Mr. Scott Leads Massive Face Shield Project by Shreya Thalvayapati Publicly, a Greater Number of Volunteers Got In- Volved, and a Working Model Was Fine-Tuned
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Unlock It (Feat. Kim Petras and Jay Park)
Unlock It (feat. Kim Petras and Jay Park) Charli XCX Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the rain You got the candy colored eyes Pink and gold chain Million dollar babe Whip it out, like I'm propane You're on my mind I'm feeling kinda nervous, but I like it Take my t-shirt off and do it right You're on my mind The feeling, like an astronaut Watchin' the world all alone, just you and I (Beautiful)Rollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like propane (Beautiful) Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it? Lock it, lock it, lock-ck it, lock it, lock it Unlock it Lock it, lock it, lock-ck it Got the key can you unlock it?Caught in a liplock when we pitstop Cosmic kiss tastes like cherry maraschino Ride passenger seat, tropical heat Eyes so red, you could be my Valentino, yeah If you want my heart then don't you drop it (Want my heart then don't you drop it) I'm right here, right in your pocket (I'm right here, right in your pocket) Don't you drop it, never stop it (Never stop it) If you want my love (my love), try to unlock itRollercoaster ride in the fast lane Got the roof down Kiss me hard in the pourin' rain Yeah, I can see it in your eyes Know you feel the same Million dollar babe Trippin' on it, like -
Trance As Artefact: De-Othering Transformative States with Reference to Examples from Contemporary Dance in Canada
Trance as Artefact: De-Othering transformative states with reference to examples from contemporary dance in Canada Submitted in fulfilment of the requirements of the Degree of Doctor of Philosophy Department of Dance Studies, University of Surrey August 1st, 2007 Bridget E. Cauthery © by Bridget E. Cauthery (2007) ABSTRACT Reflecting on his fieldwork among the Malagasy speakers of Mayotte in the Indian Ocean, Canadian anthropologist Michael Lambek questions why the West has a “blind spot” when it comes to the human activity of trance. Immersed in his subject’s trance practices, he questions why such a fundamental aspect of the Malagasy culture, and many other cultures he has studied around the world, is absent from his own. This research addresses the West’s preoccupation with trance in ethnographic research and simultaneous disinclination to attribute or situate trance within its own indigenous dance practices. From a Western perspective, the practice and application of research suggests a paradigm that locates trance according to an imperialist West/non-West agenda. If the accumulated knowledge and data about trance is a by-product of the colonialist project, then trance may be perceived as an attribute or characteristic of the Other. As a means of investigating this imbalance, I propose that trance could be reconceived as an attribute or characteristic of the Self, as exemplified by dancers engaged in Western dance practices within traditional anthropology’s “own backyard.” In doing so, I examine the degree to which trance can be a meaningful construct within the cultural analysis of contemporary dance creation and performance. Through case studies with four dancer/choreographers active in Canada, Margie Gillis, Zab Maboungou, Brian Webb and Vincent Sekwati Mantsoe, this research explores the cultural parameters and framing of transformative states in contemporary dance. -
The Psytrance Party
THE PSYTRANCE PARTY C. DE LEDESMA M.Phil. 2011 THE PSYTRANCE PARTY CHARLES DE LEDESMA A thesis submitted in partial fulfilment of the requirements of the School of Humanities and Social Sciences, University of East London for the degree of Master of Philosophy August 2011 Abstract In my study, I explore a specific kind of Electronic Dance Music (EDM) event - the psytrance party to highlight the importance of social connectivity and the generation of a modern form of communitas (Turner, 1969, 1982). Since the early 90s psytrance, and a related earlier style, Goa trance, have been understood as hedonist music cultures where participants seek to get into a trance-like state through all night dancing and psychedelic drugs consumption. Authors (Cole and Hannan, 