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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Mourning the Fallen
TONIGHT Showers & T-storms. Low of 48. Search for The Westfield News The WestfieldNews “COURAGESearch forIS TheTHE Westfield MOST IMPORTANT News OF Westfield350.com The WestfieldNews ALL THE VIRTUES, BECAUSE WITHOUT Serving Westfield, Southwick, and surrounding Hilltowns COURAGE“TIME YOU IS THECAN’ TONLY PRAC TICE ANY OTHER VIRTUE CONSISTENTLY. WEATHER CRITIC WITHOUT YOU CAN PRACTICE ANY VIRTUE TONIGHT AMBITION ERRATICALLY, BUT.” NOTHING Partly Cloudy. CONSISTENTLYJOHN WITHOUT STEINBECK COURAGE.” Low of 55. Search for The Westfield News Westfield350.comWestfield350.org Thewww.thewestfieldnews.com WestfieldNews — Maya ANGELOU Serving Westfield, Southwick, and surrounding Hilltowns “TIME IS THE ONLY WEATHERVOL. 86 NO. 151 TUESDAY, JUNE 27, 2017 75CRITIC centsWITHOUT VOL. 88 NO. 122 TUESDAY, MAY 28, 2019 75 Cents TONIGHT AMBITION.” Partly Cloudy. JOHN STEINBECK Low of 55. www.thewestfieldnews.com VOL. 86 NO. 151 MourningTUESDAY, JUNE 27, 2017 the fallen 75 cents By PETER CURRIER Correspondent WESTFIELD- The city held its annual Memorial Day Parade Monday morning, with 29 groups representing the branches of the military, elected officials, first responders and other public services. The parade began on North Elm Street near the Mestek prop- erty and continued south to their destination at Westfield Middle School. Once there, a ceremony was held across the street at Parker Memorial Park. The ceremony began with State Representative John Velis (left) speaks of his experi- remarks from Master of Ceremony Cindy Lacoste, Past ences as a veteran at the ceremony. Cindy Lacoste (right) Commander of American Legion Post 124 in Westfield. She was the Master of Ceremony for the day. (Photo by Peter introduced Westfield High School band member Madison Currier) Curbello, who sang the National Anthem. -
Movie List Please Dial 0 to Request
Movie List Please dial 0 to request. 200 10 Cloverfield Lane - PG13 38 Cold Pursuit - R 219 13 Hours: The Secret Soldiers of Benghazi - R 46 Colette - R 202 5th Wave, The - PG13 75 Collateral Beauty - PG13 11 A Bad Mom’s Christmas - R 28 Commuter, The-PG13 62 A Christmas Story - PG 16 Concussion - PG13 48 A Dog’s Way Home - PG 83 Crazy Rich Asians - PG13 220 A Star is Born - R 20 Creed - PG13 32 A Walk Among the Tombstones - R 21 Creed 2 - PG13 4 Accountant, The - R 61 Criminal - R 19 Age of Adaline, The - PG13 17 Daddy’s Home - PG13 40 Aladdin - PG 33 Dark Tower, The - PG13 7 Alien:Covenant - R 67 Darkest Hour-PG13 2 All is Lost - PG13 52 Deadpool - R 9 Allied - R 53 Deadpool 2 - R (Uncut) 54 ALPHA - PG13 160 Death of a Nation - PG13 22 American Assassin - R 68 Den of Thieves-R (Unrated) 37 American Heist - R 34 Detroit - R 1 American Made - R 128 Disaster Artist, The - R 51 American Sniper - R 201 Do You Believe - PG13 76 Annihilation - R 94 Dr. Suess’ How the Grinch Stole Christmas - PG 5 Apollo 11 - G 233 Dracula Untold - PG13 23 Arctic - PG13 113 Drop, The - R 36 Assassin’s Creed - PG13 166 Dunkirk - PG13 39 Assignment, The - R 137 Edge of Seventeen, The - R 64 At First Light - NR 88 Elf - PG 110 Avengers:Infinity War - PG13 81 Everest - PG13 49 Batman Vs. Superman:Dawn of Justice - R 222 Everybody Wants Some!! - R 18 Before I Go To Sleep - R 101 Everything, Everything - PG13 59 Best of Me, The - PG13 55 Ex Machina - R 3 Big Short, The - R 26 Exodus Gods and Kings - PG13 50 Billy Lynn’s Long Halftime Walk - R 232 Eye In the Sky - -
The Wolverine Friday Harbor, Washington News Sports Student Life Pets! Reviews Entertainment Features Columns
