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Fwd-Fuse Sides and Rear Top Skins.Doc
FORWARD FUSELAGE SIDES & REAR TOP SKINS WORK REPORT Step No. Check Parts / Tools Qty Preparations. 1 [ ] 6F5-3 Upper Front Longerons 2 2 [ ] 6F5-5 Heel Support 1 3 [ ] 6F5-2 Front Floor Skin 1 3 [ ] Firewall assembly 1 5 [ ] 6F12-2 Gusset 2 6 [ ] 6F13-6 Baggage Bottom Stiffener 1 6 [ ] 6F6-3 Rear Pick Up Channel 2 Torque tube 7 [ ] 6V12-4 Belt Attachment Doubler Plate 2 7 [ ] 6F16-1 Arm Rest Sides 2 9 [ ] 6V12-2 Rear Bearing 1 9 [ ] 1/8” Plastic Bearing Material 2 12 [ ] 6V13-3 Torque Tube (welded) 1 12 [ ] 6V13-2 Stop Ring 1 13 [ ] 6V13-1 Control Column (welded) 1 14 [ ] 6V13-4 Channel 1 15 [ ] 6V12-7 Bent Strip 1 Connect the Firewall & Rear Fuselage assemblies to the Center Wing Section 23 [ ] 6F13-1 Baggage Floor 1 23 [ ] L Angles 8 24 [ ] 6F6-1 Main Upright 2 25 [ ] 6F5-1 Fuselage Side Skin 2 27 [ ] 6F6-2 Gusset 2 31 [ ] 6F9-1 Gusset 2 32 [ ] 6F9-2 Gusset 1 34 [ ] 6F13-4 Corner Stiffener 1 35 [ ] 6F13-3 Seat Back Side Channel 2 36 [ ] 6F13-2 Center Seat Back Channel 1 Rear top skins 37 [ ] 6F11-3 B4 Bulkhead 1 37 [ ] 6F11-1 B6 Bulkhead 1 37 [ ] 6F11-2 B5 Bulkhead 1 40 [ ] 6F14-1 Rear Top Skin 1 41 [ ] 6F12-1 B3 Tube Frame 1 42 [ ] 6F14-2 Middle Top Skin 1 43 [ ] 6E1-2 B2 Tube Frame 1 44 [ ] 6E1-3 Gusset 2 SIGNATURES: Builder ________________________________ Date . Inspected by __________________________ Date . FORWARD FUSELAGE SIDES & REAR TOP SKINS ZODIAC CH 601 HD / HDS Zenith Aircraft Company: www.zenithair.com Print Date: 10/25/01 1. -
Pottery Throwing Tools
ceramic artsdaily.org pottery throwing tools a guide to making and using pottery tools for wheel throwing This special report is brought to you with the support of MKM Pottery Tools www.ceramicartsdaily.org | Copyright © 2010, Ceramic Publications Company | Pottery Throwing Tools | i Pottery Throwing Tools A Guide to Making and Using Pottery Tools for Wheel Throwing For many years potters had to make their own tools because commercial tools were just not available. That’s all changed today as many manufacturers make a wide selection of tools to fill most of the pottery throwing needs for ceramic artists. However, for the potter with special needs or who wants a special tool, making your own tools is both creative and fun— plus you get tools that may not be available anywhere else. How to Make and Use Bamboo Tools by Mel Malinowski There’s a nostalgia for making handmade tools and bamboo is one of the best materials for making long-lasting durable pottery throwing tools. The material is easy to shape and readily available. How to Make Ergonomic Pottery Throwing Sticks by David Ogle Pottery throwing sticks are a potters best friend when it comes to throwing tall, narrow or closed forms. Held in the hand, these versatile tools can reach places no hand could touch. And if you can’t find ones to buy that work for you, David Ogle shows you the step-by-step process for making your own. How to Use a Throwing Stick by Ivor Lewis Pottery throwing sticks are hand-held tools that are a potter’s best friend when it comes to throwing tall, narrow or closed forms. -
2015 Catalogue
NEW NEW 2015 CATALOGUE AC181600 A122704 SOFT TOUCH GRASP CRAYONS BRUSH SET Grasp crayons helps young children draw without losing grip. The break-resistant, Set of 4 Brushes. Unique, soft, non-slip smooth and long lasting crayons, are clean, safe grip zone. Better comfort and control and washable from most clothing and surfaces. for children. Quick-drying and robust brush tip. NEW NEW NEW COLOUR ECOPENCILS Full length, hexagonal shape, assorted bright colours, eco-friendly, made from reforested wood, 100% FSC certified. AC181517 - Blackberry AC181510 - Blue CLIC & GO WATER POT Perfect for adventurous artists, this water pot expands on site then collapses for transport. It’s also easy to clean and store. Ridges around the rim keep brush handles separated and organised while you’re painting. AHT120112AF AHT120124AF NEW AC182997 PERFECT PENCIL