Metallica L&SI with World Magnetic

Total Page:16

File Type:pdf, Size:1020Kb

Metallica L&SI with World Magnetic April 2009 entertainment, presentation, communication www.lsionline.co.uk The Public The West Bromwich venue that’s divided opinion On Tour: Metallica L&SI with World Magnetic Mary Poppins L&SI visits the UK tour PLUS: All set for PLASA Focus, Leeds; ISCEx 2009 in Review Lost & Found Orchestra; Clay Paky’s Spectacular Classic Technical Focus Studio Festi at Galeries Lafayette; Audio File; Wilkes Iris City Theatrical’s SHoW DMX L&SI has gone digital! Register online FREE at www.lsionline.co.uk/digital Metallica v1:On tour.qxd 30/03/2009 16:13 Page 48 tour on online.co.uk www.lsi 48 Lighting&Sound - April 2009 Metallica v1:On tour.qxd 31/03/2009 08:37 Page 49 tour Metallica are on the road again, with their World Magnetic Tour selling on out across Europe. L&SI caught up with the production team at Sheffield Arena - and with LD John Broderick post-show . words & pictures by Steve Moles I was touring Europe at the time the news came in: I don’t Sound recall the band I was with, but I do remember the shock we all Bearing all that in mind, we can immediately visualise the enormous burden of responsibility that fell upon the shoulders of Bob Cowan felt to learn of the bus crash up in Scandinavia in which when he slid into Owens’ seat. “And of course, I knew of Mick’s Metallica’s bassist Cliff Burton was killed. Apart from drowning reputation as well,” said Cowan. “I’d been hearing about him for in their own drug soiled puke, rock stars didn’t die, they were years and always wanted to work with him, but . .” The two men immortal. For Metallica to lose one of their number at such an exchanged glances. But the relationship between house and early age must have been truly devastating. monitors is a further burden? I proffered. “I felt for him,” said Hughes with a smile. Put the jolly Hagrid image out of your mind for In less traumatic fashion, the band suffered another loss this a moment, Hughes is a consummate professional; he didn’t get January. If you subscribe to the view that all performers have one 2007’s Led Zep’ gig for nothing. He isn’t just a fine engineer; he major crutch when up on the concert stage, and that crutch is the considers every aspect of the job, not least the big shoes Cowan monitor man, then you’ll understand. Their anchor in stormy seas, had to fill. their life raft of continuity: good monitor men are hard to find for such is the mysterious argot of the rock star that only a very few can Cowan had been personally selected for the monitor role by Owen, fully interpret those strange signals and fleeting looks of panic in the no surprise there, “but until this tour we’d never worked together.” eyes of the performer, and translate them into positive and proper Cowan was not without pedigree, having baled out failing monitor adjustments to their audio world. men on tours by Springsteen and Megadeth - though the less said about the latter the better. “But this was way different, I was not So to part company with Paul Owen, monitor man for the past 22 jumping into a fire as such, but it was intimidating. After 22 years years, some might call careless. “It’s a very human story,” explained Paul had the entire repertoire in his head.” Mick Hughes, who has sat at the house desk for this band for even longer, some 25 years, so he’s well placed to observe the impact. Cowan, in fairness, had been an ardent teenage fan of the band “We came across Thunder Audio in Detroit I don’t know, some few (see his High School graduation photo), so in that respect he was years ago. There was something about them, something that got intimate with much of the material. “I had to get in unnoticed and Paul’s attention, and it wasn’t long before he was fully engaged and until I get the confidence of the band I have to do what Paul did.” became part of the company. His attention to detail is acute, that’s what’s made Thunder an even better company, but inevitably his Every monitor man has their own chops: has Cowan had to adjust in responsibilities there grew to the point where neither he, nor the any profound way to someone else’s methods? “Only on the little company, could afford for him to be away on the road for months at things, Paul would do Right before