DOCSLIB.ORG

PIZZA PALACE CHAIN IS GROWING and Growing

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PIZZA PALACE CHAIN IS GROWING and Growing Wednesday, May 29, 196B THE PRESS C-lli DATELINE THE FINEST FOOD AND ENTERTAINMENT IN TOWN By Ted Stephens Around we go — dusk to dawn — TWIN BOYS for Julie London — Thats Bobby Troup's spouse — he's at the PAR- RISU HOUSE for the weekend again — ]fe had a great three nights last week and will probably do it again this week. .' Annahelle got married she's now Mrs. Jerry Persell. Chapel Theatre opened "Send Me No Flowers last week. THE PIZZA PALACE CHAIN IS GROWING and growing. ROADIUM THEATER this week has this to say "my Inventions are different — last week I crossed a mule a cow — that way I got milk with a kick in it." Cha Cha Cha. With copy of this line you can get two bits off on a Louisiana Shrimp Pizza at Hhakey's this week. Bob and Randy didn't do the Sunday Jam session at the Chee Chee Room this last week — it seems that somebody went into tears (a guy yet) and started blub­ bering about how nobody likes him — blamed it on the PLUNGER is luscious localite Gerrysue O'Haia Bob and Randy auditioned at Caesar's last Wednesday Hunting Horn presents the Bill Cooper Trio Tuesday Boy's and now they ain't there ... I wonder if old DAIRY PRETTY before plunging into the pool at the Pen & Quill Hotel night what will happen now is up to- Gil Sellan and thru Sunday Nites . HEAD is going to plant alfalfa under his lip or In th« in Manhattan Beach. Paul McCoy . *ash register now. Tom and Fred Mishima are almost open won't STAR-FILLED 'BIRDIE' SET FOR LONG BEACH POLYNESIAN be -long before the competition will really get rough FASHION SHOW A star-filled production of in turn is the manager of SOCIETY LUA SET OPENING SOON with so many finn nite spots and dinner houses already "Bye Bye Birdie" has been rock 'n roll singer Conrad The Polynesian will hold hpni a nd morr being built every day MISHTMAS scheduled for the I-ong Birdie, played by James Nel­ the Polynesian Society Luau competition. DAILY AFFAIR Sunday .June Oth. The cost in going to mean MORft than 'just' Beach Municipal Audito­ son. 1/ynn Bari plays the 'gal* is Bob- comedy lead of Mae Peter- is $7.50 per person. THREE GUY'S AND A GAL — and the rium's Convention l!;ill lie- hi Davis — They are making Hermosa stand on it's ear AT SILVER SKATES son, and Meredith MacRae ginning June 0. WIO. THRU SAT. at the Beach Bowl on Pacific Coast Hwy. has the ingenue lead. Miss MAY 1*TH - JUNi 1ST Sheree North, Pel Moore MacRae is the 17-year-old Mtredlth Wilton'* MISHIMA'S Menu item at The WAYKAKKIl RESTAURANT RESTAURANT and Lynn Bnri headline the daughter of Gordon MacRae. R "THE MUSIC larts like this Stuffed Mushrooms Mushroom caps MAN" afternoons a work populnr musical comedy in Following the Thursday filled with minced chicken and spices and topped with a Five "Bye Bye Sturrlnt