DOCSLIB.ORG

Tina Modotti Is a Fascinating Fig- United States

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tina Modotti Is a Fascinating Fig- United States VOICES of MExico • 37 Mexican-origin population in the Wld Rcrolutionar, Tina Modotti is a fascinating fig- United States. The most preferred ure of the Mexican Renaissance, the label is now Latino, which reflects period in Mexican history follow- the increasingly diverse Spanish sur- ing the armed phase of the 1910 named community. While poverty, • Revolution, when major intellectu- unemployment, low levels of educa- als and artists plunged into the effort tion and other social problems per- of creating a utopian society. It was sist, a growing Latino professional and at this time that Mexico's best known middle class points to a prosperous O muralists, Diego Rivera, José Cle- future, at least for some. Voter regis- mente Orozco, David Alfaro Siquei- tration drives and Latino participa- ros and Jean Charlot, were com- tion in the political parties are just missioned by José Vasconcelos to beginning to bear dividends in some portray the story of the country on areas. Tina Modotti: Photographer the walls of public buildings. The But, what does the new century and Revolutionary revolutionary fervor attracted many hold for Mexican Americans? The Margaret Hooks foreigners who wanted to partici- intensifying economic integration Harpers Collins Publishers, pate. 1 Some, like Bertram Wolfe, of the United States and Mexico has London needed to get out of the United opened lucrative opportunities for 1993, 277 pp. States because of the persecution of many businesses in both countries, so-called "Bolsheviks," who were busy but its effect on the Mexican origin Margaret Hooks has added yet another unionizing. Others, like Carleton population is not clear. Obviously, book to the literature about women Beals, carne because they wanted to the fortunes of the Mexican Ame- in Mexico in the 1920s. Hooks iden- contribute to the effort of building rican community are crucial for tified the goal of her work in the Pre- a utopian society. Mexican immigrants, since their ar- face, stating that she would try to Tina Modotti carne to Mexico for rival in the United States inevitably "demythologize Modotti the legend, the first time in 1922, to bury her brings them to a barrio. However, extricate her from the shadows of her first husband Roubaix de l'Abrie the long-term consequences of efforts loves and locate the woman and the Richey, whom everybody called at all levels of U.S. society to curb artist." She succeeds in telling Tina's "Robo." Months later she returned immigration, and eliminate social story; however Tina, the woman, is still to Mexico with Edward Weston, her benefits for immigrants' children an enigma, the unanswered questions lover and teacher, a photographer could cause dislocations throughout are still there. with whom she lived in that period. the Mexican American and Mexi- Hooks, a journalist based in Mexico 'Tina remained in Mexico when Weston can immigrant community. Essays City, presents a smooth story that returned to the United States and such as Griswold del Castillo's pro- embellishes on facts gathered by stayed until 1929 when she was de- vide a much needed tool in appre- copious research. The documenta- ported. The doors were closed to ciating the significante of Mexican tion from archives, interviews and Tina in the United States because of culture as inspiration for the Mexi- texts that the author consulted is her political activity with the Com- can-origin population in the United impressive. She weaves many names States. Viví and dates into a journalistic approach of describing people and places. The 1 See Henry C. Schmidt, "The American Intellec- Barbara Driscoll text is well written, although some tual Discovery of Mexico in the 1920s," in The South Adonde Quarterl Researcher at 77, Summer 1978, CISAN of her statements are not factual. pp. 335-51. 