Campus Comment, November 12, 1968 Bridgewater State College
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Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
MINER, MULLINS CAPTURE ASB ELECTION PA RTAN DA I LY Dollars-Sense Party II SAN JOSE STATE COLLEGE Scores Smashing Win Vol
MINER, MULLINS CAPTURE ASB ELECTION PA RTAN DA I LY Dollars-Sense Party II SAN JOSE STATE COLLEGE Scores Smashing Win Vol. 55 SAN JOSE, CALIFORNIA 95114, FRIDAY, MAY 10, 1968 No. 122 By PHIL STONE student body will have an oppor- for a committee position or a pos- Spartan Daily Staff Writer tunity to adopt it in the fall. sible vacancy on Student Council Dick Miner scored a smashing "I also want to begin a com- in the fall. victory over John Graham last prehensive program of financing In a surprisingly large turnout, I'Vote-Don't night in the ASS presidential race. all ASS progiarns," Miner said. 4,394 students cast their votes in Football Player Miner captured 58 per cent of the Graham said, "I'd like to thank the two-day run-off election. Blisti Miner This votes 12,5341 to Graham's 42 per marked an increase of over 900 Mu//ins cent (1,808). ballots from last week's general Jeff Mullins narrowly defeated election. After Meeting; 'No Violations'IBite' Steve DeLucchi for the treasurer's Results were known by 8:30 last post. Mullins polled 2,119 votes night. The computer center at the By BILL GALSTAN Graham could "do the most wax] year, some faculty members were Tells Dog (52 per cent) to DeLucchi's 1,941 Engineering Building where the Spartan Daily staff Writer for the department." involved in endorsements a n d votes (48 per cent). votes were tabulated was filled "What the *$.4,1 -- sr- --.! Al Saunders, varsity football Miner called the assertion "ri- preferential ballots. -
Famous People from Michigan
APPENDIX E Famo[ People fom Michigan any nationally or internationally known people were born or have made Mtheir home in Michigan. BUSINESS AND PHILANTHROPY William Agee John F. Dodge Henry Joy John Jacob Astor Herbert H. Dow John Harvey Kellogg Anna Sutherland Bissell Max DuPre Will K. Kellogg Michael Blumenthal William C. Durant Charles Kettering William E. Boeing Georgia Emery Sebastian S. Kresge Walter Briggs John Fetzer Madeline LaFramboise David Dunbar Buick Frederic Fisher Henry M. Leland William Austin Burt Max Fisher Elijah McCoy Roy Chapin David Gerber Charles S. Mott Louis Chevrolet Edsel Ford Charles Nash Walter P. Chrysler Henry Ford Ransom E. Olds James Couzens Henry Ford II Charles W. Post Keith Crain Barry Gordy Alfred P. Sloan Henry Crapo Charles H. Hackley Peter Stroh William Crapo Joseph L. Hudson Alfred Taubman Mary Cunningham George M. Humphrey William E. Upjohn Harlow H. Curtice Lee Iacocca Jay Van Andel John DeLorean Mike Illitch Charles E. Wilson Richard DeVos Rick Inatome John Ziegler Horace E. Dodge Robert Ingersol ARTS AND LETTERS Mitch Albom Milton Brooks Marguerite Lofft DeAngeli Harriette Simpson Arnow Ken Burns Meindert DeJong W. H. Auden Semyon Bychkov John Dewey Liberty Hyde Bailey Alexander Calder Antal Dorati Ray Stannard Baker Will Carleton Alden Dow (pen: David Grayson) Jim Cash Sexton Ehrling L. Frank Baum (Charles) Bruce Catton Richard Ellmann Harry Bertoia Elizabeth Margaret Jack Epps, Jr. William Bolcom Chandler Edna Ferber Carrie Jacobs Bond Manny Crisostomo Phillip Fike Lilian Jackson Braun James Oliver Curwood 398 MICHIGAN IN BRIEF APPENDIX E: FAMOUS PEOPLE FROM MICHIGAN Marshall Fredericks Hugie Lee-Smith Carl M. -
Guide to the Smothers Brothers Collection
Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers -
Jonathan Gray, Jeffrey P. Jones, and Ethan Thompson
