Guidelines for Using Color in Voting Systems
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Youthbuild Shades of Green
SHADES OF GREEN Table of Contents 1 Design, Layout and Infrastructure 2 Lot Selection 3 Low-Impact Lot Development 4 Foundations and Moisture Management 5 Insulation 6 Floor Framing and Subfloor 7 Exterior Wall Systems 8 Roofing 9 Interior Walls and Trim 10 Exterior Finishes 11 Plumbing, Electrical, and Mechanical 12 Porches, Stairs, Ramps 13 Finishing the Home Interior 14 Concrete Flatwork 15 Sustainable Landscaping 16 Deconstruction TABLE OF CONTENTS i SHADES OF GREEN CHAPTER 1 Design, Layout and Infrastructure Green Design Teams and the Integrated Design Process Integrated design is also known as whole building design or integrated project delivery, and emphasizes good interaction and coordination between building disciplines and building elements. The process aims to bring together all people with a stake in the building—such as financiers, designers, future occupants, developers, and sub-contractors. The group should work to design a building in which all components blend to provide space that is comfortable, functional, efficient and beautiful – a difficult task without a thoughtful team! YouthBuild programs should make sure to include YouthBuild students, neighbors, community representatives, and the electric and gas utility in your community in your home design team. Integrated design is also known as whole building design or integrated project delivery, and emphasizes good interaction and coordination between building disciplines and building elements. The process aims to bring together all people with a stake in the building—such as financiers, designers, future occupants, developers, and sub-contractors. The group should work to design a building in which all components blend to provide space that is comfortable, functional, efficient and beautiful – a difficult task without a thoughtful team! YouthBuild programs should make sure to include YouthBuild students, neighbors, community representatives, and the electric and gas utility in your community in your home design team. -
Our Approach CICERO Shades of Green Company Assessments
CICERO Shades of Green Company Assessments CICERO Shades of Green presents a novel method- ology for climate risk assessment of companies. We WE NEED TO KNOW WHICH COMPANIES ARE explicitly link environmental and financial by assigning POSITIONED FOR THE FUTURE. BY USING a Shade of Green to a company’s revenues and invest- SHADES OF GREEN, IT HAS MADE IT EASIER FOR ments. US TO COMPARE COMPANIES AND UNDERSTAND TRANSITION AND RISK. WITH THE NEW COMPA- The approach includes an assessment of corporate NY ASSESSMENTS, WE GET WHAT WE NEED AS governance and an analysis of likely alignment with the AN INVESTOR IN ORDER TO FINANCE THE EU Taxonomy. The CICERO Shades of Green Compa- TRANSITION. ny Assessments enable the financial sector to include climate risk assessment into investment decisions and METTE CECILIE SKAUG, PORTFOLIO MANAGER, OSLO PENSJONSFORSIKRING track companies’ transition efforts. Shades of Green - our approach The Shades of Green methodology is rooted in CICERO Center for International Climate Research’s climate science and is used to assess climate risk in the financial market. This method is focused on avoiding lock-in of greenhouse gas emissions over the assets’ lifetime and on promoting transparency in resiliency-planning and strategy. CICERO Shades of Green allocates a shade of green, yellow or red (see figure below) to revenues and investments depending on how well they are aligned with a low-carbon, climate resilient future. The Shades of Green assessment also provides investors and lenders with analysis on the likely alignment to the EU Taxonomy, including a review of the do no significant harm (DNSH) criteria and a high-level review of minimum safeguards. -
Colornet--Estimating Colorfulness in Natural Images
COLORNET - ESTIMATING COLORFULNESS IN NATURAL IMAGES Emin Zerman∗, Aakanksha Rana∗, Aljosa Smolic V-SENSE, School of Computer Science, Trinity College Dublin, Dublin, Ireland ABSTRACT learning-based objective metric ‘ColorNet’ for the estimation of colorfulness in natural images. Based on a convolutional neural Measuring the colorfulness of a natural or virtual scene is critical network (CNN), our proposed ColorNet is a two-stage color rating for many applications in image processing field ranging from captur- model, where at stage I, a feature network extracts the characteristics ing to display. In this paper, we propose the first deep learning-based features from the natural images and at stage II, a rating network colorfulness estimation metric. For this purpose, we develop a color estimates the colorfulness rating. To design our feature network, rating model which simultaneously learns to extracts the pertinent we explore the designs of the popular high-level CNN based fea- characteristic color features and the mapping from feature space to ture models such as VGG [22], ResNet [23], and MobileNet [24] the ideal colorfulness scores for a variety of natural colored images. architectures which we finally alter and tune for our colorfulness Additionally, we propose to overcome the lack of adequate annotated metric problem at hand. We also propose a rating network which dataset problem by combining/aligning two publicly available color- is simultaneously learned to estimate the relationship between the fulness databases using the results of a new subjective test which characteristic features and ideal colorfulness scores. employs a common subset of both databases. Using the obtained In this paper, we additionally overcome the challenge of the subjectively annotated dataset with 180 colored images, we finally absence of a well-annotated dataset for training and validating Col- demonstrate the efficacy of our proposed model over the traditional orNet model in a supervised manner. -