Left, I always do the opposite, a time. He did a final show for Metallica in Detroit just recently, and it that doesn’t really change anything but, for example, if I want to do was very emotional. Then band pulled him up on stage and thanked something for Kirk I have to think which knob I’m grabbing.” For a him in front of 30,00 people. We all had a tear in our eyes.” Hughes monitor man that ‘grab’ is instinctive, so it must be tough for Cowan voice cracks slightly at the recollection. The wound is still fresh two to kick the habit. months later, sat chatting in a bus backstage at Sheffield Arena. “When you have a relationship which lasts that long it takes time to Hardware-wise, Cowan has taken over what at first glance looks adjust.” fairly straightforward: “Midas XL4 with a bunch of KT DN370 graphic online.co.uk www.lsi Lighting&Sound - April 2009 49 Metallica v1:On tour.qxd 30/03/2009 16:14 Page 50 Below: Coffins in the lighting rig. tour “It’s all shipped over from Thunder Audio,” began Hughes when we sojourned from the bus to the FOH position. This is the first time on I’ve heard Hughes at the helm of a Meyer system: why the switch from Nexo? “I tried it for the first time maybe a couple of years ago now, we were in Reykjavik and took a locally supplied PA. I suppose I like the fact it’s 12”s more than anything, for the guitars and vocals. It just makes perfect sense for me. And this system has a very smooth high end. Every time we put one of these shows together we talk to Meyer and they give us massive support.” I had been tipped off that Thomas Mundorf EQs. There’s no effects in the monitors at board. Mix outs 22 in total, 16 stereo; I’ve from Meyer had come up with a neat Subs all. Sennheiser 3000 for in-ear system. For got two spare in the matrix but when we get solution for Metallica. “We just got sick and limiters I have Aphex Dominators in front. to stadiums and fly side-fills it’ll all be full.” tired of lobe’ing so we asked them to have a The band use Westone UE7 ear moulds, look at it afresh for this tour. We’d looked at except Hetfield who prefers UE5s. Then And how have the band been in these first placing them under the stage but it’s too there are 24 Meyer MJF 212 (2 x 12”) two months? “They’ve been really receptive much energy for the band so we knew the wedges all round the stage perimeter.” to me, James has been especially nice. We only place was overhead. Thomas talk and right now it’s just been things like developed the idea of four hangs on centre, The stage is a big rectangle in the middle of tightening up a really close cue.” The sort of tightly back to back, ten cabinets deep. With the arena and there’s a lot of territory to thing that you’d expect? “Yeah, and not too delay adjustments the sound can be neatly cover, but Cowan is fortunate in that the many of them. I graduated High School in steered to just clip the edge of stage, giving band love their audience, want the contact, ’88 and I still hear most of those songs in the audience the best of it without disturbing and limit the stage height to just three feet, my head so it’s really just the newer the musicians.” so from his perch at one of the narrow ends, material.” no band member is ever out of eye shot, The subs are the 700-HP units, at 259lb except very briefly behind the drummer Out in the house, Hughes is presented with apiece (including rigging) that’s a fair bit of centre stage. “There are things that are an altogether different dilemma, though for weight to concentrate right on centre above active all the time, vocals and bass him at least it’s a familiar one. “This band a large in-the-round light rig. Fortunately, especially; there are also some very specific play in the round more than most. I’ve lost there’s no LED video, so generally they get cues I bring in. Thing is, it’s never really the count of the number of tours we’ve done in away with it, “though not here.” same twice: James kinda goes to the same this format.” The large rectangle of stage is places, Kirk and Rob just run up to the mic surrounded by hangs of Meyer Milo. Keith Jex is Hughes’ system tech. He did a that’s the nearest at the time.” Looking from a narrow end there’s a single good job here at Sheffield, even if the Subs line array on centre, with another on each weren’t where they wanted.