1997; D’Andrea, 2007; Partridge, 2004; St John 2010a and 2010b; Saldanha, 2007) conflate this electronic dance music with spirituality and indigene rituals. In addition, they locate psytrance in a neo-psychedelic countercultural continuum with roots stretching back to the 1960s. Others locate the trance party events, driven by fast, hypnotic, beat-driven, largely instrumental music, as post sub cultural and neo-tribal, representing symbolic resistance to capitalism and neo liberalism. My study is in partial agreement with these readings when applied to genre history, but questions their validity for contemporary practice. The data I collected at and around the 2008 Offworld festival demonstrates that participants found the psytrance experience enjoyable and enriching, despite an apparent lack of overt euphoria, spectacular transgression, or sustained hedonism. I suggest that my work adds to an existing body of literature on psytrance in its exploration of a dance music event as a liminal space, redolent with communitas, but one too which foregrounds mundane features, such as socialising and pleasure. -
CARLIE CRAIG SAG-AFTRA Hair Blonde, Eyes Blue HT 5’1” WT 100 Vocal Range Mezzo Soprano AGENT | CHRIS SOLOMON ENCOMPASS | [email protected] 323.336.6731
CARLIE CRAIG SAG-AFTRA Hair Blonde, Eyes Blue HT 5’1” WT 100 Vocal Range Mezzo Soprano AGENT | CHRIS SOLOMON ENCOMPASS | [email protected] 323.336.6731 TELEVISION MADtv Series Regular THE CW | Dir. Bruce Leddy The Donors Series Regular LOL Network | Prod. Kevin Hart Todrick Series Regular MTV | Dir. Danny Salles The Commute Guest Star AwesomenessTV | Dir. Becca Gleason First Impressions with Dana Carvey Guest Star USA | Prod. Dana Carvey Will & Grace Co-Star NBC | Dir. James Burrows THEATRE Me! The Musical! One Woman Musical Comedy Rockwell Table & Stage, Los Angeles Have Several Seats One Woman Musical Comedy The Colony Theatre, Los Angeles Small But Fierce One Woman Concert Feinstein’s | 54 Below, New York City The Toddlerz Ball Principal Vocalist | Actor Todrick Hall World Tour Twerk Du Soleil Principal Vocalist | Actor Todrick Hall World Tour Chicago Roxie Hart Theatre Tallahassee Reefer Madness Mary Lane Augusta Conradi Studio Theatre [title of show] Susan Lindsey Recital Hall If You Give a Mouse a Cookie The Mouse Richard G. Fallon Theatre You’re a Good Man… Sally Brown Tallahassee Little Theatre Footloose Rusty Stoneman Douglas Theatre High School Musical Sharpay Evans Stoneman Douglas Theatre TRAINING | EDUCATION BA Theatre & Media Production Florida State University, Double Major Vocal Thomas R. Blaylock, Michael Orland, VP Boyle, Gisbert Heuer Acting Catlin Adams, Jay Goldenberg (NY Conservatory) Dance Diego Salterini, Jenna DelMonte, Dawn Baerlin Improvisation Wayne Brady Invited Workshop, Groundlings (Jeff Galante), UCB -
Seattle's Seafaring Siren: a Cultural Approach to the Branding Of
Running Head: SEATTLE’S SEAFARING SIREN 1 Seattle’s Seafaring Siren: A Cultural Approach to the Branding of Starbucks Briana L. Kauffman Master of Arts in Media Communications March 24, 2013 SEATTLE’S SEAFARING SIREN 2 Thesis Committee Starbucks Starbucks Angela Widgeon, Ph.D, Chair Date Starbucks Starbucks Stuart Schwartz, Ph.D, Date Starbucks Starbucks Todd Smith, M.F.A, Date SEATTLE’S SEAFARING SIREN 3 Copyright © 2013 Briana L. Kauffman All Rights Reserved SEATTLE’S SEAFARING SIREN 4 Abstract Many corporate brands tend to be built on a strong foundation of culture, but very minimal research seems to indicate a thorough analysis of the role of an organizational’s culture in its entirety pertaining to large corporations. This study analyzed various facets of Starbucks Coffee Company through use of the cultural approach to organizations theory in order to determine if the founding principles of Starbucks are evident in their organizational culture. Howard Schultz’ book “Onward” was analyzed and documented as the key textual artifact in which these principles originated. Along with these principles, Starbucks’ Website, Facebook, Twitter and YouTube page were analyzed to determine how Starbucks’ culture was portrayed on these sites. The rhetorical analysis of Schultz’ book “Onward” conveyed that Starbucks’ culture is broken up into a professional portion and a personal portion, each overlapping one another in its principles. After sifting through various tweets, posts and videos, this study found that Starbucks has created a perfect balance of culture, which is fundamentally driven by their values and initiatives in coffee, ethics, relationships and storytelling. This study ultimately found that Starbucks’ organizational culture is not only carrying out their initiatives that they principally set out to perform, but they are also doing so across all platforms while engaging others to do the same. -
