Regional View of the Development of Oracle Bone Divination in Early China
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Religion 2 Second Edition
EOR2.tpgsV2 11/10/04 10:35 AM Page 3 ENCYCLOPEDIA OF RELIGION 2 SECOND EDITION ATTRIBUTES OF LINDSAY JONES GOD EDITOR IN CHIEF • BUTLER, JOSEPH eorel_fm 3/2/05 8:36 AM Page iv Encyclopedia of Religion, Second Edition Lindsay Jones, Editor in Chief © 2005 Thomson Gale, a part of The For permission to use material from this Since this page cannot legibly accommodate Thomson Corporation. product, submit your request via Web at all copyright notices, the acknowledgments http://www.gale-edit.com/permissions, or you constitute an extension of the copyright Thomson, Star Logo and Macmillan Reference may download our Permissions Request form notice. USA are trademarks and Gale is a registered and submit your request by fax or mail to: trademark used herein under license. While every effort has been made to Permissions ensure the reliability of the information pre- For more information, contact Thomson Gale sented in this publication, Thomson Gale Macmillan Reference USA 27500 Drake Rd. does not guarantee the accuracy of the data An imprint of Thomson Gale Farmington Hills, MI 48331-3535 contained herein. Thomson Gale accepts no 27500 Drake Rd. Permissions Hotline: payment for listing; and inclusion in the pub- Farmington, Hills, MI 48331-3535 248-699-8006 or 800-877-4253 ext. 8006 lication of any organization, agency, institu- Or you can visit our Internet site at Fax: 248-699-8074 or 800-762-4058 tion, publication, service, or individual does http://www.gale.com not imply endorsement of the editors or pub- lisher. Errors brought to the attention of the ALL RIGHTS RESERVED publisher and verified to the satisfaction of No part of this work covered by the copyright the publisher will be corrected in future hereon may be reproduced or used in any editions. -
The Eight Houses a Preliminary Survey 1.2.1 © May 2002, Harmen Mesker
The Eight Houses A preliminary survey 1.2.1 © May 2002, Harmen Mesker Contents Introduction 2 List of tables The designer: Jīng Fáng 京房 2 Table 1. King Wen’s sequence of the trigrams 5 The system 4 Table 2. The Eight Palaces 5 The names of the hexagrams 5 Table 3. Jou Tsung Hwa's Quihun and Youhun 8 The yóu hún 遊魂 and the guī hún 歸魂 6 Table 4. Shì and yīng lines 10 The soul in Chinese society 6 Table 5. Hidden hexagrams 12 Jou Tsung Hwa and Miki Shima 8 Table 6. The Ten Stems 12 The Generation Line: shì yáo 世爻 9 Table 7. The Twelve Branches 12 Line relationships: shì yīng 世應 9 Table 8. The Five Phases 12 ‘Self’ and ‘Other’ lines in Sherril & Chu 10 Table 9. Stems, Branches and Phases associations Hidden hexagrams: fēifú 飛伏 11 with the lines of the Pure Hexagrams 13 Stems, Branches and Elements 12 Table 10. Flying Hexagrams in the Duànyì-tiānjī 19 The liùqīn 六親 Six Relationships 14 Table 11. Hidden hexagrams in the Duànyì-tiānjī 20 Wén Wáng bāguà 文王八卦 divination 15 Hidden hexagrams in Wén Wáng bāguà 15 The Duànyì-tiānjī 斷易天機 16 Jou Tsung Hwa’s The Tao of I Ching 16 A page from the Duànyì-tiānjī 17 Hidden hexagrams in the Duànyì-tiānjī 18 More hypotheses 20 The hypothesis used on other hexagrams 21 Conclusion 21 Bibliography 21 Notes 22 1 Introduction At the end of Wilhelm’s Yìjīng there is an appendix with the name ‘The hexagrams arranged by Houses’. -
For the Purposes of This Chapter Is Therefore Die Second Half of the Second Millennium B.C
SHANG ARCHAEOLOGY 139 for the purposes of this chapter is therefore die second half of the second millennium B.C. Bronze artifacts define the scope of the chapter. They are also one of its principal sources of information, for in the present state of archaeological knowledge many of the societies to which they draw our attention are known only from finds of bronzes. Fortunately much can be learned from objects which in their time were plainly of high importance - second only, perhaps, to architecture, of which scant trace survives. In second-millennium China the bronzes made for ritual or mortuary purposes were products of an extremely sophisticated technology on which immense resources were lav- ished. They have an individuality that sensitively registers differences of time and place; cultural differences and interactions can be read from their types, decoration, and