the production now being night opening, Robt. Pr«ston-Shirl«y Jonu white wine and Hollandaise sauce served with rice in the dining room at, Iho prepared by Community Birdie" will piny on Friday O ft does and pilaff o.k. Tummy Stuffers come and get it Silver Skatei Restaurant is Music Theater of Long | and Saturday, .Tune 7 and 8, Oordon Scott Phone 329-6488 nice things to your taste buds. ... Beach, the ..company that and will play three conclud­ graced by the models of T/y- AND A new group is Westernizing the HOUSE OF RE IL­ scored a major southland ing performances on the fol­ A "SAMSON June 14-15- THE 7 MIRACLES LY on Western Blvd. They are the Rovin' Ramblers fea­ Betts Fashions of Torrance. success with "The Most lowing weekend, Happy Fella" less than two 16. OF THE WORLD" song styling and happy talk. 18515 So. Western Torrance turing Duane Franks' John Harettkifl and months ago. Tickets may be obtained D At the SANDS LOUNGE 'Mr. Fritz' and Tommy George Stavron make this Miss North, dancing film at the Community Music SWAP MIIT Carlough added a trumpet sound to their own. Some show possible Monday thru 3050 Or­ Wttf.. Sit., Sun. star who recently returned Theater office at, 1:00 A. M. - 4:00 f. M. Rassy sounds are jumpin' out the front door to drag you Friday from 11:30 a.m. to from Broadway where she ange Avenue, Long Beach, I in for a closer listen and a drink or three. 1:30 p.m. had played a loading role in or at. the Municipal Audi­ PINK woodmobile and I made it out to WESTERN the hit musical "T Can Get torium. Reservations may Continental Tho models show the lat­ It, For You Wholesale," plays be made by phoning GA 0- U DA 4-2664 SPEEDWAY last Saturday night — had a '51 Ford to DRIVE-IN THEATRE est styles and will take your Rose Alvarez in "Birdie." 0551 or HK 7-2255. In Or­ run — but it didn't — so I spent the remainder of the Rose is secretary to Albert ange County, tickets may be Radondo Baach Blvd. purchase order at the table. Btt. Cr»n»naw ft Arllnttot Service evening watching all the trophy* go to everybody else Peterson (Del Moore), who ordered by calling KI 0-4003. M . Bennie made HIS Studie go the limit in the Marathon Strving lunchaon and dinntr xia a reverse gear —• Now B M & L AUTO WRECKING WOMDffftPUtLV Cocktail Loungt BAR-B-Q'D Entertainment by has the biggest trophy of all in the office . Was Corne­ Banquet Accommodations Dottle and Chico lius busted his steering wheel up with his jaw — he SPARERIBS VS5SS CHICO'S SHOW BOAT for 15 . 