Annual Report 2018-2019
FY18 ANNUAL REPORT ALL OF US TOGETHER 2 GLAAD 02 Key GLAAD Initiatives ANNUAL REPORT 03 Mission Statement FY18 05 President & CEO’s Message 06 Jan-Sept 2018 Highlights KEY 10 News & Rapid Response ACCOMPLISHMENTS 12 GLAAD Media Institute (GMI) 14 Spanish-Language and Latinx Media 16 Youth Engagement 18 Events 22 Transgender Media Program 24 Voter Education & Engagement GLAAD BY 28 GLAAD at Work THE NUMBERS 29 Letter from the Treasurer 30 Financial Summary INVESTORS 34 GLAAD Supporters & DIRECTORY 36 Giving Circles 39 Staff 40 Board of Directors 2 3 KEY GLAAD INITIATIVES MISSION GLAAD NEWS & RAPID RESPONSE GLAAD serves as a resource to journalists and news outlets in print, broadcast, and online to ensure that the news media is accurately and fairly representing LGBTQ people in its reporting. As the world’s largest GLAAD MEDIA INSTITUTE (GMI) lesbian, gay, bisexual, Through training, consulting, and research—including annual resources like the Accelerating Acceptance report and the GLAAD Studio Responsibility Index—GMI enables everyone from students to professionals, transgender, and queer journalists to spokespeople to build the core skills and techniques that effectuate positive cultural change. GLAAD CAMPUS AMBASSADOR PROGRAM (LGBTQ) media advocacy GLAAD Campus Ambassadors are a volunteer network of university/college LGBTQ and ally students who work with GLAAD and within their local communities to build an LGBTQ movement to accelerate acceptance and end hate. organization, GLAAD is GLAAD MEDIA AWARDS at the forefront of cultural The GLAAD Media Awards recognize and honor media for their fair, accurate, and inclusive representations of the LGBTQ community and the issues that affect their lives. -
Front Matter Template
Copyright by Paxton Christopher Haven 2020 The Thesis Committee for Paxton Christopher Haven Certifies that this is the approved version of the following Thesis: Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes APPROVED BY SUPERVISING COMMITTEE: Suzanne Scott, Supervisor Curran Nault Oops…They Did It Again: Pop Music Nostalgia, Collective (Re)memory, and Post-Teeny Queer Music Scenes by Paxton Christopher Haven Thesis Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Arts The University of Texas at Austin May 2020 Dedication To my parents, Chris and Fawn, whose unwavering support has instilled within me the confidence, kindness, and sense of humor to tackle anything my past, present, and future may hold. Acknowledgements Thank you to Suzanne Scott for providing an invaluable amount of time and guidance helping to make sense of my longwinded rants and prose. Our conversations throughout the brainstorming and writing process, in addition to your unwavering investment in my scholarship, made this project possible. Thank you to Curran Nault for illustrating to me the infinite potentials within merging the academic and the personal. Watching you lead the classroom with empathy and immense consideration for the lives, legacies, and imaginations of queer and trans artists/philosophers/activists has made me a better scholar and person. Thank you to Taylor for enduring countless circuitous ramblings during our walks home from weekend writing sessions and allowing me the space to further form my thoughts. -
Rising Hyperpop Star Elyotto Releases “Sugarcrash!” Feat
