About Shakespeare

Total Page:16

File Type:pdf, Size:1020Kb

About Shakespeare CK_5_TH_LA_P001_103.QXD 2/6/06 11:27 AM Page 76 III. Fiction and Drama B. Drama At a Glance The most important ideas for you are: ◗ Drama is a form of literature that is intended to be performed by actors for an audience in a theater. ◗ Plays are divided into acts and scenes. The Romans were the first to divide their plays into acts, and the Roman poet Horace set the number at five. Until the 19th century, the ideal number of acts in a play was five. ◗ Drama includes comedies and tragedies. ◗ William Shakespeare was one of the finest playwrights of the Elizabethan Age (1558–1603). ◗ If possible, students should have an opportunity to participate in and/or attend grade-appropriate dramatic performances as well as study them. What Teachers Need to Know B. Drama Background: Why Study Shakespearean Drama? In Grade 5, students will be introduced to the dramatic works of William Shakespeare. One of the world’s greatest playwrights, Shakespeare wrote comedies and tragedies during the Renaissance that are still performed today. A Midsummer Night’s Dream is a fanciful comedy in which love and magic triumph over adversity. The title alludes to the summer solstice, Midsummer Eve (June 23), which in Shakespeare’s time was marked by holiday parties and tales of fairies. When choosing an edition of the play, you’ll find there are many options: full-length, well-annotated versions, adapted or shortened versions, and mod- ern retellings in prose. You’ll find some of these options listed in the More Resources list at the end of this section. Before reading, be sure to introduce and define the terms tragedy, come- dy, act, and scene. Also, show students pictures of the Globe Theater so that they can visualize where Shakespeare’s plays were performed. Explain that theater was very popular with people of the Elizabethan Age, and, although many theaters at that time allowed only the upper classes to attend, the Globe let in people of all classes. The people who paid the lowest entrance fee stood directly in front of the stage. They were often very boisterous and sometimes Globe Theater threw rotten vegetables at the actors. Studying Shakespearean drama helps students experience the pleasure of reading great works of literature and understand how the plays come to life when performed on stage. Students at this level should be able to read and gen- erally understand condensed or adapted versions of Shakespeare. However, they may need assistance with understanding difficult vocabulary, following a complicated plot with several twists, comprehending stage directions, and keeping track of many different characters. 76 Grade 5 Handbook CK_5_TH_LA_P001_103.QXD 2/6/06 11:27 AM Page 77 Teaching Shakespearean Drama Teaching Shakespeare in Grade 5 is a challenge, but it can be done. Below, we outline a series of steps that may help you teach A Midsummer Night’s Dream with success. This is, of course, only one way of approaching the task. You may wish to use some of these ideas but not others. • Before turning to A Midsummer Night’s Dream, make sure students understand that a drama, or play, is a work of literature that is intended to be performed for an audience. Introduce the distinction between comedy and tragedy. • You might want to begin this unit with a very short and simple play—perhaps a modern, one-act play, and preferably a comedy. While teaching the modern play, you can explain about plays, characters, scenes, dialogue, etc. Then, when you turn to Shakespeare, students will already be familiar with the basic conventions of drama and will not have to learn those while wrestling with Shakespeare’s language. • Before attempting to teach A Midsummer Night’s Dream, read the play at least twice yourself. Get a good school edition, such as the Oxford School Shakespeare edition, and use the glosses and footnotes to help you understand difficult parts. If possible, watch a videotape or two of a performance. You want to be teaching with a solid knowledge base. • Before introducing students to Shakespeare’s text, preview A Midsummer Night’s Dream by reading a short summary of what happens in the play—a prose version like the one in the Text Resources or the one in Tales from Shakespeare, by Charles and Mary Lamb. Discuss whether the play is a comedy or a tragedy. How can students tell? Once students have a general sense of where the play is going, they can devote more attention to the language and the speeches. • Before turning to the text itself, make sure students understand that Shakespeare wrote about 400 years ago. The English language has changed con- siderably since Shakespeare’s time. Therefore, there