60 bled M little and generally messed things up around the CHICKEN NO. 3 TWO ENCHILADAS, RICE AND BEANS $1.50 HOURS: track — hut officials forgave him and he'll be back next 111th and Hawthorn* Blvd. Wetkday* 11 a.m. 11 p.m. Inglawood OR 8-9957 250 Redondo Beach Pier FR 4-9232 Sat. and Sun, 3 p.m. 11 p.m. week — and so will I. ... Closed Tutsdayt TEEN DANCE TOMMY Featuring tha 2230 PACIFIC COAST HWY., LOMITA CARLOUGH PALMS Pharoahs and Motivations DA 5-1424 Beautiful Crystal Room SATURDAY NIGHT AT AT THE Call Ui for Banquets, TORRANCE ROLLER DROME PIANO Parties, Dances in o u r PRESENT THIS AD AND SAVE PIZZA PALACE 4721 W. Terrane* Blvd. CHARCOAL BROILED On $1.00 Admission Good Only June 1st and 8th-w 'FR 1-3955 STEAKS, PRIME RIBS Supervised by Torrance Police Department COCKTAILS ALL PARENTS WELCOME FREE Cocktail Hour Entertainment Friday's 5 To 7:30 p.m. and the BILL COOPER TRIO Tuesday Thru Sun. Nite HE WHO Silver Skates i Hwy EATZA SERVED FROM t AM. TO U AM. COMPLETE BREAKFAST SATURDAYS, SUNDAYS AND HOLIDAYS EXCLUDED COFFEE GETS THE HABITJ SHOP Blvd. SKATES hunting norn Bntartalnmant i Torranca S. Rosa, Ban[o SILVER SPENCER QUINN BANJO FR 1-6586 and |W«dn«*day Thru 23770 SO. WESTERN AVE., TORRANCE PIZZA TO GO R. Sanborn, ART LEVEN TUBA .PENINSULA CENTER Hawthorn* at Silvtr Spur Sunday I TORRANCI I Piano FRED HOEPTNER PIANO STADIUM For Information Concerning This Page BEACH BOWL Call Ted Stephens at DA 5-1515 Momma, Dad and Todd Shedd THEATER Presenting Deadline for Wednesday's Paper NEW OWNERS 1653 CRAVENS AVE. Is Monday Noon _____TORRANCE_____ THREE GUYS & A GAL OF THE "HOUSE OF REILLY" Wadnatday thru Monday Featuring Bobbi Davit Present Wads., Thurt., Fr!., Sat. in May 24th to Juno Ut FRED MACMURRY Wednesday, Thursday, Friday and Saturday WALT DISNEY'S Let's Dance from 8:30 P.M. With Prod McMurry and 'Son of Jana Wyman Rubber1 • DANCING • Duane Franks In Walt Disnay'i AIM M^HVHMVW and the BON OANNY KAYE in SUNDAY BOWLERS 99' ROVIN RAMBLERS VOYAGE 'The Man From Popular Country and Wattarn Music BREAKFAST ....Special and the Diners OR 1-2-3 BREAKFAST AND 2 Floor Shows Nightly THE BROKEN Club' 3 LINES OF BOWLING ..... '2.50 DAILY SPECIALS BREAKFAST __.70c Thurs., Fri., Sat., Sun. Eves. LAND MATINII THURSDAY, 1. 2. 3. LUNCH ....................... 90c I MAY 30 1 P. M. 2 Eggs 2 Hot Cakes With 4 Hof Cakes NO COVER CHARGE NO MINIMUM TEgg Kant Taylor and JAPANESE MOVIES Has Browns DINNER ........................................$1.25 Bacon Dianna Darrin TUESDAY, 7:00 P.M. Bacon Bacon For Reservations, Phone 327-7515 Coffee Coffee Coffte 2420 Pacific Coast Hwy., Hermosa Beach DRIVE-IN WOULD T*AVtkl*a MBIT 17420 S. WESTERN 327-7105 GARDENA Stnitk FR. 6-6992 DINING ROOM ...... .Noan TO 9 P. M. (Clotad Monday) House of Reilly CAR SERVICE .................... 11 A. M. TO 3 A. M. Inside Parking COFPII SHOP....................... OPEN 24 HOURS 18114 S. WESTERN NEAR 182ND ST. HOTEL-I1STAURANT FEATURING Gay, sparkling surroundings CAESAR'S LOUNGE popular for cocktails, din­ DANCING NIGHTLY ner and lata supper. RESTAURANT to the AND RESTAURANT On«n 'til Midnight Tri.-ttot. H Sun. SPring 2-2257 TAD AUBRY H«!fte C«Mt Hwy., 1 MHti |». «f Intt rniHMHf JUnwt FR 5-2294 4020 Pacific Coast Hwy. LEW LA ROCCA TRIO FOR RESERVATIONS PHONE 378-8511 4111 Pacific Coast Hwy., Torrance MANHATTAN IEAII.
