV V V I 3 4 15 12 15 12 14 12 14 12 11 15 T 13 13 13 13 13 13 12 13 15 13 16 17 19 A B H P sl. sl. 8va V V V g V V V V V V V V V V V V V gV V V V 2 V V V I 3 4 19 15 19 15 17 15 17 15 14 19 T 17 17 17 17 17 17 16 17 19 17 19 20 22 A B H P sl. sl.

g V V 2 I V V V V V V V V V 4 V V V V V V V gV V let ring T 3 3 0 0 0 0 0 0 0 2 2 2 A 2 1 B 3 0 0 2 2 3

E5 D5 C5 A5 B5 Gtr II^ ^ ^ ^ ^ 8va 105 g W U I 4 Gtr I

T 17 (17) A B

8va g W U I 4 Gtr I (really last note of Gtr. 2 lead part, moved to slashes to save a

T 20 19 A B

g V V V V I V 4 V V V V V V V V V V V V V V V V V V 3 V V V V V V V V Gtr III P.M. let ring P.M. 0 2 0 3 T 3 3 3 3 0 0 0 0 2 2 2 0 0 0 0 2 2 A 2 0 2 B 2 3 0 0 2 2 0 H P P Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org MASTER OF PUPPETS - Metallica Page 11 of 18

Db5 E5 ^ 109 g 2 V 4 I 4 gV V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V Gtr I Gtrs I, II P.M. T 0 2 A 1 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 B 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 3 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0 0

Fb5 G5 Fb5 G5 Fb5 G5 Fb5 G5 Cb5 Fb5 G5 Fb5 G5 Fb5 G5 Fb5 G5 Cb5 112 g I V V V V gV V V V V gV gV V V V V V V V V gV V V V V V V V gV V V V V V V V V gV V V V V V V V P.M. P.M. P.M. P.M. T A 6 6 B 4 4 5 4 4 4 5 4 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 4 5 4 4 4 5 4 2 2 3 2 2 2 3 2 2 3 2 2 2 3 2 2 3 2 2 2 3 2 2 3 2 2 2 3

G Bridge 1. Fb5 G5 Fb5 G5 Fb5 G5 Fb5 G5 Cb5 Fb5 G5 Fb5 G5 Fb5 G5 Fb5 G5 Cb5 116 g I V V V V gV V V V V gV gV V V V V V V V V gV V V V V V V V gV V V V V V V V V gV V V V V V V V P.M. P.M. P.M. P.M. T A 6 6 B 4 4 5 4 4 4 5 4 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 5 4 4 4 4 5 4 4 4 5 4 2 2 3 2 2 2 3 2 2 3 2 2 2 3 2 2 3 2 2 2 3 2 2 3 2 2 2 3

2. = 210 Fb5 G5 Fb5 G5 Cb5 G5P Fb5 120 g I V VgV U U } } W gV V V V V V V V U U gU P.M. pick scrapes T A 6 B 4 4 5 4 4 4 5 4 5 (5) 4 2 2 3 2 2 2 3 3 (3) 2 x x 17 sl. sl. sl.

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H Guitar Solo II N.C.(Em) 8va V V V V V 125 g V V V V V V V V V V V V V I V V V V V V V V V V V V V V V V V V 3 3 3 3 3 3 3 3 3 3 3 3 Gtr III f 17 12 12 17 12 12 17 12 12 15 12 12 17 12 12 17 12 12 T 13 12 13 13 12 13 13 12 13 13 12 13 13 12 13 13 12 13 A B P P P P P P g I V V fV V V V V V V V V V V V V V V V e V V V V V V V V V V V V Gtrs I, II P.M. P.M. P.M. T A B 5 7 8 7 5 7 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 sl. sl. sl.

8va V V V V V V V V V V V V V V V V V 128 g11 V V P V V V V V 4 V V V V V V V V V V V V V I 16 4 7:8 7:8 7:8 6:7z 3 7:8 1712 1212 1512 19 1917 1717 171515 1514 1414 14 1717 1715 1515 141414 14 T 131213 13 17 15 1515 17 A B P H P sl. g11 c l 4 I 16 V V V V 4 V V fV V V V V V V V V V V V V V V V V V V V V e V V V V P.M. P.M. P.M. T A B 5 7 5 7 5 7 8 7 5 7 0 3 5 3 5 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 sl. sl. sl. sl. sl.