Recommended publications
  • My Week with Metallica by Marcus Teague November
    My Week With Metallica By Marcus Teague November 2010 "Marcus”, he drawls. “How'd you get so cool? You’re tall, you’re an awesome writer…” Lars Ulrich's voice trails off from the back seat of the limo cab. It's 4am, we've left the Metallica End of Tour party and we're on our way to notorious Melbourne rock dive bar Cherry, for reasons absolutely more to do with drunken bravado than common sense. I don’t know." I don't know", I say. "It's probably similar to being in one of the biggest bands in the world". Zipping through the cold, empty streets of Melbourne, we arrive outside Cherry and wobble down AC/DC lane. Lars holds his hand out for a stamp like the rest of us and we file into the tiny, dimly lit backroom. Half-populated by Metallica crew and support band members, the other half reedy, faux rock types and their platinum blonde partners, a gaggle soon forms around the drummer. I stand back with the rest of us; Steffan Chirazi, editor of the Metallica fan club magazine So What!, Barbara, Lars' PA and Allen Bickle, drummer from support band Baroness. A glance into the front bar reveals a vision of torn denim jackets and skinny jeans, dancing and posing to the kind of music being made by the people in the back. Returning, I find Lars has poured my drink into his own glass. OK then. This is the lay of the land. Exactly a week prior I had received a call from Lars Ulrich on my mobile.
    [Show full text]
  • >>> I ',1!.'. ; a Ince Paramore's 2005 Debut Recording ,11/ We Know Is
    ,>>> ince Paramore's 2005 debut recording ,11/ We Know Is Falling,the i a wli \ Nashville-based, rock outfitt popularity has grown substantially, garnering ',1!.'. ; lr th.* multiple Grammy nominations as well as plum song placements in soundtracks for motion picture blockbusters like Tutilight, platinum sales and a consistently growing, global audience. They've also developed a reputation for high-energy live shows, fueled as much by their musical chops as by a finely honed sense ofwhat they and their audience need to hear in order for both band and crowd to leave it all on the stage and on the arena floor, respectively, every night. The band is currently touring in support of its fourth release - simply entitled Paramore - representing the first fullJength album and tour they've undertaken since the departure ofguitaristJosh Farro and his brother, drummer ZacFarro. "It hasn't been an easy break," says tavis Bing, Paramore's monitor engineer since 2009. That said, both he and front of house engineer Eddie Mapp had noth- ing but good things to say about the atmosphere on the road when talking with me from Denver, roughly two weeks into the North American leg of the tour. "The feeling is onwards and upwards. Everyone who's here wants to be here, band and crew, and that makes it fun for everyone, even old,jaded road dogs." 16 Live Sound lnternational June 2013 www.ProSoundWeb.com all driven by four d&b D12 amplifiers, per side as fiIls. The Vsubs were a last minute addition, based on a demo at the band's audio supplier, Nashville- based Spectrum Sound, Prior to the tour.
    [Show full text]
  • PDF Download Metallica: for Bass Guitar & Vocal: Master of Puppets
    METALLICA: FOR BASS GUITAR & VOCAL: MASTER OF PUPPETS PDF, EPUB, EBOOK Mark Phillips | 54 pages | 01 Dec 1991 | Cherry Lane Music Co ,U.S. | 9780895244086 | English | United States Metallica: For Bass Guitar & Vocal: Master of Puppets PDF Book Email address: optional. With a reputation for drinking, the band stayed sober on recording days. Collector's Guide Publishing. ECW Press. Archived from the original on June 9, Metallica showed up ready to rock, bringing along fully formed demos with fleshed-out arrangements; even their solos were composed. Archived from the original on July 28, Used to contact you regarding your review. With sections performed at beats per minute, it is one of the most intense tracks on the record. All of the songs have been performed live, and some became permanent setlist features. The album revitalized the American underground scene , and inspired similar records by contemporaries. Metal and Hard Rock. Select "Master of Puppets" in the "Filtra" field. And Justice for All as a trilogy over the course of which the band's music progressively matured and became more sophisticated. Retrieved May 16, Master of Puppets peaked at number 29 on the Billboard and received widespread acclaim from critics, who praised its music and political lyrics. He also said that the group was "definitely peaking" at the time and that the album had "the sound of a band really gelling, really learning how to work well together". Retrieved June 12, With bass tablature, standard notation, vocal melody, lyrics, chord names, bass notation legend and introductory text. Duke University Press. Australian Guitar.