assemblages. Because they served political or religious func- tions for elites, they reflect the activities of the highest strata of society; unlike the pottery on which archaeology normally depends, they supply informa- tion that can be interpreted in terms somewhat resembling those of narra- tive history. Moreover the value which has attached to ancient bronzes throughout Chinese history makes them today the most systematically reported of chance finds, with the result that the geographic distribution of published bronze finds is very wide.23 No other sample of the archaeological record is equally comprehensive — no useful picture would emerge from a survey of architecture or lacquer or jade — and the study of bronzes is thus the best available corrective to the textual bias of Chinese archaeology. -
Ceramic's Influence on Chinese Bronze Development
Ceramic’s Influence on Chinese Bronze Development Behzad Bavarian and Lisa Reiner Dept. of MSEM College of Engineering and Computer Science September 2007 Photos on cover page Jue from late Shang period decorated with Painted clay gang with bird, fish and axe whorl and thunder patterns and taotie design from the Neolithic Yangshao creatures, H: 20.3 cm [34]. culture, H: 47 cm [14]. Flat-based jue from early Shang culture Pou vessel from late Shang period decorated decorated with taotie beasts. This vessel with taotie creatures and thunder patterns, H: is characteristic of the Erligang period, 24.5 cm [34]. H: 14 cm [34]. ii Table of Contents Abstract Approximate timeline 1 Introduction 2 Map of Chinese Provinces 3 Neolithic culture 4 Bronze Development 10 Clay Mold Production at Houma Foundry 15 Coins 16 Mining and Smelting at Tonglushan 18 China’s First Emperor 19 Conclusion 21 References 22 iii The transition from the Neolithic pottery making to the emergence of metalworking around 2000 BC held significant importance for the Chinese metal workers. Chinese techniques sharply contrasted with the Middle Eastern and European bronze development that relied on annealing, cold working and hammering. The bronze alloys were difficult to shape by hammering due to the alloy combination of the natural ores found in China. Furthermore, China had an abundance of clay and loess materials and the Chinese had spent the Neolithic period working with and mastering clay, to the point that it has been said that bronze casting was made possible only because the bronze makers had access to superior ceramic technology. -
Social Complexity in North China During the Early Bronze Age: a Comparative Study of the Erlitou and Lower Xiajiadian Cultures
Social Complexity in North China during the Early Bronze Age: A Comparative Study of the Erlitou and Lower Xiajiadian Cultures GIDEON SHELACH ACCORDING TO TRADITIONAL Chinese historiography, the earliest Chinese state was the Xia dynasty (twenty-first-seventeenth centuries B.C.), which was lo cated in the Zhongyuan area (the Central Plain). The traditional viewpoint also relates that, over the next two millennia, complex societies emerged in other parts of present-day China through the process of political expansion and cul tural diffusion from the Zhongyuan. Some scholars recently have challenged this model because it is unilinear and does not allow for significant contributions to the emergence of social compleXity from areas outside the Zhongyuan. Recent syntheses usually view the archaeological landscape of the late Neolithic Period (the second half of the third millennium B.C.) as a mosaic of cultures of compar able social complexity that interacted and influenced each other (Chang 1986; Tong 1981). Nevertheless, when dealing with the Early Bronze Age, the period identified with the Xia dynasty, most archaeologists still accept the main premises of the traditional model. They regard the culture or cultures of the Zhongyuan as the most developed and see intercultural interaction as occurring, if at all, only within the boundaries of that area. One of the most heated debates among Chinese archaeologists in recent years has been over the archaeological identification of the Xia dynasty. The partici pants in this debate accept the authenticity of the historical documents, most of which were written more than a thousand years after the events, and try to cor relate names of historical places and peoples to known archaeological sites and cultures. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