Friday Harbor High School 8 May 2019 The Wolverine Friday Harbor, Washington News Sports Student Life Pets! Reviews Entertainment Features Columns News Editor: Hope FHHS Sports Vogel Aerospace Shoots for the Stars… Again Highlights Sports Editor: Allie The 2019 Aerospace Class Proposal By Jacqui Olsen Fleming The Wolverine baseball Student Life Editor: Ayla By Bion Phelps Ridwan In 2017, Mr. Garner’s team continues first in Aerospace and the league with a 6-0 Pets Editor: Isaac Literature Design won lose/win count… the Brumsickle NASA’s national softball season comes aerospace competition to an end the team Features Editor: Kai Di Bona stays ecstatic and with a proposal for a high-tech space Photo By Arlo Harold Photo By Brandon Payne Photo By Aida Must continues to win every Entertainment Editor: station. Nasa’s league game that Chiara Power Getting a proposal This proposal is the Aerospace contest sees they've come across… like this together was product of many Reviews Editor: Melyssa the team receiving a The boy's golf season not easy. weeks of work from Taylor request from NASA for transition into Communication was the entire class, which a creation that must fit invitationals... Columns Editor: Olivia one of the biggest is organized into FIND MORE IN PETS various specifications. FIND IN SPORTS Monin problems, as it took sections, with each in This year, Mr. the groups a lot of charge of a different Siri Lindstrum Garner’s class has work getting aspect of the Horoscopes created a new proposal Writers: themselves organized production. Mr. Wins WSFS By Bion Phelps for this year’s Jack Knapik in a way that let them Garner competition. -
International Casting Directors Network Index
International Casting Directors Network Index 01 Welcome 02 About the ICDN 04 Index of Profiles 06 Profiles of Casting Directors 76 About European Film Promotion 78 Imprint 79 ICDN Membership Application form Gut instinct and hours of research “A great film can feel a lot like a fantastic dinner party. Actors mingle and clash in the best possible lighting, and conversation is fraught with wit and emotion. The director usually gets the bulk of the credit. But before he or she can play the consummate host, someone must carefully select the right guests, send out the invites, and keep track of the RSVPs”. ‘OSCARS: The Role Of Casting Director’ by Monica Corcoran Harel, The Deadline Team, December 6, 2012 Playing one of the key roles in creating that successful “dinner” is the Casting Director, but someone who is often over-looked in the recognition department. Everyone sees the actor at work, but very few people see the hours of research, the intrinsic skills, the gut instinct that the Casting Director puts into finding just the right person for just the right role. It’s a mix of routine and inspiration which brings the characters we come to love, and sometimes to hate, to the big screen. The Casting Director’s delicate work as liaison between director, actors, their agent/manager and the studio/network figures prominently in decisions which can make or break a project. It’s a job that can't garner an Oscar, but its mighty importance is always felt behind the scenes. In July 2013, the Academy of Motion Pictures of Arts and Sciences (AMPAS) created a new branch for Casting Directors, and we are thrilled that a number of members of the International Casting Directors Network are amongst the first Casting Directors invited into the Academy. -
Rambo: Last Blood Production Notes
RAMBO: LAST BLOOD PRODUCTION NOTES RAMBO: LAST BLOOD LIONSGATE Official Site: Rambo.movie Publicity Materials: https://www.lionsgatepublicity.com/theatrical/rambo-last-blood Facebook: https://www.facebook.com/Rambo/ Twitter: https://twitter.com/RamboMovie Instagram: https://www.instagram.com/rambomovie/ Hashtag: #Rambo Genre: Action Rating: R for strong graphic violence, grisly images, drug use and language U.S. Release Date: September 20, 2019 Running Time: 89 minutes Cast: Sylvester Stallone, Paz Vega, Sergio Peris-Mencheta, Adriana Barraza, Yvette Monreal, Genie Kim aka Yenah Han, Joaquin Cosio, and Oscar Jaenada Directed by: Adrian Grunberg Screenplay by: Matthew Cirulnick & Sylvester Stallone Story by: Dan Gordon and Sylvester