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Download (Pdf) TRIBUS SONDERBAND / SPECIAL EDITION I PERSPECTIVES ON THE INCA I 2015 TRIBUS SONDERBAND / SPECIAL EDITION PERSPECTIVES ON THE INCA I 2015 International Symposium from March 3rd to March 5th, 2014. Staatliches Museum für Völkerkunde In Cooperation With Sponsored by Stuttgart 2015 Publisher Linden-Museum Stuttgart, Staatliches Museum für Völkerkunde Hegelplatz 1, D-70174 Stuttgart, Germany Editors Monica Barnes, Inés de Castro, Javier Flores Espinoza, Doris Kurella, Karoline Noack Cover Orejón. Inca-Culture, 13th to 16th century A.D. Linden-Museum Stuttgart, Inv.Nr. 119159. Photo: Anatol Dreyer. Book Design GZD Media, Renningen Printer Designpress, Renningen ISSN 0082-6413 Table of Contents 9 SONDERBAND / SPECIAL EDITION 10 Prólogo 12 Introduction 16 Karoline Noack Buscando un Inca de aquí y de allá. Los incas de nuestro tiempo, Alemania y Lima, Perú 38 Stefanie Gänger Collecting Inca Antiquities. Antiquarianism and the Inca Past in 19th Century Cusco 50 Manuela Fischer The Inca Collection at the Ethnologisches Museum Berlin. Genesis and Contexts 64 Ann H. Peters Visions of the Inca Dynasty. Narrative Styles, Emblematic Dress and the Power of Ancestors 88 Monica Barnes How Did Huánuco Pampa Become a Ruin? From Thriving Settlement to Disappearing Walls 110 Kylie E. Quave I R. Alan Covey The Material Remains of Inca Power among Imperial Heartland Communities 128 César W. Astuhuamán Gonzáles The Inca Takeover of the Ancient Centers in the Highlands of Piura 152 David Oshige Adams Las motivaciones económicas y religiosas de la expansión incaica hacia la cuenca del lago Titicaca 166 Constanza Ceruti Inca Offerings Associated with the Frozen Mummies from Mount Llullaillaco 180 Steve Kosiba Tracing the Inca Past. Ritual Movement and Social Memory in the Inca Imperial Capital 208 Brian S. Bauer I David A. Reid The Situa Ritual of the Inca. Metaphor and Performance of the State 226 Steven A. Wernke Building Tension. Dilemmas of the Built Environment through Inca and Spanish Rule 252 Donato Amado Gonzáles Sistema de tenencia de tierras de ayllus y panacas incas en el valle del Cusco, siglos XVI-XVII 268 Kerstin Nowack What Would Have Happened after the Inca Civil War? 10 PRÓLOGO El Linden-Museum Stuttgart, Museo Estatal de Antropología del Estado de Baden-Württemberg, Alemania, fue fundado en 1911 bajo el nombre de su fundador, el Conde Karl von Linden. Su prominente colección al- berga aproxidamente 160.000 objetos procedentes de las Américas, de Africa, del Oriente islámico, de Asia del Sur y Este y de Ocenía. Su colec- ción de piezas del Perú prehispánico es excepcional. En la ciudad internacional de Stuttgart, el Linden-Museum es lugar de diálogo y de educación multicultural. Durante los meses de invierno una exposición especial importante sobre un tema antropológico o ar- queológico atrae mumerosos visitantes de todas partes de Alemania y de paises lindantes. Algunas de estas exposiciones son financiadas por el Ministerio de Ciencia, Investigación y Arte, las así llamadas “Gran Ex- posiciones del Estado de Baden-Württemberg”. El Linden-Museum Stuttgart dedicó la Gran Exposición del Estado de Baden-Württemberg “Los Incas–reyes de los Andes” a una de las gran- des culturas de la América precolombina, que fue presentada del 12. de octubre de 2013 al 16 de marzo de 2014. La cultura incaica creó el mayor imperio en el continente americano antes de la llegada de los españo- les y juega hasta el día de hoy un papel preponderante como aporte de identidad en el área andina. Pese que la denominación “Inca” se encu- entra de modo omnipresente en prospectos de viaje, publicidad o como atracción para los millones de turistas en Macchu Picchu, nuestros conocimientos sobre esta considerable cultura no son profundos. La exposición “Los Incas–reyes de los Andes” que fue efectuada en cooperación con la Sala de Exhibiciones Lokschuppen de Rosenheim, mostró una gran variedad de objetos incaicos no presentados ante- riormente, procedentes de colecciones europeas en combinación con piezas perservadas en instituciones peruanas. La exposición contribuyó notablemente a la comprensión de esta cultura tanto para los expertos como para los visitantes. 11 Nuestros conocimientos sobre la cultura incaica se basan ante todo en Esta conferencia no hubiera sido posible sin el generoso apoyo de la las crónicas de los conquistadores españoles: informes de conquista, Ernst von Siemens-Kunststiftung y de la Deutsche Altamerika Stiftung. cartas de reclamación y crónicas, así como estadísticas realizadas sobre Agradecemos mucho este apoyo importante. el imperio incaico, que contienen diferentes informaciones, dependien- do de la intención del autor. No pueden esperarse informes oficiales Además, quisiera expresar mi sincero agradecimiento a todo el equipo prehispánicos de una cultura sin escritura. La codificación de la infor- del Linden-Museum por la organización de la conferencia “New Perspec- mación sobre cordones de nudo o textiles no ha podido ser descifrada tives on the Inca” y en especial a la Dra. Doris Kurella, encargada del