Reconstructing Wanstead House and Its Grounds

Total Page:16

File Type:pdf, Size:1020Kb

Reconstructing Wanstead House and Its Grounds ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output The Lost Landscapes and Interiorscapes of the Eighteenth-Century Estate: Reconstructing Wanstead House and its Grounds https://eprints.bbk.ac.uk/id/eprint/40200/ Version: Public Version Citation: Armstrong, Hannah (2017) The Lost Landscapes and Interi- orscapes of the Eighteenth-Century Estate: Reconstructing Wanstead House and its Grounds. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email The Lost Landscapes and Interiorscapes of the Eighteenth-Century Estate: Reconstructing Wanstead House and its Grounds In Two Volumes Volume One: Text Hannah Armstrong Submitted for the degree of Doctor of Philosophy at Birkbeck College, University of London Department of History of Art July 2016 ! Acknowledgements I would like to thank the AHRC for awarding me with the grant to undertake this thesis and the University of Glasgow and Birkbeck College London for supporting my studies. The London Art Historical Society provided me with valuable funding which allowed me to make a visit to Paris towards the end of my studies to view valuable archive material. Thank you to my advisor Patrizia di Bello and her contribution to my upgrade, which helped me prepare for the next stage of my research. Special thanks to John Bonehill for his support and encouragement during the early stages of my research, without which, I may not have embarked on this project. Thank you for agreeing to take part at my upgrade and providing such valuable advice. I owe a debt of gratitude to my supervisor Kate Retford. Our meetings were a constant source of inspiration, learning and support in the most challenging times. It has been such a pleasure and I feel privileged to have had your guidance. Thank you for everything. Many people have assisted me over the last three and a half years. First and foremost, the Friends of Wanstead Park, in particular, thanks to Richard Arnopp, who was happy to share his knowledge of all things Wanstead and always ready to answer my questions. Thanks also to Ralph Porter, Sally Jeffery, Geraldine Roberts and Greg Roberts. Tim Couzens has undertaken extensive research on the Tylney Long family and the whereabouts of the Wanstead sale items. Thank you for being so kind and helpful throughout. Thanks also to Bryan Maggs at Sir Paul Getty’s Library, Pamela Kingsbury at ii Hoares Bank Archive, staff at Essex Record Office, Wiltshire and Swindon Archives, Redbridge Central Library, British Library, John Harris and Anthony Tavernor. I was fortunate to visit Wanstead Park with Compass Archaeology early in my research. Thank you for helping me to establish a valuable understanding of the current Wanstead landscape. Thanks also to Rob Wiseman for sharing his fascinating archaeological scans of Wanstead. Justin Vanson’s efforts to digitally recreate Wanstead House was inspiring. Thank you for all your hard work and for helping me realise future avenues. Amelia Smith, my country house companion. I wish you the very best for your future adventures. Nadia Marx – one of the most positive outcomes of my PhD experience was finding a friend for life in you. I would never have survived the days on end in the British Library without you. To Marie, Matthew and Joseph for being the greatest siblings a person could wish for. To my dearest friend, Tim Vanson - a shining light throughout, thank you for your boundless support, love and encouragement. Finally, to my parents Moira and Brendan Armstrong, it is because of you that Wanstead holds a special place in my heart. Without you, this would never have been and so I dedicate this thesis to you both. iii Abstract Wanstead House was built by Colen Campbell between 1713-20 for Richard Child, later Viscount Castlemaine and 1st Earl Tylney. The house, furnished by leading designer of the Georgian period, William Kent, was recognized as one of the ‘noblest houses in Europe’ and displayed the same level of opulence as major seats such as Chatsworth or Houghton, but within the peripheries of London. The Wanstead landscape was created by important designers George London and Henry Wise, Charles Bridgeman, William Kent and Humphry Repton. However, in June 1822, the entire contents of Wanstead was sold in order to settle significant debts accumulated by its owners, William and Catherine Pole Tylney Long Wellesley. Two years later, the house was demolished, and the building material was sold. Due to its demolition and the decline of its landscape, Wanstead is a major loss to academic studies of the eighteenth-century