A History, Analysis, and Performance Guide to Samuel Barber's
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Saturday Playlist
October 26, 2019: (Full-page version) Close Window “To achieve great things, two things are needed: a plan, and not quite enough time.” — Leonard Bernstein Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, Awake! 00:01 Buy Now! Haydn Symphony No. 008 in G, "Evening" English Concert/Pinnock Archiv 423 098 028942309821 00:24 Buy Now! Scarlatti, D. Sonata in A, Kirkpatrick 212 Murray Perahia Sony 63380 07464633802 00:28 Buy Now! Grieg Symphonic Dances, Op. 64 Philharmonia Orchestra/Leppard Philips 438 380 02894388023 Academy of St. Martin-in-the- 01:00 Buy Now! Rossini Overture ~ Cinderella EMI 49155 077774915526 Fields/Marriner 01:09 Buy Now! Parry Elegy for Brahms London Philharmonic/Boult EMI 49022 07777490222 01:20 Buy Now! Brahms Sextet No. 1 in B flat, Op. 18 Stern/Lin/Laredo/Tree/Ma/Robinson Sony Classical 45820 07464458202 02:00 Buy Now! Mozart Fantasia in C minor, K. 475 Alicia de Larrocha RCA Red Seal 60453 090266045327 Lento assai ~ String Quartet in F, Op. 135 (arr. 02:15 Buy Now! Beethoven Royal Philharmonic/Rosekrans Telarc 80562 089408056222 for string orchestra) 02:27 Buy Now! Gade Symphony No. 7 in F, Op. 45 Stockholm Sinfonietta/Jarvi BIS 355 7318590003558 03:00 Buy Now! Debussy Prelude to the Afternoon of a Faun Zoeller/Berlin Philharmonic/Karajan EMI 65914 724356591424 03:11 Buy Now! Mendelssohn Cello Sonata No. 1 in B flat, Op. 45 Rosen/Artymiw Bridge 9501 090404950124 03:37 Buy Now! Offenbach Offenbachiana Monte Carlo Philharmonic/Rosenthal Naxos 8.554005 N/A 04:01 Buy Now! Saint-Saëns Havanaise, Op. -
Draft Schedule Revised
ICMSN/SurreyMAC 2017 Provisional Schedule at 16 June 2017 Monday 11 September 1330–1500 Session 1A Post-tonal form Robert Baker, ‘Progressive Forms: Pitch, Notation, and Time in Two Works by Henri Dutilleux’. Anabel Maler, ‘Hearing Function in Post-Tonal Context’. Cecilia Taher, ‘J.C. Paz’s Concreción: A three-dimensional dynamic form’. Session 1B Following Wagner Charlotte Armstrong, ‘Max Nordau and the diagnosis of musical degeneracy: “unhealthy” music in the operas of Richard Wagner and Franz Schreker’. Peter Atkinson, ‘Dancing Wagnerism: Rutland Boughton’s “Dancing Scenery” and the English Reinvention of the Gesamtkunstwerk’. Malcolm Miller, ‘Wood’s “Wagner – Dreams”: New light on Henry Wood’s orchestration of Träume for violin and orchestra’. 1500–1630 Session 2A China David Ho-Yi Chan, ‘Lingustic Parameters in Contemporary Choral Music’. Cheong Wai-Ling and Hong Ding, ‘Reception of twelve-note music in China — foes turned friends?’ Na Li, ‘Masculinity without men? The multiple gendered images presented by female performers of Northwest Wind’. Session 2B Electronics Nino Auricchio and Paul Borg, ‘New modular instruments and approaches to music generation’. Jo Langton, ‘Musical Analysis of Glass Art Sculptures: The Baschet Brothers’ Sculptures Sonores in the electroacoustic composition of Beatriz Ferreyra’. Laurence Willis, ‘Approaches to Electronics in Haas’s String Quartets No. 4 and No. 7’. 1630–1700 Tea/coffee 1700–1800 Session 3A Schubert Mark Hutchinson, ‘Wandering through history: distorted temporalities in Zender’s Schubert’. Anne Hyland, ‘Rehabilitating Schubert’s Early Sonata Forms: the Overture for String Quintet in C minor, D. 8 and Romantic Form’. Session 3B Feminist perspectives Anna Terzaroli, ‘Teresa Rampazzi, a woman in the Electronic Music’. -
CS Lewis on Death
