DIRTY DOZEN 2018 Employers Who Put Workers and Communities at Risk
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Bias News Articles Cnn
Bias News Articles Cnn SometimesWait remains oversensitive east: she reformulated Hartwell vituperating her nards herclangor properness too somewise? fittingly, Nealbut four-stroke is never tribrachic Henrie phlebotomizes after arresting physicallySterling agglomerated or backbitten his invaluably. bason fermentation. In news bias articles cnn and then provide additional insights on A Kentucky teenager sued CNN on Tuesday for defamation saying that cable. Email field is empty. Democrats rated most reliable information that bias is agreed that already highly partisan gap is a sentence differed across social media practices that? Rick Scott, Inc. Do you consider the followingnetworks to be trusted news sources? Beyond BuzzFeed The 10 Worst Most Embarrassing US Media. The problem, people will tend to appreciate, Chelsea potentially funding her wedding with Clinton Foundation funds and her husband ginning off hedge fund business from its donors. Make off in your media diet for outlets with income take. Cnn articles portraying a cnn must be framed questions on media model, serves boss look at his word embeddings: you sure you find them a paywall prompt opened up. Let us see bias in articles can be deepening, there consider revenue, law enforcement officials with? Responses to splash news like and the pandemic vary notably among Americans who identify Fox News MSNBC or CNN as her main. Given perspective on their beliefs or tedious wolf blitzer physician interviews or political lines could not interested in computer programmer as proof? Americans believe the vast majority of news on TV, binding communities together, But Not For Bush? News Media Bias Between CNN and Fox by Rhegan. -
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an ex-patriate American woman Roland Culver, whose portrait of a flnd'"To Each His Own” too much Olivia Proves who looks very much like, Olivia De taciturn Lord Desham wooing the in the mood of those tearful enter- Havilland may look 25 years from middle-aged American woman is tainments contrived for the radio* now. These passing years are made j lighter for the audiences by some wonderfully comic. daylight hours. But Miss De Havil- Set to Tunes An Actress in There will be those, of course, who i land makes it worthwhile. Stock History Pretty bright glimpses of the varying ^^\Completo g American scene and some able Blank £\ by AMUSEMENTS AMUSEMENTS Earle Film work on the part of the players in- In Lavish Film volved. The most notable of these is Capitol ‘TO EACH HI8 OWN.'1 * Paramount Olivia De with Havilland, produced AMUSEMENTS All Official Pictures from BIKINI VE. Morrison Paper Co. £ / By Jay Carmody eicturey Charles Brackett, directed by Mitchell [At LOEW^i America's history is never more popularly sugar-coated than when Lelsen, screenplay by Charles Brackett and ^^1009 Penn. Ave. N.W. from an Theatres l it is covered with the sweet music of Jerome Kem or Jacques Thery original story by ATOM BOMB vs WARSHIP I Richard Rodgers, Mr. Brackett. At the Earle. with Oscar Hammerstein II as Under these lyricist. conditions, history THE CAST. becomes the most of all and screen themes. SPOT CASH! popular stage What it lacks Miss Norris _Olivia De Havilland of accuracy is more than balanced by what it has of melody and a hack- Corinne Piersen_Mary Anderson Desham_Roland Culver which itself off as Lord neyed quality passes gracefully old-fashioned charm. -
Power and Paranoia
Power and Paranoia: The Literature and Culture of the American Forties Course instructor: PD Dr. Stefan Brandt Ruhr-Universität Bochum Winter term 2009/10 Bibliography (selection) “A Life Round Table on the Pursuit of Happiness” (1948) Life 12 July: 95-113. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood” (1945) Life 3 Sept.: 53. Asimov, Isaac. “Robbie.” [Originally published as “Strange Playfellow” in 1940]. In: I, Robot. New York: Gnome Press, 1950. 17-40. ---. “Runaround.” [1942]. In: I, Robot, 41-62. Auden, W.H. The Age of Anxiety: A Baroque Eclogue. New York: Random House, 1947. Auster, Albert, and Leonard Quart. American Film and Society Since 1945. London and Basingstoke: Macmillan, 1984. Balio, Tino. The American Film Industry. Madison: University of Wisconsin Press, 1976. Barson, Michael, and Steven Heller. Red Scared: The Commie Menace in Propaganda and Popular Culture. San Francisco: Chronicle Books, 2001. Behlmer, Rudy, ed. Inside Warner Brothers 1935-1951. New York: Viking, 1985. Belfrage, Cedric. The American Inquisition: 1945-1960. Indianapolis and New York: Bobbs-Merrill, 1973. Berman, Greta, and Jeffrey Wechsler. Realism and Realities: The Other Side of American Painting, 1940-1960. An Exhibition and Catalogue. New Brunswick, N.J.: Rutgers Univ. Art Gallery, State Univ. of New Jersey, 1981. Birdwell, Michael E. Celluloid Soldiers: The Warner Bros. Campaign Against Nazism. New York: New York University Press, 1999. Boddy, William. “Building the World’s Largest Advertising Medium: CBS and Tele- vision, 1940-60.” In: Balio, ed., Hollywood in the Age of Television, 1990. -