estate. This thesis draws on a broad range of widely dispersed material evidence to present a much-needed chronological history of Wanstead. It seeks to ‘animate’ the property, fully considering it as a lived space, and as a mutable environment, in the constant process of development. Other themes of this thesis include social status and the country house, estate management, and the significance of geographical location. The introduction provides an account of the 1822 Wanstead sale and outlines the historiography and methodology. Due to the nature of the dispersed ! iv! evidence, the methodological discussion is necessarily detailed, addressing the challenges and importance of cross-examining material for this study of a lost house. Chapter one examines Josiah Child’s acquisition of Wanstead, and how he laid the foundations for the estate’s future glory. Chapters two and three address improvements carried out by Richard Child between 1704 and 1750. Chapter four is a study of the ownerships of the second half of the eighteenth century. The conclusion returns to the Wanstead sale, evaluating the impact of Wanstead’s loss and assessing how the study of such a lost house can contribute to our understanding of eighteenth-century estates more broadly. ! ! v! Table of Contents Volume One Declaration i Acknowledgements ii-iii Abstract iv-v Family Tree vi - vii Introduction 1-62 Chapter One: 1676-1699 63-105 Josiah Child Chapter Two: 1704-1720 106-156 Richard Child, Viscount Castlemaine and 1st Earl of Tylney: I Chapter Three: 1720-1750 157-210 Richard Child, Viscount Castlemaine and 1st Earl of Tylney: II Chapter Four: 1750-1824 211-289 Later Ownerships Conclusion 290-318 Bibliography 319-356 Volume Two ! List of Illustrations 1 - 15 Illustration Appendix 16 - 136 Bt. Sir Josiah Child m.1654 Hannah Boate d.1663 (c.1630 -1699) ! Elizabeth Child b.1656 m.1664 Mary Stone ne. Atwood wid. of Thomas Stone, merchant, of London 2d. 1. Rebecca Child (1662-1712) 2. daughter 1s. Josiah Child m. 10 Mar. 1691, Elizabeth (d. 1741), da. of c.1668-1704 Sir Thomas Cooke*, s.p. Kntd. 29 Oct. 1692; ! suc. fa. as 2nd Bt. 22 June 1699 m. 1676, Emma, da. and coh. of Sir Henry Barnard, merchant, of London and Bridgnorth, Salop, wid. of Francis Willoughby of Middleton d.1725. 2.S 1. Barnard Child b.1677-d. 1698 2. Richard Child m. 22 Apr. 1703, Dorothy da. b.1680-d.1750 and h. of John Glynne of Henley Park, d.1744 ! Emma Child Elizabeth Frederick Richard Child John Child Henrietta Josiah b. 1707 – d.1758 Child Child b.1711-d. 1734 b.1712, suc. Child Child Dorothy nd Child vi m. 1735, Sir b.1707-d. b. 2 Earl b.1712 – b.1718-d. Robert Long, 6th 1710 1709-1715 Tylney 1750, d.1712 1759 b.1717- Bt d.1784 d.unknown Elizabeth Frederick Richard Child John Child Henrietta Josiah Dorothy Child Child b.1711-d. 1734 b.1712, suc. Child Child Child nd b.1707-d. b.1709-1715 2 Earl b.1712 – b.1718-d. b.1717- 1710 Tylney 1750, d.1712 1759 d.unknown d.1784 Emma Child b. 1707 – d.1758 m. 1735, Sir Robert Long, 6th Bt Sir James Tylney Long m. 11 July 1775, Harriet de Bouverie, d. b.1736-d.1794, suc. 7th Bt, 1767 1777 m. 26 July 1785, Lady Catherine Windsor, da. of Other Lewis, 4th Earl of Plymouth, d.1823 Dorothy Tylney-Long Emma Tylney-Long Sir James Tylney-Long, 8th Bt. b.1791-d.1872 b.1792-d.1879 b.1794-d.1805 Catherine Tylney-Long m. 14 Mar 1812, William b.1789-d.1825 Wellesley Pole, 4th Earl Mornington b.1788-d.1757 William Richard Arthur Pole Tylney Long James Fitzroy Henry Pole Victoria Catherine May Wellesley, 5th Earl Tylney Long Wellesley Pole Tylney Long Wellesley b.1815-d.1851 b.1818-d.1897 vii vii Mornington, b.1813-d.1863 ! ! Introduction The Wanstead House Sale: June 1822 On 27th February 1821, A.R. Blake of Lincolns Inn wrote to William Pole Tylney Long Wellesley advising possible solutions to avoid a catastrophic financial crisis that was likely to engulf Wellesley’s fortunes and those of his estate of Wanstead.1 William, son of the 3rd Earl of Mornington and nephew to the Duke of Wellington, had acquired this ‘princely mansion’ and its extensive grounds ten years earlier through his marriage to Catherine Tylney Long, who had inherited it in 1805.2 Catherine’s family had owned Wanstead since Josiah Child, Director of the East India Company, had purchased the property in 1673.3 The severity of debt facing William and Catherine in 1821 meant that Blake’s primary recommendation to resolve the financial crisis was to arrange a sale of the contents of Wanstead, estimated to be worth £36,000.4 !!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! 1 Essex Record Office D/DB f116/4, A.R. Blake to William Pole Tylney Long Wellesley, 27 February 1821.
