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MCA-700 Midline/Reissue Series
MCA 700 Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan MCA-700 Midline/Reissue Series: By the time the reissue series reached MCA-700, most of the ABC reissues had been accomplished in the MCA 500-600s. MCA decided that when full price albums were converted to midline prices, the albums needed a new number altogether rather than just making the administrative change. In this series, we get reissues of many MCA albums that were only one to three years old, as well as a lot of Decca reissues. Rather than pay the price for new covers and labels, most of these were just stamped with the new numbers in gold ink on the front covers, with the same jackets and labels with the old catalog numbers. MCA 700 - We All Have a Star - Wilton Felder [1981] Reissue of ABC AA 1009. We All Have A Star/I Know Who I Am/Why Believe/The Cycles Of Time//Let's Dance Together/My Name Is Love/You And Me And Ecstasy/Ride On MCA 701 - Original Voice Tracks from His Greatest Movies - W.C. Fields [1981] Reissue of MCA 2073. The Philosophy Of W.C. Fields/The "Sound" Of W.C. Fields/The Rascality Of W.C. Fields/The Chicanery Of W.C. Fields//W.C. Fields - The Braggart And Teller Of Tall Tales/The Spirit Of W.C. Fields/W.C. Fields - A Man Against Children, Motherhood, Fatherhood And Brotherhood/W.C. Fields - Creator Of Weird Names MCA 702 - Conway - Conway Twitty [1981] Reissue of MCA 3063. -
UTEX0010 2 CODEBOOK.Txt 11/2
UTEX0010_2_CODEBOOK.txt 11/2/2009 ================================================================================ Project Code: UTEX0010 Project Name: Texas Tribune Series, Pt 1 Prepared for: Daron Shaw and Jim Henson Interviews: 800 Field Period: October 20-27, 2009 Project Manager: Sam Luks - 650.462.8009 ================================================================================ Matching and Weighting ================================================================================ Polimetrix interviewed 1152 respondents who were then matched down to a sample of 800 to produce the final dataset. The respondents were matched on gender, age, race, education, party identification, ideology and political interest. Polimetrix then weighted the matched set of survey respondents to known marginals for the registered voters of Texas from the 2008 Current Population Survey. Those marginals are shown below. ================================================================================ Age: 18-34: 27.0% 35-54: 38.3% 55+: 34.7% Gender: Male: 46.4% Female: 53.6% Race: White/Other: 66.2% Black: 13.8% Hispanic: 20.0% Education: HS or less: 37.2% Some College: 33.6% College Graduate: 20.9% Post-graduate: 8.2% Variable List ================================================================================ Name Description ---- ----------- caseid Case ID weight Case Weight stateres State of residence langpref Would you prefer to take this survey in English or Spanish? Q1 Texas vote registration Q2 Political interest Q3 Most important problem facing -
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers. -
Austinmusicawards2017.Pdf
Jo Carol Pierce, 1993 Paul Ray, Stevie Ray Vaughan, and PHOTOS BY MARTHA GRENON MARTHA BY PHOTOS Joe Ely, 1990 Daniel Johnston, Living in a Dream 1990 35 YEARS OF THE AUSTIN MUSIC AWARDS BY DOUG FREEMAN n retrospect, confrontation seemed almost a genre taking up the gauntlet after Nelson’s clashing,” admits Moser with a mixture of The Big Boys broil through trademark inevitable. Everyone saw it coming, but no outlaw country of the Seventies. Then Stevie pride and regret at the booking and subse- confrontational catharsis, Biscuit spitting one recalls exactly what set it off. Ray Vaughan called just prior to the date to quent melee. “What I remember of the night is beer onto the crowd during “Movies” and rip- I Blame the Big Boys, whose scathing punk ask if his band could play a surprise set. The that tensions started brewing from the outset ping open a bag of trash to sling around for a classed-up Austin Music Awards show booking, like the entire evening, transpired so between the staff of the Opera House, which the stage as the mosh pit gains momentum audience visited the genre’s desired effect on casually that Moser had almost forgotten until was largely made up of older hippies of a Willie during “TV.” the era. Blame the security at the Austin Stevie Ray and Jimmie Vaughan walked in Nelson persuasion who didn’t take very kindly About 10 minutes in, as the quartet sears into Opera House, bikers and ex-Navy SEALs from with Double Trouble and to the Big Boys, and the Big “Complete Control,” security charges from the Willie Nelson’s road crew, who typical of the proceeded to unleash a dev- ANY HISTORY OF Boys themselves, who were stage wings at the first stage divers. -