will be some passages that are hard to understand. Students shouldn’t worry about not understanding every sin- gle word. Encourage them to raise their hands when they get confused. Tell them that even adults sometimes get confused when watching or listening to Shakespeare. • Instead of asking students to read the play themselves at first, have them lis- ten to the play on audiotapes and follow along in a printed version. This is much easier than reading Elizabethan language from the page. Audiotapes are widely available in bookstores and online. As you listen, stop every so often to make sure students are following the plot and getting the gist of the speeches. Explain diffi- cult passages as needed. • If you don’t have time to study the whole play, do just selected scenes. • Don’t try to do too much in a given day. Divide the play into chunks and lis- ten to one or two scenes each day to avoid overwhelming students. Allow plenty of class time in which to discuss each section. Encourage students to ask ques- tions about what they do not understand, and have them answer specific ques- tions about plot, setting, and characters. • Assist students with difficult vocabulary. Using an edition that has glosses and annotations (such as the Oxford School Shakespeare edition) will reduce prob- lems with difficult vocabulary. Language Arts 77 CK_5_TH_LA_P001_103.QXD 2/6/06 11:27 AM Page 78 III. Fiction and Drama B. Drama Name Date • If students have problems with the word order of Elizabethan English, show The Globe Theater them how to rephrase a sentence in subject-verb-object order. Here is an exam- Study the diagram. It shows you what the inside of the old Globe Theater probably looked like long ago. Use the diagram to complete the statements below. ple: original wording: “Thou hast by moonlight at her window sung with feign- ing voice verses of feigning love.” reordered: “Thou hast sung verses of feigning love, with feigning voice, at her window by moonlight.” • Explain to students that Shakespeare sometimes wrote in verse and some- times in prose, and that he did this to show differences in class. Usually, charac- ters speaking in verse have a high social status. • While discussing the play, briefly introduce students to iambic pentameter, 1. Like most theaters of the time, the Globe Theater had three levels and was open at the top. which was the rhythm typically used by Shakespeare. Each line generally has 10 2. At each level was agallery , where spectators sat on benches to watch the show. syllables made up of five clusters of two syllables each. In each cluster, the stress 3. Actors performed on themain stage , a large platform that jutted out into the pit. is on the second syllable, like a heartbeat (da-DUM, da-DUM, da-DUM). Read a 4. On the theater’s narrow rooftop was a hut , where machines were used to produce sound effects. e Knowledge Foundation line aloud as students beat out the rhythm on their desks. Purpose: To view and interpret a diagram of the old Globe Theater Copyright ©Cor • Once students have listened to the play read by actors and studied it a little, Master 10 Grade 5: Language Arts choose one or more scenes and assign students roles. Have students read aloud Use Instructional Master 10. and/or act out these scenes using simple props. • To help students visualize the Globe Theater where Shakespeare’s plays were performed, use Instructional Master 10, The Globe Theater, and show them pic- Name Date tures. Explain that this Elizabethan playhouse was built in London in 1599 by The Language of Shakespeare Richard and Cuthbert Burbage. The permanent home of Shakespeare’s company, Read the sentences from A Midsummer Night’s Dream. Rephrase each sentence in subject-verb-object order. the Globe became London’s most popular theater. 1. Thou hast by moonlight at her window sung with feigning voice verses of feigning love. Thou hast sung verses of feigning love, with feigning A Midsummer voice, at her window by moonlight. • After studying the play, play a recording of Felix Mendelssohn’s 2. From Athens is her house removed seven leagues. Night’s Dream. Ask students whether they think the music suits the mood or tone Her house is removed seven leagues from Athens. of the play, and why. 3. In that same place thou hast appointed me, tomorrow truly will I meet with thee. I will meet with thee, truly, tomorrow in that same place thou hast appointed me. • If possible, have students view a live performance of Shakespeare or show 4. In the wood, where often you and I upon faint primrose beds were wont to lie, emptying our bosoms of their counsel sweet, there my Lysander and myself shall meet. them a film adaptation of the play (Warner Home Video, 1935).