Recommended publications
  • New Working Papers Series, Entitled “Working Papers in Technology Governance and Economic Dynamics”
    Working Papers in Technology Governance and Economic Dynamics no. 74 the other canon foundation, Norway Tallinn University of Technology, Tallinn Ragnar Nurkse Department of Innovation and Governance CONTACT: Rainer Kattel, [email protected]; Wolfgang Drechsler, [email protected]; Erik S. Reinert, [email protected] 80 Economic Bestsellers before 1850: A Fresh Look at the History of Economic Thought Erik S. Reinert, Kenneth Carpenter, Fernanda A. Reinert, Sophus A. Reinert* MAY 2017 * E. Reinert, Tallinn University of Technology & The Other Canon Foundation, Norway; K. Car- penter, former librarian, Harvard University; F. Reinert, The Other Canon Foundation, Norway; S. Reinert, Harvard Business School. The authors are grateful to Dr. Debra Wallace, Managing Director, Baker Library Services and, Laura Linard, Director of Baker Library Special Collections, at Harvard Business School, where the Historical Collection now houses what was once the Kress Library, for their cooperation in this venture. Above all our thanks go to Olga Mikheeva at Tallinn University of Technology for her very efficient research assistance. Antiquarian book dealers often have more information on economics books than do academics, and our thanks go to Wilhelm Hohmann in Stuttgart, Robert H. Rubin in Brookline MA, Elvira Tasbach in Berlin, and, above all, to Ian Smith in London. We are also grateful for advice from Richard van den Berg, Francesco Boldizzoni, Patrick O’Brien, Alexandre Mendes Cunha, Bertram Schefold and Arild Sæther. Corresponding author [email protected] The core and backbone of this publication consists of the meticulous work of Kenneth Carpenter, librarian of the Kress Library at Harvard Busi- ness School starting in 1968 and later Assistant Director for Research Resources in the Harvard University Library and the Harvard College 1 Library.
    [Show full text]
  • Heim Gallery Records, 1965-1991
    http://oac.cdlib.org/findaid/ark:/13030/kt5779r8sb No online items Finding aid for the Heim Gallery records, 1965-1991 Finding aid prepared by Isabella Zuralski. Finding aid for the Heim Gallery 910004 1 records, 1965-1991 Descriptive Summary Title: Heim Gallery records Date (inclusive): 1965-1991 Number: 910004 Creator/Collector: Heim Gallery Physical Description: 120.0 linear feet(271 boxes) Repository: The Getty Research Institute Special Collections 1200 Getty Center Drive, Suite 1100 Los Angeles, California, 90049-1688 (310) 440-7390 Abstract: London gallery directed by Andrew Ciechanowieck. Records include extensive correspondence with museums, galleries, collectors, and other colleagues in Europe and the United States. Photographs document paintings, drawings, sculptures, and decorative art sold and exhibited by, and offered to the gallery. Stock and financial records trace acquisitions and sales. Request Materials: Request access to the physical materials described in this inventory through the catalog record for this collection. Click here for the access policy . Language: Collection material is in English Biographical / Historical Note Heim Gallery London began in June 1966 with François Heim (from Galerie Heim, Paris, begun 1954) and Andrew S. Ciechanowiecki as partners. Ciechanowiecki served as director in London while Heim remained in France. The emphasis of the gallery was Old Master paintings, especially French of the 15th - 18th century, Italian paintings of all periods, and sculpture (marble, terracotta and bronze) from the Renaissance to the 19th century. The gallery was known for its scholarly exhibitions and catalogs. Between 1966 and 1989 the gallery presented exhibitions two to three times a year. The gallery did business with museums and individual clients in Europe and the United States.