Satire TV This page intentionally left blank Satire TV Politics and Comedy in the Post-Network Era Edited by Jonathan Gray, Jeffrey P. Jones, and Ethan Thompson NYU Press New York and London NEW YORK UNIVERSITY PRESS New York and London www.nyupress.org © 2009 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Satire TV : politics and comedy in the post-network era / edited by Jonathan Gray, Jeffrey P. Jones, and Ethan Thompson. p. cm. Includes index. ISBN-13: 978–0–8147–3198–7 (cl : alk. paper) ISBN-10: 0–8147–3198–8 (cl : alk. paper) ISBN-13: 978–0–8147–3199–4 (pb : alk. paper) ISBN-10: 0–8147–3199–6 (pb : alk. paper) 1. Television in politics—United States. 2. Television and politics— United States. 3. Television talk shows—United States. 4. Political satire, American. I. Gray, Jonathan (Jonathan Alan) II. Jones, Jeffrey P., 1963– III. Thompson, Ethan. HE8700.76.U6S37 2009 791.45’6582831—dc22 2008045772 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America c 10987654321 p 10987654321 Contents Foreword by David Marc ix Part I Post 9/11, Post Modern, or Just Post Network? 1 The State of Satire, the Satire of State 3 Jonathan Gray, Jeffrey P. Jones, and Ethan Thompson 2 With All Due Respect: Satirizing Presidents from 37 Saturday Night Live to Lil’ Bush Jeffrey P. -
Carter Family Papers: a Guide to Its Records at the Jimmy Carter Library
441 Freedom Parkway NE Atlanta, GA 30307 http://www.jimmycarterlibrary.gov Carter Family Papers: A Guide to Its Records at the Jimmy Carter Library Collection Summary Creator: Carter, Jimmy, 1924- Title: Carter Family Papers Dates: 1940-1976 Quantity: 87 linear feet (70 linear feet, 3 linear inches open for research), 161 containers Identification: Accession Number: 80-1 National Archives Identifier: 592907 Scope and Content: The records in this collection document Jimmy Carter’s early political career in the Georgia State Senate, his term as Governor from1970-1974; and his membership on the West Georgia Planning Commission. In addition, the collection contains material from the 1970 gubernatorial campaign, gubernatorial trips to South America and Europe, the 1976 presidential campaign, Rosalynn Carter’s gubernatorial papers, and Carter’s pre- presidential speech files. The files consist of correspondence, form letters, memoranda, studies, recommendations, position papers, notes, speeches, drafts, press releases, news clippings, itineraries, newsletters, pamphlets, polling data, photographs, schedules, vote statistics, advertisement flyers, appointment books, and publications. Creator Information: Carter, Jimmy and Rosalynn The Carter Family Papers were transferred to the library by President and Mrs. Carter. These documents and memorabilia were collected over a twenty-five year period. Biographical information on key office personnel is located at the end of the finding aid. Restrictions: Restrictions on Access: These papers contain documents restricted in accordance with applicable executive order(s), which governs National Security policies, applicable statutes/agency restrictions, and material which has been closed in accordance with the donor’s deed of gift. Terms Governing Use and Reproduction: Copyright interest in these papers has been donated to the United States Government. -
Convert Finding Aid To
Joseph Abeles: A Preliminary Inventory of His Studio Collection in the Performing Arts Collection at the Harry Ransom Humanities Research Center Descriptive Summary Creator: Abeles, Joseph, circa 1908-1991 Title: Joseph Abeles Studio Collection Inclusive Dates: 1935-1975 Extent: 80 document boxes (33.6 linear feet) Note: This brief collection description is a preliminary inventory. The collection is not fully processed or cataloged; no biographical sketch, descriptions of series, or indexes are available. Access: Open for research. An advance appointment is required to view photographic negatives in the Reading Room. Please contact the Center before requesting this material: [email protected] Administrative Information