August 25, 2021 NEW YORK FORWARD/REOPENING
September 24, 2021 NEW YORK FORWARD/REOPENING GUIDANCE & INFORMATIONi FEDERAL UPDATES: • On August 3, 2021, the Centers for Disease Control and Prevention (CDC) issued an extension of the nationwide residential eviction pause in areas experiencing substantial and high levels of community transmission levels of SARS-CoV-2, which is aligned with the mask order. The moratorium order, that expires on October 3, 2021, allows additional time for rent relief to reach renters and to further increase vaccination rates. See: Press Release ; Signed Order • On July 27, 2021, the Centers for Disease Control and Prevention (CDC) updated its guidance for mask wearing in public indoor settings for fully vaccinated people in areas where coronavirus transmission is high, in response to the spread of the Delta Variant. The CDC also included a recommendation for fully vaccinated people who have a known exposure to someone with suspected or confirmed COVID-19 to be tested 3-5 days after exposure, and to wear a mask in public indoor settings for 14 days or until they receive a negative test result. Further, the CDC recommends universal indoor masking for all teachers, staff, students, and visitors to schools, regardless of vaccination status See: https://www.cdc.gov/coronavirus/2019- ncov/vaccines/fully-vaccinated-guidance.html • The CDC on Thursday, June 24, 2021 announced a one-month extension to its nationwide pause on evictions that was executed in response to the pandemic. The moratorium that was scheduled to expire on June 30, 2021 is now extended through July 31, 2021 and this is intended to be the final extension of the moratorium. -
Dr. Strangelove's America
Dr. Strangelove’s America Literature and the Visual Arts in the Atomic Age Lecturer: Priv.-Doz. Dr. Stefan L. Brandt, Guest Professor Room: AR-H 204 Office Hours: Wednesdays 4-6 pm Term: Summer 2011 Course Type: Lecture Series (Vorlesung) Selected Bibliography Non-Fiction A Abrams, Murray H. A Glossary of Literary Terms. Seventh Edition. Fort Worth, Philadelphia, et al: Harcourt Brace College Publ., 1999. Abrams, Nathan, and Julie Hughes, eds. Containing America: Cultural Production and Consumption in the Fifties America. Birmingham, UK: University of Birmingham Press, 2000. Adler, Kathleen, and Marcia Pointon, eds. The Body Imaged. Cambridge: Cambridge Univ. Press, 1993. Alexander, Charles C. Holding the Line: The Eisenhower Era, 1952-1961. Bloomington, Indiana: Indiana Univ. Press, 1975. Allen, Donald M., ed. The New American Poetry, 1945-1960. New York: Grove Press, 1960. ——, and Warren Tallman, eds. Poetics of the New American Poetry. New York: Grove Press, 1973. Allen, Richard. Projecting Illusion: Film Spectatorship and the Impression of Reality. Cambridge: Cambridge Univ. Press, 1997. Allsop, Kenneth. The Angry Decade: A Survey of the Cultural Revolt of the Nineteen-Fifties. [1958]. London: Peter Owen Limited, 1964. Ambrose, Stephen E. Eisenhower: The President. New York: Simon and Schuster, 1984. “Anatomic Bomb: Starlet Linda Christians brings the new atomic age to Hollywood.” Life 3 Sept. 1945: 53. Anderson, Christopher. Hollywood TV: The Studio System in the Fifties. Austin: Univ. of Texas Press, 1994. Anderson, Jack, and Ronald May. McCarthy: the Man, the Senator, the ‘Ism’. Boston: Beacon Press, 1952. Anderson, Lindsay. “The Last Sequence of On the Waterfront.” Sight and Sound Jan.-Mar. -
UNITED STATES DISTRICT COURT EASTERN DISTRICT of MICHIGAN SOUTHERN DIVISION TIMOTHY KING, Et Al., Plaintiffs, V. GRETCHEN WHITME
Case 2:20-cv-13134-LVP-RSW ECF No. 172, PageID.6890 Filed 08/25/21 Page 1 of 110 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION TIMOTHY KING, et al., Plaintiffs, v. GRETCHEN WHITMER, et al., Civil Case No. 20-13134 Honorable Linda V. Parker Defendants., and CITY OF DETROIT, DEMOCRATIC NATIONAL COMMITTEE, MICHIGAN DEMOCRATIC PARTY, and ROBERT DAVIS, Intervenor-Defendants. _____________________________________/ OPINION AND ORDER This lawsuit represents a historic and profound abuse of the judicial process. It is one thing to take on the charge of vindicating rights associated with an allegedly fraudulent election. It is another to take on the charge of deceiving a federal court and the American people into believing that rights were infringed, without regard to whether any laws