Writing, sharpening, and erasing in one: that is the Perfect Pencil. It is a point protector, pencil extender and sharpener holder in one. A sturdy clip keeps the pencil secure in your pocket. DISTRIBUTED BY BANTEX SOUTH AFRICA (PTY) LTD JOHANNESBURG: 011 473 9800 CAPETOWN: 021 592 1173 DURBAN: 031 569 1080 NAMIBIA: 061 26 1061 TRADE ENQUIRIES: [email protected] JUNIOR TRIANGULAR GRAPHITE PENCILS JUNIOR TRIANGULAR COLOUR PENCILS Non-toxic, triangular shaped for better control, break resistant, name Non-toxic, triangular shaped for better control, break resistant, name space provided, assorted colours space provided. FREE Sharpener AC116503 A116572 A116538-10 A116538-20 Blister pack of 3 including 72 class pack. 2B. Full length, triangular, assorted bright colours, sharpener. 2B. A116572HB hangtab box, free sharpener. 72 class pack. -
Lively Letters Supply List
Lively Letters Supply List PLEASE NOTE: You do not need to buy all these supplies. These are suggestions. You may work with what you have. Any type of ruling pen (e.g., Ruling Writer, Handwritmic, Dreaming Dogs, etc.) Any type of folded pen (e.g., Luthis, Tim’s, handmade cola pen (instructions to be provided with the handouts) Broom bristle pen (instructions in handouts) One each of a Speedball B & C nibs (only if you have them, and in larger sizes like 0 or 1) Parallel pen (if you don’t have C nibs) An automatic pen in 1/4” or larger size Any kind of pointed nib and a straight holder 1 fine point black marker like Pigma Micron in Size 01 or a Sharpie Fineline applicator (preferred size: 20 gauge/.5mm — blue tip) White poster paint or gel pen in medium tip (Your favorite brand—could als0 have some colors if you prefer. I like UniPosca.) Small bottle each of black sumi and walnut ink, plus cups for ink Small bottle of distilled water (to dilute sumi if necessary) Jar of Dr. Martin’s or Winsor & Newton Bleedproof White or small tube of white gouache and cup to mix 2-3 tubes or bottles of your favorite watercolors One inexpensive flat (1/8”) watercolor brush (Simply Simmons is a good brand) One inexpensive pointed watercolor brush 6 well paint palette Metallic gold watercolor* (e.g., Schmincke Horadam Gold, Daniel Smith Iridescent Gold, Finetec metallics, etc.) Metallic Schmincke Dry Gouache Sec or Pearl Ex Powdered Pigments (to sprinkle into wet media) OPTIONAL! Lots of practice paper with some tooth, preferably 11” x 17” or 12” x 18”.* (Pacon Sulphite drawing paper (80lb. -
Mapping the Hard Way Doug Rose – May 2015
Mapping the Hard Way Doug Rose – May 2015 Introduction Though the origins of computer generated graphics date from much earlier, they started becoming a practical reality in the late 1980s. With this now the norm and even making those early days seem primitive, this article looks at some of the ‘photo-mechanical’ working practices that were the norm beforehand. The reproduction of ‘half-tones’ (comprising continuously variable shades of single or multiple colours as in photographs) has much in common with layer tints (where the shades remain constant over small or large areas and also called ‘continuous tone’), this piece however will only deal with the latter. Though there were and are many ways of printing, ‘letterpress’ and ‘offset lithography’ accounted for the majority of general-purpose publication printing during the 20th century, with lithography (litho) dominating to an increasingly high degree with time. Indeed, letterpress was almost not used for anything larger or more complex than business cards by the 1990s. As with any well planned exercise that involves many stages, the most efficient methods are those which make the following ones as easy to fulfil as is practical. In order to understand why things were done the way they were, it is therefore better to look at the processes involved, working backwards from the printing press, only then will I explain how the work was originated. The production example I will be citing, that of London’s Underground diagram, has been printed lithographically for many decades now, and in numerous forms. As with many technical procedures, there is more than one way of achieving the same result. -