Load more

Recommended publications
  • Arguing Their World: the Representation of Major Social and Cultural Issues in Edna Ferber’S and Fannie Hurst’S Fiction, 1910-1935
    1 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom to The Department of English In partial fulfillment of the reQuirements for the degree of Doctor of Philosophy In the field of English Northeastern University Boston, Massachusetts April 2018 2 ARGUING THEIR WORLD: THE REPRESENTATION OF MAJOR SOCIAL AND CULTURAL ISSUES IN EDNA FERBER’S AND FANNIE HURST’S FICTION, 1910-1935 A dissertation presented By Kathryn Ruth Bloom ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the reQuirements for the degree of Doctor of Philosophy in English in the College of Social Sciences and Humanities of Northeastern University April 2018 3 ABSTRACT BetWeen the early decades of the twentieth-century and mid-century, Edna Ferber and Fannie Hurst were popular and prolific authors of fiction about American society and culture. Almost a century ago, they were writing about race, immigration, economic disparity, drug addiction, and other issues our society is dealing with today with a reneWed sense of urgency. In spite of their extraordinary popularity, by the time they died within a feW months of each other in 1968, their reputations had fallen into eclipse. This dissertation focuses on Ferber’s and Hurst’s fiction published betWeen approximately 1910 and 1935, the years in Which both authors enjoyed the highest critical and popular esteem. Perhaps because these realistic narratives generally do not engage in the stylistic experimentation of the literary world around them, literary scholars came to undervalue their Work.
    [Show full text]
  • Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Biodiversity Informatics Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war.
    [Show full text]
  • Songs by Title
    Songs by Title Title Artist Versions Title Artist Versions #1 Crush Garbage SC 1999 Prince PI SC #Selfie Chainsmokers SS 2 Become 1 Spice Girls DK MM SC (Can't Stop) Giving You Up Kylie Minogue SF 2 Hearts Kylie Minogue MR (Don't Take Her) She's All I Tracy Byrd MM 2 Minutes To Midnight Iron Maiden SF Got 2 Stars Camp Rock DI (I Don't Know Why) But I Clarence Frogman Henry MM 2 Step DJ Unk PH Do 2000 Miles Pretenders, The ZO (I'll Never Be) Maria Sandra SF 21 Guns Green Day QH SF Magdalena 21 Questions (Feat. Nate 50 Cent SC (Take Me Home) Country Toots & The Maytals SC Dogg) Roads 21st Century Breakdown Green Day MR SF (This Ain't) No Thinkin' Trace Adkins MM Thing 21st Century Christmas Cliff Richard MR + 1 Martin Solveig SF 21st Century Girl Willow Smith SF '03 Bonnie & Clyde (Feat. Jay-Z SC 22 Lily Allen SF Beyonce) Taylor Swift MR SF ZP 1, 2 Step Ciara BH SC SF SI 23 (Feat. Miley Cyrus, Wiz Mike Will Made-It PH SP Khalifa And Juicy J) 10 Days Late Third Eye Blind SC 24 Hours At A Time Marshall Tucker Band SG 10 Million People Example SF 24 Hours From Tulsa Gene Pitney MM 10 Minutes Until The Utilities UT 24-7 Kevon Edmonds SC Karaoke Starts (5 Min 24K Magic Bruno Mars MR SF Track) 24's Richgirl & Bun B PH 10 Seconds Jazmine Sullivan PH 25 Miles Edwin Starr SC 10,000 Promises Backstreet Boys BS 25 Minutes To Go Johnny Cash SF 100 Percent Cowboy Jason Meadows PH 25 Or 6 To 4 Chicago BS PI SC 100 Years Five For Fighting SC 26 Cents Wilkinsons, The MM SC SF 100% Chance Of Rain Gary Morris SC 26 Miles Four Preps, The SA 100% Pure Love Crystal Waters PI SC 29 Nights Danni Leigh SC 10000 Nights Alphabeat MR SF 29 Palms Robert Plant SC SF 10th Avenue Freeze Out Bruce Springsteen SG 3 Britney Spears CB MR PH 1-2-3 Gloria Estefan BS SC QH SF Len Barry DK 3 AM Matchbox 20 MM SC 1-2-3 Redlight 1910 Fruitgum Co.