126 REVIEWS At least five books have already munist Party. She could have gone her time, involved as an artist and been published about Tina Modotti. to Italy, but she would have ended up with the Communist Party in work- Mildred Constantine published A in prison. Tina went to Berlin where ing toward a better world. She be- the first gorgeous glossy she worked briefly before going on lieved it could be done and dedicated Fragile Life, presentation of Tina's work in to Moscow. As a member of the Soviet the last part of her life to the cause. Art historian Sylvia Pandolfi espionage group, Tina traveled in Europe The scandals in Tina's life are well 1975.3 produced an excellent catalogue in and participated in the Spanish Civil documented. The earliest press cov- 1983 for an exhibit featuring Frida War. When members of the Soviet erage reports the success of a young Communist Party were no longer Italian immigrant as an actress. The Kahlo and Tina Modotti that trav- 4 Elena Poniatowska welcome in Spain, Tina returned to Mexico City press had a field day when eled to London. Mexico, where she died. one of Tina's lovers, Julio Antonio turned all the mysterious data sur- Tinás work as a photograper is out- Mella,2 was gunned down on a street rounding Tinás scandal-ridden life 5 An- standing, and Hook's book includes in Mexico City while walking home into a very successful novel. first rate reproductions on good paper. with her. Tina's death provoked yet tonio Saborit published her letters, Unfortunately, the author does not another series of articles inquiring without editorializing, allowing Tina 6 Pino Cacucci reveal her sources of the images or whether she was murdered or died to speak for herself. where anyone interested might find of a heart attack. wrote about her in Italian after them. She handles quotes and infor- The women of the 1920s in Me- "falling in love with her." The book mation in the same way. xico broke with many of the pat- was translated into Spanish in 1992 Other people's words are used out terns of their mothers and grand- and published in Mexico a year of their original context to support mothers. Tina was one of four women later.7 Hooks' point. Elaborate descriptions who were photographed or depicted Books about Tina's art, political of situations, people and places who in murals in the nude. The others life and lovers are on the way to join- were part of Tina's world are often were Anita Brenner, Lupe Marín ing the ranks of the writings about presented without providing the source and Nahuí Olin. Their lives were in- Frida Kahlo, who holds the record of her information. This is unfortunate teresting because they were active with 26 books published about every because it limits the book to the gen- in creative fields and produced qual- aspect of her life, including her eral public. Scholars cannot follow ity material. Tina's images of Mexi- recipes. \M up her work to confirm, refute or cor- co have been justifiably described Susannah Glusker rect her statements. as sensual and poetic. One of them Mexican free-lance writer Hooks' book is interesting because brought a record price of $165,000 Tina was an interesting woman. at a Sotheby's art auction. Also because it identifies published Tinás love life is said to contribute sources and adds the autor's inter- to the enigma. She was widowed in her first marriage to Robo and never 3 Mildred Constantine, Tina Modotti; A views with people like Yolanda Mo- Fragile Life, Paddington Press, New York, dotti, Tinás sister, among many others. remarried. She lived with Edward 1975. However, the information is not new, Weston, Xavier Guerrero, Julio An- 4 Museo Nacional de Arte, Frida Kahlo-Tina tonio Mella and Víctor Vidalli. Modotti, INBA, Mexico City, 1983. nor is any effort made to interpret 5 Elena Poniatowska, Tinísima, Ediciones Era, it or draw conclusions. The words Mexico City, 1992. "possibly," "apparently" and "it seems 6 Antonio Saborit, Una mujer sin país. Las car- tas de Tina Modotti a Edward Weston, 1921- 2 Julio Antonio Mella was a young Communist that" are also used extensively, Cal y Arena, Mexico City, 1992. revolutionary who, because of his fight against 1931, Los fuegos, las sombras, el silen- countering Hooks' goal of demysti- the Machado dictatorship in Cuba (1925- 7 Pino Cacucci, cio... Joaquín Mortiz, Mexico City, 1992. fication. Modotti was a woman of 1933), was forced to seek refuge in Mexico. 127 .