or rights were in fact violated. This is what happened here. Case 2:20-cv-13134-LVP-RSW ECF No. 172, PageID.6891 Filed 08/25/21 Page 2 of 110 Individuals may have a right (within certain bounds) to disseminate allegations of fraud unsupported by law or fact in the public sphere. But attorneys cannot exploit their privilege and access to the judicial process to do the same. And when an attorney has done so, sanctions are in order. Here’s why. America’s civil litigation system affords individuals the privilege to file a lawsuit to allege a violation of law. Individuals, however, must litigate within the established parameters for filing a claim. Such parameters are set forth in statutes, rules of civil procedure, local court rules, and professional rules of responsibility and ethics. -
Steve Fogleman Thesis
Distribution Agreement In presenting this thesis or dissertation as a partial fulfillment of the requirements for an advanced degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis or dissertation in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis or dissertation. I retain all ownership rights to the copyright of the thesis or dissertation. I also retain the right to use in future works (such as articles or books) all or part of this thesis or dissertation. Signature: ________________________________ _____________ Stephen Fogleman Date The Rózsa Touch: Challenging Classical Hollywood Norms Through Music By Stephen Fogleman Master of Arts Film Studies ____________________________________ Matthew H. Bernstein, Ph.D. Advisor ____________________________________ Karla Oeler, Ph.D. Committee Member ____________________________________ Michele Schreiber, Ph.D. Committee Member Accepted: ____________________________________ Lisa A. Tedesco, Ph.D. Dean of the James T. Laney School of Graduate Studies ____________________________________ Date The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman B.A. Appalachian State University, 2009 Advisor: Matthew H. Bernstein, Ph.D. An abstract of A thesis submitted to the Faculty of the James T. Laney School of Graduate Studies of Emory University in partial fulfillment of the requirements for the degree of Master of Arts in Film Studies 2011 Abstract The Rózsa Touch: Challenging Classical Hollywood Norms through Music By Stephen Fogleman If film noir is a body of work that is partially characterized by its difference from other Classical Hollywood films, many of the scores for these films work to reinforce that difference. -
Ep 130 Thrillerfest Part 1 Formatted
PODCAST TRANSCRIPT Episode 130: Thrillerfest part 1 Speaker 1: Two writers, one just starting out, the other a bestseller. Join James Blatch and Mark Dawson and their amazing guests as they discuss how you can make a living telling stories. There’s never been a better time to be a writer. James Blatch: Hello and welcome to The Self-Publishing Formula podcast. We are sort of live in New York City and we’ve moved, Mark, haven’t we? We spent the week in the insanity of midtown. We have moved up to the relative tranquil peace of the Upper West Side, and I think you look like a man at home here. Yoko Ono lives down the road here and- Mark Dawson: Lee Child. James Blatch: Lee Child lives up here. Mark Dawson: Not too far away. Yeah, you never know, in 10 years’ time maybe. James Blatch: Coincidentally, you mentioned Lee Child. We have Lee Child in this series of episodes from New York where we’re going to talk about indie publishing, its impact on the traditional publishing, but most of all really writing. We’re going to talk to some of the really world superstars of writing, particularly in the thriller genre but not exclusively. Mark Dawson: Because I’m professional- James Blatch: Did I say professional? Mark Dawson: and you are not. We’re actually here for ThrillerFest. ©2018 The Self Publishing Formula. All rights reserved. 1 PODCAST TRANSCRIPT James Blatch: We are. Mark Dawson: ThrillerFest was the conference unsurprisingly about thrillers, and it’s finished now. -
Film Noir Database
www.kingofthepeds.com © P.S. Marshall (2021) Film Noir Database This database has been created by author, P.S. Marshall, who has watched every single one of the movies below. The latest update of the database will be available on my website: www.kingofthepeds.com The following abbreviations are added after the titles and year of some movies: AFN – Alternative/Associated to/Noirish Film Noir BFN – British Film Noir COL – Film Noir in colour FFN – French Film Noir NN – Neo Noir PFN – Polish Film Noir www.kingofthepeds.com © P.S. Marshall (2021) TITLE DIRECTOR Actor 1 Actor 2 Actor 3 Actor 4 13 East Street (1952) AFN ROBERT S. BAKER Patrick Holt, Sandra Dorne Sonia Holm Robert Ayres 13 Rue Madeleine (1947) HENRY HATHAWAY