Volume 1 Issue 2 Article 4 January 1971 Farewell to Shadowlands: C.S. Lewis on Death Kathryn Lindskoog Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Lindskoog, Kathryn (1971) "Farewell to Shadowlands: C.S. Lewis on Death," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 4. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/4 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Examines death as portrayed in many of Lewis’s fictional and apologetic writings, and particularly in the Chronicles of Narnia. Discusses Lewis’s attitudes toward his own impending death as expressed to friends and his brother Warren. Keywords Lewis, C.S.—Attitude toward death This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/4 Lindskoog: Farewell to Shadowlands: C.S. Lewis on Death suooestion has been made14 that the Nine corresponded to the nine 4. JJJ 383 planets. These would be Mercury, Venus, the Earth, the Hoon, S. III 456 Mars, Jupiter, Saturn, Uranus, Neptune. Pluto •as probably not 6. I 472 known to the astronomers of the Second AQe; Neptune is not 7. -
Gender Association with Stringed Instruments: a Four-Decade Analysis of Texas All-State Orchestras
Texas Music Education Research, 2012 V. D. Baker Edited by Mary Ellen Cavitt, Texas State University—San Marcos Gender Association with Stringed Instruments: A Four-Decade Analysis of Texas All-State Orchestras Vicki D. Baker Texas Woman’s University The violin, viola, cello, and double bass have fluctuated in both their gender acceptability and association through the centuries. This can partially be attributed to the historical background of women’s involvement in music. Both church and society rigidly enforced rules regarding women’s participation in instrumental music performance during the Middle Ages and Renaissance. In the 1700s, Antonio Vivaldi established an all-female string orchestra and composed music for their performance. In the early 1800s, women were not allowed to perform in public and were severely limited in their musical training. Towards the end of the 19th century, it became more acceptable for women to study violin and cello, but they were forbidden to play in professional orchestras. Societal beliefs and conventions regarding the female body and allure were an additional obstacle to women as orchestral musicians, due to trepidation about their physiological strength and the view that some instruments were “unsightly for women to play, either because their presence interferes with men’s enjoyment of the female face or body, or because a playing position is judged to be indecorous” (Doubleday, 2008, p. 18). In Victorian England, female cellists were required to play in problematic “side-saddle” positions to prevent placing their instrument between opened legs (Cowling, 1983). The piano, harp, and guitar were deemed to be the only suitable feminine instruments in North America during the 19th Century in that they could be used to accompany ones singing and “required no facial exertions or body movements that interfered with the portrait of grace the lady musician was to emanate” (Tick, 1987, p. -
October 30, 2018
October 30, 2018: (Full-page version) Close Window “Music is the social act of communication among people, a gesture of friendship, the strongest there is.” —Malcolm Arnold Start Buy CD Program Composer Title Performers Record Label Stock Number Barcode Time online Sleepers, 00:01 Buy Now! Franck The Breezes (A Symphonic Poem) National Orchestra of Belgium/Cluytens EMI Classics 13207 Awake! 