RISING HYPERPOP STAR ELYOTTO RELEASES “SUGARCRASH!” FEAT. KIM PETRAS AND CURTIS WATERS (Los Angeles, CA – April 23rd, 2021) - Rising Hyperpop star ElyOtto releases a new version of his hit song “SugarCrash!” featuring pop sensation Kim Petras and on-the-rise artist/producer Curtis Waters via RCA Records. Listen HERE. ElyOtto says, “I never thought my own song could sound this good. Kim and Curtis added so much energy to it, it gives me goosebumps every time I listen.” Kim Petras says, “I heard “SugarCrash!” and, like anyone who’s ever been on TikTok, had it on repeat for a while. When ElyOtto reached out I immediately said yes, wrote the verse, and sent it in. And ElyOtto loved it. I love ElyOtto as an artist and feel really proud to be a part of this.” Elliott Platt, the 17-year-old singer, songwriter and producer from Calgary, Canada known as ElyOtto, has taken the internet by storm with his insanely catchy earworm of a song “SugarCrash!” which has reached #11 on the TikTok Viral Charts and has garnered over 8M creations. The hyperpop bop has bounced off the platform and is a streaming juggernaut with 100M streams on Spotify to date, peaked at #43 on the Spotify U.S. chart and reached No. 1 on Spotify’s U.S. Viral 50 playlist in February. ElyOtto, who has been called “the New Face of Hyperpop” by SPIN Magazine, is looking forward to releasing new music under his newly inked deal with RCA Records. Photo Credit: Sami Drasin About Kim Petras: Fast-rising international pop sensation Kim Petras has become one of music’s most buzzed-about artists. -
Download This Issue (PDF)
On behalf of the working people of Erie, IUPAT District Council 57 endorses: JOE BIDEN JOSH SHAPIRO KRISTY GNIBUS For President For Attorney General For Congress THESE CANDIDATES SHARE WORKING PEOPLE’S VALUES: FOR WORKERS’ FOR AFFORDABLE FOR FUNDING RIGHTS HEALTHCARE PUBLIC EDUCATION President Trump has • BROKEN HIS PROMISE ON INFRASTRUCTURE • PLANNED TO DEFUND HEALTHCARE • TAKEN THE CONSTITUTIONAL RIGHT OF COLLECTIVE BARGAINING AWAY FROM WORKERS • GIVEN TAX BREAKS TO LARGE CORPORATIONS DURING A PANDEMIC, WHILE OUR MOM AND POP SHOPS CONTINUE TO SUFFER Your livelihood for the next 4 years is on the line. Vote for candidates who will choose helping your family over fattening their wallets. WE CAN BE THE CHANGE Paid for by the IUPAT Political Action Together Political Committee, Hanover, MD CONTENTS From the Editors The only local voice for news, arts, and culture. OCTOBER 21, 2020 On keeping our heads on On behalf of the working people of Erie, Editors-in-Chief y most accounts, Erie-born magician Brian Graham & Adam Welsh Harry Kellar had an exceptionally good Managing Editor IUPAT District Council 57 endorses: Nick Warren What We’re Voting For – 5 Bhead on his shoulders. Throughout his standard-setting career, he demonstrated sav- Copy Editor Erie County and the soul of America Matt Swanseger vy, dignity, and class, while never forgetting where he came from. But despite his fami- Contributing Editors Still Making an Impression – 6 Ben Speggen ly-friendly reputation, he wasn’t above a lit- Jim Wertz Dafmark Dance Theater celebrates 30 years in tle shock value. For instance, detaching that Contributors Erie distinguished dome of his in front of a paying Liz Allen crowd of men, women, and children of all ages. -
Sarah Hudson
SARAH HUDSON 5 AUS Katy Perry “Dark Horse” (ft. Juicy J) Prism Capitol Co-Writer 3 CAN 11 US 7 CAN UK 8 AUS 2 US UK CAN Katy Perry “Swish Swish” (ft. Nicki Minaj) Witness Capitol Co-Writer ●AUS US CAN AUS ●UK Dua Lipa Levitating (feat. Madonna and Single Warner Records Co-Writer Missy Elliott) [The Blessed Madonna Remix] ●UK Dua Lipa “Physical” Future Nostalgia Warner Records Co-Writer ●CAN “Levitating” US Iggy Azalea “Black Widow” (ft. Rita Ora) The New Classic Def Jam Co-Writer ●CAN 4 US 2 CAN UK AUS ●AUS Illenium “Good Things Fall Apart ft. Jon ASCEND Astralwerks Co-Writer Bellion” ●US 4 US Justin Bieber “The Feeling” (ft. Halsey) Purpose Def Jam Co-Writer 4 UK ●US 4 CAN 3 AUS 2 CAN Camila Cabello "Something's Gotta Give" Camila Epic Co-Writer, Co- US Producer ●UK ●AUS 2 CAN Dua Lipa “Genesis” Dua Lipa Warner Records Co-Writer UK US ●AUS RAYE “South East London” Blue Story, Music Roc Nation Co-Writer Inspired By The Original Motion Picture Years & Years “Karma” Palo Santo Polydor Records Co-Writer “Palo Santo” SARAH HUDSON 2 US Nicki Minaj “Get On Your Knees” (ft. Ariana The Pinkprint Republic Co-Writer ●UK Grande) Santigold “Banshee” 99 Cents Atlantic Co-Writer Superfruit “Fantasy” Future Friends RCA Co-Writer CAN Katy Perry “Hey Hey Hey” Witness Capitol Co-Writer ●AUS “Tsunami” “Pendulum” “Mind Maze” “Miss You More” “Bigger Than Me” “Dance With The Devil” “Act My Age” Kim Petras “o m e n” Turn Off The Light, BunHead Co-Writer “Close Your Eyes” Vol 1 “TRANSylvania” “Turn Off The Light” “Tell Me It’s A Nightmare” “i don’t wanna die…” “In The Next Life” “Boo! Bitch!” Sasha Sloan “Version of Me” Loser EP RCA Co-Writer Alma “Cowboy” Single PME Records Co-Writer ●UK Little Mix “The National Manthem” LM5 Syco Music/Sony Music Co-Writer The “Blue” Hard To Imagine Columbia Co-Writer Neighbourhood “Dust” The Neighbourhood “Heaven” Ever Changing Brooke Candy “Oomph” Single Self-released Co-Writer Brooke Candy “Nuts” ft. -