    [Show full text]
  • STUDY GUIDE Inside
    McGuire Proscenium Stage / Jan 28 – Mar 19, 2017 by GEORGE S. KAUFMAN and EDNA FERBER directed by RACHEL CHAVKIN STUDY GUIDE Inside THE AUTHORS When Edna met George...and wrote some plays • 3 Selected Chronology on the Life and Times of George S. Kaufman and Edna Ferber • 4 Comments by and about the Authors • 9 THE PLAY Synopsis, Characters and Setting • 13 Comments about the Play • 14 The Barrymores: The (Real) Royal Family of Broadway • 16 Myself as I Think Other See Me by Ethel Barrymore • 16 CULTURAL CONTEXT The Lingo of the Stage • 21 People and Things of the Period • 24 THE GUTHRIE PRODUCTION Notes from the Creative Team • 26 ADDITIONAL INFORMATION For Further Understanding • 28 Play guides are made possible by Guthrie Theater Study Guide Copyright 2016 DRAMATURG Carla Steen GRAPHIC DESIGNER Akemi Waldusky RESEARCH Stephanie Engel, Carla Steen All rights reserved. With the exception of classroom use by teachers and Guthrie Theater, 818 South 2nd Street, Minneapolis, MN 55415 individual personal use, no part of this Play Guide may be reproduced in any form or by any means, electronic or mechanical, including ADMINISTRATION 612.225.6000 photocopying or recording, or by an information storage and retrieval system, without permission in writing from the publishers. Some materials BOX OFFICE 612.377.2224 or 1.877.44.STAGE TOLL-FREE published herein are written especially for our Guide. Others are reprinted guthrietheater.org • Joseph Haj, artistic director by permission of their publishers. Jo Holcomb: 612.225.6117 | Carla Steen: 612.225.6118 The Guthrie Theater, founded in 1963, is an American center for theater performance, The Guthrie Theater receives support from the National Endowment production, education and professional training.
    [Show full text]
  • ANNE KAUFMAN SCHNEIDER May Be the Last Person in New York City with a Set of the Works of Edna Ferber on Her Bookshelves
    THEATER; A Daughter's Footnotes to a Classic Comedy - The... http://www.nytimes.com/2002/12/15/arts/theater-a-daughter-s-f... This copy is for your personal, noncommercial use only. You can order presentation-ready copies for distribution to your colleagues, clients or customers, please click here or use the "Reprints" tool that appears next to any article. Visit www.nytreprints.com for samples and additional information. Order a reprint of this article now. » December 15, 2002 THEATER THEATER; A Daughter's Footnotes to a Classic Comedy By BARRY SINGER ANNE KAUFMAN SCHNEIDER may be the last person in New York City with a set of the works of Edna Ferber on her bookshelves. As the daughter of Ferber's friend and playwriting collaborator, George S. Kaufman, Ms. Kaufman Schneider, at 77, very much remembers this once-famous author. Few today can say as much. ''She was awfully popular,'' Ms. Kaufman Schneider recalled recently over lunch at her apartment in the East 60's. ''She won the Pulitzer Prize'' -- for the novel ''So Big'' in 1925. ''She wrote 'Showboat,' which Jerome Kern and Oscar Hammerstein turned into that musical. She was smart and tough, very opinionated and quite the spinster. She was a regular, alongside my father, at the Algonquin Round Table. And absolutely no one reads her anymore.'' Ferber, who died in 1968 at the age of 82, also wrote plays, six of them with Kaufman, including ''The Royal Family,'' ''Stage Door'' and ''Dinner at Eight.'' The latter is a comic drama about a Depression-era dinner party in which most of the guests are linked by either scandal or intrigue.