Color Matters
Color Matters Color plays a vitally important role in the world in which we live. Color can sway thinking, change actions, and cause reactions. It can irritate or soothe your eyes, raise your blood pressure or suppress your appetite. When used in the right ways, color can even save on energy consumption. As a powerful form of communication, color is irreplaceable. Red means "stop" and green means "go." Traffic lights send this universal message. Likewise, the colors used for a product, web site, business card, or logo cause powerful reactions. Color Matters! Basic Color Theory Color theory encompasses a multitude of definitions, concepts and design applications. There are enough to fill several encyclopedias. However, there are basic categories of color theory. They are the color wheel and the color harmony. Color theories create a logical structure for color. For example, if we have an assortment of fruits and vegetables, we can organize them by color and place them on a circle that shows the colors in relation to each other. The Color Wheel A color wheel is traditional in the field of art. Sir Isaac Newton developed the first color wheel in 1666. Since then, scientists and artists have studied a number of variations of this concept. Different opinions of one format of color wheel over another sparks debate. In reality, any color wheel which is logically arranged has merit. 1 The definitions of colors are based on the color wheel. There are primary colors, secondary colors, and tertiary colors. Primary Colors: Red, yellow and blue o In traditional color theory, primary colors are the 3 colors that cannot be mixed or formed by any combination of other colors. -
Color Appearance Models Today's Topic
Color Appearance Models Arjun Satish Mitsunobu Sugimoto 1 Today's topic Color Appearance Models CIELAB The Nayatani et al. Model The Hunt Model The RLAB Model 2 1 Terminology recap Color Hue Brightness/Lightness Colorfulness/Chroma Saturation 3 Color Attribute of visual perception consisting of any combination of chromatic and achromatic content. Chromatic name Achromatic name others 4 2 Hue Attribute of a visual sensation according to which an area appears to be similar to one of the perceived colors Often refers red, green, blue, and yellow 5 Brightness Attribute of a visual sensation according to which an area appears to emit more or less light. Absolute level of the perception 6 3 Lightness The brightness of an area judged as a ratio to the brightness of a similarly illuminated area that appears to be white Relative amount of light reflected, or relative brightness normalized for changes in the illumination and view conditions 7 Colorfulness Attribute of a visual sensation according to which the perceived color of an area appears to be more or less chromatic 8 4 Chroma Colorfulness of an area judged as a ratio of the brightness of a similarly illuminated area that appears white Relationship between colorfulness and chroma is similar to relationship between brightness and lightness 9 Saturation Colorfulness of an area judged as a ratio to its brightness Chroma – ratio to white Saturation – ratio to its brightness 10 5 Definition of Color Appearance Model so much description of color such as: wavelength, cone response, tristimulus values, chromaticity coordinates, color spaces, … it is difficult to distinguish them correctly We need a model which makes them straightforward 11 Definition of Color Appearance Model CIE Technical Committee 1-34 (TC1-34) (Comission Internationale de l'Eclairage) They agreed on the following definition: A color appearance model is any model that includes predictors of at least the relative color-appearance attributes of lightness, chroma, and hue. -
Planting with a Limited Color Palette It’S Easier to Create Winning Combinations with Simplified Schemes
Planting with a Limited Color Palette It’s easier to create winning combinations with simplified schemes by Tracy DiSabato-Aust HE art of designing a bed or border color, with its seemingly endless choic- palette includes just two or three colors, T can be as engaging to a gardener as es. Suddenly this exciting process can such as analogous colors or one color painting is to an artist. For me, the most become overwhelming. and its complement (see sidebar, p. 44). exhilarating and creative part of garden One way to simplify the design A key advantage of both monochro- design is making dramatic plant combi- process is to reduce the number of matic and limited color schemes is that nations. An outstanding combination in variables. I’ve found that using a limit- they focus attention on the details and a garden thrills me and often sends me ed color palette, even a monochromatic subtleties of a design. Both types em- running for my camera as I yearn for scheme, is an effective and rewarding phasize the structure and rhythm of a just the right light to capture the vision. way to design combinations. planting. Plant form and the texture of But creating these elusive “works of A monochromatic color scheme, leaf, stem, flower, and fruit are more art” with living plants can be compli- which incorporates shades, tints, and easily appreciated. A design that is sim- cated. Form, texture, repetition, bal- tones of a single basic color, such as red ple and cohesive in color also can con- ance, and contrast are just a few key or blue, drastically reduces color com- vey an air of sophistication. -
