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Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. -
Songs by Title
Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co. -
STUDY GUIDE Inside
McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training. -
ANNE KAUFMAN SCHNEIDER May Be the Last Person in New York City with a Set of the Works of Edna Ferber on Her Bookshelves
THEATER; A Daughter's Footnotes to a Classic Comedy - The... http://www.nytimes.com/2002/12/15/arts/theater-a-daughter-s-f... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » December 15, 2002 THEATER THEATER; A Daughter's Footnotes to a Classic Comedy By BARRY SINGER ANNE KAUFMAN SCHNEIDER may be the last person in New York City with a set of the works of Edna Ferber on her bookshelves. As the daughter of Ferber's friend and playwriting collaborator, George S. Kaufman, Ms. Kaufman Schneider, at 77, very much remembers this once-famous author. Few today can say as much. ''She was awfully popular,'' Ms. Kaufman Schneider recalled recently over lunch at her apartment in the East 60's. ''She won the Pulitzer Prize'' -- for the novel ''So Big'' in 1925. ''She wrote 'Showboat,' which Jerome Kern and Oscar Hammerstein turned into that musical. She was smart and tough, very opinionated and quite the spinster. She was a regular, alongside my father, at the Algonquin Round Table. And absolutely no one reads her anymore.'' Ferber, who died in 1968 at the age of 82, also wrote plays, six of them with Kaufman, including ''The Royal Family,'' ''Stage Door'' and ''Dinner at Eight.'' The latter is a comic drama about a Depression-era dinner party in which most of the guests are linked by either scandal or intrigue. -
Artist Title
O'Shuck Song List Ads Sept 2021 2021/09/20 Artist Title & The Mysterians 96 Tears (Hed) Planet Earth Bartender ´til Tuesday Voices Carry 10 CC I´m Not In Love The Things We Do For Love 10 Years Wasteland 10,000 Maniacs Because The Night More Than This These Are The Days Trouble Me 112 Dance With Me (Radio Version) Peaches And Cream (Radio Version) 12 Gauge Dunkie Butt 12 Stones We Are One 1910 Fruitgum Co. 1, 2, 3 Red Light 2 Live Crew Me So Horny We Want Some PUSSY (EXPLICIT) 2 Pac California Love (Original Version) Changes Dear Mama Until The End Of Time (Radio Version) 20 Fingers Short Dick Man (EXPLICIT) 3 Doors Down Away From The Sun Be Like That (Radio Version) Here Without You It´s Not My Time Kryptonite Landing In London Let Me Go Live For Today Loser The Road I´m On When I´m Gone When You´re Young (Chart Buster) Sorted by Artist Page: 1 O'Shuck Song List Ads Sept 2021 2021/09/20 Artist Title When You´re Young (Pop Hits Monthly) 30 Seconds To Mars The Kill 311 All Mixed Up Amber Down Love Song 38 Special Caught Up In You Hold On Loosely Rockin´ Into The Night Second Chance Teacher, Teacher Wild-eyed Southern Boys 3LW No More (Baby I´ma Do Right) (Radio Version) 3oh!3 Don´t Trust Me 3oh!3 & Kesha My First Kiss 4 Non Blondes What´s Up 42nd Street (Broadway Version) 42Nd Street We´re In The Money 5 Seconds Of Summer Amnesia 50 Cent If I Can´t In Da Club Just A Lil´ Bit P.I.M.P. -
©2016 Elyse Vigiletti
©2016 Elyse Vigiletti READING THE MIDDLE: US WOMEN NOVELISTS AND PRINT CULTURE, 1930-1960 BY ELYSE VIGILETTI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Stephanie Foote, Chair and Director of Research Associate Professor Siobhan Somerville Professor Gordon Hutner Professor William (Ted) Underwood Professor Dale Bauer Abstract “Reading the Middle: US Women Novelists and Print Culture, 1930-1960 argues that the women writers of the mid-twentieth century middlebrow summoned carefully circumscribed deployments of critical paradigms such as feminism, antiracism, and anticapitalism to fulfill the American bourgeoisie’s need to elevate their leisure reading to an intellectually satisfying enterprise, with the implication that protest is a core value of the American bourgeoisie. Together, its five chapters demonstrate a new reading practice for the most widely read books of the mid-twentieth century—so many of which were written by women—that have lately fallen into obscurity. It proves that digital tools, which digital humanities scholars have been developing and refining for the past couple of decades, are ready for use as tools for scholars seeking to understand differently situated archives. Most importantly, it unpacks the paradoxes of a US conventionality that insists on subversion as one of its defining principles. A semi-ironic play on phrenological concepts popular in the nineteenth century, the term middlebrow emerged in early-twentieth-century essays that repudiated the hold the growing and increasingly literate population of middle-class consumers were thought to have on the book industry. -
Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. The wartime and postwar publishing boom on Texas, ranging from George Sessions Perry’s admiring portrait, Texas: A World in Itself (1942), to Carey McWilliams’s study of Mexican Americans, North From Mexico (1949), helped to change her 0026-3079/2007/4803-005$2.50/0 American Studies, 48:3 (Fall 2007): 5-27 5 6 J. -
Rutgers University Press
Rutgers University Press Chapter Title: The Same Show Boat? Edna Ferber’s Interracial Ideal Book Title: The White Negress Book Subtitle: Literature, Minstrelsy, and the Black-Jewish Imaginary Book Author(s): LORI HARRISON-KAHAN Published by: Rutgers University Press . (2011) Stable URL: http://www.jstor.org/stable/j.ctt5hhz60.6 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Rutgers University Press is collaborating with JSTOR to digitize, preserve and extend access to The White Negress. http://www.jstor.org This content downloaded from 138.110.87.58 on Thu, 04 Feb 2016 19:17:51 UTC All use subject to JSTOR Terms and Conditions 2 / Te Same Show Boat? Edna Ferber’s Interracial Ideal While the heterogeneity of the early-twentieth-century stage opened spaces for the construction of new models of racial and gender identity, popular literature of the time ofers another venue for exploring such shifing ideologies as they relate to the black-Jewish imaginary. Te work of Jewish American writer Edna Ferber bridges the realms of literature and mass entertainment, and it was in minstrelsy that Ferber found one of her earliest sources of creative inspiration. -
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision -
Notes on Musicarnival's Production Years, 1954-65
NotesUnder on Musicarnival’s the Production TentYears, 1954-65 UnderNotes on Musicarnival’s the Production Years,Tent 1954-65 * * Written by Bill Rudman and Rebecca Paller To accompany audio restorations produced by The Musical Theater Project The Lt. Col. Robert “Jim” Price Musicarnival Audio Archive is part of the John L. Price, Jr. Musicarnival Archives Copyright © 2017 by The Musical Theater Project except entries written by Rebecca Paller, Barbara Perris, Stanley Green and Ken Bloom Cover design by Steven Schultz Photos courtesy of the John L. Price, Jr. Musicarnival Archives, Cleveland Public Library -ii- The Partnership CLEVELAND PUBLIC LIBRARY serves four million patrons annually at 28 branches across the city, lending more than 6.5 million items from a collection of more than 10 million. CPL’s library services are also available at the Public Administration Library in City Hall; “The People’s University on Wheels” bookmobile; Ohio Library for the Blind and Physically Disabled; and the “On the Road to Reading” literacy van. CPL is the home for the Ohio Center for the Book, CLEVNET library cooperation, and KnowItNow24x7 virtual reference service. For more information, visit www.cpl.org. Dedicated to preserving the rich legacy of the art form, Goodspeed Musicals’ SCHERER LIBRARY OF MUSICAL THEATRE carefully maintains a comprehensive collection of scores, sheet music, scripts, original cast recordings, programs, photographs and theater memorabilia on the Goodspeed campus in East Haddam, Connecticut. These reference tools are utilized by the musical theater community across the nation in the re-creation and revitalization of period musicals and in the creation and development of new works. -
Song Inventory
Record Series 1121‐105, W. W. Law Music Collection Song Inventory ‐ Alphabetical by Music Genre Genre Item # Title Contributors Asset Date Description Blues (music) 491.2 Any Woman's Blues Lovie Austin (composer); Bessie Smith (artist)/ Fletcher Henderson (artist) circa 1923 Side 2: Columbia; 13001D; Comedienne; Any Woman's Blues; Lovie Austin; Bessie Smith/ Fletcher Henderson at the Piano; 81283 489.1 Baby Doll Smith (composer); Bessie Smith (artist) circa 1926 Side 1: Columbia; 14147‐D; Vocal Cornet and Piano Accomp.; Baby Doll; Smith; Bessie Smith; 142147 501.2 Baby Get Lost Moore (composer); Dinah Washington (artist) circa 1949 Side 2: Mercury; 8148; Blues Vocal by Dinah Washington; Baby Get Lost; Moore; Dinah Washington; 2829 500.2 Back Water Blues Earl Hines‐Billy Eckstein (composer); Josh White (artist) undated Side B: Decca; 23582B; Vocal Blues with Guitar, Bass and Drums; Back Water Blues; Bessie Smith; Josh White; 72627 482.2 Blue Turning Grey Over You Thomas Waller‐Andy Razaf (composer); Billie Holiday (artist)/ Tiny Grimes' Sextet (artist) 1951 Side B: Aladdin; 3102; Vocal ‐ 2:00 ASCAP; Blue Turning Grey Over You; Thomas Waller‐Andy Razaf; Billie Holiday (Lady Day)/with Tiny Grimes' Sextet; WOR‐1683 Q 498.1 Blues At Sunrise Ivory Joe Hunter (composer); "Ivory" Joe Hunter (artist)/ with Johnny Moore's Three Blazers (artist) circa 1945 Side 1: Exclusive; 56x; Vocal with instr. Trio; Blues At Sunrise; "Ivory" Joe Hunter; "Ivory" Joe Hunter/ with Johnny Moore's Three Blazers; APS‐931 Saturday, April 02, 2016 Page 1 of 166 Genre Item # Title Contributors Asset Date Description 502.1 Boogie Woogie, on St.