    [Show full text]
  • Metallica by DEBORAH FROST
    PERFORMERS Metallica BY DEBORAH FROST appy families, Leo Tolstoy noted, are all From the moment a diminutive Danish motormouth alike; every unhappy family is unhappy who’d been around the world a handful of times before in its own way. That goes double, if not kindergarten fast-talked his way onto ah indie compila­ quadruple, for bands, particularly those tion though he’d barely assembled a trap kit, never mind who achieve greatness. The picture has a band, Metallica has always marched to its own drum­ Hnever been painted so graphically as in Some Kind of mer. The son of a bohemian tennis pro who dabbled in Monster, the 2004 documentary that chronicled the arts criticism and the godson of jaZZ saxophonist Dexter previous three years and crack-up of Metallic®, at the Gordon, Lars Ulrich could not fit into a mold — much very pinnacle of its fortune and fame. less that of a typical heavy-metal fan or musician - if you Of course, few bands hold on to the wild ride of the paid him. By the time his family relocated from Copen­ bitch success for twenty minutes — never mind twenty hagen to L.A. in 1980 so the sixteen-year-old could make years. Perhaps not since Who’s Afraid ofVirginia Woolf? the leap from the junior circuit to follow in the old man’s or Ingmar Bergman’s equally vituperative and excruciat­ sneakers, he’d been seduced by European punk and the ing Scenes From a Marriage has Monster’s load of dirty new wave of British metal that emulated its DIY philos­ laundry and uberdomestic drama been dumped on any ophy and breakneck tempos.
    [Show full text]
  • METALLICA SHOW with Orchestra TECHNICAL RIDER
    METALLICA SHOW with orchestra TECHNICAL RIDER Ver. 1.0 (June 2015) 1. INTRODUCTION: Please read this rider carefully, we have tried to make it as simple and straightforward as possible. If you should have any difficulties in fulfilling any of the specified or have questions about anything please do not hesitate to contact us. Please note that no changes in the contract appendix will be accepted unless the changes have been advised and approved in writing. Please contact us asap if you have any problems or questions concerning this technical rider. We appreciate if you send us detailed information on the provided sound- lighting- and backline gear in advance. Please send us contacts of your crew as well. Production manager / FOH engineer: Alexander Startsev [email protected] cell: +7 922 208 00 25 Skype: alexander.startsev1 1.1. STAGE: Stage dimensions need to be minimum 14m wide x 10m deep (46x33ft.), stable and free of obstacles. We will need 1 drum riser, it must be 3x2m (9.8x6.6ft.) 50cm (20 inches) high. Make it rolling riser for festivals. All gear set-ups must meet international safety regulations and newest standards. 2. SOUND: 2.1. PA SYSTEM: - Line Array (in order of preference): L ́Acoustics K1/K2/V-Dosc/Kudo, D&B J-Series, Martin, Meyer, EAW, Nexo.. or - 3 or 4 Way Active PA System (L ́Acoustics, Nexo, EAW, Martin Audio, Clair Bros...) - We require a PA system to easily handle the entire Venue with an average SPL at FOH of 112dB. - Front fill speakers will also be required.