00:13 Buy Now! Vivaldi Trio in G minor for Winds, RV 103 Camerata of Cologne Harmonia Mundi 77018 054727701825 00:23 Buy Now! Brahms Piano Trio No. 1 in B, Op. 8 Trio Fontenay Teldec 9031-76036 090317603629 01:01 Buy Now! Warlock Capriol Suite English Sinfonia/Dilkes EMI 62529 077776252926 01:12 Buy Now! Respighi The Birds Orpheus Chamber Orchestra DG 437 533 N/A 01:32 Buy Now! Mozart String Quartet No. 17 in B flat, K. 458 "Hunt" Alban Berg Quartet Teldec 72480 090317248028 02:00 Buy Now! Handel Flute Sonata in A minor Bruggen/Bylsma/van Asperen Sony 60100 074646010020 Symphony No. 9 in E minor, Op. 95 "From the 02:12 Buy Now! Dvorak Houston Symphony/Eschenbach Virgin 91476 075679147622 New World" 03:00 Buy Now! Boccherini Cello Concerto No. 3 in G Bylsma/Tafelmusik/Lamon DHM 7867 054727786723 03:17 Buy Now! Schumann Manfred Overture, Op. 115 Royal Concertgebouw/Haitink Philips 411 104 028941110428 03:30 Buy Now! Franck Violin Sonata in A Mintz/Bronfman DG 415 683 028941568328 First Suite in E flat, Op. 28 No. 1 (for military 03:59 Buy Now! Holst Central Band of the RAF/Banks EMI 49608 077774960823 band) 04:11 Buy Now! Mozart Symphony No. -
June WTTW & WFMT Member Magazine
Air Check Dear Member, The Guide As we approach the end of another busy fiscal year, I would like to take this opportunity to express my The Member Magazine for WTTW and WFMT heartfelt thanks to all of you, our loyal members of WTTW and WFMT, for making possible all of the quality Renée Crown Public Media Center content we produce and present, across all of our media platforms. If you happen to get an email, letter, 5400 North Saint Louis Avenue or phone call with our fiscal year end appeal, I’ll hope you’ll consider supporting this special initiative at Chicago, Illinois 60625 a very important time. Your continuing support is much appreciated. Main Switchboard This month on WTTW11 and wttw.com, you will find much that will inspire, (773) 583-5000 entertain, and educate. In case you missed our live stream on May 20, you Member and Viewer Services can watch as ten of the area’s most outstanding high school educators (and (773) 509-1111 x 6 one school principal) receive this year’s Golden Apple Awards for Excellence WFMT Radio Networks (773) 279-2000 in Teaching. Enjoy a wide variety of great music content, including a Great Chicago Production Center Performances tribute to folk legend Joan Baez for her 75th birthday; a fond (773) 583-5000 look back at The Kingston Trio with the current members of the group; a 1990 concert from the four icons who make up the country supergroup The Websites wttw.com Highwaymen; a rousing and nostalgic show by local Chicago bands of the wfmt.com 1960s and ’70s, Cornerstones of Rock, taped at WTTW’s Grainger Studio; and a unique and fun performance by The Piano Guys at Red Rocks: A Soundstage President & CEO Special Event. -
Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper
Radio 3 Listings for 3 – 9 May 2008 Page 1 of 4 SATURDAY 03 MAY 2008 SUNDAY 04 MAY 2008 to Supper. SAT 01:00 Through the Night (b00b1npd) SUN 00:00 The Early Music Show (b007n30p) Interwoven with the poetry is music such as Schubert's Trout Including 1.00 Sibelius, Grieg, Mozart, Hindemith, Durufle. Emilio's Wedding Quintet, the chorus in Strauss' Die Fledermaus where the guests 3.25 Bach, Shostakovich, Rossini, Purcell, Wolf. 5.00 look forward to supper, and Biber's Mensa Sonora (music Kabalevsky, Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin. Emilio's Wedding: Catherine Bott looks back on the life of suitable to accompany aristocratic dining) Emilio de Cavalieri, famous for co-ordinating the music for one of the most lavish wedding celebrations in history. There's the "Rice aria" from Rossini's Tancredi, which the food SAT 05:00 Through the Night (b00b1nq1) loving composer apparently composed whilst waiting for his Through the Night risotto to cook and Nellie Melba, the soprano who gave her SUN 01:00 Through the Night (b00b525r) name to the Peach Melba, sings the Melba Waltz. John Shea concludes the programme with music by Kabalevsky, Including 1.00 Berg, Strauss, Jernefelt, Debussy, Satie. 3.10 Purcell, Barber, Vivaldi, Biber, Sibelius, Chopin, Browne, Ravel, Clerambault, Brahms, Beethoven, Sibelius. 5.00 Rimsky- Plus popular food music by Fats Waller (Hold Tight I Want Faure and Kodaly. Korsakov, Schubert, Mozart, Bach, Haydn, Mendelssohn. Some Seafood Mama), The Beatles (Savoy Truffle) and Bob Dylan (Country Pie). SAT 07:00 Breakfast (b00b5d6f) SUN 05:00 Through the Night (b00b525t) Perhaps the most peculiar choice is a medieval song about eggs Including Vivaldi: Trio in C, RV82. -