Load more

Recommended publications
  • Guerrilla War and Hegemony: Gramsci and Che
    Guerrilla war and hegemony: Gramsci and Che MARCO GABBAS ABSTRACT: La guerra de guerrillas is one of the most known of Che Guevara’s works. Providing a political-ideological analysis of this book, I aim to demonstrate that Che Guevara should not be considered only a man of action, but also a political thinker and theorist. To analyze the book, I will use the Gramscian concepts of hegemony and War of Manoeuvrer/War of Position as an interpretative framework. KEYWORDS: Guevara. Guerrilla. Gramsci. Hegemony. War of Manoeuvre/War of Position. Guerra de guerrilha e hegemonia: Gramsci e Che RESUMO: A guerra de guerrilhas é uma das obras mais conhecidas de Che Guevara. Oferecendo uma análise político-ideológica do livro, pretendo demonstrar que Che Guevara não deve ser considerado apenas um homem de ação, mas também um pensador e teórico da política. Para analisar o livro, usarei os conceitos gramscianos de hegemonia e guerra de movimento/guerra de posição como uma moldura interpretativa. PALAVRAS-CHAVE: Guevara. MARCO GABBAS Guerrilha. Gramsci. Hegemonia. Guerra de movimento/guerra de posição. History PhD candidate, University of Milan. Member of the Editorial Board and International Advisor RECEBIDO EM: 12/05/2017 of Eszmélet, Hungarian Journal of APROVADO EM: 20/12/2017 Culture and Social Criticism. E-mail: [email protected] TENSÕES MUNDIAIS | 53 MARCO GABBAS 1 INTRODUCTION The one hundredth anniversary of the Russian Revolution is an appropriate moment to reflect on its repercussions on the world and, more specifically, on Latin America. Latin America was profoundly influenced by the October Revolution during the lifes- pan of the Soviet Union but, differently from Eastern Europe or the former USSR, in Latin America the US victory in the Cold War did not mean capitulation and obeisance to the dominant capita- list ideology.
    [Show full text]
  • Protestwagecuts Soviet Toilers, in Thousands of Meetings
    Page Six DAILY WORKER. NEW’ YORK. TUESDAY, JANUARY 23, 1934 Dailu>3ij\Vorker The Meeting of the Central Troops Called, As THE SERMON ON THE MOUNT % tturck Japan Pushes Fight ••TUI MUD CominilT MITT OJ.&. ffCCTNM Os fOmtOaifT HTTIIMTIOaU) Committee, C*P*U.S.A. * ‘America’* Only Working Claes Daily Newspaper" 16 and 17, 18th meeting of the Philippine Masses On Rivals for World FOUNDED 19?4 lyN January the v tral Committee, C. P, U. 8. A., was held to receive a PUBLISHED DAILY, EXCEPT SUNDAY, DX THE repeat of the 13th Plenum of the Executive Committee Protest U.S. Terror Market Into Africa COMPRODAILT PUBLISHING CO, INC, X Haws lHh of the Communist International, and to decide upon York, Street, New N. Y. the arrangements for the Eighth National Conven- ! 2,500 Workers, Considering Marital Link Peasants '* Telephone: ALgonquln C. U. S. A . 4-75&4. tion of the P. Pack Court Protesting mere With Royal Family Cable Atidreu: "Dalirort.” Me* York, A unanimously approved the Theses of Washington Bureau: Room 9*4, ttetUmt Perm ImififHng, This meeting 14th and T St, Washington, EX O, ! the 13th Plenum of the E. C. C. L (published in the Savage Sentences of AbvssiniaJ Subscription Bates; Dally Worker on Jan. 13), and emphasized some of i YORK. More than 2,500 TOKYO, Jan. 21.—Plans for a ma- By (except Manhattan Bronx*, fen, M.OO; therefrom for the U. S„ In a brief NEW Mail: and t : the tasks flowing royal 8 months, JJ.SO; t months, *2.00; 1 month, 07* cents.
    [Show full text]
  • From Resort to Gallery: Nation Building in Clara Porset's
    Dearq ISSN: 2215-969X [email protected] Universidad de Los Andes Colombia From Resort to Gallery: Nation Building in Clara Porset’s Interior Spaces* Vivanco, Sandra I. From Resort to Gallery: Nation Building in Clara Porset’s Interior Spaces* Dearq, núm. 23, 2018 Universidad de Los Andes, Colombia Disponible en: https://www.redalyc.org/articulo.oa?id=341667565005 DOI: https://doi.org/10.18389/dearq23.2018.04 Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-SinDerivar 4.0 Internacional. PDF generado a partir de XML-JATS4R por Redalyc Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Investigación Temática From Resort to Gallery: Nation Building in Clara Porset’s Interior Spaces* Del Resort a la Galería: la construcción de nación en los espacios interiores de Clara Porset De Resort a Galeria: Construção Nacional nos Espaços Interiores de Clara Porset Sandra I. Vivanco [email protected] California College of the Arts, Estados Unidos Abstract: Modern design in Latin America exists between technological utopia and artisanal memory. Oen anachronistic, this tension has historically sponsored the use of unusual materials and unorthodox construction methods. is article critically analyzes key interior spaces designed by Cuban born Clara Porset in mid-century Mexico that Dearq, núm. 23, 2018 interrogate traditional interior and exterior notions and question boundaries between public and private. By exploring both her posh and serene collective interior spaces Universidad de Los Andes, Colombia within early Mexican resort hotels and her well-considered minimal furnishings for Recepción: 19 Febrero 2018 affordable housing units, we confirm that both kinds of projects call into question issues Aprobación: 21 Mayo 2018 of class, gender, and nation building.