Recommended publications
  • Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017
    Videodiskothek Sunrise Playlist: Pink Floyd Garten Party – 26.08.2017 Quelle: http://www.videodiskothek.com The Orb + David Gilmour - Metallic Spheres (audio only) Alan Parsons + David Gilmour - Return To Tunguska (audio only) Pink Floyd - The Dark Side Of The Moon (full album) Roger Waters - Wait For Her David Gilmour - Rattle That Lock Pink Floyd - Another Brick In The Wall Pink Floyd - Marooned Pink Floyd - On The Turning Away Pink Floyd - Wish You Were Here (live) Pink Floyd - The Gunners Dream Pink Floyd - The Final Cut Pink Floyd - Not Now John Pink Floyd - The Fletcher Memorial Home Pink Floyd - Set The Controls For The Heart Of The Sun Pink Floyd - High Hopes Pink Floyd - The Endless River (full album) [LASERSHOW] Pink Floyd - Cluster One Pink Floyd - What Do You Want From Me Pink Floyd - Astronomy Domine Pink Floyd - Childhood's End Pink Floyd - Goodbye Blue Sky Pink Floyd - One Slip Pink Floyd - Take It Back Pink Floyd - Welcome To The Machine Pink Floyd - Pigs On The Wing Roger Waters - Dogs (live) David Gilmour - Faces Of Stone Richard Wright + David Gilmour - Breakthrough (live) Pink Floyd - A Great Day For Freedom Pink Floyd - Arnold Lane Pink Floyd - Mother Pink Floyd - Anisina Pink Floyd - Keep Talking (live) Pink Floyd - Hey You Pink Floyd - Run Like Hell (live) Pink Floyd - One Of These Days Pink Floyd - Echoes (quad mix) [LASERSHOW] Pink Floyd - Shine On You Crazy Diamond Pink Floyd - Wish You Were Here Pink Floyd - Signs Of Life Pink Floyd - Learning To Fly David Gilmour - In Any Tongue Roger Waters - Perfect Sense (live) David Gilmour - Murder Roger Waters - The Last Refugee Pink Floyd - Coming Back To Life (live) Pink Floyd - See Emily Play Pink Floyd - Sorrow (live) Roger Waters - Amused To Death (live) Pink Floyd - Wearing The Inside Out Pink Floyd - Comfortably Numb.
    [Show full text]
  • SELF-SYNCHRONIZING MACHINES. [10Th April
    62 ROSENBERG: SELF-SYNCHRONIZING MACHINES. [10th April, SELF-SYNCHRONIZING MACHINES. By DR. E. ROSENBERG, Member. (Paper first received 29th January, and in final form 10th March, 1913 ; read before THE INSTITUTION 10th April, before the MANCHESTER LOCAL SECTION 1st April, and before the BIRMINGHAM LOCAL SECTION gtli April SYNOPSIS. Scope of the Synchronous Motor. Self-starting Synchronous Motors. (a) Modified induction motor. (b) Salient pole motor. Pulling into Synchronism. (a) Field excited. (b) Field unexcited. Self-starting Rotary Converters. Self-synchronizing using Starting Motor. Voltage Distribution between Synchronous Machine and series-connected Starting Motor. This paper was primarily intended to describe a new method of starting synchronous machines; but as self-starting synchronous machines may be somewhat unfamiliar to many engineers—although such machines date back far into the last century—it was thought advisable also to explain the known methods of starting, to illustrate their working by some test results, and to publish in this connection a short theoretical investigation on " pulling into synchronism." SCOPE OF THE SYNCHRONOUS MOTOR. Synchronous motors have two advantages over induction motors : (1) they do not require magnetizing current from the line ; (2) they can be designed, and practically must be designed, with a bigger air- gap than induction motors. Their peculiarity of running at an absolutely fixed speed for a given frequency is only in a few cases a real advantage, and more often a serious drawback. The necessity of continuous-current excitation, and of the proper adjustment of the same, complicates the machine, and however much the starting apparatus may have been improved, it is certainly more complicated than that of a slip-ring or squirrel-cage motor.