    [Show full text]
  • The Five Orders of Architecture
    BY GìAGOMO F5ARe)ZZji OF 2o ^0 THE FIVE ORDERS OF AECHITECTURE BY GIACOMO BAROZZI OF TIGNOLA TRANSLATED BY TOMMASO JUGLARIS and WARREN LOCKE CorYRIGHT, 1889 GEHY CENTER UK^^i Digitized by the Internet Archive in 2013 http://archive.org/details/fiveordersofarchOOvign A SKETCH OF THE LIFE OF GIACOMO BAEOZZI OF TIGNOLA. Giacomo Barozzi was born on the 1st of October, 1507, in Vignola, near Modena, Italy. He was orphaned at an early age. His mother's family, seeing his talents, sent him to an art school in Bologna, where he distinguished himself in drawing and by the invention of a method of perspective. To perfect himself in his art he went to Eome, studying and measuring all the ancient monuments there. For this achievement he received the honors of the Academy of Architecture in Eome, then under the direction of Marcello Cervini, afterward Pope. In 1537 he went to France with Abbé Primaticcio, who was in the service of Francis I. Barozzi was presented to this magnificent monarch and received a commission to build a palace, which, however, on account of war, was not built. At this time he de- signed the plan and perspective of Fontainebleau castle, a room of which was decorated by Primaticcio. He also reproduced in metal, with his own hands, several antique statues. Called back to Bologna by Count Pepoli, president of St. Petronio, he was given charge of the construction of that cathedral until 1550. During this time he designed many GIACOMO BAROZZr OF VIGNOLA. 3 other buildings, among which we name the palace of Count Isolani in Minerbio, the porch and front of the custom house, and the completion of the locks of the canal to Bologna.
    [Show full text]
  • Copped Hall Character Appraisal Draft Final
    Copped Hall Conservation Area Character Appraisal – Consultation Draft January 2011 Copped Hall Conservation Area Character Appraisal & Management Plan Consultation Draft January 2011 Epping Forest District Council – Directorate of Planning and Economic Development 1 Copped Hall Conservation Area Character Appraisal – Consultation Draft January 2011 Contents 1. Introduction……………………………………………………………………………………4 Definition and purpose of character appraisals………………………………...…………..4 Scope and nature of character appraisals…………………………………………………..4 Extent of the conservation area……………………………..………………..……………...4 Methodology……………………….…………………………………………..…..…………..4 2. Planning Policy Context……………………………………………….………………..…..5 Local Plan policies……………………………………………………………………………..5 3. Summary of Special Interest……………………………………………………………….6 Definition of special architectural and historic interest………………………….…………6 Definition of the character of Copped Hall Conservation Area……………….…………..6 4. Location and Population………………………………….............................………... ….7 5. Topography and Setting…………………………………………………………………….8 6. Historical Development and Archaeology……………………………………………...10 Origins and development…………………………………………………………..………..10 Archaeology…………………………………………………………………………………..14 7. Character Analysis………………………………………………………………………….18 General character and layout…………………………………………………………........18 Key views……………………………………………………………..…………….…………20 Character Areas…………………………………………………………...…………………21 Buildings of architectural and historic interest…………………….………………………28 Traditional
    [Show full text]
  • DID JOSHUA REYNOLDS PAINT HIS PICTURES? Matthew C
    DID JOSHUA REYNOLDS PAINT HIS PICTURES? Matthew C. Hunter Did Joshua Reynolds Paint His Pictures? The Transatlantic Work of Picturing in an Age of Chymical Reproduction In the spring of 1787, King George III visited the Royal Academy of Arts at Somerset House on the Strand in London’s West End. The king had come to see the first series of the Seven Sacraments painted by Nicolas Poussin (1594–1665) for Roman patron Cassiano dal Pozzo in the later 1630s. It was Poussin’s Extreme Unction (ca. 1638–1640) (fig. 1) that won the king’s particular praise.1 Below a coffered ceiling, Poussin depicts two trains of mourners converging in a darkened interior as a priest administers last rites to the dying man recumbent on a low bed. Light enters from the left in the elongated taper borne by a barefoot acolyte in a flowing, scarlet robe. It filters in peristaltic motion along the back wall where a projecting, circular molding describes somber totality. Ritual fluids proceed from the right, passing in relay from the cerulean pitcher on the illuminated tripod table to a green-garbed youth then to the gold flagon for which the central bearded elder reaches, to be rubbed as oily film on the invalid’s eyelids. Secured for twenty-first century eyes through a spectacular fund-raising campaign in 2013 by Cambridge’s Fitzwilliam Museum, Poussin’s picture had been put before the king in the 1780s by no less spirited means. Working for Charles Manners, fourth Duke of Rutland, a Scottish antiquarian named James Byres had Poussin’s Joshua Reynolds, Sacraments exported from Rome and shipped to London where they Diana (Sackville), Viscountess Crosbie were cleaned and exhibited under the auspices of Royal Academy (detail, see fig.