    [Show full text]
  • Ride the Lightning
    RIDE THE LIGHTNING As recorded by Metallica (From the 1984 Album RIDE THE LIGHTNING) Transcribed by Erik Graauwmans Words and Music by James Hetfield, Lars Ulrich, Cliff Burton and Dave Mustaine C5 B5 B 5 A5 F5 G5 B 5VI F 5 x xxx 3 fr. x xxx x `xxx x xxx xxxx xxxx 3 fr. x`xxx 6 fr. bxxx D5 A5V B5VII G5(type 2) F5VIII C5VIII E5 x xx 5 fr. xxx 5 fr. xxx 7 fr. xxx 3 fr. x xxx 8 fr. xxxx 8 fr. xxxx A Intro Moderate Rock = 152 1. , 2. , 3. 4. P E Gtr III j j j j j _ _ _ _ _ _ 6 open c c c c c c k V V k V V k k V k V 4x k V 1 g 4 V V V V V V V V V } I 4 k u k u k V k V V k u k V V j} u u u Gtrs I, II [[[[ [[[[ [[[[ [[[[ [[[[ 7 8 7 7 T 7 8 10 7 8 7 7 8 7 9 9 9 9 A 7 9 9 B 5 7 5 7 x x sl. sl. sl. B`5 N.C. B`5 N.C. Fb5 E5 Fb5 A5 Fb5 C5 Fb5 C5 B5 12x 4x 5 g R R 3 c k j I P fV P V gV V V V fV 4 gV fV V P e V V V P V V V V V V V V V V V V P.M.
    [Show full text]
  • The Day Metallica Came to Church Searching for the Everywhere God in Everything
    THE DAY THE DAY What do the music of Metallica and Bach, the filmCrash , and stories about Batman have in common? THE DAY METALLICA According to author and pastor John Van Sloten, God can speak through all of them— if we’re listening. Out of his own startling and sometimes wrenching journey of discovery, METALLICA Van Sloten shows how God can speak to us through anything and everything—heavy CAME TO CHURCH metal music, R-rated films, sports, and even the latest fashions. If you’re listening, this SEARCHING FOR THE EVERYWHERE GOD IN EVERYTHING book might just change the way you hear God’s voice—and how you live in today’s world. JOHN VAN SLOTEN “John Van Sloten has developed a spiritual radar-system which picks up the vibes of the Spirit in the culture and the church. In this amazing book he shows us how we too can CAME TO read the divine by radar, stay on course, and lead a supercharged life.” Leonard Sweet Drew University, George Fox University, Author of Nudge “Don’t go–or refuse to go!–to another rock concert or soccer match without first reading this marvelous book. It is a reliable and inspiring guide to hearing the Lord speak to us in new and exciting places.” CHURCH Richard J. Mouw President and Professor of Christian Philosophy, Fuller Theological Seminary “An artistic and playful reminder that, though the Church is God’s primary instrument for changing the world, that doesn’t mean God is limited to religious stuff. And just as the Scripture says the rocks can cry out, John Van Sloten reminds us that so can the rock stars.” Shane Claiborne Author of The Irresistible Revolution JOHN VAN SLOTEN JOHN VAN John Van Sloten is founding pastor of New Hope Church in Calgary, Alberta, a community committed to listening for the echo of God’s voice in the most unexpected places.