    [Show full text]
  • 47 of BYRD's MEN MAROONED on ICE Poimcuissie FRANCE's
    ILf OBOULATION f o r ' « M< • f Doeombor, 19M QweiaUy foi* o a t Member of the Audit alghtt Suadi^ with proftaMir B un M of Orenlotloiie. ■gut - “ VOL. Lin., NO. 100. (daaalfled Adrertialac oa Page 10.) MANCHESTER, CONN., SATURDAY, JANUARY 27,1934. (TWELVE PAGES) PRICE THKERCBJm 47 OF BYRD’S MEN U. S, Extends A Diplomatic Hand To Cuba HVE THOUSAND FRANCE’S PREMIER MAROONED ON ICE \V^ \ S\ i^sv. \ ATRINKWATCH AND HIS CABINET <$>* ICE C p i V A L Whole Front of Bay Flooring FAMOUS ACTRESS M w Perfect Night, Perfect Ice TO RESIGN TODAY Cmmblmg and Ship Un- •<$> FEARS KIDNAPERS Aid First Fancy Dress able to Get Near, Fear for Bayonue Bank Siandal Cause Fete at Center Springs; GUNMEN STEAL Men’s Safety. Mary Pickford TeDs Boston of Downfall— Riots Mark Experts Give Fine Show. POUCEGEARAT Police She Is Being Trail­ Eyery Session of Chamber Bay of Whales, Anarctic, Jan. 27. — (Via Mackay radio)— (A P )—^Rear Five thoussmd people from Hart­ BOSTomiDBrr of Deputies — Hernotnur Admiral Richard E. Byrd expressed ed; Is Given a Guard. ford, Springfield and several near­ apprehension today for the safety by cities and from Manchester at­ DaladierMay Head New of Pressure Camp and 43 men of the tended the first costume ice party Raid Auto Show During second Antarctic expedition, men Falmouth, Mass., Jan. 27.— (A P ) on Center Springs rink last night. marooned there by disintegration of — The home of Fulton Oursler, play­ ’The Ice was perfect, so was the Goyemment the vast ice shelf covering the bay.
    [Show full text]
  • Similarity of Fast and Slow Earthquakes Illuminated by Machine Learning
    ARTICLES https://doi.org/10.1038/s41561-018-0272-8 Similarity of fast and slow earthquakes illuminated by machine learning Claudia Hulbert1*, Bertrand Rouet-Leduc" "1, Paul A. Johnson1, Christopher X. Ren1, Jacques Rivière" "2, David C. Bolton3 and Chris Marone3 Tectonic faults fail in a spectrum of modes, ranging from earthquakes to slow slip events. The physics of fast earthquakes are well described by stick–slip friction and elastodynamic rupture; however, slow earthquakes are poorly understood. Key questions remain about how ruptures propagate quasi-dynamically, whether they obey different scaling laws from ordinary earthquakes and whether a single fault can host multiple slip modes. We report on laboratory earthquakes and show that both slow and fast slip modes are preceded by a cascade of micro-failure events that radiate elastic energy in a manner that foretells catastrophic failure. Using machine learning, we find that acoustic emissions generated during shear of quartz fault gouge under normal stress of 1–10!MPa predict the timing and duration of laboratory earthquakes. Laboratory slow earthquakes reach peak slip velocities of the order of 1!×!10−4!m!s−1 and do not radiate high-frequency elastic energy, consistent with tectonic slow slip. Acoustic signals generated in the early stages of impending fast laboratory earthquakes are systematically larger than those for slow slip events. Here, we show that a broad range of stick–slip and creep–slip modes of failure can be predicted and share common mechanisms, which suggests that catastrophic earthquake failure may be preceded by an organized, potentially forecastable, set of processes.
    [Show full text]
  • Shocks and Slip Systems: Predictions from a Mesoscale Theory of Continuum Dislocation Dynamics
    ARTICLE IN PRESS Journal of the Mechanics and Physics of Solids 56 (2008) 1450–1459 www.elsevier.com/locate/jmps Shocks and slip systems: Predictions from a mesoscale theory of continuum dislocation dynamics S. Limkumnerda,Ã, J.P. Sethnab aZernike Institute for Advanced Materials, University of Groningen, 9747 AG, Groningen,The Netherlands bLaboratory of Atomic and Solid State Physics, Clark Hall, Cornell University, Ithaca, NY 14853-2501, USA Received 4 February 2007; received in revised form 18 July 2007; accepted 26 August 2007 Abstract Exploring a recently developed mesoscale continuum theory of dislocation dynamics, we derive three predictions about plasticity and grain boundary formation in crystals. (1) There is a residual stress jump across grain boundaries and plasticity-induced cell walls as they form, which self-consistently acts to attract neighboring dislocations; residual stress in this theory appears as a remnant of the driving force behind wall formation under both polygonization and plastic deformation. We derive the predicted asymptotic late-time dynamics of the grain-boundary formation process. (2) During grain boundary formation at high temperatures, there is a predicted cusp in the elastic energy density. (3) In early stages of plasticity, when only one type of dislocation is active (single-slip), cell walls do not form in the theory; instead we predict the formation of a hitherto unrecognized jump singularity in the dislocation density. r 2007 Elsevier Ltd. All rights reserved. PACS: 46; 91.60.Dc; 91.60.Ed; 47.40. x À Keywords: Dislocations; Shocks; Burgers equations; Singularity formation; Plasticity 1. Introduction Dislocations in crystals evolve to form structures, especially walls: grain boundaries at high temperatures where climb is allowed, cell boundaries under low-temperature plastic deformation when climb is forbidden.