    [Show full text]
  • Artist Title
    O'Shuck Song List Ads Sept 2021 2021/09/20 Artist Title & The Mysterians 96 Tears (Hed) Planet Earth Bartender ´til Tuesday Voices Carry 10 CC I´m Not In Love The Things We Do For Love 10 Years Wasteland 10,000 Maniacs Because The Night More Than This These Are The Days Trouble Me 112 Dance With Me (Radio Version) Peaches And Cream (Radio Version) 12 Gauge Dunkie Butt 12 Stones We Are One 1910 Fruitgum Co. 1, 2, 3 Red Light 2 Live Crew Me So Horny We Want Some PUSSY (EXPLICIT) 2 Pac California Love (Original Version) Changes Dear Mama Until The End Of Time (Radio Version) 20 Fingers Short Dick Man (EXPLICIT) 3 Doors Down Away From The Sun Be Like That (Radio Version) Here Without You It´s Not My Time Kryptonite Landing In London Let Me Go Live For Today Loser The Road I´m On When I´m Gone When You´re Young (Chart Buster) Sorted by Artist Page: 1 O'Shuck Song List Ads Sept 2021 2021/09/20 Artist Title When You´re Young (Pop Hits Monthly) 30 Seconds To Mars The Kill 311 All Mixed Up Amber Down Love Song 38 Special Caught Up In You Hold On Loosely Rockin´ Into The Night Second Chance Teacher, Teacher Wild-eyed Southern Boys 3LW No More (Baby I´ma Do Right) (Radio Version) 3oh!3 Don´t Trust Me 3oh!3 & Kesha My First Kiss 4 Non Blondes What´s Up 42nd Street (Broadway Version) 42Nd Street We´re In The Money 5 Seconds Of Summer Amnesia 50 Cent If I Can´t In Da Club Just A Lil´ Bit P.I.M.P.
    [Show full text]
  • ©2016 Elyse Vigiletti
    ©2016 Elyse Vigiletti READING THE MIDDLE: US WOMEN NOVELISTS AND PRINT CULTURE, 1930-1960 BY ELYSE VIGILETTI DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Professor Stephanie Foote, Chair and Director of Research Associate Professor Siobhan Somerville Professor Gordon Hutner Professor William (Ted) Underwood Professor Dale Bauer Abstract “Reading the Middle: US Women Novelists and Print Culture, 1930-1960 argues that the women writers of the mid-twentieth century middlebrow summoned carefully circumscribed deployments of critical paradigms such as feminism, antiracism, and anticapitalism to fulfill the American bourgeoisie’s need to elevate their leisure reading to an intellectually satisfying enterprise, with the implication that protest is a core value of the American bourgeoisie. Together, its five chapters demonstrate a new reading practice for the most widely read books of the mid-twentieth century—so many of which were written by women—that have lately fallen into obscurity. It proves that digital tools, which digital humanities scholars have been developing and refining for the past couple of decades, are ready for use as tools for scholars seeking to understand differently situated archives. Most importantly, it unpacks the paradoxes of a US conventionality that insists on subversion as one of its defining principles. A semi-ironic play on phrenological concepts popular in the nineteenth century, the term middlebrow emerged in early-twentieth-century essays that repudiated the hold the growing and increasingly literate population of middle-class consumers were thought to have on the book industry.
    [Show full text]
  • Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber's Giant
    Jim Crow, Jett Rink, and James Dean 5 Jim Crow, Jett Rink, and James Dean: Reconstructing Ferber’s Giant (1952-1956) J. E. Smyth In December 1954, America’s best-selling historical novelist, Edna Ferber, wrote to director George Stevens emphasizing her continued interest in his production of her latest book, Giant. She believed that Giant’s value lay in its exposure of racial prejudice against Mexican Americans in Texas, and that its racial themes had become “more vital, more prevalent today in the United States than . when I began to write the novel.”1 Ferber hoped that one day Anglo oil millionaires like Bick Benedict and Jett Rink, the originators and perpetu- ators of these inequalities in the economic and social hierarchies of America’s new West, would be “anachronisms like the dear old covered wagons and the California gold-rush boys.”2 Later in May 1955, when shooting first began on the film, Ferber wrote to Henry Ginsberg, producer and co-founder of the inde- pendent film company, Giant Productions, “I don’t quite know why the motion picture presentation of Giant interests and fascinates me much more than the screen career of any of my other novels or plays. That goes for Show Boat, So Big, Cimarron, and many others. Perhaps it is because behind the characters and events in Giant there stands a definite meaning, a purpose.”3 Although Ferber had considered writing a historical novel about Texas as early as 1939, she only started to research the topic seriously after the war. The wartime and postwar publishing boom on Texas, ranging from George Sessions Perry’s admiring portrait, Texas: A World in Itself (1942), to Carey McWilliams’s study of Mexican Americans, North From Mexico (1949), helped to change her 0026-3079/2007/4803-005$2.50/0 American Studies, 48:3 (Fall 2007): 5-27 5 6 J.