    [Show full text]
  • Stern Pinball Metallica Game Features Matrix by Model
    Stern Pinball Metallica Game Features Matrix by Model: Master Of Puppets- Metallica Metallica---Features by Model: Limited Edition Premium Metallica Pro All toys are Stern-Pinball-created along with Metallica and were custom-molded for Stern's Metallica Pinball ü ü ü Toys Electric Chair and animated, writhing 'Sparkey' figurine ü ü ü Ball-Eating Snake w/ ball eject mechanism ü Ball-Eating Snake w/ animated jaw and ball eject ü ü Motorized, Illuminated Grave Marker ü ü Illuminated Grave Marker ü Ball-Smashing Hammer w/ band member images ü ü All ramps in the Metallica pinball models are stainless steel to highlight the band's heavy metal image along with fast pinball action! ü ü ü Ramps Stainless Steel Shooter Lane Ramp ü ü ü Stainless Steel left and right ball ramps with illuminated Metallica logo ü ü ü Wire formed ramps left and right (both balls feed back to flippers) ü ü ü Targets Grave Marker 3-Inline Drop Targets ü ü ü Fuel Stand-Up Targets - (two) ü Fuel Stand-Up Target bar assembly ü ü Captive Ball Target Assembly w/ Stand-Up Target ü ü ü Guitar Pic Stand-Up Target - (four) ü ü ü Additional Electric Chair Stand-Up Target ü ü ü Features Fuel Start Stand-Up Target ü ü ü Disappearing Magnetic Ball Mechanism ü ü Grave Marker Ball Magnet ü ü ü Electric Chair Ball Magnet ü ü ü Illuminated Undertrough Three Ball Lock Assembly ü ü Power Scoop Ball Eject ü ü ü 12 Classic music tracks ü ü ü Band member custom speech tracks ü ü ü Brenden Small (Adult Swim) powers voices of Sparkey and The Snake ü ü ü Electronically-Controlled Up Post - Controls
    [Show full text]
  • For Immediate Release / August 28, 2020 Metallica
    Contact: Public Relations San Francisco Symphony (415) 503-5474 [email protected] sfsymphony.org/press FOR IMMEDIATE RELEASE / AUGUST 28, 2020 METALLICA AND SAN FRANCISCO SYMPHONY: S&M2 OUT NOW Live album and video captured September 6 & 8, 2019 at San Francisco’s Chase Center Available now via metallica.com/sm2 SAN FRANCISCO, CA—The San Francisco Symphony and Metallica’s S&M2 live album and video, captured at concerts on September 6 & 8, 2019 at San Francisco’s Chase Center is out now, available in a variety of formats including vinyl, CD, DVD, and Blu-ray via metallica.com/sm2. The concerts were historic on multiple levels, serving as the grand opening of San Francisco’s Chase Center, reuniting the band and Symphony for the first time since the 1999 performances captured on the Grammy-winning S&M album, and featuring the first-ever symphonic renditions of songs written and released since those original S&M shows. “S&M2 offers an inspired and eye-opening view into not just the shared heritage of classical music and heavy metal, but into the spirit of innovation and to endless vistas awaiting exploration.” - Louder “And it’s also of little surprise, especially for anyone who attended those increasingly legendary shows at Chase last year, that this new album is another major winner. What a great memento of such a monumental night in Bay Area live music history.” - The Mercury News “This collaboration between Metallica and the San Francisco Symphony brings to life the fusion of heavy metal and classical music. As it was in 1999, S&M2 is a grand celebration of the energy and magic that these forms of music convey.” – Metal Wani S&M2 is a landmark release in the Metallica catalogue, both sonically and visually.
    [Show full text]
  • Metallica Brings Death Magnetic to Guitar Hero(R) III: Legends of Rock This Friday to Make Music and Video Gaming History
    Metallica Brings Death Magnetic to Guitar Hero(R) III: Legends of Rock This Friday to Make Music and Video Gaming History Guitar Hero(R) to Feature Two Exclusive Versions of "Suicide and Redemption" Downloadable Death Magnetic Album Also Forward Compatible with Upcoming Guitar Hero(R) World Tour SANTA MONICA, Calif., Sept 08, 2008 /PRNewswire-FirstCall via COMTEX News Network/ -- In a monumental first for the gaming and music industries, Metallica's highly anticipated ninth studio album Death Magnetic will be available in its entirety as downloadable content for Activision Publishing, Inc.'s (Nasdaq: ATVI) Guitar Hero(R) III: Legends of Rock day and date with the album release this Friday, September 12. Featured on the downloadable album will be two Guitar Hero(R) exclusive renditions of "Suicide & Redemption" with extended solos by James Hetfield and Kirk Hammett. Gamers looking to shred, drum and wail away to the Death Magnetic downloadable album need only purchase the content once as it is forward compatible and will integrate seamlessly with Guitar Hero(R) World Tour when it launches this October. In addition to the two exclusive versions of "Suicide & Redemption," Guitar Hero fans will live out the surreal Metallica experience with: "That Was Just Your Life," "The End of the Line," "Broken, Beat & Scared," "The Day That Never Comes," "All Nightmare Long," "Cyanide," "The Unforgiven III," "The Judas Kiss" and "My Apocalypse." "We've been working very closely with Metallica and we're extremely excited to offer Death Magnetic not only in its entirety, but also with the exclusive recordings of 'Suicide & Redemption' as downloadable content to Guitar Hero fans," said Tim Riley, Vice President of Music Affairs for Activision Blizzard.