Colornet - Estimating Colorfulness in Natural Images
COLORNET - ESTIMATING COLORFULNESS IN NATURAL IMAGES Emin Zerman∗, Aakanksha Rana∗, Aljosa Smolic V-SENSE, School of Computer Science, Trinity College Dublin, Dublin, Ireland ABSTRACT learning-based objective metric ‘ColorNet’ for the estimation of colorfulness in natural images. Based on a convolutional neural Measuring the colorfulness of a natural or virtual scene is critical network (CNN), our proposed ColorNet is a two-stage color rating for many applications in image processing field ranging from captur- model, where at stage I, a feature network extracts the characteristics ing to display. In this paper, we propose the first deep learning-based features from the natural images and at stage II, a rating network colorfulness estimation metric. For this purpose, we develop a color estimates the colorfulness rating. To design our feature network, rating model which simultaneously learns to extracts the pertinent we explore the designs of the popular high-level CNN based fea- characteristic color features and the mapping from feature space to ture models such as VGG [22], ResNet [23], and MobileNet [24] the ideal colorfulness scores for a variety of natural colored images. architectures which we finally alter and tune for our colorfulness Additionally, we propose to overcome the lack of adequate annotated metric problem at hand. We also propose a rating network which dataset problem by combining/aligning two publicly available color- is simultaneously learned to estimate the relationship between the fulness databases using the results of a new subjective test which characteristic features and ideal colorfulness scores. employs a common subset of both databases. Using the obtained In this paper, we additionally overcome the challenge of the subjectively annotated dataset with 180 colored images, we finally absence of a well-annotated dataset for training and validating Col- demonstrate the efficacy of our proposed model over the traditional orNet model in a supervised manner. -
Graphic Standard Guidelinesview
Maricopa County Graphic Standard Guidelines basic standards The updated Maricopa County seal is the basic building block of our new visual image. It is a symbol of many things our County represents. The goal is to establish an image that is credible, “ownable” and that with proper use will promote the County as a well-integrated organization. This graphic standards manual was prepared to ensure that we speak to all with a common “voice,” projecting a distinctive and relevant image of Maricopa County, while allowing the necessary flexibility for individual departmental messages. These guidelines provide an objective set of boundaries to ensure consistent quality in the application of the seal and safeguard against potential problems that could dilute efforts to build the Maricopa County identity. addendum: typefaces Garamond (replaces Minion Regular) abcdefghijklmnopqrstuvwxyz 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ Garamond Italic (replaces Minion Italic) abcdefghijklmnopqrstuvwxyz 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ Garamond Bold (replaces Minion Semibold and Bold) abcdefghijklmnopqrstuvwxyz 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ Note: Do not artificially italicize Garamond Bold. Microsoft Garamond has only three faces included in its set (roman, italic and bold). This face is licensed from the AGFA/Monotype corporation. An additional two weights (Monotype Alternate Italic and Bold Italic) are available from the AGFA/Monotype web site (www.fonts.com). Please check with your department before purchasing. Tahoma (replaces Avenir Book) abcdefghijklmnopqrstuvwxyz 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ Tahoma Bold (replaces Avenir Medium and Heavy) abcdefghijklmnopqrstuvwxyz 0123456789 ABCDEFGHIJKLMNOPQRSTUVWXYZ Note: Tahoma does not have italic faces in its family. Do not artificially italicize this face. a.1 typeface update:It has come to the attention of the Public Information Office that the typefaces specified for use on Maricopa County materials are not widely available throughout the County computer network, and are cost prohibitive to purchase. -
Chroma and Hue Variation in Color Images of Natural Scenes
Naturalness and Image Quality: Chroma and Hue Variation in Color Images of Natural Scenes Huib de Ridder and Frans J.J. Blommaert Institute for Perception Research, Eindhoven, The Netherlands; Elena A. Fedorovskaya, Department of Psychophysiology, Moscow State University, Mokhovaya street 8, 103009 Moscow, Russia Abstract these parameters (e.g. blur, periodic structure, noise) it proved possible to derive explicit expressions for their The relation between perceptual image quality and natural- relation with the corresponding image attributes.3,4 ness was investigated by varying the colorfulness and hue Scaling experiments using multiply impaired images of color images of natural scenes. These variations were have shown that image attributes can be represented by a set created by digitizing the images, subsequently determining of orthogonal vectors in a Euclidean space.3,5-8 Accord- their color point distributions in the CIELUV color space ingly, the attributes can be said to be the orthogonal dimen- and finally multiplying either the chroma value or the hue- sions of a multidimensional psychological space underlying angle of each pixel by a constant. During the chroma/hue- image quality. The sensorial image is represented in this angle transformation the lightness and hue-angle/chroma space by a point with the perceived strengths of the at- value of each pixel were kept constant. Ten subjects rated tributes as coordinates. Image quality has sometimes been quality and naturalness on numerical scales. The results identified as a direction in this space, with the angle to a show that both quality and naturalness deteriorate as soon as dimension indicating how relevant that attribute is for the hues start to deviate from the ones in the original image. -