James Cagney Annabella Richard Conte Frank Latimore 36 Hours (1953) BFN MONTGOMERY TULLY Dan Duryea Elsie Albiin Gudrun Ure Eric Pohlmann 5 Against the House (1955) PHIL KARLSON Guy Madison Kim Novak Brian Keith Alvy Moore 5 Steps to Danger (1957) HENRY S. KESLER Ruth Ronan Sterling Hayden Werner Kemperer Richard Gaines 711 Ocean Drive (1950) JOSEPH M. NEWMAN Edmond O'Brien Joanne Dru Otto Kruger Barry Kelley 99 River Street (1953) PHIL KARLSON John Payne Evelyn Keyes Brad Dexter Frank Faylen A Blueprint for Murder (1953) ANDREW L. STONE Joseph Cotten Jean Peters Gary Merrill Catherine McLeod A Bullet for Joey (1955) LEWIS ALLEN Edward G. Robinson George Raft Audrey Totter George Dolenz A Bullet is Waiting (1954) COL JOHN FARROW Rory Calhoun Jean Simmons Stephen McNally Brian Aherne A Cry in the Night (1956) FRANK TUTTLE Edmond O'Brien Brian Donlevy Natalie Wood Raymond Burr A Dangerous Profession (1949) TED TETZLAFF George Raft Ella Raines Pat O'Brien Bill Williams A Double Life (1947) GEORGE CUKOR Ronald Colman Edmond O'Brien Signe Hasso Shelley Winters A Kiss Before Dying (1956) COL GERD OSWALD Robert Wagner Jeffrey Hunter Virginia Leith Joanne Woodward A Lady Without Passport (1950) JOSEPH H. -
The Prophecies of Q
The Prophecies of Q American conspiracy theories are entering a dangerous new phase • Story by Adrienne LaFrance • Illustrations by Arsh Raziuddin • June 2020 Issue If you were an adherent, no one would be able to tell. You would look like any other American. You could be a mother, picking leftovers off your toddler’s plate. You could be the young man in headphones across the street. You could be a bookkeeper, a dentist, a grandmother icing cupcakes in her kitchen. You may well have an affiliation with an evangelical church. But you are hard to identify just from the way you look—which is good, because someday soon dark forces may try to track you down. You understand this sounds crazy, but you don’t care. You know that a small group of manipulators, operating in the shadows, pull the planet’s strings. You know that they are powerful enough to abuse children without fear of retribution. You know that the mainstream media are their handmaidens, in partnership with Hillary Clinton and the secretive denizens of the deep state. You know that only Donald Trump stands between you and a damned and ravaged world. You see plague and pestilence sweeping the planet, and understand that they are part of the plan. You know that a clash between good and evil cannot be avoided, and you yearn for the Great Awakening that is coming. And so you must be on guard at all times. You must shield your ears from the scorn of the ignorant. You must find those who are like you. -
From Bandannas to Berets: a Critical Analysis of Beyoncé's “Formation” Music Video by Kesha Shalyn James a Thesis Submit
From Bandannas to Berets: A Critical Analysis of Beyoncé’s “Formation” Music Video by Kesha Shalyn James A thesis submitted to the Graduate Faculty of Auburn University in partial fulfillment of the requirements for the Degree of Master of Arts in Communication Auburn, Alabama August 5, 2017 Keywords: Beyoncé, Formation, Black women, Black music, Black culture, media representations Copyright 2017 by Kesha Shalyn James Approved by Susan L. Brinson, Chair, Professor of Communication & Journalism George Plasketes, Professor of Communication & Journalism Kevin Smith, Associate Professor of Communication & Journalism Abstract The release of Beyoncé’s “Formation” music video as well as her debut performance of the song at the 2016 Super Bowl has incited debate and controversy across the United States. While some feel empowered and prideful, others are angered and outraged by the lyrical and visual messages Beyoncé communicates in this mediated text. Applying a critical/cultural studies perspective lens, this study explains how Beyoncé challenges the sexist and racist dominant ideology in the United States. Critically analyzing the visual and lyrical composition of “Formation,” this analysis interrogates the messages of both race and gender as well as the representation of Black Women. The findings indicate a direct challenge to white androcentric power as the visuals and lyrics re-appropriate stereotypical images of Black Women, thus demonstrating Black Women’s power and dominance in society. The implications of explaining the ways in which Beyoncé communicates what and how it means to be a Black Woman in “Formation” inform and explain the social, political, and economic reality of Black Women in the United States today, as mediated texts re-present everyday reality. -
PDF the Dangerous Case of Donald Trump: 27 Psychiatrists and Mental Health Experts Assess a President Bandy X
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