    [Show full text]
  • Session 9: the Slippery Slope of Lifestyle Change
    Session 9: The Slippery Slope of Lifestyle Change Progress Review Changes you've made to be more active: ______________________________________ ______________________________________ ______________________________________ Changes you've made to eat less fat (and fewer calories): ______________________________ ______________________________________ ______________________________________ Have you reached your weight goal? Yes No Have you reached your activity goal? Yes No If not, what will you do to improve your progress? ________________________________________________________ ________________________________________________________ ________________________________________________________ Session 9 Group Lifestyle Balance The Slippery Slope of Lifestyle Change, Page 1 Copyright © 2011 by the University of Pittsburgh Rev. 7-2011 The Slippery Slope of Lifestyle Change “Slips” are: • Times when you don't follow your plans for healthy eating or being active. • A normal part of lifestyle change. • To be expected. Slips don't hurt your progress. What hurts your progress is the way you react to slips. What things cause you to slip from healthy eating? ______________ ________________________________________________________ ________________________________________________________ ________________________________________________________ What things cause you to slip from being active? ________________________________________________________ ________________________________________________________ ________________________________________________________
    [Show full text]
  • Track List: All Songs Written by Syd Barrett, Except Where Noted. ”UK Release” Side One 1
    Track List: All songs written by Syd Barrett, except where noted. ”UK release” Side one 1. "Astronomy Domine" – 4:12 2. "Lucifer Sam" – 3:07 3. "Matilda Mother" – 3:08 4. "Flaming" – 2:46 5. "Pow R. Toc H." (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 4:26 6. "Take Up Thy Stethoscope and Walk" (Roger Waters) – 3:05 Side two 1. "Interstellar Overdrive" (Syd Barrett, Roger Waters, Rick Wright, Nick Mason) – 9:41 2. "The Gnome" – 2:13 The Piper at the Gates of Dawn – August 5, 1967 3. "Chapter 24" – 3:42 Syd Barrett – guitar, lead vocals, back cover design 4. "The Scarecrow" – 2:11 5. "Bike" – 3:21 Roger Waters – bass guitar, vocals Rick Wright – Farfisa Compact Duo, Hammond organ, Certifications: piano, vocals TBR Nick Mason – drums, percussion "Astronomy Domine" Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Lime and limpid green, a second scene A fight between the blue you once knew. Floating down, the sound resounds Around the icy waters underground. Jupiter and Saturn, Oberon, Miranda and Titania. Neptune, Titan, Stars can frighten. Blinding signs flap, Flicker, flicker, flicker blam. Pow, pow. Stairway scare, Dan Dare, who's there? Lime and limpid green, the sounds around The icy waters under Lime and limpid green, the sounds around The icy waters underground. "Lucifer Sam" Lucifer Sam, siam cat. Always sitting by your side Always by your side.