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8va 15ma V Note is pulled off fretboard somewhere below 12th 131 g V c fV V V V V V V V V V V gV V 11 V gV V V j 4 eV gV I 16 This causes the string4 to fret out V 3 3 against neck pickup. Pitch change is solely the result of trem movement, which causes the fret-out point to glide from pickup along edge of fretboard. FullM FullM FullM 17 19 12 10 9 25 (25) 18 25 21 27 (27) 14 T 17 O 17 (17)O 17 15 14 12 10 A B P P H sl. P P sl. sl. sl. sl. sl. sl. sl. g 11 c l 4 I 16 V V V V 4 V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A BTab numbers are irrelevant and only represent sounding pitches. For 5 7 5 7 example,0 "14th0 fret" 0F# is0 a combination0 0 of the0 bar dive0 loosening string 0 3 5 3 5 0 0 0 0 0 0 0 0 and the fret-out point moving to somewhere above 14th fret against neck. sl. sl. 15ma 15ma 15ma 15ma 3 gV V fV 134 g V gV fV V k P P R 11 c c k I V V V V V z V z P V V P V 16 V V V V "28th fret" G# is the string returning to the "25th fret" Pick is shoved intoz string, briefly soundinggV position 3/4 high pitches marked "X" before fretted notes. M P.M. [[[[[[[[[[[[ T 28 (28) 22 27 21 25 24 2 4 2 4 2 x 2 x 4 2 A 4 x 2 2 4 B 4 sl. sl. sl. sl. sl. sl. P P P P H g 11 c l I V V fV V V V 16 V V V V V V V Ve V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A B 5 7 8 7 5 7 5 7 5 7 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 0 3 5 3 5 sl. sl. sl. sl. sl. V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V 137 g 4 V V V I 4 5:3 [[[[ 10 8 7 8 7 7 7 7 7 7 7 7 10 8 7 10 8 7 8 12 10 8 8 12 10 8 10 T 10 10 8 7 8 10 A B sl. sl. sl. g 4 I 4 V V fV V V V V V V V V V V V V V V Ve V V V V V V V V V V V V P.M. P.M. P.M. T A B 5 7 8 7 5 7 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org MASTER OF PUPPETS - Metallica Page 14 of 18

8va V V V V V V V V fVgV V V V V 140 g VgV V V V V V V V V V V V VgV V V V V V V V V V V V I 1611 6:7 4 T 14 12 10 14 10 12 15 15 13 14 17 16 14 19 17 14 14 17 16 14 14 19 17 14 14 17 16 14 14 19 17 14 14 17 16 14 14 19 17 14 A B sl. sl. g11 c l 4 k I 16 V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A 0 4 5 4 0 4 B 5 7 5 7 0 2 3 2 0 2 0 3 5 3 5 2 2 2 2 2 2 2 2 2 H sl. H sl. sl.

8va V V 143 g VV V V V VV V V V 11 V V V VV 4 V V V V V V V V I 16 3 4 FullM FullM FullM 1 M1/2 1/2M FullM FullM FullM FullM FullM 14 14 14 14 14 19 14 19 14 14 14 14 14 14 T 17 17 17 (17) 17 17 17 17 17 17 17 A B sl.sl. P P g 11 c l 4 I 16 V V V V 4 V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A 0 4 0 4 B 0 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 H H

B5 8va V V eV V V V V V V W V 146 g fV V V V V V V V V V gV V 11 4 I 16 8:7 4 vib. w/ \\\\\\\\\\\\\\\\\\\ FullM FullM FullM FullM FullM FullM 1 M1/2 FullM FullM 1 M1/2 1 M1/2 15 15 15 15 17 17 18 18 19 19 22 (22) T 18 18 18 18 20 20 21 21 22 22 O A B

g k 11 c l 4 I V V V V V V 16 V V V V 4 V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A 0 4 5 4 0 4 0 4 0 4 4 4 4 4 4 4 4 4 B 0 2 3 2 0 2 0 2 0 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 2 H sl. H H H