    [Show full text]
  • Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930S
    Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Ariel Mae Lambe All rights reserved ABSTRACT Cuban Antifascism and the Spanish Civil War: Transnational Activism, Networks, and Solidarity in the 1930s Ariel Mae Lambe This dissertation shows that during the Spanish Civil War (1936–1939) diverse Cubans organized to support the Spanish Second Republic, overcoming differences to coalesce around a movement they defined as antifascism. Hundreds of Cuban volunteers—more than from any other Latin American country—traveled to Spain to fight for the Republic in both the International Brigades and the regular Republican forces, to provide medical care, and to serve in other support roles; children, women, and men back home worked together to raise substantial monetary and material aid for Spanish children during the war; and longstanding groups on the island including black associations, Freemasons, anarchists, and the Communist Party leveraged organizational and publishing resources to raise awareness, garner support, fund, and otherwise assist the cause. The dissertation studies Cuban antifascist individuals, campaigns, organizations, and networks operating transnationally to help the Spanish Republic, contextualizing these efforts in Cuba’s internal struggles of the 1930s. It argues that both transnational solidarity and domestic concerns defined Cuban antifascism. First, Cubans confronting crises of democracy at home and in Spain believed fascism threatened them directly. Citing examples in Ethiopia, China, Europe, and Latin America, Cuban antifascists—like many others—feared a worldwide menace posed by fascism’s spread.
    [Show full text]
  • Finding Aid for the Lola Alvarez Bravo Archive, 1901-1994 AG 154
    Center for Creative Photography The University of Arizona 1030 N. Olive Rd. P.O. Box 210103 Tucson, AZ 85721 Phone: 520-621-6273 Fax: 520-621-9444 Email: [email protected] URL: http://creativephotography.org Finding aid for the Lola Alvarez Bravo Archive, 1901-1994 AG 154 Finding aid updated by Meghan Jordan, June 2016 AG 154: Lola Alvarez Bravo Archive, 1901-1994 - page 2 Lola Alvarez Bravo Archive, 1901-1994 AG 154 Creator Bravo, Lola Alvarez Abstract Photographic materials (1920s-1989) of the Mexican photographer Lola Alvarez Bravo (1903 [sometimes birth date is recorded as 1907] -1993). Includes extensive files of negatives from throughout her career. A small amount of biographical materials, clippings, and publications (1901-1994) are included. The collection has been fully processed. A complete inventory is available. Quantity/ Extent 32 linear feet Language of Materials Spanish English Biographical Note Lola Álvarez Bravo was born Dolores Martínez de Anda in 1903 in Lagos de Moreno, a small city in Jalisco on Mexico's Pacific coast. She moved to Mexico City as a young child, after her mother left the family under mysterious circumstances. Her father died when she was a young teenager, and she was then sent to live with the family of her half brother. It was here that she met the young Manuel Alvarez Bravo, a neighbor. They married in 1925 and moved to Oaxaca where Manuel was an accountant for the federal government. Manuel had taken up photography as an adolescent; he taught Lola and they took pictures together in Oaxaca. Manuel also taught Lola how to develop film and make prints in the darkroom.