    [Show full text]
  • Rutgers University Press
    Rutgers University Press Chapter Title: The Same Show Boat? Edna Ferber’s Interracial Ideal Book Title: The White Negress Book Subtitle: Literature, Minstrelsy, and the Black-Jewish Imaginary Book Author(s): LORI HARRISON-KAHAN Published by: Rutgers University Press . (2011) Stable URL: http://www.jstor.org/stable/j.ctt5hhz60.6 Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://www.jstor.org/page/ info/about/policies/terms.jsp JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Rutgers University Press is collaborating with JSTOR to digitize, preserve and extend access to The White Negress. http://www.jstor.org This content downloaded from 138.110.87.58 on Thu, 04 Feb 2016 19:17:51 UTC All use subject to JSTOR Terms and Conditions 2 / Te Same Show Boat? Edna Ferber’s Interracial Ideal While the heterogeneity of the early-twentieth-century stage opened spaces for the construction of new models of racial and gender identity, popular literature of the time ofers another venue for exploring such shifing ideologies as they relate to the black-Jewish imaginary. Te work of Jewish American writer Edna Ferber bridges the realms of literature and mass entertainment, and it was in minstrelsy that Ferber found one of her earliest sources of creative inspiration.
    [Show full text]
  • Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020
    Identifying Classic Films by the TV Numbers Data of a Survey Spanning 2018-2020 Each entry below consists of the name of a film, the year of its release, an abbreviation of the network(s) that presented it, and the number of its overall presentations. Networks and their respective abbreviations are: American Movie Classics (AMC) Paramount Television Network (PARA) BBC America (BBCA) Showtime (SHOW) FREE (FREE) STARZ (STARZ) FX Movie Channel (FXM) SYFY (SYFY) Home Box Office (HBO) Turner Broadcasting System (TBS) IFC (IFC) THIS TV (THIS) MOVIES! TV Network (MOVIES) TNT (TNT) Ovation TV (OVA) Turner Classic Movies (TCM) 1989 150 Films 4,958 Presentations 33,1 Average A Deadly Silence (1989) MOVIES 1 A Dry White Season (1989) TCM 4 A Nightmare on Elm Street 5: The Dream Child (1989) SYFY 7 All Dogs Go to Heaven (1989) THIS 7 Always (1989) STARZ 69 American Ninja 3: Blood Hunt (1989) STARZ 2 An Innocent Man (1989) HBO 5 Back to the Future Part II (1989) MAX/STARZ/SHOW/SYFY 272 Batman (1989) SYFY/TNT/AMC/IFC 24 Best of the Best (1989) STARZ 16 Bill & Ted’s Excellent Adventure (1989) STARZ 140 Black Rain (1989) SHOW/MOVIES/MAX 85 Blind Fury (1989) THIS 15 1 [email protected] Born on the Fourth of July (1989) MAX/BBCA/OVA/STARZ/HBO 201 Breaking In (1989) THIS 5 Brewster’s Millions (1989) STARZ 2 Bridge to Silence (1989) THIS 9 Cabin Fever (1989) MAX 2 Casualties of War (1989) SHOW 3 Chances Are (1989) MOVIES 9 Chattahoochi (1989) THIS 9 Cheetah (1989) TCM 1 Cinema Paradise (1989) MAX 3 Coal Miner’s Daughter (1989) STARZ 1 Collision
    [Show full text]
  • Notes on Musicarnival's Production Years, 1954-65