The History of Western Magic: Some Considerations
Dieter Harmening THE HISTORY OF WESTERN MAGIC: SOME CONSIDERATIONS This is a copy of the article from printed version of electronic journal Folklore Vol. 17 ISSN 1406-0957 Editors Mare Kõiva & Andres Kuperjanov Published by the Folk Belief and Media Group of ELM Electronic Journal of Folklore Electronic version ISSN 1406-0949 is available from http://haldjas.folklore.ee/folklore It’s free but do give us credit when you cite! © Folk Belief and Media Group of ELM, Andres Kuperjanov Tartu 2001 84 THE HISTORY OF WESTERN MAGIC: SOME CONSIDERATIONS Dieter Harmening The word ‘magic’ is a derivation from a Latin term magia (Gk. mageía, Iranian OPer. form magu[s]); the word is also related to the Greek notions méchos, mechané, the Gothic mahts, German Macht; the Indo-European verb stem *magh signifies ‘to be able to, to help’. Originally, the Latin noun magus (from the Greek mágos) desig- nated the members of the spiritualist-priest class, and later came to designate ‘clairvoyant, sorcerer’ and in a pejorative sense also ‘magician, trickster’. Thus the first meaning of the word ‘magic’ was the teachings of the Magi, i.e. the arts of acquiring supernatu- ral powers and force, while later it was also applied disparagingly to fraudulent witchcraft.1 The aforementioned etymological explana- tions indicate three important factors in the development of the notion ‘magic’: 1) magic as a science and the knowledge of divine forces in nature and in the process of creation (magia naturalis), 2) magic as the exercise of such knowledge in prophecies, oracles and conjuring, and 3) deceitful witchcraft. -
17 August 2021 Aperto
AperTO - Archivio Istituzionale Open Access dell'Università di Torino Managing Cultural Heritage in China. A view from the outside This is the author's manuscript Original Citation: Availability: This version is available http://hdl.handle.net/2318/1632687 since 2017-05-08T15:31:29Z Published version: DOI:10.1017/S0305741012000434 Terms of use: Open Access Anyone can freely access the full text of works made available as "Open Access". Works made available under a Creative Commons license can be used according to the terms and conditions of said license. Use of all other works requires consent of the right holder (author or publisher) if not exempted from copyright protection by the applicable law. (Article begins on next page) 29 September 2021 File: Zanboninifinal.Doc, 10/03/2011 16.01.00 MANAGING CULTURAL HERITAGE IN CHINA. A VIEW FROM THE OUTSIDE Luca Zan and Sara Bonini Baraldi * Abstract The paper investigates change processes regarding the managerial aspects of organizing Cultural Heritage activities in China. The focus is not on the historical and artistic meanings of archeological discoveries in themselves; nor on the technical, scientific, and methodological repercussions of conservation and restoration; nor finally on the evolution of museology per se. Rather, the core of the analysis is on new managerial problems along the “archaeological chain” (archeological discoveries, restoration, museum definition and public access to cultural heritage) posed by new professional discourse and the overall evolution of the economic and political context. The paper is based on field research carried out in Luoyang, Henan province. The micro view adopted (managing practices more than policies), and the unusual access to data (including financial figures on individual entities) represent a unique opportunity for a sort of “journey” inside the Chinese public sector. -
Originally, the Descendants of Hua Xia Were Not the Descendants of Yan Huang
