“Meandering Christchurch” (New Zealand)
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File (Cera-Community-Workshops-Report
Community Workshops Report Report prepared by Academic Consulting Ltd on behalf of the Canterbury Earthquake Recovery Authority (CERA) July 2011 Contents Introduction ..........................................................................................................................................1 Community Workshop Details..............................................................................................................1 1 Community Wellbeing .....................................................................................................................2 1.1 Local community................................................................................................................................... 2 1.2 Housing................................................................................................................................................. 2 1.3 Schools/education ................................................................................................................................ 2 1.4 Inclusive communities........................................................................................................................... 2 1.5 Health.................................................................................................................................................... 2 1.6 Community facilities and processes ..................................................................................................... 3 1.7 Other aspects....................................................................................................................................... -
Christchurch Writers' Trail
The Christch~rch Writers' Trail I The Christchurch c 3 mitersy&ai1 Page 1 Introduction 2 Writers Biographies Lady Barker e Canterbury Settlement, right from 1850, was notable for its exalted ideals. The @settlement's early colonists lugged ashore libraries, musical instruments, paints, Samuel Butler William Pember Reeves easels and plans for a grammar school and university. Within the first decade they Edith Grossmann started a newspaper, founded choral and orchestral societies, staged plays and Jessie Mackay started a public library. A surprising number of these pioneers were competent Arnold Wall writers. The published memoirs, letters, journals and poetry left by Charlotte Godley, Blanche Bau han Edward and Crosbie Ward, James FitzGerald, Henry Sewell, Sarah Courage, Laurence Johannes An 8ersen Kennaway, Lady Barker, Samuel Butler and other "pilgrims" established a robust Mary Ursula Bethell literary tradition in Canterbury, particularly in non-fiction and poetry. From the Alan Mulgan 1930s to the early 1950s, during Denis Glover's association with The Caxton Press, Esther Glen Oliver Duff Christchurch was indisputably the focal point of New Zealand's artistic life. The N~aioMarsh town's cultural and literary importance - about 280 writers are listed in this booklet D Arcy Cresswell in a record which is by no means definitive - continues to this day. Monte Holcroft James Courage The Canterbury Branch of the New Zealand Society of Authors has, with generous Allen Curnow assistance from The Community Trust, now laid 32 writers' plaques in various parts Essie Summers of Christchurch. It is hoped that the process begun in 1997 of thus honouring the Denis Glover literary talent of our town and province, will long continue. -
B.167 Bulletin Christchurch Art Gallery Te Puna O Waiwhetu Autumn March
bulletin Autumn Christchurch Art Gallery March—May b.167 Te Puna o Waiwhetu 2012 EDITOR THE GALLERY IS CURRENTLY CLOSED TO THE PUBLIC. Bulletin Autumn DAVID SIMPSON HOWEVER, THE GALLERY SHOP IS OPEN AS USUAL. Christchurch Art Gallery March—May Te Puna o Waiwhetu 2012 GALLERY CONTRIBUTORS CHRISTCHURCH ART GALLERY DIRECTOR: JENNY HARPER TE PUNA O WAIWHETU CURATORIAL TEAM: KEN HALL, FELICITY MILBURN, CNR WORCESTER BOULEVARD AND MONTREAL STREET, JUSTIN PATON, PETER VANGIONI PO BOX 2626, CHRISTCHURCH 8140, NEW ZEALAND PUBLIC PROGRAMMES: LANA COLES TEL: (+64 3) 941 7300 PHOTOGRAPHER: JOHN COLLIE FAX: (+64 3) 941 7301 WWW.CHRISTCHURCHARTGALLERY.ORG.NZ OTHER CONTRIBUTORS SALLY BLUNDELL, Katie Thomas, Coralie Winn GALLERY SHOP TEL: (+64 3) 941 7370 EMAIL: [email protected], [email protected] FORM GALLERY TEL: (+64 3) 377 1211; (+64) 21 776708 WE WELCOME YOUR FEEDBACK AND SUGGESTIONS FOR FUTURE ARTICLES. EDUCATION BOOKINGS EMAIL: [email protected] FRIENDS OF CHRISTCHURCH ART GALLERY EMAIL: [email protected] CHRISTCHURCH ART GALLERY TRUST TEL: (+64 3) 353 4352 CURRENT DIRECT SPONSORS OF THE GALLERY CHARTWELL TRUST CHRISTCHURCH ART GALLERY TRUST CREATIVE NEW ZEALAND DUX DE LUX FRIENDS OF CHRISTCHURCH ART GALLERY GABRIELLE TASMAN GIESEN WINES Mitsubishi ELECTRIC NEWSTALK ZB PHILIP CARTER SKY ARTS CHANNEL SPECTRUM PRINT STRATEGY DESIGN & ADVERTISING THE PRESS THE ROYAL NETHERLANDS EMBASSY THE NZ NETHERLANDS FOUNDATION DESIGN & ADVERTISING DESIGN AND PRODUCTION ART DIRECTOR: GUY PASK EDITORIAL DESIGN: Matt Kitto, LEON -
Learning by Design: Full Text