    [Show full text]
  • Reseña De" La Revolución Cubana Del 30: Ensayos" De Fernando
    Caribbean Studies ISSN: 0008-6533 [email protected] Instituto de Estudios del Caribe Puerto Rico Argote-Freyre, Frank Reseña de "La Revolución Cubana del 30: Ensayos" de Fernando Martínez Heredia Caribbean Studies, vol. 37, núm. 1, enero-junio, 2009, pp. 296-300 Instituto de Estudios del Caribe San Juan, Puerto Rico Available in: http://www.redalyc.org/articulo.oa?id=39213080016 How to cite Complete issue Scientific Information System More information about this article Network of Scientific Journals from Latin America, the Caribbean, Spain and Portugal Journal's homepage in redalyc.org Non-profit academic project, developed under the open access initiative 296 AARÓN GAMALIEL RAMOS the promotion of violence was to strengthen “his and his party’s power and preserve the prebendary and clientelistic characteristics of the state he had vowed to dismantle in 1991, [relying on] armed gangs, the police, and authoritarian practices to suppress his opponents, all the while cul- tivating a self-serving image as defender of the poor” (p. xv). He also joins the debate on whether Aristide had a direct role in the creation of armed groups known as chimès which terrorized Haiti during the crisis preceding his downfall and in their role during the latter part of the Aristide period making less compelling distinctions between the Tontons Makout that operated under the Duvalier dictatorships and the chimès that terrorized the population under Aristide. Dupuy proposes that while the former were structurally connected with the Haitian military and the dictator, chimès were a convenient political force of disaffected youth operating within the less formal organization of Fanmi Lavalas.
    [Show full text]
  • Time Chart #2
    USI NFLUENCE C UBAN R EVOLUTION 1902, May 20. Tomás Estrada Palma is sworn 1933, September 29. Police use weapons to disperse a 1952, March 10. Fulgencio Batista takes Cuban Revolution Triumphs in as the Cuban Republic’s first president. demonstration organized by the Communist Party control of Cuba (again) in a bloodless Soviet Union Collapses to honor student leader Julio Antonio Mella. Six coup de etat. Elections are canceled. 1908 - The Partido Independiente de Color is people are killed, and many others wounded. BAY OF PIGS TERRORISM AGAINST CUBA | BALSEROS | CUBAN DEMOCRACY ACT established by Evaristo Estenoz and others. 1959, January 12. In Santiago de Cuba, 75 men E MBARGO 1930, October 1. M ONCADA are executed. The group allegedly represents 1909 - The Morúa Law bans political parties Machado's government former police guards known for cruelty and Centenary of Martí’s death based on race or class, and denies independ- suspends constitutional 1956, December 2. The violence and members of former Senator Los Marielitos ents the right to run a candidate for president. Rolando Masferrer's private army. guarantees. yacht “Granma” lands in Elián Gonzalez Las Coloradas, Oriente. 2nd U.S. Occupation Missile Crisis Machado Batista Meyer Lansky in Havana Camilo Cienfuegos Che Guevara S R S e u Radio Swan e C m W r 1959, Feb 28. v g Latin Las Vegas u o n e e Castro announces b t a l e a t r F n 2004, October 28. For the 13th consecutive year, the UN General n Public Executions that general o W o a t s f o A Assembly votes overwhelmingly against the U.S.
    [Show full text]
  • Angelina Beloff Como Misionera Cultural: Una Revalorización De Su Arte»
    GUERRERO OLAVARRIETA, Ana Paula (2017). «Angelina Beloff como misionera cultural: una revalorización de su arte». Monograma. Revista Iberoamericana de Cultura y Pensamiento, n. 1, pp. 177-193. URL: http://revistamonograma.com/index.php/mngrm/article/view/12 FECHA DE RECEPCIÓN: 17/10/2017 · FECHA DE ACEPTACIÓN: 7/11/2017 ISSN: 2603-5839 Angelina Beloff como misionera cultural: una revalorización de su arte Ana Paula GUERRERO OLAVARRIETA Universidad Iberoamericana, Ciudad de México [email protected] Resumen: ¿Por qué estudiar a Angelina Beloff? ¿Qué relación tiene con el contexto mexicano? Los estudios que hay acerca de Angelina Beloff se han centrado bajo la sombra de Diego Rivera, con quien tuvo una relación de diez años. Por consiguiente, la investigación está encaminada a tener un acercamiento más crítico a su obra y a su desempeño laboral en Europa y en México del siglo XX. La presente investigación busca rescatar a Beloff dentro del contexto de los artistas mexicanos de la época. Sin hacer un recuento biográfico, toma como referencia diversos textos que la mencionan, para sustentar y debatir junto con los que han excluido la figura de Beloff dentro de la historiografía mexicana. Asimismo explica por qué es relevante estudiar a esta artista extranjera que decidió vivir en nuestro país junto con otras figuras del medio artístico contemporáneo. Palabras clave: Angelina Beloff, extranjera, arte mexicano, exclusión, historiografía. Abstract: Why study Angelina Beloff? What relationship does she has with the Mexican context? Studies about Angelina Beloff have been centered under Diego Rivera's shadow, with whom she had a relationship for ten years. Therefore, the investigation is driven to have a more critical close up to her art work and her job performance in Europe and Mexico during the Twentieth Century.