    [Show full text]
  • English-Palladianism.Pdf
    702132/702835 European Architecture B Palladianism COMMONWEALTH OF AUSTRALIA Copyright Regulations 1969 Warning This material has been reproduced and communicated to you by or on behalf of the University of Melbourne pursuant to Part VB of the Copyright Act 1968 (the Act). The material in this communication may be subject to copyright under the Act. Any further copying or communication of this material by you may be the subject of copyright protection under the Act. do not remove this notice THETHE TRUMPETTRUMPET CALLCALL OFOF AUTHORITYAUTHORITY St George, Bloomsbury, London, by Hawksmoor, 1716- 27: portico Miles Lewis St Mary-le-Strand, London, by James Gibbs, 1714-17: in a view of the Strand Summerson, Architecture in Britain, pl 171A. In those admirable Pieces of Antiquity, we find none of the trifling, licentious, and insignificant Ornaments, so much affected by some of our Moderns .... nor have we one Precedent, either from the Greeks or the Romans, that they practised two Orders, one above another, in the same Temple in the Outside .... and whereas the Ancients were contented with one continued Pediment .... we now have no less than three in one Side, where the Ancients never admitted any. This practice must be imputed either to an entire Ignorance of Antiquity, or a Vanity to expose their absurd Novelties ... Colen Campbell, 'Design for a Church, of St Mary-le-Strand from the south-east my Invention' (1717) Miles Lewis thethe EnglishEnglish BaroqueBaroque vv thethe PalladianPalladian RevivalRevival Christopher Wren Colen Campbell
    [Show full text]
  • Weekday and Sunday Mass Times and Intentions
    WEEKDAY AND SUNDAY MASS TIMES AND INTENTIONS OUR LADY OF SUNDAY 9.30am MASS – Josephine Kimberley RIP 4 November 11.30am MASS – Anton & Frances Daniels RIP 31st Sunday 6.30pm MASS – Chris Pendle RIP LOURDES WANSTEAD of the Year [B] THIRTY- FIRST SUNDAY OF THE YEAR MONDAY 8.30am Exposition of the Blessed Sacrament 3 /4 NOVEMBER 2012 5 November 8.55am Angelus & Morning Prayer 9.15am MASS – Holy Souls TUESDAY 8.30am Exposition of the Blessed Sacrament 6 November 8.55am Angelus & Morning Prayer 9.15am MASS –The Warwick Family RIP 2.30pm CLASS MASS Our Lady of Lourdes School WEDNESDAY 8.30am Exposition of the Blessed Sacrament 7 November 8.55am Angelus & Morning Prayer 9.15am FUNERAL MASS –Giuseppe Buzzella RIP 8.00pm MASS WITH PRAYER FOR HEALING Ints Valerie Edworthy [ THURSDAY 8.30am Exposition of the Blessed Sacrament 8 November 8.55am Angelus & Morning Prayer 9.15am MASS – Danny Daniels RIP THE DEDICATION OF THE LATERAN BASILICA FRIDAY 8.30am Exposition of the Blessed Sacrament ‘To love with all your heart, with all your understanding and strength 9 November 8.55am Angelus & Morning Prayer and to love your neighbour as yourself, this is far more important First Anniversary 9.15am MASS - Gladys Braganza RIP [ than holocaust or sacrifice.’ PARISH TELEPHONE NUMBER – 020 8989 2074 ST LEO THE GREAT SATURDAY 8.30am Exposition of the Blessed Sacrament E-mail address [email protected] 10 November 8.55am Angelus & Morning Prayer, Website www.ourladyoflourdeswanstead.com 9.15am MASS - Holy Souls 6.30pm MASS – Margaret Duffy RIP Pastoral Team – Father Patrick J.