hasta el momento. Textos de nobles incaicos, como el informe famoso departamento de Latinoamérica, por haber tomado el papel de cura- de Guaman Poma de Ayala de 1615, que con sus dibujos pinta la vida dora de la exhibición “Los Incas–reyes de los Andes”, perfecta base de incaica, también deben observarse críticamente, pues siendo hijo de discusión para la conferencia. una familia indígena noble, él poseía un enfoque muy personal y limitado. Agradezco también al grupo encargado de la redacción de esta publi- Durante las últimas décadas, importantes proyectos arqueológicos con- cación. tribuyeron esencialmente a la comprensión de la cultura incaica, espe- cialmente en el valle de Cusco y en las regiones lindantes. Éstos ayudan a definir el comienzo de la cultura y a entender su transformación hacia el imperio. Prof. Dr. Inés de Castro El gran desafío de la investigación actual es reconocer similitudes o diferencias entre las fuentes etnohistóricas y los nuevos resultados arqueológicos. La conferencia internacional “New Perspectives on the Inca”, que tuvo lugar en el Linden-Museum del 3 al 5 de marzo de 2014, tenía como meta presentar y discutir estos nuevos hallazgos. En cooperación con el Instituto de Arqueología y Antropología Cultural de la Universidad de Bonn, reconocidos expertos internacionales y jóvenes científicos se reunieron en Stuttgart para intercambiar ideas y conocimientos sobre los Incas. Sus contribuciones se encuentran en esta publicación que apaece como suplemento de nuestra revista anual Tribus. Deseo agradecer a todos estos autores por haber compartido sus co- nocimientos con nosotros. La conferencia y esta publicación retoman varios aspectos de nuestra exposición “Los Incas–reyes de los Andes” y contribuyen considerablemente a la comprensión de la cultura incaica. 12 INTRODUCTION DORIS KURELLA The papers in this volume were written in conjunction with a major ex- The Inca exhibit was very well received by our visitors. Not only visitor hibition, “The Incas–Kings of the Andes”. This exhibition was developed numbers–together with our second venue in Rosenheim we reached by a team from the Linden-Museum, to show Inca culture in a very broad more than 250,000–but also the comments of the public and the media perspective. The “Introduction” to the exhibition first provided informa- were extremely positive. The many topics we raised within the exhibit, tion on the geography and climate of the central Andes. Next, we gave presented within a clear and easy to understand framework, in combina- visitors a temporal and spatial framework through an interactive map. Im- tion with a selection of exquisite objects, lead to that enormous success. portant occurrences within the central Andes were compared with those A very warm thank you goes out to all our partners, who were very gen- of the rest of the world. The exhibit then introduced Andean cultures by erous with respect to lending objects for the exhibition. presenting the Incas’ predecessors, the Tiwanaku and Wari cultures. The Chimú culture was presented in the following small module. The next The Education Department of the Linden-Museum developed a special topic was the many aspects of camelid domestication. Then the exhibi- guide for children. A cut-out of a chasqui (messenger), sometimes ac- tion dealt with Inca origins and contrasted one of their most important companied by a llama, took the children through the exhibit. Our special myths with the newest insights archaeology has provided on that topic. “tambo for kids” with different suggested activities was intensely visi- Following that, “Cusco–City of Kings” was offered to visitors. Here, we ted–and not only by kids. focused on the life of the nobility and how their status was presented to the people. Uncus (men’s tunics) with their geometric and symbolic The exhibition as a whole was based on the decades-long work and tocapu designs, gold jewelry, a golden ear spool, and very elaborate chus- the many publications of colleagues from universities and museums in pas (coca bags) brought together from Europe and Peru impressed visi- Peru, the United States, and Europe. In this respect, it was an enormous tors. The Temple of the Sun, where we showed beautiful stone vessels, pleasure to develop the idea of our director to organize a symposium in was dedicated to the topic of religion. This formed the end of the “City of conjunction with the show. To invite to Stuttgart colleagues who have Kings” module. The public was then guided to pay a visit to Machu Picchu contributed so much and have had such important insights into Inca was and consider the topic of Inca royal estates. The second major part of a great opportunity. For us, it was wonderful to welcome some of the au- the exhibit, “The Life of the Conquered People and the Organization of thors whose books I, as a curator, relied on heavily, and for my colleagues the Empire” began with the topic of war and conquest, and also covered it was a good opportunity to see the exhibition and exchange ideas and the administration of the Inca empire.
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