    [Show full text]
  • INFORME ANUAL CORRESPONDIENTE AL ÚLTIMO SEMESTRE DEL 2013 Y PRIMER SEMESTRE DE 2014
    INFORME ANUAL CORRESPONDIENTE AL ÚLTIMO SEMESTRE DEL 2013 y PRIMER SEMESTRE DE 2014. Informe presentado por el Consejo Directivo Nacional de la Sociedad Mexicana de Autores de las Artes Plásticas, Sociedad De Gestión Colectiva De Interés Público, correspondiente al segundo semestre del 2013 y lo correspondiente al año 2014 ante la Asamblea General de Socios. Nuestra Sociedad de Gestión ha tenido varios resultados importantes y destacables con ello hemos demostrado que a pesar de las problemáticas presentadas en nuestro país se puede tener una Sociedad de Gestión como la nuestra. Sociedades homologas como Arte Gestión de Ecuador quienes han recurrido al cierre de la misma por situaciones económicas habla de la crisis vivida en nuestros días en Latinoamérica. Casos como Guatemala, Colombia, Honduras en especial Centro América, son a lo referido, donde les son imposibles abrir una representación como Somaap para representar a sus autores plásticos, ante esto damos las gracias a todos quienes han hecho posible la creación y existencia de nuestra Sociedad Autoral y a quienes la han presidido en el pasado enriqueciéndola y dándoles el impulso para que siga existiendo. Es destacable mencionar los logros obtenidos en las diferentes administraciones donde cada una han tenido sus dificultades y sus aciertos, algunas más o menos que otras pero a todas les debemos la razón de que estemos en estos momentos y sobre una estructura solida para afrontar los embates, dando como resultado la seguridad de la permanencia por algunos años más de nuestra querida Somaap. Por ello, es importante seguir trabajando en conjunto para lograr la consolidación de la misma y poder pensar en la Somaap por muchas décadas en nuestro país, como lo ha sido en otras Sociedades de Gestión.
    [Show full text]
  • ¡Patria O Muerte!: José Martí, Fidel Castro, and the Path to Cuban Communism
    ¡Patria o Muerte!: José Martí, Fidel Castro, and the Path to Cuban Communism A Thesis By: Brett Stokes Department: History To be defended: April 10, 2013 Primary Thesis Advisor: Robert Ferry, History Department Honors Council Representative: John Willis, History Outside Reader: Andy Baker, Political Science 1 Acknowledgements I would like to thank all those who assisted me in the process of writing this thesis: Professor Robert Ferry, for taking the time to help me with my writing and offer me valuable criticism for the duration of my project. Professor John Willis, for assisting me in developing my topic and for showing me the fundamentals of undertaking such a project. My parents, Bruce and Sharon Stokes, for reading and critiquing my writing along the way. My friends and loved-ones, who have offered me their support and continued encouragement in completing my thesis. 2 Contents Abstract 3 Introduction 4 CHAPTER ONE: Martí and the Historical Roots of the Cuban Revolution, 1895-1952 12 CHAPTER TWO: Revolution, Falling Out, and Change in Course, 1952-1959 34 CHAPTER THREE: Consolidating a Martían Communism, 1959-1962 71 Concluding Remarks 88 Bibliography 91 3 Abstract What prompted Fidel Castro to choose a communist path for the Cuban Revolution? There is no way to know for sure what the cause of Castro’s decision to state the Marxist nature of the revolution was. However, we can know the factors that contributed to this ideological shift. This thesis will argue that the decision to radicalize the revolution and develop a relationship with the Cuban communists was the only logical choice available to Castro in order to fulfill Jose Marti’s, Cuba’s nationalist hero, vision of an independent Cuba.