NABMSA Reviews a Publication of the North American British Music Studies Association
NABMSA Reviews A Publication of the North American British Music Studies Association Vol. 5, No. 2 (Fall 2018) Ryan Ross, Editor In this issue: Ita Beausang and Séamas de Barra, Ina Boyle (1889–1967): A Composer’s Life • Michael Allis, ed., Granville Bantock’s Letters to William Wallace and Ernest Newman, 1893–1921: ‘Our New Dawn of Modern Music’ • Stephen Connock, Toward the Rising Sun: Ralph Vaughan Williams Remembered • James Cook, Alexander Kolassa, and Adam Whittaker, eds., Recomposing the Past: Representations of Early Music on Stage and Screen • Martin V. Clarke, British Methodist Hymnody: Theology, Heritage, and Experience • David Charlton, ed., The Music of Simon Holt • Sam Kinchin-Smith, Benjamin Britten and Montagu Slater’s “Peter Grimes” • Luca Lévi Sala and Rohan Stewart-MacDonald, eds., Muzio Clementi and British Musical Culture • Christopher Redwood, William Hurlstone: Croydon’s Forgotten Genius Ita Beausang and Séamas de Barra. Ina Boyle (1889-1967): A Composer’s Life. Cork, Ireland: Cork University Press, 2018. 192 pp. ISBN 9781782052647 (hardback). Ina Boyle inhabits a unique space in twentieth-century music in Ireland as the first resident Irishwoman to write a symphony. If her name conjures any recollection at all to scholars of British music, it is most likely in connection to Vaughan Williams, whom she studied with privately, or in relation to some of her friends and close acquaintances such as Elizabeth Maconchy, Grace Williams, and Anne Macnaghten. While the appearance of a biography may seem somewhat surprising at first glance, for those more aware of the growing interest in Boyle’s music in recent years, it was only a matter of time for her life and music to receive a more detailed and thorough examination. -
THE CLEVELAN ORCHESTRA California Masterwor S
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Richard Lert Papers 0210
http://oac.cdlib.org/findaid/ark:/13030/kt638nf3ww No online items Finding Aid of the Richard Lert papers 0210 Finding aid prepared by Rebecca Hirsch The processing of this collection and the creation of this finding aid was funded by the generous support of the National Historic Publications and Records Commission. USC Libraries Special Collections Doheny Memorial Library 206 3550 Trousdale Parkway Los Angeles, California, 90089-0189 213-740-5900 [email protected] June 2010 Finding Aid of the Richard Lert 0210 1 papers 0210 Title: Richard Lert papers Collection number: 0210 Contributing Institution: USC Libraries Special Collections Language of Material: English Physical Description: 58.51 Linear feet70 boxes Date (inclusive): 1900-1981 Abstract: This collection consists of Richard Lert's video and audio recordings of performances, rehearsals and lectures, personal papers and his music score library. Lert was born in Vienna and trained as an orchestral conductor in Germany. He moved to the United States in 1932 with his family and was the conductor of the Pasadena Symphony Orchestra from 1932 until his retirement in 1972. creator: Lert, Richard, 1885-1980 Biographical Note Richard Lert was born September 19, 1885, in Vienna, Austria. He trained as an orchestral conductor under Arthur Nikisch and began his career in Darmstadt, Germany, where he met and married his wife, Vicki Baum, in 1916. They had two sons. Lert held posts in Frankfurt, Kiel and Hannover before becoming the music director of the Berlin National Opera. Lert and his family moved to Los Angeles in 1932, where he became the music director of the Pasadena Symphony Orchestra. -