    [Show full text]
  • Permeability and Effective Slip in Confined Flows Transverse to Wall Slippage Patterns Avinash Kumar, Subhra Datta, and Dinesh Kalyanasundaram
    Permeability and effective slip in confined flows transverse to wall slippage patterns Avinash Kumar, Subhra Datta, and Dinesh Kalyanasundaram Citation: Physics of Fluids 28, 082002 (2016); View online: https://doi.org/10.1063/1.4959184 View Table of Contents: http://aip.scitation.org/toc/phf/28/8 Published by the American Institute of Physics Articles you may be interested in Effective slip and friction reduction in nanograted superhydrophobic microchannels Physics of Fluids 18, 087105 (2006); 10.1063/1.2337669 Geometric transition in friction for flow over a bubble mattress Physics of Fluids 21, 011701 (2009); 10.1063/1.3067833 On the scaling of the slip velocity in turbulent flows over superhydrophobic surfaces Physics of Fluids 28, 025110 (2016); 10.1063/1.4941769 Laminar and turbulent flows over hydrophobic surfaces with shear-dependent slip length Physics of Fluids 28, 035109 (2016); 10.1063/1.4943671 Microchannel flows with superhydrophobic surfaces: Effects of Reynolds number and pattern width to channel height ratio Physics of Fluids 21, 122004 (2009); 10.1063/1.3281130 Achieving large slip with superhydrophobic surfaces: Scaling laws for generic geometries Physics of Fluids 19, 123601 (2007); 10.1063/1.2815730 PHYSICS OF FLUIDS 28, 082002 (2016) Permeability and effective slip in confined flows transverse to wall slippage patterns Avinash Kumar,1 Subhra Datta,1,a) and Dinesh Kalyanasundaram2 1Department of Mechanical Engineering, IIT Delhi, Hauz Khas, New Delhi 110016, India 2Center for Biomedical Engineering, IIT Delhi, Hauz Khas, New Delhi 110016, India (Received 2 February 2016; accepted 9 July 2016; published online 1 August 2016) The pressure-driven Stokes flow through a plane channel with arbitrary wall separa- tion having a continuous pattern of sinusoidally varying slippage of arbitrary wave- length and amplitude on one/both walls is modelled semi-analytically.
    [Show full text]
  • Pink Floyd Med Restaurert Og Remikset Utgivelse
    Pink Floyd - Delicate Sound of Thunder 24-09-2020 15:00 CEST Pink Floyd med restaurert og remikset utgivelse Warner Music har gleden av å annonsere den kommende utgivelsen av Pink Floyds «Delicate Sound Of Thunder» på Blu-ray, DVD, 2-CD, 3-disc vinyl og 4- disc deluxeboks med bonusspor, 20. november 2020. På tvers av de forskjellige formatene, inneholder utgivelsen av «Delicate Sound Of Thunder» bandet Pink Floyd på sitt aller beste. I tillegg til det klassiske live-albumet og konsertfilmen (restaurert og redigert fra den opprinnelige 35mm-filmen og forbedret med 5.1-surroundlyd), har alle utgaver 24-siders fotohefter og 4-disc-boksen inkluderer et 40-siders fotohefte, turplakat og postkort. Tre 180 grams LP-vinylsett som inneholder ni sanger som ikke er med på utgivelsen av albumet i 1988, mens 2-CD’en inneholder 8 spor mer enn den opprinnelige utgivelsen. I 1987 gjennomførte Pink Floyd en triumferende gjenoppblomstring. Det legendariske bandet, som ble dannet i 1967, hadde tapt to medstiftere: keyboardist/vokalist Richard Wright, som dro etter inspillingene til «The Wall» i 1979, og bassist og tekstforfatter Roger Waters, som valgte å gå solo i 1985, kort tid etter albumet «The Final Cut» ble utgitt i 1983. Utfordringen ble dermed ført videre til gitarist/vokalist David Gilmour og trommeslager Nick Mason, som fortsatte med å lage albumet «A Momentary Lapse Of Reason» der også Richard Wright ble gjenforenet med bandet. Opprinnelig utgitt i september 1987, ble «A Momentary Lapse Of Reason» raskt omfavnet av fans over hele verden. Kun få dager etter utgivelsen, startet turnéen som ble spilt for mer enn 4,25 millioner fans under en to-års periode.