E-Leader Brno 2019 Originally, the Descendants of Hua Xia were not the Descendants of Yan Huang Soleilmavis Liu, Activist Peacepink, Yantai, Shandong, China Many Chinese people claimed that they are descendants of Yan Huang, while claiming that they are descendants of Hua Xia. (Yan refers to Yan Di, Huang refers to Huang Di and Xia refers to the Xia Dynasty). Are these true or false? We will find out from Shanhaijing ’s records and modern archaeological discoveries. Abstract Shanhaijing (Classic of Mountains and Seas ) records many ancient groups of people in Neolithic China. The five biggest were: Yan Di, Huang Di, Zhuan Xu, Di Jun and Shao Hao. These were not only the names of groups, but also the names of individuals, who were regarded by many groups as common male ancestors. These groups first lived in the Pamirs Plateau, soon gathered in the north of the Tibetan Plateau and west of the Qinghai Lake and learned from each other advanced sciences and technologies, later spread out to other places of China and built their unique ancient cultures during the Neolithic Age. The Yan Di’s offspring spread out to the west of the Taklamakan Desert;The Huang Di’s offspring spread out to the north of the Chishui River, Tianshan Mountains and further northern and northeastern areas;The Di Jun’s and Shao Hao’s offspring spread out to the middle and lower reaches of the Yellow River, where the Di Jun’s offspring lived in the west of the Shao Hao’s territories, which were near the sea or in the Shandong Peninsula.Modern archaeological discoveries have revealed the authenticity of Shanhaijing ’s records. -
07 Louis 1 Gold+Silver
CATALOGUE François Louis Gold and Silver François Louis Gold and Silver mong the most precious and unexpected dis- I. Vessels A coveries of the Belitung wreck are over thirty exquisitely manufactured gold and silver vessels. All of the seven gold vessels (nos 1–7), the gold leaf, These include one octagonal gold cup and three the gold bracelet (no. 9), and nine small silver boxes oblong, gold, drinking bowls (nos 1, 5–7), three (cf. nos 12–18) were discovered in 1998. Another gold dishes (nos 2–4), and two dozen richly deco- fourteen silver vessels, the gold bracelet fragments rated silver vessels. In addition, the divers recovered (no. 8 a, b), and additional silver vessel fragments eighteen silver ingots (cf. no. 11 a, b), over two kilo- were salvaged in 1999 from a small area at the stern grams of gold foil, a small gold coin (no. 10), a gold and slightly to port. Three large silver bowls with bracelet (no. 9), and several fragments of various foot rings (cf. nos 19, 20) were found stacked on gold and silver items. In quality as well as in size, top of a fine white ceramic bowl of similar size and this find figures among the most important discov- shape (no. 106). Next to these bowls, fragments of eries of Tang gold and silver made to date. It is the two large platters (cf. figs 1,7 and p. 108, figs 11a, first such discovery outside of China. b) with three feet were recovered – presumably the platters had originally also been stacked on top of While the gold vessels have been entirely cleaned, each other. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
The Analects of Confucius
The analecTs of confucius An Online Teaching Translation 2015 (Version 2.21) R. Eno © 2003, 2012, 2015 Robert Eno This online translation is made freely available for use in not for profit educational settings and for personal use. For other purposes, apart from fair use, copyright is not waived. Open access to this translation is provided, without charge, at http://hdl.handle.net/2022/23420 Also available as open access translations of the Four Books Mencius: An Online Teaching Translation http://hdl.handle.net/2022/23421 Mencius: Translation, Notes, and Commentary http://hdl.handle.net/2022/23423 The Great Learning and The Doctrine of the Mean: An Online Teaching Translation http://hdl.handle.net/2022/23422 The Great Learning and The Doctrine of the Mean: Translation, Notes, and Commentary http://hdl.handle.net/2022/23424 CONTENTS INTRODUCTION i MAPS x BOOK I 1 BOOK II 5 BOOK III 9 BOOK IV 14 BOOK V 18 BOOK VI 24 BOOK VII 30 BOOK VIII 36 BOOK IX 40 BOOK X 46 BOOK XI 52 BOOK XII 59 BOOK XIII 66 BOOK XIV 73 BOOK XV 82 BOOK XVI 89 BOOK XVII 94 BOOK XVIII 100 BOOK XIX 104 BOOK XX 109 Appendix 1: Major Disciples 112 Appendix 2: Glossary 116 Appendix 3: Analysis of Book VIII 122 Appendix 4: Manuscript Evidence 131 About the title page The title page illustration reproduces a leaf from a medieval hand copy of the Analects, dated 890 CE, recovered from an archaeological dig at Dunhuang, in the Western desert regions of China. The manuscript has been determined to be a school boy’s hand copy, complete with errors, and it reproduces not only the text (which appears in large characters), but also an early commentary (small, double-column characters).