Macmillan Brown Library Learning by Design: Full Text Introduction Learning by Design: Building Canterbury College in the city 1873-1973 An illustrated history inspired by the Armson Collins Architectural Drawings Collection The buildings that form the original town site of the University of Canterbury, once known as Canterbury College, are far more than just bricks and mortar. They are no less than the building blocks of our institution, in which we may find stories of staff and students, of education and recreation, and of service to community. Although the first site of Canterbury College is no longer formally attached to the University, the buildings continue to serve the wider community as the Arts Centre, and in the hearts of many former students and staff they still represent a place where minds and lives were forever changed. ‘Learning by Design’ is a visual history of the building of Canterbury College from its humble foundation in 1873, through the College’s evolution into a University with ivy-clad cloisters, and finally to the gifting of the town site to the people of Christchurch in 1973. The inspiration for this exhibition came from the visionary designs for many of the College buildings which may be found in the Armson Collins Architectural Drawings Collection. A project to digitize the Armson Collins Collection in 2012 has slowly illuminated a rich source of historical documents which show how much of Canterbury College was conceived and constructed. By connecting the architectural drawings to the wealth of archives, photos, and books in the University Library’s collections, this exhibition highlights how architecture, education, and community combined to create Canterbury College. -
CPIT Appendices 2009
External Programme Advisory Committees and Consultation Networks CPIT is committed to working with the Lee Retimana Clare Cosson industries, professions and communities Marketing Consultant, Muritai Marketing Hydraulics we serve. One way of achieving this is Ian Smith Dave Ritchie through Programme Advisory Committees Christchurch Manager, Arrow International Hydraulics or Consultation Networks, listed below. Each programme is supported by a group, of varying Baden Ewart Grant Davidson sizes and composition depending on the needs Director, Mitchell Notley & Associates Sir Edmund Hillary Outdoor Pursuit Centre of New Zealand of that programme. The Chair appointed by Computing Paul Chaplow the group, is usually external to the Institution. Craig Kerr Outdoors New Zealand Most groups include student or former student Business Information Solution Manager representation, as well as staff representatives Orion NZ Ltd Bill Gibson (whose names are not included). Fiordland Wilderness Experiences Greg Rossiter The members listed have given their permission Chief Information Offi cer, CIO Dynamic Control Rosco Gaudin to publish their names in the CPIT Annual Milford Sound Sea Kayaks Report. We are grateful for their support and Kerry Glynn Dave Watson appreciate their input throughout the year. Systems Software & Instrumentation Ltd Marlborough Sounds Adventure Richard Green Anthony Norris Faculty of Commerce Human Interface Technology Laboratory University of Canterbury Tamarillo Tropical Expedition Business Administration Chris Dever Rich Campbell -
Copyrighted Material
index 481 COPYRIGHTED MATERIAL > The gannet colony at Cape Kidnappers is the largest and most accessible in the world. 220_9780470894576-bindex.indd0_9780470894576-bindex.indd 481481 111/4/111/4/11 33:26:26 PMPM 482 Index Appellation Central Wine Tours hotels, 78–83 (Queenstown), 29 nightlife & entertainment, 84–87 A Aquariums practical information, 87 Abel Tasman Kayaks, 319 Mapua, 300 restaurants, 70–77 Abel Tasman Mountain Biking, 316 Napier, 198, 220 shopping, 40, 62–69 Abel Tasman National Park, 4, 6, Otago Peninsula, 411, 414 visitor information, 20, 87 24–25, 296, 319 Aramoana Summit, 240 with children, 48–51 Abel Tasman Wilson’s Experiences, Archives New Zealand (Wellington), Auckland Art Gallery, 14, 46–47, 52 24–25, 318 268 Auckland art walk, 14, 54, 55 Absolute Tours (Auckland), 47 Arlidge Adventures Dive Center Auckland Bridge Climb and Bungy, 45 Academy Galleries (Wellington), (Napier), 216 Auckland Central City Library, 54 266–68 Arrowtown, 3, 15, 374 Auckland Domain, 41, 56 AC Baths (Taupo), 179 Architecture Auckland Explorer Bus, 44 Accommodations, 8–9, 474–76. Auckland, 52–59 Auckland i-SITE Visitor Centre, 20 See also Where to Stay sections Christchurch, 341 Auckland Multipass, 50 best, 8 Napier, 29, 196, 200, 201, 208 Auckland Museum, 5, 22, 34, 41, Ackers Point, 434 Wellington, 261 42–44, 48, 56 Agrodome and Agroventures Art, 230, 236–37, 270–71. See also Auckland Town Hall, 54, 87 (Rotorua), 22, 162, 187 art galleries; museums Auckland University District, 58 Ahuriri, 197, 200 Art Deco Trust & Shop (Napier), 201 Auckland Waterfront Sculpture Air Fiordland, 372 Art Deco Walk (Napier), 29, 200, Trail, 271 Airlines, 472. -
Lincoln University Planning Review Volume 2 Issue 2