    [Show full text]
  • Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham
    Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham Royal Academy of Arts 2 Contents President’s Foreword 000 Edward Middleton Barry ra (1869) 000 Sir Howard Robertson ra (1958) 000 Paul Koralek ra (1991) 000 Preface 000 George Edmund Street ra (1871) 000 Sir Basil Spence ra (1960) 000 Sir Colin St John Wilson ra (1991) 000 Acknowledgements 000 R. Norman Shaw ra (1877) 000 Donald McMorran ra (1962) 000 Sir James Stirling ra (1991) 000 John Loughborough Pearson ra (1880) 000 Marshall Sisson ra (1963) 000 Sir Michael Hopkins ra (1992) 000 Architecture at the Royal Academy of Arts 000 Alfred Waterhouse ra (1885) 000 Raymond Erith ra (1964) 000 Sir Richard MacCormac ra (1993) 000 Sir Thomas Graham Jackson Bt ra (1896) 000 William Holford ra, Baron Holford Sir Nicholas Grimshaw pra (1994) 000 The Architect Royal Academicians and George Aitchison ra (1898) 000 of Kemp Town (1968) 000 Michael Manser ra (1994) 000 Their Diploma Works 000 George Frederick Bodley ra (1902) 000 Sir Frederick Gibberd ra (1969) 000 Eva M. Jiricna ra (1997) 000 Sir William Chambers ra (1768, Foundation Sir Aston Webb ra (1903) 000 Sir Hugh Casson pra (1970) 000 Ian Ritchie ra (1998) 000 Member, artist’s presentation) 000 John Belcher ra (1909) 000 E. Maxwell Fry ra (1972) 000 Will Alsop ra (2000) 000 George Dance ra (1768, Foundation Member, Sir Richard Sheppard ra (1972) 000 Gordon Benson ra (2000) 000 no Diploma Work) 000 Sir Reginald Blomfield ra (1914) 000 H. T. Cadbury-Brown ra (1975) 000 Piers Gough ra (2001) 000 John Gwynn ra (1768, Foundation Member, Sir Ernest George ra (1917) 000 no Diploma Work) 000 Ernest Newton ra (1919) 000 Ernö Goldfinger ra (1975) 000 Sir Peter Cook ra (2003) 000 Thomas Sandby ra (1768, Foundation Member, Sir Edwin Lutyens pra (1920) 000 Sir Philip Powell ra (1977) 000 Zaha Hadid ra (2005) 000 bequest from great-grandson) 000 Sir Giles Gilbert Scott ra (1922) 000 Peter Chamberlin ra (1978) 000 Eric Parry ra (2006) 000 William Tyler ra (1768, Foundation Member, Sir John J.
    [Show full text]
  • Creating Economy: Merchants in Seventeenth-Century England
    Georgia State University ScholarWorks @ Georgia State University History Theses Department of History 12-11-2017 Creating Economy: Merchants in Seventeenth-Century England Braxton Hall Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_theses Recommended Citation Hall, Braxton, "Creating Economy: Merchants in Seventeenth-Century England." Thesis, Georgia State University, 2017. https://scholarworks.gsu.edu/history_theses/116 This Thesis is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CREATING ECONOMY: MERCHANTS IN SEVENTEENTH-CENTURY ENGLAND by BRAXTON HALL Under the Direction of Jacob Selwood, PhD ABSTRACT Between 1620 and 1700, merchants in England debated the economic framework of the kingdom. The system they created is commonly referred to as ‘mercantilism’ and many historians have concluded that there was a consensus among economists that supported the balance of trade and restricted foreign markets. While that economic consensus existed, merchants also had to adopt new ways of thinking about religion, foreigners, and naturalization because of the system they created. Merchants like Josiah Child in the latter part of the seventeenth century were more acceptant of strangers and they were more tolerant of religion that their predecessors
    [Show full text]
  • Expansion and Consolidation of Colonial Power
    Expansion and Consolidation of Colonial Power Subject: History Unit: Expansion and Consolidation of Colonial Power Lesson: Expansion and Consolidation of Colonial Power Lesson Developer : Prof. Lakshmi Subramanian College/Department : Professor, Centre for Studies in Social Sciences, Kolkata Institute of Lifelong Learning, University of Delhi Expansion and Consolidation of Colonial Power Table of contents Chapter 2: Expansion and consolidation of colonial power • 2.1: Expansion and consolidation of colonial power • Summary • Exercises • Glossary • Further readings Institute of Lifelong Learning, University of Delhi Expansion and Consolidation of Colonial Power 2.1: Expansion and consolidation of colonial power Introduction The second half of the 18th century saw the formal induction of the English East India Company as a power in the Indian political system. The battle of Plassey (1757) followed by that of Buxar (1764) gave the Company access to the revenues of the subas of Bengal, Bihar and Orissa and a subsequent edge in the contest for paramountcy in Hindustan. Control over revenues resulted in a gradual shift in the orientation of the Company’s agenda – from commerce to land revenue – with important consequences. This chapter will trace the development of the Company’s rise to power in Bengal, the articulation of commercial policies in the context of Mercantilism that developed as an informing ideology in Europe and that found limited application in India by some of the Company’s officials. This found expression until the 1750’s in the form of trade privileges, differential customs payments and fortifications of Company settlements all of which combined to produce an alternative nucleus of power within the late Mughal set up.