Basic Technical Drawing Equipments
2 Basic Technical Drawing Equipments UNIT Basic Technical Drawing Equipments 2 Drawing table with other basic technical equipments Learning competencies: Up on completion of this unit you should be able to: Identify the difference between materials and instruments of drawing; List the different types of technical drawing materials and instruments ; Use drawing materials and instruments properly on making drawing of objects in activities; Prepare oneself for making technical drawing; Arrange appropriate working area before starting drawing; Prepare the title block on drawing paper. 6 2 Basic Technical Drawing Equipments 2.1 Introduction profile paper, plan/profile paper, cross- section paper and tracing paper. What are the type of drawing materials and 1. White plain papers: are general- instruments you already know before and try purpose for office uses and drawings. to list them? For what purpose are you using them? They are manufactured according to ISO (International Organization for Stand- ardization) standard paper sizes. Technical drawings must be prepared in such Standard drawing sheet sizes are in a way that they are clear, concise, and three series, designated An, Bn, and Cn. accurate. In order to produce such drawings Paper frames and drawing frames are equipment (i.e. materials and instruments) standardized for each size of papers. are used. Because time is an important factor Table 2.1 shows frames of the A-series in any of work, a clear understanding of all and their particular application. drawing equipment and their uses is 2. Profile, Plane/ Profile and Cross- important to speed up the process of drawing section papers: are referred to as preparation. -
The Major Electrical Items Encountered in Most Types of Industrial Commercial Plants Are Listed Below
Electrical Distribution by Kyaw Naing Ed.D (STCTU),BE(EP)RIT,AGTI(EP),MSEE(CU-USA),MIEAust,RPEQ,NSW E.Lic, Grad Dip Ed (Adult Vocational)(TAFE-NSW),Post Grad Sc Ed,M.Sc(Science Ed)Curtin,CertIV TAA Section 1 – Distribution System 1.1 Describe the common system for electrical distribution ............................................................ 5 Distribution ..................................................................................................................................................... 5 System of Distribution .................................................................................................................................... 5 Relative Merits of Overhead and Underground Systems ............................................................................... 5 Standard Voltages ......................................................................................................................................... 7 Distribution Systems ...................................................................................................................................... 7 Spacing of Substations .................................................................................................................................. 7 Single Phase Systems ................................................................................................................................... 7 Types of Feeders .......................................................................................................................................... -
World Bank Document