IN THIS ISSUE: Coastline Controversy: Subdivision at Purau Bay, Banks Peninsula. by Emma Thomas Lincoln Planning Education and the Role of Theory in the New Millennium: A New Role for Habitat Theory? by Roy Montgomery Planning Community Commodified: The Pres- tons Road Residential Subdivision by Peter Chamberlain Review Volume 2, Issue 2 August 2010 ISSN 1175-0987 Lincoln Planning Review is prepared by Lincoln University students with staff assistance and the views expressed in this publication are those of the individual writers. While Lincoln University may or may not agree with the views expressed, the University is proud to support the work being done by LPR to raise, discuss and debate important planning issues. Lincoln Planning Review Volume 2, Issue 2 August 2010 Table of Contents Lincoln Planning Review Editorial .............................................................................................Hamish G. Rennie 3 ISSN 1175-0987 Editorial ....................................................................... Nick Williams and Kelly Fisher 3 Lincoln Planning Review is the journal of the Lincoln University Planning Association (LUPA) and is an online publication produced Peer Reviewed Articles twice each year and primarily edited by students. It is also a Land Coastline Controversy: Subdivision at Purau Bay, Banks Peninsula ............................ Environment and People Research Centre outreach publication and ................................................................................................................ -
More Than a Band Aid: How the Use of Popular Music Helped a City Recover After Disaster
MORE THAN A BAND AID: HOW THE USE OF POPULAR MUSIC HELPED A CITY RECOVER AFTER DISASTER Kris Vavasour Student No. 29112239 A thesis submitted in partial fulfilment of the requirements for the Degree of Master of Arts in Cultural Studies University of Canterbury March, 2016 Contents Acknowledgements .................................................................................................................... iv Abstract ...................................................................................................................................... iv List of Illustrations ...................................................................................................................... vi Chapter 1: Introduction .............................................................................................................. 1 Chapter 2: Literature Review ...................................................................................................... 6 Popular music ......................................................................................................................... 7 Popular culture of disaster.................................................................................................... 11 Disaster songs ....................................................................................................................... 12 Music use after disaster ........................................................................................................ 15 Conclusion ....................................................................................................................... -
3718 Tailorspace – Evidence of Glenn Taylor 11-12-2015.Pdf
Before the Independent Hearings Panel at Christchurch under: the Resource Management Act 1991 and the Canterbury Earthquake (Christchurch Replacement District Plan) Order 2014 in the matter of: Submissions and further submissions in relation to the proposed Christchurch Replacement District Plan and: The Chapter 9: Natural and Cultural Heritage – Stage 3 proposal and: Tailorspace Property Limited Submitter 3718 / FS-5061 Statement of evidence of Glenn William Taylor (Company) Dated: 11 December 2015 REFERENCE: JM Appleyard ([email protected]) 1 STATEMENT OF EVIDENCE OF GLENN WILLIAM TAYLOR (TAILORSPACE PROPERTY LIMITED) INTRODUCTION 1 My name is Glenn William Taylor. 2 I am the General Manager of Tailorspace Property Limited (Tailorspace). Tailorspace is a Christchurch based property investment company, which is owned by interests associated with Ben Gough. Tailorspace owns development land within the Christchurch central business district and investment property predominantly in the Canterbury region. Part of my role involves overseeing the management and development of the Tailorspace property portfolio. 3 I have held this position since January 2007. 4 Tailorspace owns the commercial building at 152 Oxford Terrace known as the Public Trust Building (building). The building is the only one within our portfolio which has heritage values. SCOPE OF EVIDENCE 5 My evidence covers: 5.1 The site (pre and post-earthquakes); 5.2 The history of the building; 5.3 The impact of the earthquakes on the building; 5.4 Section 38 notice applications (made under the Canterbury Earthquake Recovery Act 2011); 5.5 Loss of heritage value; and 5.6 Options for Tailorspace, including repair, retaining the façade, demolition and the status quo. -
John Cumberpatch's Presentation