    NotesUnder on Musicarnival’s the Production TentYears, 1954-65 UnderNotes on Musicarnival’s the Production Years,Tent 1954-65 * * Written by Bill Rudman and Rebecca Paller To accompany audio restorations produced by The Musical Theater Project The Lt. Col. Robert “Jim” Price Musicarnival Audio Archive is part of the John L. Price, Jr. Musicarnival Archives Copyright © 2017 by The Musical Theater Project except entries written by Rebecca Paller, Barbara Perris, Stanley Green and Ken Bloom Cover design by Steven Schultz Photos courtesy of the John L. Price, Jr. Musicarnival Archives, Cleveland Public Library -ii- The Partnership CLEVELAND PUBLIC LIBRARY serves four million patrons annually at 28 branches across the city, lending more than 6.5 million items from a collection of more than 10 million. CPL’s library services are also available at the Public Administration Library in City Hall; “The People’s University on Wheels” bookmobile; Ohio Library for the Blind and Physically Disabled; and the “On the Road to Reading” literacy van. CPL is the home for the Ohio Center for the Book, CLEVNET library cooperation, and KnowItNow24x7 virtual reference service. For more information, visit www.cpl.org. Dedicated to preserving the rich legacy of the art form, Goodspeed Musicals’ SCHERER LIBRARY OF MUSICAL THEATRE carefully maintains a comprehensive collection of scores, sheet music, scripts, original cast recordings, programs, photographs and theater memorabilia on the Goodspeed campus in East Haddam, Connecticut. These reference tools are utilized by the musical theater community across the nation in the re-creation and revitalization of period musicals and in the creation and development of new works.
    [Show full text]
  • Song Inventory
    Record Series 1121‐105, W. W. Law Music Collection Song Inventory ‐ Alphabetical by Music Genre Genre Item # Title Contributors Asset Date Description Blues (music) 491.2 Any Woman's Blues Lovie Austin (composer); Bessie Smith (artist)/ Fletcher Henderson (artist) circa 1923 Side 2: Columbia; 13001D; Comedienne; Any Woman's Blues; Lovie Austin; Bessie Smith/ Fletcher Henderson at the Piano; 81283 489.1 Baby Doll Smith (composer); Bessie Smith (artist) circa 1926 Side 1: Columbia; 14147‐D; Vocal Cornet and Piano Accomp.; Baby Doll; Smith; Bessie Smith; 142147 501.2 Baby Get Lost Moore (composer); Dinah Washington (artist) circa 1949 Side 2: Mercury; 8148; Blues Vocal by Dinah Washington; Baby Get Lost; Moore; Dinah Washington; 2829 500.2 Back Water Blues Earl Hines‐Billy Eckstein (composer); Josh White (artist) undated Side B: Decca; 23582B; Vocal Blues with Guitar, Bass and Drums; Back Water Blues; Bessie Smith; Josh White; 72627 482.2 Blue Turning Grey Over You Thomas Waller‐Andy Razaf (composer); Billie Holiday (artist)/ Tiny Grimes' Sextet (artist) 1951 Side B: Aladdin; 3102; Vocal ‐ 2:00 ASCAP; Blue Turning Grey Over You; Thomas Waller‐Andy Razaf; Billie Holiday (Lady Day)/with Tiny Grimes' Sextet; WOR‐1683 Q 498.1 Blues At Sunrise Ivory Joe Hunter (composer); "Ivory" Joe Hunter (artist)/ with Johnny Moore's Three Blazers (artist) circa 1945 Side 1: Exclusive; 56x; Vocal with instr. Trio; Blues At Sunrise; "Ivory" Joe Hunter; "Ivory" Joe Hunter/ with Johnny Moore's Three Blazers; APS‐931 Saturday, April 02, 2016 Page 1 of 166 Genre Item # Title Contributors Asset Date Description 502.1 Boogie Woogie, on St.
    [Show full text]