    [Show full text]
  • Tonight, Your Band Will Move 34,982 Screaming Fans
    volume 2 issue 9 2009 TONIGHT, YOUR BAND WILL MOVE 34,982 SCREAMING FANS. TOMORROW, WE’LL MOVE YOU. We’re Powersource Transportation, Inc., one of the nation’s leading power-only trucking companies. Wherever you’re going and whatever you have, we’ve got the power to move you, your trailers, and your tour to the next venue—whether it’s in the next county or in the next state. www.powersourcetrans.com 1-800-438-8789 2023 N. Lafeyette Court • Griffith, IN 463190 B002100100_Powersource_Roadbook_Dec VIDEO THAT MOV ES IMPRESSIONS THAT LAST Portable and versatile by design, Daktronics mobile and modular LED video products help customers transform ordinary events into engaging, interactive experiences that leave a lasting impression on viewers. www.daktronics.com | 201 Daktronics Drive | Brookings, SD 57006 | tel 1-866-843-6018 | fax 605-697-4700 | [email protected] mobilePRODUCTION monthly con volume 2 issue 9 2009tents FEATURES 6 Economy The State of the Economy in Touring Part THREE: Hotels 8 Production Steve McKay & Euphoria Event Solu- tions - State-of-the-Art Tents & Rapid Deployment Stage Covers 10 Staging Tait Towers Mills Mulls Move into Modularity 12 Journey Journey 2009 Tour Something Old Something New 13 Brockcom Event Communication Rentals Goes on a Journey 15 Journey Tour Personnel 18 Metallica World Magnetic Tour 18 23 Mojo Barriers 24 Metallica Tour Personnel 26 Pyrotek Doug Adams Discusses the Effects for Metallica’s World Magnetic Tour 28 Thunder Audio A Small Company Doing Big Things 30 Premier Global Productions Proves It Can Shorten 6 8 12 the Longest Day 36 Advertiser's Index MobileProductionPro.com You can search and access records from the world's most comprehensive database of mo- bile production industry contacts.
    [Show full text]
  • THE POWER Contents
    Naomi Alderman THE POWER Contents Epigraph PROLOGUE TEN YEARS TO GO Roxy Tunde Margot Allie NINE YEARS TO GO Allie Roxy Tunde Margot EIGHT YEARS TO GO Allie Margot Tunde Roxy SIX YEARS TO GO Tunde Allie Margot Roxy FIVE YEARS TO GO Margot Tunde Allie Margot Roxy Jocelyn ONE YEAR Margot Allie Roxy Tunde CAN’T BE MORE THAN SEVEN MONTHS LEFT Allie Darrell Jocelyn Tunde Roxy HERE IT COMES Darrell Apocrypha excluded from the Book of Eve Acknowledgements Follow Penguin By the same author Disobedience The Lessons The Liars’ Gospel This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, or to actual events or locales is entirely coincidental. For Margaret and for Graeme, who have shown me wonders The people came to Samuel and said: Place a King over us, to guide us. And Samuel said to them: This is what a King will do if he reigns over you: he’ll take your sons and make them run with his chariots and horses. He’ll dispose them however he wants: he’ll make them commanders of thousands or captains of fifties, he’ll send them to plough, to reap, to forge his weapons and his chariots. He’ll take your daughters to make perfume for him, or cook his food or do his baking. He’ll take your fields and your vineyards and your olive groves – oh, he’ll take the very best of those and give them to his cronies.
    [Show full text]