SAS/GRAPH ® Colors Made Easy Max Cherny, Glaxosmithkline, Collegeville, PA
Paper TT04 SAS/GRAPH ® Colors Made Easy Max Cherny, GlaxoSmithKline, Collegeville, PA ABSTRACT Creating visually appealing graphs is one of the most challenging tasks for SAS/GRAPH users. The judicious use of colors can make SAS graphs easier to interpret. However, using colors in SAS graphs is a challenge since SAS employs a number of different color schemes. They include HLS, HSV, RGB, Gray-Scale and CMY(K). Each color scheme uses different complex algorithms to construct a given color. Colors are represented as hard-to-understand hexadecimal values. A SAS user needs to understand how to use these color schemes in order to choose the most appropriate colors in a graph. This paper describes these color schemes in basic terms and demonstrates how to efficiently apply any color and its variation to a given graph without having to learn the underlying algorithms used in SAS color schemes. Easy and reusable examples to create different colors are provided. These examples can serve either as the stand-alone programs or as the starting point for further experimentation with SAS colors. SAS also provides CNS and SAS registry color schemes which allow SAS users to use plain English words for various shades of colors. These underutilized schemes and their color palettes are explained and examples are provided. INTRODUCTION Creating visually appealing graphs is one of the most challenging tasks for SAS users. Tactful use of color facilitates the interpretation of graphs by the reader. It also allows the writer to emphasize certain points or differentiate various aspects of the data in the graph. -
Color Appearance Models Second Edition
Color Appearance Models Second Edition Mark D. Fairchild Munsell Color Science Laboratory Rochester Institute of Technology, USA Color Appearance Models Wiley–IS&T Series in Imaging Science and Technology Series Editor: Michael A. Kriss Formerly of the Eastman Kodak Research Laboratories and the University of Rochester The Reproduction of Colour (6th Edition) R. W. G. Hunt Color Appearance Models (2nd Edition) Mark D. Fairchild Published in Association with the Society for Imaging Science and Technology Color Appearance Models Second Edition Mark D. Fairchild Munsell Color Science Laboratory Rochester Institute of Technology, USA Copyright © 2005 John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England Telephone (+44) 1243 779777 This book was previously publisher by Pearson Education, Inc Email (for orders and customer service enquiries): [email protected] Visit our Home Page on www.wileyeurope.com or www.wiley.com All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except under the terms of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency Ltd, 90 Tottenham Court Road, London W1T 4LP, UK, without the permission in writing of the Publisher. Requests to the Publisher should be addressed to the Permissions Department, John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex PO19 8SQ, England, or emailed to [email protected], or faxed to (+44) 1243 770571. This publication is designed to offer Authors the opportunity to publish accurate and authoritative information in regard to the subject matter covered. -
Shades of Green Athens-Clarke County Agriculture and Natural Resources E-Newsletter January 2021
Shades of Green Athens-Clarke County Agriculture and Natural Resources E-Newsletter January 2021 What’s inside this issue... Articles Programming and Resources A Note From Athens-Clarke County Pg. 2 Pg. 7 Online Green Thumb Lecture Agriculture and Natural Resources How to Keep Your Holiday Plants Pg. 3 Pg. 8 Stay in the Loop! Healthy Year-Round Pg. 4 Pg. 11 Enjoy an Inside Spring Helpful Resources Pg. 5 Houseplant Help 1 A note from Athens-Clarke County Agriculture & Natural Resources Hello readers and Happy New Year! We hope you all enjoyed a wonderful holiday season. We are very much looking forward to this new year. This week, we are starting our first Master Gardener course with a completely online format. We are excited to get to know this new group of trainees. We are also looking for- ward to our 2021 Green Thumb Lectures this year. Our first class for the year will take place in February and will be on Raised Beds and Garden Fences. Make sure to keep an eye out for our other upcoming topics in the following months. As always, feel free to reach out to our office if you have questions or would like to know about any of the services we offer. We hope you enjoy this month’s issue of “Shades of Green”. Take care and happy gardening, Athens-Clarke County Agriculture and Natural Resources 2 Return to table of contents How to Keep Your Holiday Plants Healthy Year-Round By Laura Ney While poinsettias will happily take a spot by a A s vibrant holiday plants begin to adorn the window that gets full sun, the Christmas cactus in shelves of hardware stores, grocery stores and its natural habitat lives on the trunks and branch- garden centers, consumers are attracted to the es of other plants and prefers indirect or dappled pinks, reds and whites atop deep green foliage to light.