Presentation to: Construction and Deconstruction Conference John Cumberpatch - General Manager Operations CERA Thursday, 16 July 2015 Christchurch and Canterbury Background – the earthquakes : 2010 4 September 2010 : Magnitude 7.1 in Darfield, 40 kms west of Christchurch 26 December 2010 : Magnitude 4.9 in the city Background – the earthquakes : 2011 22 February 2011 Magnitude 6.3 centered in Heathcote Valley 5 km from the city centre 13 June 2011 : 5.7 and 6.4 23 December 2011 : 5.8 and 6.1 Background – the earthquakes : impact Problems encountered by demolition crews Initial response : the early days • Sensitivity with handling material associated with known fatalities. • Streets covered in debris. • Many buildings too dangerous to enter. • Owners wanted to retrieve their belongings before demolition. Problems encountered by demolition crews Safety • Maintaining a safe operation - in dangerous buildings, amid continuous aftershocks – was always the biggest challenge. Structural propping during demolition of the Clarendon Tower Problems encountered by demolition crews Ability to do the job • Tall buildings, especially the Grand Chancellor Hotel, required specialist demolition experience and were a priority. • There were varying levels of experience and ability amongst local contractors. • Specialist equipment, especially high reach, was not readily available. Problems encountered by demolition crews Communication • Contractors needed to share operational risks and issues. • Good record keeping was essential – by the demolition contractors, and also by the lifeline utilities companies. • Clear instructions were not always received. Problems encountered by demolition crews Disposal of debris and hazardous materials • Correct debris disposal was essential to avoid potential legacy issues. • Not all hazards could be identified inside dangerous structures. -
An Annotated Bibliography of Published Sources on Christchurch
Local history resources An annotated bibliography of published sources on the history of Christchurch, Lyttelton, and Banks Peninsula. Map of Banks Peninsula showing principal surviving European and Maori place-names, 1927 From: Place-names of Banks Peninsula : a topographical history / by Johannes C. Andersen. Wellington [N.Z.] CCLMaps 536127 Introduction Local History Resources: an annotated bibliography of published sources on the history of Christchurch, Lyttelton and Banks Peninsula is based on material held in the Aotearoa New Zealand Centre (ANZC), Christchurch City Libraries. The classification numbers provided are those used in ANZC and may differ from those used elsewhere in the network. Unless otherwise stated, all the material listed is held in ANZC, but the pathfinder does include material held elsewhere in the network, including local history information files held in some community libraries. The material in the Aotearoa New Zealand Centre is for reference only. Additional copies of many of these works are available for borrowing through the network of libraries that comprise Christchurch City Libraries. Check the catalogue for the classification number used at your local library. Historical newspapers are held only in ANZC. To simplify the use of this pathfinder only author and title details and the publication date of the works have been given. Further bibliographic information can be obtained from the Library's catalogues. This document is accessible through the Christchurch City Libraries’ web site at https://my.christchurchcitylibraries.com/local-history-resources-bibliography/ -
In This Issue: Talanoa I Measina 01 Graffiti: Paste Ups 02 News, Events & Workshops 02 at the Galleries 03 the Den: New
Issue 25 Exhibitions Ōtautahi www.artbeat.org.nz February 2021 Galleries Christchurch Studios Waitaha Street Art Canterbury Art in Public Places ARTBEAT In this issue: Talanoa I Measina 01 Graffiti: Paste Ups 02 News, Events & Workshops 02 At the Galleries 03 The Den: New Artist-Run Initiative 05 Discover Map 06 Reviews 08 Talanoa I Measina – Sharing our Stories It is a living room modelled on a home in Ōtau- flamboyant version of real life’, but it is also the tahi Christchurch that places Pacific culture reality with the numerous family photographs centre stage. Curated by artist and Pasifika and leis hanging over the frames. ‘They might Librarian in charge of Pacific programming put plastic mats or fine mats down to protect and collections in Tūranga, Nina Oberg the floor and the exhibition is about getting as Humphries’ assemblage of photographs, much in as possible.’ films, books, quilts, floor mats and more, ‘Education and any kind of achieve- make up the immersive installation,Talanoa ment are always celebrated in the Pasifika I Measina - Sharing our Stories , a platform community. It doesn’t matter how small it → to celebrate Pacific culture and its achieve- is. It might be that you get a certificate from Talanoa I Mea- sina – Sharing ments and presence in Ōtautahi. preschool or have a graduation ceremony, our Stories, The exhibition has its origins in 2018 when any form of achievement is celebrated and installation the Library's Pacific Staff network Va Pasifika people are proud.’ photograph. put forward an exhibition to celebrate Ōtau- Since Talanoa I Measina opened in Photograph: Nina Oberg tahi’s Pacific community.