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N.C. 150 g I V V V V V V V V fV V V V V V fV V V V V V V V V V fV V V V V V Gtrs I, II P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A B 3 3 3 3 2 2 3 3 0 0 1 0 0 1 0 0 1 0 0 1 0 0 0 0 1 0 0 1 0 0

B5 E5 N.C. 153 g I V V V V V V fV V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A 4 0 2 B 3 3 2 0 2 3 1 0 0 1 0 0 0 0 0 0 0 0 0 0 0 0 2 3

156 g I V V V V V V V V V V V V V V V V V V V V V V V P.M. T A 4 5 B 3 3 3 3 2 3 5 3 2 3 2 0 0 0 0 0 0 0 0 0

159 g I V V V V V V V V V V V V V V V V V V V V V V Gtr I P.M. P.M. T A 0 2 4 5 B 0 2 3 3 3 3 3 2 3 5 3 2 0 2 3 3 2 g V V I V V V V V V V V V V V V V V V V V V V V Gtr II P.M. P.M. T 2 4 A 4 5 2 2 2 2 0 2 4 2 0 B 0 2 3 0 2 3 3 2

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C5 N.C.

162 g I V V V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T A 0 2 4 5 5 B 0 2 3 3 3 3 0 0 0 0 0 0 0 0 0 0 2 3 g V V I V V V V V V V V V V V V V V V V V V V V V P.M. P.M. T 2 4 A 4 5 5 B 0 2 3 3 3 3 0 0 0 0 0 0 0 0 0 0 2 3

E5 N.C. 165 g I V V V V W V V V V V V V V V V W V V V V P.M. P.M. T A 2 B 3 2 3 5 3 2 2 3 3 3 2 3 5 3 2 3 2 0 3 2 g V I V V V V W V V V V V V V V V V V V V W P.M. P.M. T A 2 5 5 5 4 5 7 5 4 4 B 3 2 3 5 3 2 2 7 3 2 0

D.S.S. al Dbl. Coda N.C. 168 g I V gV fV V VgV V V V V VgV V V V V V fV V V V V V V fV V V V V V fV V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. P.M. T A B 2 3 4 3 2 2 2 3 5 4 5 4 5 4 5 4 5 4 5 4 0 1 0 1 0 1 0 1 0 1 0 1 0 1 1 0 3 2 0 3 2 0 3 2 3 2 0 3 2 0 3 2 sl. sl. sl. sl. sl. sl. g j I VgV V V V V VgV V V V V V V V V V V V V V V V V V V V V V P.M. P.M. P.M. P.M. P.M. T A B 2 5 4 5 4 5 4 5 4 5 4 5 4 0 3 2 0 3 2 0 3 2 3 2 0 3 2 0 3 2 sl. sl. sl. sl. sl. sl. Generated using the Power Tab Editor by Brad Larsen. http://powertab.guitarnetwork.org MASTER OF PUPPETS - Metallica Page 17 of 18

I Outro SS 173 g 11 c l I V V fV V V V 16 V V V V V V V V V V V V V V V Ve V V V V V V V V V V V V V V V V V Gtrs I, II P.M. P.M. P.M. T A B 5 7 8 7 5 7 5 7 5 7 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 0 3 5 3 5 sl. sl. sl. sl. sl. g U U V V I 1611 u j Gtr III mp w/volume swells, delay and Backwards guitar arr. for forward

T 8 (8) (8) A B

177 g 4 11 c l I 4 V V fV V V V 16 V V V V V V V V V V V V V V V Ve V V V V V V V V V V V V V V V V V P.M. P.M. P.M. T A B 5 7 8 7 5 7 5 7 5 7 0 0 0 0 0 0 0 0 0 3 5 0 6 5 3 5 0 0 0 0 0 0 0 0 0 3 5 3 5 sl. sl. sl. sl. sl. g U U W gV V V V I 4 U U 1611 u

9 (9) T 7 (7) 7 A 4 (4) B

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