PROJECT : Vocational Training Improvement Project (VTIP) for Upgradation of Govt. Industrial Training Institute, Tura, Meghalaya, during Financial Year 2011-12 PACKAGE -1 HAND TOOLS TRADE SL.NO PARTICULARS SPECIFICATION QNTY UNIT RATE AMOUNT I II III IV V VI VII VIII DRAUGHTSMAN( 1 Box drawing instrument containing one 15 cm compass Box drawing instrument containing one 15 cm 16 Nos 595.00 9520.00 CIVIL) with pin point, pin point & lengthening bar, one pair compass with pin point, pin point & lengthening Public Disclosure Authorized Public Disclosure Authorized spring bows, rotating compass with interchangeable ink bar, one pair spring bows, rotating compass with and pencil points, drawing pens with plain ponit & cross interchangeable ink and pencil points, drawing pens point, screw driver and box of leads. with plain ponit & cross point, screw driver and box of leads. 2 Protractor celluloid 15 cm semi-circular Protractor celluloid 15 cm semi-circular 16 Nos 65.00 1040.00 3 Scale card board-metric set of eight A to H in a box 1:1, Scale card board-metric set of eight A to H in a box 16 Sets 180.00 2880.00 1:2, 1:2:5, 1:5, 1:10, 1:20, 1:50, 1:100, 1:200, 1:500, 1:1000, 1:1, 1:2, 1:2:5, 1:5, 1:10, 1:20, 1:50, 1:100, 1:200, 1:1250, 1:6000, 1:38 1/3, 1:66 2/3 1:500, 1:1000, 1:1250, 1:6000, 1:38 1/3, 1:66 2/3 4 Scale - Metric and section wooden 30 cm long marked Scale - Metric and section wooden 30 cm long 16 Sets 180.00 2880.00 with eight scales - 1:1, 1:2, 1:2:5, 1:10, 1:20, 1:50, 1:100, marked with eight scales - 1:1, 1:2, 1:2:5, 1:10, -
Tool Fundamentals
05_793663_ch01.qxp 6/7/07 3:16 PM Page 1 1 Tool Fundamentals Drafting tools should be treated with meticulous care, with the goal of making them last a lifetime. Always purchase the best quality that you can afford. These tools are a necessity for clarity of graphical expression. The intent of this chapter is to show the variety of instruments that are available and how to use them properly. COPYRIGHTED MATERIAL The following are some of the important skills, terms, and concepts you will learn: How to use a drafting pencil How to use drafting instruments How to use different kinds of scales How to set up a workstation Contour lines Contour intervals 1 05_793663_ch01.qxp 6/7/07 3:16 PM Page 2 2 CHAPTER 1: TOOL FUNDAMENTALS Tool Fundamentals TOPIC: SCALES Orr 1995. Adler 2000. Chapter Overview By studying this chapter and doing the related exer- cises in the book’s final section, you will learn how to use drafting equipment; how to measure with archi- tects’, engineers’, and metric scales; and the mean- ing of contour lines. 05_793663_ch01.qxp 6/7/07 3:16 PM Page 3 TOOL FUNDAMENTALS 3 Types of Drawing Table or Drawing Board Covers Vyco is a five-ply vinyl drawing table or board cover that counteracts eye strain and self-heals when dented, scratched, or punc- tured. The cover softens the lead when you draw. The two sides are either green and cream, gray and white, or translucent. Another option for a cover is an illustration board that is hot press, white, heavy, and dense. -
(Linotype Library) Duc De Berry™ Font Family
MY ACCOUNT / LOGIN MY SHOPPING CART presented in: F2F MadZine™ Script MY FAVORITES HOME FONT FINDER FONT PRODUCTS FONT SERVICES FONT LOUNGE NEWS SUPPORT COMPANY FONT LOUNGE > FONT FEATURES > GOTTFRIED POTT – A LOOK INTO THE WORLD OF CALLIGRAPHY Go to Font Features Search Back to Font Feature Archive Find further Font Features in our Font Feature German version Archive. Gottfried Pott – A Look into the World of Calligraphy Gottfried Pott FONT OF THE WEEK Calligraphy has long been neglected by many professional The Music of Lettering FONT DESIGNERS typographers, but the Type Directors Show suggests that The Evolution of Lettering TYPE GALLERY "Lettering" is an important discipline in the field of typography in From Calligraphic Exercises to Type Design FONTS IN USE the United States. The number of fonts inspired by handwriting is Calligraphic Tools − Special Pens growing along with the interest in calligraphy. Linotype presents FONT FEATURES Ruling Pen here a look into the world of calligraphy, written by the LEARN ABOUT TYPE Round Nip internationally known expert, Gottfried Pott. MOVIE FONTS Pen Manipulation BOOKSHOP Gottfried Pott Bamboo − Reed Pen FONT LINKS Gottfried Pott, born 1939, studied graphic design at the Tool − Exeriment SUBMIT FONTS Werkkunstschule in Wiesbaden with emphasis in lettering art under Writing Surface Prof. Friedrich Poppl. At the same time studies in painting with Practical Suggestions Prof. Vincent Weber and studies in music with Peter Kempin. Stick Ink Activities: Exhibits, workshops, development of type faces, as well Minor Details - Big Effects as limited edition publication of calligraphic works. Since 1988 Filling the Pen Gottfried Pott Professor for Calligraphy and Lettering Design at the University for Applied Science and Art at Hildesheim/Holzminden. -