Stallone Based on: The Character created by David Morrell Produced by: Avi Lerner, Kevin King Templeton, Yariv Lerner, Les Weldon SYNOPSIS: Almost four decades after he drew first blood, Sylvester Stallone is back as one of the greatest action heroes of all time, John Rambo. Now, Rambo must confront his past and unearth his ruthless combat skills to exact revenge in a final mission. A deadly journey of vengeance, RAMBO: LAST BLOOD marks the last chapter of the legendary series. Lionsgate presents, in association with Balboa Productions, Dadi Film (HK) Ltd. and Millennium Media, a Millennium Media, Balboa Productions and Templeton Media production, in association with Campbell Grobman Films. FRANCHISE SYNOPSIS: Since its debut nearly four decades ago, the Rambo series starring Sylvester Stallone has become one of the most iconic action-movie franchises of all time. An ex-Green Beret haunted by memories of Vietnam, the legendary fighting machine known as Rambo has freed POWs, rescued his commanding officer from the Soviets, and liberated missionaries in Myanmar. -
Movie Review: ‘Creed II’
Movie Review: ‘Creed II’ NEW YORK — Moviegoers under 33 take note: You had yet to be born when “Rocky IV,” the 1985 film that hovers in the background of the sports drama “Creed II” (MGM), was released. While viewers of any age will know what to expect from this latest extension of the durable franchise long before they buy a ticket, the tried and true, against-the-odds formula still works somehow. Early on in this chapter of the saga, Adonis Creed (Michael B. Jordan), with the help of his hard-driving trainer, Rocky Balboa (Sylvester Stallone), wins the world heavyweight championship. He also proposes to his live-in girlfriend, Bianca (Tessa Thompson), a singer who suffers from hearing loss. But the rise of Viktor Drago (Florian Munteanu), a rival Adonis feels compelled to take on, sets up an emotionally fraught match since the up-and-comer’s father and coach, Ivan (Dolph Lundgren), is the Russian fighter whose blows killed Adonis’ dad, Apollo, back in the Reagan era. (Rocky subsequently fought and beat Ivan.) Rocky continues to feel remorse over his opponent-turned-ally Apollo’s death and urges Adonis not to accept Viktor’s challenge, a stance that threatens to cause a breach in their close relationship. It’s a conflict Rocky can ill afford since the death of his wife and alienation from his son have left him emotionally isolated. He can still count on the loyal friendship of Apollo’s widow and Adonis’ adoptive mom, Mary Anne (Phylicia Rashad), however. Working from a script Stallone co-wrote with Juel Taylor, director Steven Caple Jr. -
18 Lc 117 0565 S. R. 1124
18 LC 117 0565 Senate Resolution 1124 By: Senator Harbison of the 15th A RESOLUTION 1 Recognizing and honoring the valiant service of the Special Forces soldiers who were sent 2 to Afghanistan in the immediate aftermath of September 11; and for other purposes. 3 WHEREAS, a 12-man team of Special Forces soldiers from Fort Campbell belonging to 4 Operational Detachment Alpha (ODA) 595 were sent to Afghanistan immediately following 5 the attacks on September 11, 2001; and 6 WHEREAS, the 12 men were: MAJ (Former) Mark Nutsch; CW4(R) Robert Pennington; 7 MSG(R) Paul Evans; MSG(R) Andy Marchal; SFC(R) Steve Kofron; SGM(R) Mike Elmore; 8 MSG(R) Chad J.; MSG Pete W.; SFC(R) Bill Bennett (KIA, Iraq-2003); MSG(R) Steve B.; 9 SGM(R) Vincent Makela; and SFC(R) William Summers; and 10 WHEREAS, these valiant soldiers, known as the Green Berets, were given a two-part 11 mission: to work together with the Afghan Northern Alliance to hunt down those behind the 12 September 11 attacks and to destroy the Taliban regime; and 13 WHEREAS, Senior Chief Warrant Officer Robert Pennington served on the team led by 14 Mark Nutsch that is depicted in the film 12 Strong, which highlights the bravery, 15 brotherhood, and faith of these down-to-earth men; and 16 WHEREAS, in 12 Strong, the audience will see all the elements of the Green Berets that 17 Robert Pennington loves so much: the brotherhood, the teaching, the bravery, and the faith 18 to stand in the face of evil and liberate the oppressed; and 19 WHEREAS, Special Forces soldiers are men of unassuming greatness, the only servicemen 20 to train in unconventional warfare, who train, laugh, eat, and cry with indigenous forces for 21 three to five months or even three to five years, while they build up to prepare for a fight and 22 assist in war; and S. -