    [Show full text]
  • Paper Palaces: the Topham Collection As a Source for British Neo-Classicism
    Paper Palaces: the Topham Collection as a source for British Neo-Classicism Adriano Aymonino with Lucy Gwynn and Mirco Modolo Front cover image: Francesco Bartoli, Drawing of decorative mosaics in the vaulting of S. Costanza, c. 1720-25 (see cat. no. 25) Inside cover image: Francesco Bartoli, Drawing of an ancient ceiling from the Palatine, 1721 (see cat. no. 15) Paper Palaces: the Topham Collection as a source for British Neo-Classicism The Verey Gallery, Eton College May - November 2013 Curated by Lucy Gwynn & Adriano Aymonino Accompanied by the Conference: A Window on Antiquity: the Topham Collection at Eton College, 17th May 2013 Catalogue written by Adriano Aymonino with Lucy Gwynn and Mirco Modolo This catalogue is dedicated to the memory of Louisa M. Connor Bulman Contents Many people have given their support to the production of both the exhibition Foreword 4 Section 2 16 and this catalogue, and we would like in particular to thank: Lord Waldegrave of North Hill Robert Adam and his antiquarian sources The Tavolozza Foundation The Humanities Research Institute, the University of Buckingham Introduction 5 Section 3 22 the rationale for the exhibition Robert Adam, the Topham Collection and Country Life Magazine Francesco Bartoli Sir Francis Dashwood Richard Topham & Eton 6 by Lucy Gwynn The National Trust Section 4 40 The Topham Collection’s broader influence: Savills (UK) Limited Catalogue Charles Cameron and other Neo-Classical architects and decorators The authors would also like to thank Frances Sands for the fruitful discussion on the different hands in the Adam drawings; Jeremy Howard and Eleanor Davey for their Cataloguing Notes 8 help and support; Charlotte Villiers and Dennis Wallis for their patience and exquisite Notes 47 contribution in photography and design, Charlotte Villiers for the coordination of the exhibition, Pat McNeaney for his inexhaustible enthusiasm and skill, the Eton College Section 1 10 Buildings Department and Vario Press.
    [Show full text]
  • New for Spring 2020
    COURSE LISTING NEW FOR SPRING 2020 200+ courses for adults and families Local learning, lasting change Welcome to our spring and summer courses Redbridge Institute is one of the top Dates for your diary performing adult education services in the country. Learning here is rewarding Throughout the year we run events, and enjoyable which encourages a mix workshops and tasters to give you of different groups of people to work together. Learners and an opportunity to talk to our tutors, staff are very proud of our Outstanding Ofsted report and Learner Advisers and other services in national reputation for success. the borough, as well as increase your awareness of health, wellbeing, learning Our learners have great opportunities to develop their confidence and their skills, with excellent support from our and development. well-qualified and committed team of tutors and learning Health and support assistants. 30 January 2020 Wellbeing Fair Learners are well prepared for their next step with many Children’s Mental 3 - 9 February 2020 progressing on to sustained further learning, qualifications Health Week and employment. British Science 6 - 15 March 2020 Our spring programme is full of exciting new courses and Week we look forward to welcoming you to the Institute. Opportunities 18 June 2020 Fair Family Learning 27 May 2020 Day Annual Art 3 - 4 July 2020 Joni Cunningham OBE Festival Principal Information,Information, adviceadvice andand guidanceguidance dayday Wednesday 27th May 2020 10am – 4pm Join us to learn more about the range of level 3 and 4 courses we provide, including: • Counselling studies (level 3 and 4) • Life coaching (level 3) • Childcare • Teaching Assistant • Community interpreting You can book an appointment to discuss your requirements or drop in and meet a course tutor.
    [Show full text]