Muziek Voor Volwassenen 2021 Week 09
Muziek voor volwassenen / Johan Derksen Album van de Week: One Lifetime van Tip Jar maandag 01/03/2021 18:00-19:00 ARTIEST TITEL TIJD COMPONIST PLATENLABEL CATALOGUSNUMMER CD TITEL 1Jackson Browne Take it easy 3.41 Jackson Browne/Frey Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 2Waylon Jennings I'm a ramblin' man 2.48 Ray Pennington Buddha Records 74465 99699 2 The Ramblin' Man 3Fleetwood Mac Don't stop 3.13 C. McVie Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 4Waylon Jennings The hunger 3.31 Lee Fry Buddha Records 74465 99699-2 The Ramblin' Man 5Doobie Brothers Long rain runnin' 3.27 J. Johnston Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 6Waylon Jennings Where love has died 2.15 Jim Owen Collectors' Choise Music CCM-2069 Waylon, singer of sad songs 7 Tip Jar Dreamer's dream 4.35 Bart de Win/Arianne Knegt Shine a Light Records SLR0172021 One Lifetime 8Waylon Jennings Just to satisfy you 2.17 Waylon Jennings/Don Bowman BMG 07863 66857 2 The Essential Waylon Jennings 9 Eric Burdon and The Animals San Francisco nights 3.24 Jenkins/Mcculloch/Burdon/Weider/Briggs Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 10Waylon Jennings Whatever happened to the blues 4.11 Waylon Jennings/Tony Joe White BMG 07863 66857 2 The Essential Waylon Jennings 11Linda Ronstadt It's so easy 2.28 B. Holly Warner Strategic Marketing 0927 47105-2 Take it easy, songs from the West Coast 12Waylon Jennings Luckenbach Texas 3.21 Moman/Emmons BMG/Camden 74321 628052 Waylon Jennings greatest hits 13Andrew Gold Lonely boy 4.21 A. -
THE UNIVERSITY of TEXAS at AUSTIN UGS 302 Songwriting: Following in the Footsteps of Texas Legends Fall 2013 POLICY STATEMENT and SYLLABUS
THE UNIVERSITY OF TEXAS AT AUSTIN UGS 302 Songwriting: Following in the Footsteps of Texas Legends Fall 2013 POLICY STATEMENT AND SYLLABUS Instruction Professor Moore [email protected] Office: ETC 5.140 (512)471-4478 Office hours: Thursday 10:30 – 1:30 or by appointment Teaching Assistant Sarah Kobetis [email protected] Office: Sutton Graduate Student Lounge Office hours: Monday 2 -- 4 Song is an art form that engages the mind, body, and creative spirit of listeners as well as musicians. Texas songwriters such as Willie Nelson, Townes Van Zandt, Guy Clark, and Nanci Griffith have written songs on their own terms rather than shape their art to fit the demands of Nashville, New York, or Los Angeles. Outside the mainstream of country or popular music, this unique community of artists is a wellspring of originality and creativity. This course allows you not only to study that group, but also to join it as songwriters yourselves. The course will follow two primary tracks. The first will involve analysis and study of songs by Texas songwriters. The second track will work like a creative writing workshop with students writing songs and critiquing each other's songs. The objectives of the class are to • analyze and do close readings of songs; • find and use credible sources for academic research; • learn the tools that songwriters use to craft songs; and • write and revise two original songs. Texts Required: Pattison, Pat. (2009) Writing Better Lyrics. Writers Digest Books: Cincinnati, OH. (You need to order this book on Amazon.com.) Recommended: Strunk, W., Jr. (1999). -
Whiskey River (Take My Mind) I
whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Hidden Kitchens Texas with Host Willie Nelson