Zbardhen Prapaskenat Për Arrestimin E Emiliano Shullazit, Ja Përplasjet
Çmimi 20 lekë, Tel: 2382 020 Rr.Sitki Çiço përballë Maternitetit të Ri E-mail: [email protected] Hapen qindra vende të lira pune në administratën publike, ja kushtet dhe kriteret, afatet për E Hënë 18 Prill 2016 aplikim deri më 4 maj Faqe 5 Raporti antikorrupsion, rriten denoncimet për Zbardhen prapaskenat për arrestimin afera me tenderat, në krye mbeten arsimi dhe shëndetësia e Emiliano Shullazit, ja përplasjet mes Zyra antikorrupsion pranë qeverisë, e drejtu- ar nga kryeministri Edi Rama dhe ministri Bledi Çuçi, ka publikuar raportin më të fundit sa i takon numrit të denoncimeve të rasteve të ryshfetit në prokurorisë dhe policisë, ndërhyrje portalin antikorrupsion... Faqe 8 Nis zvarritja e dekriminalizimit, të forta politike kundër ndalimit të tij zyrtarët nuk dinë të plotësojnë Faqe 2-4 formularët e vetëdeklarimit, paqartësi mbi pyetjet dhe informacionet që duhet të japin Dalin të tjerë vështirësi sa i takon procesit të dekriminalizimit. Teksa procesi ka muaj që zvarritet, problemi i ri është vështirësia në plotë- simin e formularit të vetëdeklarimit. Deri më tani, të gjitha institucionet përgjegjëse... Faqe 9 Humbet morali në zgjedhjet Basha përjashton gardën e vjetër, programet e PD për Universitetin e Tiranës, hartohen nga rrethi i Dibra i sugjeron Konit: besnikëve, përgatit terrenin Dil mbro veten publikisht për futjen e të rinjve në lista Lulzim Basha ka përjashtuar ish-ministrat dhe Dom Gjergj Meta: Kërcënimi figurat e vjetra të Partisë Demokratike nga gati çdo aktivitet i tij me natyrë elektorale. Prej disa muajsh i Mynyr Konit, jo kambanë Lulzim Basha ka urdhëruar rrethin e tij të nisin përgatitjet e programeve që do.. -
RÉALISATEURS ANNÉE PAYS Du R É E N Ou Ve Au X E N
Droit de passage RÉALISATEURS ANNÉE PAYS TITRES des FILMS VERSION DCP DCP Durée Enfants Nouveaux Abitbol (Judith) 2013 F 103 A BAS BRUIT COUL 229 € Kontchalovsky (Andrei) 1985 USA 111 A BOUT DE COURSE (RunawAy trAin) d'A. Kontchalovsky COUL S/RES Godard (JeAn-Luc) 1960 F 87 A BOUT DE SOUFFLE NB 341 € WAng (PAtrick) 2019 USA 120 NDCP A BREAD FACTORY (A) PArt 2 - Un petit coin de parAdis COUL 231 € ThomAs (PAscAl) 2019 F 100 NDCP A CAUSE DES FILLES COUL 284 € CArpignano (Jonas) 2017 I-USA 118 A CIAMBRA COUL 284 € LAine (MArion) 2012 F 87 A COEUR OUVERT COUL 284 € Johnson (RiAn) 2019 USA 131 NDCP A COUTEAUX TIRES COUL 558 € Collectif (*) 2016 F 38 E A DEUX C'EST MIEUX ! 7 c.m; COUL animAtion 270 € JAcquot (Benoît) 2016 F-P 86 A JAMAIS de B. JAcquot COUL 299 € Collectif (*) 2017 F 90 E A LA DECOUVERTE DU MONDE COUL 227 € KormAkur (BAltAzAr) 2018 USA 98 A LA DERIVE COUL 421 € WAng (Bing) 2014 CHINE 227 A LA FOLIE COUL 371 € Lloyd (HArold) 1930 USA 80 A LA HAUTEUR NB MUET 341 € Rossi (Andrew) 2011 USA 90 A LA UNE DU NEW YORK TIMES COUL documentAire 270 € ZilbermAnn (JeAn-JAcques) 2014 F 104 A LA VIE COUL 328 € MArAis (PiA) 2012 D 95 A L'AGE D'ELLEN COUL 296 € Ford (John) 1917 USA A L'ASSAUT DU BOULEVARD NB MUET SONORISE S/RES KAzAn (EliA) 1954 USA 115 A L'EST D'EDEN COUL SCOPE 407 € BAtrA (Ritesh) 2018 GB 108 A L'HEURE DES SOUVENIRS COUL 371 € GitAi (Amos) 2017 ISR-F 84 A L'OUEST DU JOURDAIN COUL documentAire 284 € VideAu (Frédéric) 2011 F 94 A MOI SEULE COUL 274 € RAyhana (*) 2017 DZ-F 90 A MON AGE JE ME CACHE ENCORE POUR FUMER COUL 274 € PiAlAt (MAurice) 1982 F 102 A NOS AMOURS COUL 444 € FromentAl (Antoine) 2017 F 91 A NOUS DE JOUER ! COUL documentAire 227 € Bouzid (LeylA) 2015 TUN 102 A PEINE J'OUVRE LES YEUX COUL 227 € LAfosse (Joachim) 2012 B 111 A PERDRE LA RAISON COUL SCOPE 274 € JiA (Zhangke) 2013 CHINE 129 A TOUCH OF SIN COUL SCOPE 371 € BergmAn (IngmAr) 1961 S 90 A TRAVERS LE MIROIR NB 341 € De_FreitAs / Ly (Stéphane / LAdj) 2017 F 99 A VOIX HAUTE COUL 299 € SollimA (StefAno) 2011 I 112 A.C.A.B. -