General Drafting. Technical Manual. INSTITUTION Department of the Army, Washington, D.C
DOCUMENT RESUME ED 083 372 CE 000 302 TITLE General Drafting. Technical Manual. INSTITUTION Department of the Army, Washington, D.C. REPORT NO TM-5-581A PUB DATE 3 Oct 72 NOTE 223p.; This document supersedes TM-5-230, October 29, 1962 AVAILABLE FROM Superintendent of Documents, U.S. Government Printing Office, Washington, D.C. 20402 (488-579/19) EDRS PRICE MF-$0.65 HC-$9.87 DESCRIPTORS *Drafting; Engineering Drawing; Engineering Graphics; Geometric Concepts; Instructional Materials; Manuals; *Military Personnel; Reprography; *Technical Illus'ration IDENTIFIERS *Military Occupation Specialty; MOS ABSTRACT The manual provides instructional guidance and reference material in the principles and procedures of general drafting and constitutes the primary study text for personnel in drafting as a military occupational specialty. Included is information on drafting equipment and its use; line weights, conventions and formats; lettering; engineering charts and graphs; geometrical construction; intersections and developments; multiview projections; pictorial drawing and sketching; dimension and notes; and methods of reproduction. The appendixes are lists of references, abbreviations, and illustrations and tables. There is also a subject index. (AG) TM 5-581A 4,111 I. k (N) '11.?lie Ii2).-, 'trk.' "'' 7r-, +- 4,-..01, TECHNICAL MANUAL SITRrii,tys DUPL/cAT E (.....__, 4 JuN_..1 ..la Copy -- :_:._...1973 GENERAL DRAFTING U S DEPARTMENT OF HEALTH EDUCATION A WELFARE NATIONAL INSTITUTE OF EDUCATION F F HEADQUARTERS, DEPARTMENT OF THE ARMY Cq.;',OBER 1972 TACO 19A FILMED FROM BEST AVAILABLE COPY *TM 5-581A }TECHNICAL MANUAL HEADQUARTERS DEPARTMENT OF THE ARMY 5-581A WASHINGTON, D.C., 3 October 1972 GENERAL DRAFTING Parestreph Page CHAPTER1. -
Rare Books Catalogue 76 – Contemporary Book Arts
Priscilla Juvelis – Rare Books Catalogue 76 – Contemporary Book Arts Pop-Up Carousel Book 2. Chiarlone, Rosemarie and Susan Weiner. Linger. Miami Beach, FL: 2016. $3,000 1. Bishop, Bonnie. The Moon-Hare and the Lynx. Unique artist’s book made from “found” beaded black silk taffeta Cornville, ME: 2018. $3,750 bolero onto which the artist has embroidered the text of Susan Unique artist’s book, pop-up in carousel format, with circle poem, Weiner’s poem, “Linger” in gold metallic embroidery floss. Size: executed in hand-painted and collaged papers on black Stonehenge 17-½ x 19-¾ x ¾ inches, 9 “pages” of 9 inside pock- ets added by the artist of black silk taffeta on which the text has been embroidered, plus a small pocket for the hand-written colophon on two pieces of black Fabriano paper lettered in metallic gold ink, housed in custom- made black book cloth lidded box with ties to hold bolero book in place. The artist’s statement tells the reader / viewer that “LINGER addresses the concept that clothing functions as a means of feminine self-expression. While indirect and thus disconnected from the inner self, it acts like a second skin. It covers and protects yet projects the inner life and true self.” Ms. Chiarlone papers for background structure and box, various mould-made has collaborated with poet Susan Weiner on several artist’s books, papers for collages and watercolor papers for pop-ups, lettered in almost all of them with a feminist message. The “found” vintage white and purple inks, signed and dated in silver by the artist, bolero vest is heavily beaded in blue, silver, and gold, depicting Bonnie Bishop, on the bottom of first page.