Hidden Kitchens Texas with Host Willie Nelson Produced by The Kitchen Sisters (Davia Nelson & Nikki Silva) In collaboration with KUT FM at the University of Texas in Austin & NPR A New NPR Nationwide Special Summer/Fall 2007 Peabody Award-winning producers, The Kitchen Sisters, NPR, and KUT Austin present Hidden Kitchens Texas, a lively, illuminating, sound-rich hour of stories about the Texas experience through food, told by people who find it, grow it, cook it, eat it, sell it, share it, celebrate with it, and write about it. Host, Willie Nelson and Dallas-born actress Robin Wright Penn (whose mother was a Mary Kay Cosmetics Executive), along with some extraordinary tellers, take us across The Lone Star State and share their own hidden kitchen stories in this new special that comes alive in story and sound, laced with soulful array of Texas music. Stories of NASA's space kitchens, cowboy kitchens, oil barrel barbeques, ice houses, chili queens, the birth of the Frito, the birth of the 7-11, the birth of the Slurpee, the birth of the Frozen Margarita, the first barbeque pit on the moon, a car wash kitchen in El Paso, and so much more. intimate, historic, offbeat, profound and wild. As we did with the Hidden Kitchens Morning Edition series, we opened up a Hidden Kitchens hotline across Texas, and listeners called in by the droves with their own tales and tips that we followed to in all kinds of places. “Deep Fried Fuel: A Biodiesel Kitchen Vision, travels to Carl’s Corner Truck stop in Carl’s Corner Texas, a tale of fuel made from farm crops and restaurant grease. -
Waylon Jennings
TABLE OF CONTENTS 3 Introduction 4 About the Guide 5 Pre and Post-Lesson: Anticipation Guide 6 Lesson 1: Introduction to Outlaws 7 Lesson 1: Worksheet 8 Lyric Sheet: Me and Paul 9 Lesson 2: Who Were The Outlaws? 10 Lesson 3: Outlaw Influence 11 Lesson 3: Worksheet 12 Activities: Jigsaw Texts 14 Lyric Sheet: Are You Sure Hank Done It This Way 15 Lesson 4: T for Texas, T for Tennessee 16 Lesson 4: Worksheet 17 Lesson 5: Literary Lyrics 19 “London” by William Blake 20 Complete Tennessee Standards 22 Complete Texas Standards 23 Biographies 3-6 Table of Contents 2 Outlaws and Armadillos: Country’s Roaring ‘70s examines how the Outlaw movement greatly enlarged country music’s audience during the 1970s. Led by pacesetters such as Willie Nelson, Waylon Jennings, Kris Kristofferson, and Bobby Bare, artists in Nashville and Austin demanded the creative freedom to make their own country music, different from the pop-oriented sound that prevailed at the time. This exhibition also examines the cultures of Nashville and fiercely independent Austin, and the complicated, surprising relationships between the two. Artwork by Sam Yeates, Rising from the Ashes, Willie Takes Flight for Austin (2017) 3-6 Introduction 3 This interdisciplinary lesson guide allows classrooms to explore the exhibition Outlaws and Armadillos: Country’s Roaring ‘70s on view at the Country Music Hall of Fame and Museum® from May 25, 2018 – February 14, 2021. Students will examine the causes and effects of the Outlaw movement through analysis of art, music, video, and nonfiction texts. In doing so, students will gain an understanding of the culture of this movement; who and what influenced it; and how these changes diversified country music’s audience during this time. -
Camp Long Creek In-Room Directory
WELCOME! SERVICE DIRECTORY Bass Pro Shops Long Creek Marina ... .417-334-4860 Lost & Found ......................... Ext. 5213 Bass Pro Shops Shooting Academy ........ Ext. 5476 Medical Services Big Cedar Dining -Cox Medical Center Branson ...... .417-335-7000 -Buzzard Bar ........................ Ext. 7005 Mountain Top Golf Course .............. Ext. 5421 -Devil’s Pool Restaurant ............... Ext. 7000 Ozarks National Golf Course............. Ext. 5421 -Truman Café and Custard ............. Ext. 7241 Resort Operator .......................... Ext. 0 -Uncle Buck’s Fish Bowl & Grill ........ Ext. 5252 Security .............................. Ext. 5215 Big Cedar Family Photography ........... Ext. 7107 The Shoppe at Big Cedar ............... Ext. 7151 Big Cedar Front Desk .................. Ext. 5122 Top of the Rock Buffalo Ridge Golf Course & Pro Shop .... Ext. 5430 -General Information.................. Ext. 4002 Camp Long Creek Check-in Desk ........ Ext. 5455 -Ancient Ozarks Canteen at Long Creek .................Ext. 5447 Natural History Museum .............. Ext. 5310 Cedar Creek Spa ...................... Ext. 5201 -Arnie’s Barn General Store ............ Ext. 5339 Conferences & Banquets ................ Ext. 5159 -Lost Canyon Cave & Nature Trail....... Ext. 5305 Dining Reservations .................... Ext. 7107 -Top of the Rock Golf Course ........... Ext. 5343 Dogwood Canyon Nature Park ........... Ext. 3364 -Top of the Rock Golf Pro Shop ......... Ext. 5343 Emergency Assistance ..................... Ext. 0 -Welcome Center ....................