    [Show full text]
  • Julio Antonio Mella: Su Huelga De Hambre Y La I Expulsión Del Partido Comunista De Cuba
    I Robado del archivo del Dr. Antonio Rafael de la Cova http://www.latinamericanstudies.org/cuba-books.htmCartones y cosas vistas - 1 I 1 Julio Antonio Mella: su huelga de hambre y la I expulsión del Partido Comunista de Cuba. Una I - laguna en su biografía Laspáginas siguientes presentan en otros idiomas, añadiendo unpar los resultados de una colaboración más que complementaban la historia. internacional. Lazar y Víctor Jeifets, Durante la preparación de la edición ambos de San Petersburgo, sugirieron de los documentos, un encuentro con publicar una serie de documentos Christine Hatzky, de la Universidad de sobre el caso Mella, provenientes del Colonia, dedicada desde hace varios Archivo Estatal Ruso de Historia años al estudio del revolucionario Sociopolítica. A partir de la copia que cubano, derivó en la preparación ellos proporcionaron, Rina Ortiz, de conjunta del escrito que los acompaña. la Dirección de Estudios Históricos Antonio Saborit, también de la del INAH, localizó los originales, Dirección de Estudios Históricos, leyó transcribió los materiales que estaban y corrigió finalmente todos los textos en español y tradujo los que estaban que ahora se presentan. I 1 Julio Antonio Mella, el carismático en la lucha latinoamericana en 1 revolucionario cubano que a los contra del imperialismo 25 años, el 10 de enero de 1929, y en estadounidense. Por su exitosa huelga i el exilio mexicano, cayó víctima de de hambre en el año 1925personifica 1 un atentado, se convirtió después en Cuba, asimismo, la resistencia en de su muerte en símbolo del contra de la dictadura de Gerardo movimiento comunista cubano e Machado, y hoy en día se le considera i incluso de toda América Latina.
    [Show full text]
  • Tina Modotti and the Image of Mexican Communism in 1928: La Técnica
    TiNA MODOTTI AND THE ImaGE OF MEXICAN CommuNism IN 1928: LA TÉCNICA Leonard Folgarait Tina Modotti, Máquina de escribir de Mella, 1928, blanco y negro. Julio Antonio Mella (1904-1929) was activities dangerous to the regime of the Ché Guevara and Subcomandante President Machado, Mella took up Marcos of his day in terms of owning headquarters in Mexico City, galvani- the very image of the charismatic and zing leftists there under his forceful uncorrupted revolutionary leader. Exi- oratory and writings. He occupied led from his native Cuba in 1926 for positions in several communist orga- nizations and publications. It was as a "in the [Mexican] revolutionary socia- journalist that he made his greatest list tradition".6 reputation in Mexico, signing some Rivera celebrated this photoge- articles as Cuauhtémoc Zapata, com- nic pair in a mural painting on the bining the two most legendary names walls of the Secretariat of Public Edu­ of resistance against oppression in cation in Mexico City in 1928-1929, Mexican history.1 Ione Robinson refe- in a section entitled Distributing Arms. rred to him shortly after his death as Modotti seems to be handing Mella "a symbol around which everyone a bandolier in preparation for pit- I know in Mexico [the Tina Modot- ched class warfare. That Rivera inclu- ti-Diego Rivera circle] revolves".2 By ded them in such a militant scene late 1928, Mella and the Italian-born speaks of the place they both held photographer Tina Modotti (1896- in communist circles at this time. A 1942), having met in the offices of the portrait of Mella by Modotti of 1928 Mexican Communist Party organ El captures the heroically handsome fea- Machete as co-workers in June, were tures he was known for.
    [Show full text]