    [Show full text]
  • Template Design-FRIEND-RELATIVE
    ABCT FACT SHEETS UNDERSTANDING YOUR FRIEND OR RELATIVE’S ALCOHOL OR DRUG PROBLEM If someone you know has an alcohol or drug problem, whether it is your spouse, What Is Cognitive Behavior Therapy? another family member, a friend, or an employee, your support can be very im- Behavior Therapy and Cognitive Behavior Therapy portant in helping that person change. This brochure is intended to help you bet- are types of treatment that are based firmly on re- search findings. These approaches aid people in ter understand your friend or relative’s alcohol or drug problem. achieving specific changes or goals. Changes or goals might involve: Change Takes Time • A way of acting: like smoking less or being more Alcohol and drug problems do not develop overnight. They also do not usually outgoing; disappear overnight. For some people, it may be smooth sailing from the day they • A way of feeling: like helping a person to be less scared, less depressed, or less anxious; decide to change. For most people, change takes time. Resolving an alcohol or • A way of thinking: like learning to problem-solve or drug problem can be like hiking up a bumpy hill. The goal is to get to the top. get rid of self-defeating thoughts; Most make steady progress. Some hit dips in the road. While these bumps may • A way of dealing with physical or medical prob- lems: like lessening back pain or helping a person slow a person’s progress, they do not have to stop it. In some ways, dealing with a stick to a doctor’s suggestions.
    [Show full text]
  • Robbinswold Camp Song Book
    Aardvark in the Park The Airplane Song There’s a large dark aardvark in the park Open your song book to page 13. They say he’s missing from the zoo If I had the wings of an airplane, airplane The police are looking high and low, Up in the sky I would fly, would fly They haven’t seen him, have you? If I had the wings of an airplane, airplane Oh I’ll tell you the reason, I’d fly till the day I would die, would die Because it’s aardvark mating season! When an aardvark makes a date Chorus: Ooh la la, ooh la la, ooh la la, repeat You know he slips right through that old zoo gate Ooh la la, ooh la la, ooh la la, again So if you see two aardvarks playing in the park Ooh la la, ooh la la, ooh la la, once more Don’t upset their apple cart. Ooh la la, ooh la la, la, the end Why? Close your song book You are not a spy, you’re not the FBI, And you should never break an aardvark’s heart! Alive, Awake, Alert, Enthusiastic I’m alive, awake, alert, enthusiastic (2x) I’m alive, awake, alert Adams Family Grace I’m alert, awake, alive I’m alive, awake, alert, enthusiastic *Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh, duh-nuh-nuh-nuh, Alice the Camel Duh-nuh-nuh-nuh (snap, snap)* Alice the camel has 10 humps (3x) We thank the earth for giving So go, Alice, go! This food we need for living So bless us while we eat it (Continue on down to…) Because we really need it (The Girl Scout family) * Alice the camel has no humps (3x) Cause Alice is a horse! Animal Song Alligator Animals are lots of fun *Alligator, alligator They’re big and round and hairy Can be your friend, can be your friend, can be your friend, Some have teeth and some have claws too* And some are rather scary.
    [Show full text]
  • Ted Koppel to Deliver Speech at Commencement Ceremony
    THE TUFTS DAILY Where You Read It First Thursday, April 7,1994 Vol XXVN, Number 45 A NICE VIEW Ted Koppel to deliver speech at commencement ceremony by JESSICA ROSENTHAL New York as a full-time corre- ing conventions that have taken Daily Editorial Board spondent at age 23 and has been place since 1964. Furthermore, he ABC news anchor Ted Koppel with the network for 30 years. He anchored ABC News’ coverage will deliver the main address at is therecipient of numerous awards of the 1980 Democratic and Re- commencementonMay 22.TIME and honors, including five George publican National Conventions magazine has called Koppel “the Foster Peabody Awards, eight and ABC election night coverage. most indispensable news broad- duPont-Columbia Awards, seven Koppel is a native of caster on television.” Overseas Press Club Awards, 21 Lancashire, Englandand has aB.A. University President John Emmys, two GeorgePolk Awards, degree from Syracuse University DiBiaggio said that Koppel “is and two Sigma Delta Chi Awards, and an M.A. in mass communica- excited about coming and thinks the highest honor the Society of tions research and political sci- highly of Tufts.” Professional Journalists bestows ence from Stanford. Koppel started anchoring for public service. Other degree recipients ,, The library roof provides an excellent view of Boston. Nightline, the first late-night net- He received the first Golden DiBiaggio said that “this will work news program, 14 years ago Baton in the history of the duPont- be a very impressive commence- during the Iran hostage-crisis.A Columbia Awards for a week-long ment.” The university will award Munroe speaks about press release states that he is con- Nightline series from South Af- six other honorary degrees this sidered “the best news interviewer ricain 1985.
    [Show full text]