Program Notes When Mozart Wrote the Three Divertimentos, KV 136-8 at the Age of 16, He Had Already Spent More Than Two Years Away from His Hometown of Salzburg
Program Notes When Mozart wrote the three Divertimentos, KV 136-8 at the age of 16, he had already spent more than two years away from his hometown of Salzburg. He had lived in London and Paris and travelled throughout Austria, Germany, France, the Netherlands, and Italy. Besides giving concerts at court, he met many famous musicians of the time and had opportunities to hear and study their music. Mozart’s early compositions are therefore often case studies in the styles and traditions of where his travels had most recently taken him. The Divertimentos were written in the winter 1771/2, after the second of three extended trips to Italy. A third journey was already in the planning and the Italian influence on Mozart’s writing is evident. It is uncer- tain whether the pieces are meant for a specific occasion; the title ‘Divertimento’ was in fact even added by another hand, possibly that of his father Leopold. The three-movement structure follows the pattern of the early Italian Sinfonia type, but J. Haydn and J.C. Bach have strongly influenced his compositions as well. Young Mozart met the two composers in London and looked up to them mentors and friends. The scholar Alfred Einstein hypothesizes that Mozart wrote the three pieces anticipating the need for some new symphonies during his next Italian journey. If required on short notice, Mozart would simply have added winds at the last moment. Before the birth of his gifted children, Leopold Mozart had made a business of writing musical novelties. He was a violinist, conductor, and teacher, his book ‘Versuch einer gründlichen Violinschule’ is alongside the textbooks by Quantz and C. -
AMERICAN ACADEMY in ROME PRESENTS the SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 at VILLA AURELIA Exclusive Concert
FOR IMMEDIATE RELEASE January 11, 2011 AMERICAN ACADEMY IN ROME PRESENTS THE SCHAROUN ENSEMBLE CONCERT SERIES 14-16 JANUARY 2011 AT VILLA AURELIA Exclusive Concert Dates in Italy for the Scharoun Ensemble Berlin Courtesy of the Scharoun Ensemble Berlin Rome – The American Academy in Rome is pleased to present a series of three concerts by one of Germany’s most distinguished chamber music ensembles, the Scharoun Ensemble Berlin. Comprised of members of the Berlin Philharmonic Orchestra, the Scharoun Ensemble Berlin specializes in a repertoire of Classical, Romantic, 20th century Modernist, and contemporary music. 2011 marks the third year of collaboration between the Ensemble and the American Academy in Rome, which includes performances of work by current Academy Fellows in Musical Composition Huck Hodge and Paul Rudy, as well as 2009 Academy Fellow Keeril Makan. Featuring soprano Rinnat Moriah, the Ensemble will also perform music by Ludwig van Beethoven, John Dowland, Antonin Dvořák, Sofia Gubaidulina, Heinz Holliger, Luca Mosca, and Stefan Wolpe. The concerts are free to the public and will take place at the Academy’s Villa Aurelia from 14-16 January 2011. Event: Scharoun Ensemble Berlin (preliminary program*) 14 January at 9pm – Ludwig van Beethoven, John Dowland, Huck Hodge, and Stefan Wolpe 15 January at 9pm – Sofia Gubaidulina, Huck Hodge, Heinz Holliger and Keeril Makan 16 January at 11am – Antonin Dvořák, Luca Mosca, and Paul Rudy *subject to change Location: Villa Aurelia, American Academy in Rome Largo di Porta San Pancrazio, 1 Scharoun Ensemble Berlin The Scharoun Ensemble Berlin was founded in 1983 by members of the Berlin Philharmonic Orchestra.