To Talk Without Royals’ Input Liberating’ “I Didn’T Know That Tyson Trax Was Dr
ARAB TIMES, SUNDAY, MARCH 7, 2021 NEWS/FEATURES 14 People & Places Music Music world split Singer Dr. Luke rises again as ‘Tyson Trax’ By Mesfi n Fekadu ith dark clouds looming behind him, con- Wtroversial music producer and hitmaker Dr. Luke rose to the top of the Billboard charts last year with Doja Cat’s ubiquitous funk-pop jam “Say So,” along with Saweetie’s anthemic bop “Tap In” and Juice WRLD’s Top 5 pop smash “Wishing Well.” It marked a creative resurgence for the pop prince, who remains embroiled in a lawsuit with Kesha. His chart domination was followed by his fi rst Grammy nomination in seven years - cementing his comeback. That has the music world is split - some believe the art and the person should be separated, while others have blasted the Recording Academy for re- warding the hitmaker with a nomination for one of its top prizes. But not all of the academy members may have been aware they were voting for Dr. Luke when they completed their bal- Dr Luke lots this year. That’s because he used a moniker - Tyson Trax - for Doja Cat’s “Say So,” which he produced and co-wrote. The hit tune is competing for record of the year, where Dr. Luke is in contention as the song’s producer. “It’s diffi cult to say whether or not Grammy voters are aware that ‘Tyson Trax’ is used as a pseudonym,” Harvey Mason Jr., the academy’s interim president and CEO, said in a statement to The Associated Press. “While it’s true that the ‘Tyson Trax’ producer credit would be visible on the ballot entry, I would imagine This image provided by Harpo Productions shows Prince Harry, (from left), and Meghan, Duchess of Sussex, in conversation with Oprah Winfrey. -
Xavier University Newswire
Xavier University Exhibit All Xavier Student Newspapers Xavier Student Newspapers 2018-03-14 Xavier University Newswire Xavier University (Cincinnati, Ohio) Follow this and additional works at: https://www.exhibit.xavier.edu/student_newspaper Part of the Higher Education Commons, and the History Commons Recommended Citation Xavier University (Cincinnati, Ohio), "Xavier University Newswire" (2018). All Xavier Student Newspapers. 3054. https://www.exhibit.xavier.edu/student_newspaper/3054 This Book is brought to you for free and open access by the Xavier Student Newspapers at Exhibit. It has been accepted for inclusion in All Xavier Student Newspapers by an authorized administrator of Exhibit. For more information, please contact [email protected]. XAVIER Published by the students of Volume CIV Issue 24 Xavier University since 1915 March 14, 2018 NEWSWIRE Fiat justitia, ruat caelum xaviernewswire.com Faculty found new anity group Whites for Racial Justice aims to establish and strengthen students’ solidarity BY ALANA HARVEY The group was founded Staff Writer at the beginning of 2018 by Xavier’s new affinity staff members Randy Browne, group Whites for Racial Jus- Tracey DuEst, John Fairfield tice (WFRJ), which made and Andrea Wawrzusin. Fair- its campus debut earlier this field explained that the four year, aims to establish and staff members, who serve as strengthen solidarity among the group’s facilitators, were students. inspired to make WFRJ an According to its mission established group because of statement, “Whites for Racial an increased presence of rac- Justice (WFRJ) is an affinity ist attitudes both locally and space for self-identified white nationally. staff, faculty and students at “(We) came together out Xavier University who want of a concern about the way to become anti-racist, anti-su- racist attitudes have become premacist white allies and ex- more prevalent and more ac- amine their own ideas about cepted both on campus and in race and racism.” It also aims the country at large,” Fairfield “to develop awareness, knowl- said.