O Marketing E O Monstro: Um Estudo Sobre O Marketing De Cloverfield
PRISMA.COM n.º 43 ISSN: 1646 - 3153 O marketing e o monstro: um estudo sobre o marketing de Cloverfield Marketing and the Monster: A Study on Cloverfield Marketing Luciano Augusto Toledo Universidade Presbiteriana Mackenzie. Brasil [email protected] Henrique Barros Universidade Presbiteriana Mackenzie. Brasil [email protected] Lucas Silva Universidade Presbiteriana Mackenzie. Brasil [email protected] Verônica Santos Universidade Presbiteriana Mackenzie. Brasil [email protected] Wilder Pinto Universidade Presbiteriana Mackenzie. Brasil [email protected] Resumo Abstract Para concorrer com grandes produções, os estúdios de To compete with major productions, low-budget Holly- Hollywood com baixo orçamento buscam investir em es- wood studios seek to invest in different strategies to pro- tratégias diferentes para promover suas produções e mote their productions and engage with their target au- engajar seu público-alvo. Dentro dessa proposta os pro- dience. Within this proposal, Cloverfield franchise pro- dutores da franquia Cloverfield desenvolveram, em ducers developed in 2008 a viral marketing-based strat- 2008, uma estratégia baseada em marketing viral. Com egy. By the Collective Subject Speech, the researchers a análise do Discurso do Sujeito Coletivo, os pesquisa- sought out to understand how this strategy was devel- dores se propuseram a entender como foi desenvolvi- oped, how it was implemented, and whether the film's vda a estratégia de marketing, como foi implementada e success was due to the implemented campaign. The re- sults obtained through qualitative analysis show that the PRISMA.COM (43) 2020, p. 170-192 DOI: https://doi.org/10.21747/16463153/43a9 170 PRISMA.COM n.º 43 ISSN: 1646 - 3153 se o sucesso do filme foi graças à campanha implemen- good results achieved by the film are due to the effi- tada. -
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.Com TABLE of CONTENTS
2016 FEATURE FILM STUDY Photo: Diego Grandi / Shutterstock.com TABLE OF CONTENTS ABOUT THIS REPORT 2 FILMING LOCATIONS 3 GEORGIA IN FOCUS 5 CALIFORNIA IN FOCUS 5 FILM PRODUCTION: ECONOMIC IMPACTS 8 6255 W. Sunset Blvd. FILM PRODUCTION: BUDGETS AND SPENDING 10 12th Floor FILM PRODUCTION: JOBS 12 Hollywood, CA 90028 FILM PRODUCTION: VISUAL EFFECTS 14 FILM PRODUCTION: MUSIC SCORING 15 filmla.com FILM INCENTIVE PROGRAMS 16 CONCLUSION 18 @FilmLA STUDY METHODOLOGY 19 FilmLA SOURCES 20 FilmLAinc MOVIES OF 2016: APPENDIX A (TABLE) 21 MOVIES OF 2016: APPENDIX B (MAP) 24 CREDITS: QUESTIONS? CONTACT US! Research Analyst: Adrian McDonald Adrian McDonald Research Analyst (213) 977-8636 Graphic Design: [email protected] Shane Hirschman Photography: Shutterstock Lionsgate© Disney / Marvel© EPK.TV Cover Photograph: Dale Robinette ABOUT THIS REPORT For the last four years, FilmL.A. Research has tracked the movies released theatrically in the U.S. to determine where they were filmed, why they filmed in the locations they did and how much was spent to produce them. We do this to help businesspeople and policymakers, particularly those with investments in California, better understand the state’s place in the competitive business environment that is feature film production. For reasons described later in this report’s methodology section, FilmL.A. adopted a different film project sampling method for 2016. This year, our sample is based on the top 100 feature films at the domestic box office released theatrically within the U.S. during the 2016 calendar