Acquisition: Purchase, 1978 (R8022) Processed by: Jennifer Hecker, 2001; Martha Estrada and Steven Reyna, 2008; Daniela Lozano, 2012 Repository: Harry Ransom Humanities Research Center, The University of Texas at Austin Abeles, Joseph, circa 1908-1991 Scope and Contents Joseph Abeles (circa 1908-1991), New York theater photographer, established his Talbot Studio in 1935 and formed the Friedman-Abeles Studio with Leo and Sy Friedman in 1957. They were photographers of stage productions and personalities, as well as magazine photo stories about theatrical subjects. This collection of photographic files from Abeles' studio consists predominantly of publicity photographs (some with manuscript notes) for individuals in the performing arts, 1935-1975 (bulk 1950-1970). The collection is arranged in two series, I. Prints (subdivided into A. Portraits and B. Publicity), and II. Negatives (arranged and subdivided to parallel the prints). Approximately 1800 subjects are represented. There are about 11,850 photographic prints (including 8 x 10's, 5 x 7's, proofs, and contact sheets) and 18,500 negatives. -
College Towns Plan Recourse with Passage Of
Fate of SU Record Store hinges on future decision by Mark Hast to run, day in and day out, open Senior Staff Reporter and close it every day,” he said. Van Wolvlear allowed that “he (Student Union Director Bill Roche) While the fate of the Student has researched this thing thorough *The Union Record Store proposal hin ly.” ges on a decision next week by When asked if he has made a final the Office of Student Affairs, decision yet, Van Wolvlear said the position of Fr. John Van Wolv- “The question here is....is it better lear, vice-president for Student to have the Student Union run this Affairs, remains unclear. or is it better to have a whole series The proposal-a plan for a student of these (Planner Records) Observer things?” an independent student newspaper serving notre dame and st. mary's record co-op run by the Student Union-was submitted last year to The remark was a reference to an Vol. XIII, No. 47 Friday, November 10, 1978 outgoing vice-president for Student earlier comment he made about the Affairs Bro. Just Paczesny and “healthiness” of Planner Records, resubmitted at the beginning of a privately-owned, student-run re this year to Van Wolvlear. cord operation. Van Wolvlear indicated he would rather see this College towns plan recourse Van Wolvlear, who was quoted type of “ healthy,” individually-run in last Wednesday’s Observer as enterprise than a large co-op run by questioning the effectiveness of a Student Union. with passage of student-run business, said yester However, Planner Records was day “there’s no doubt about it ordered to cease operations at the by Tim Joyce that the resolution by the city 50 percent of the patrons are under —it (the record store) can be run end of next semester in a letter council is approved. -
Born Standing Up: a Comic\'S Life
Also by Steve Martin NOVELS The Pleasure of My Company Shopgirl PLAYS Picasso at the Lapin Agile WASP NONFICTION Pure Drivel Cruel Shoes SCREENPLAYS Shopgirl Bowfinger L.A. Story Roxanne The Jerk (coauthor) Scribner A Division of Simon & Schuster, Inc. 1230 Avenue of the Americas New York, NY 10020 Copyright © 2007 by 40 Share Productions, Inc. All rights reserved, including the right to reproduce this book or portions thereof in any form whatsoever. For information address Scribner Subsidiary Rights Department, 1230 Avenue of the Americas, New York, NY 10020. Scribner and design are trademarks of Macmillan Library Reference USA, Inc., used under license by Simon & Schuster, the publisher of this work. Library of Congress Cataloging-in-Publication Data Martin, Steve, 1945– Born standing up: a comic’s life/by Steve Martin. p.cm. 1. Martin, Steve, 1945–2. Entertainers—United States—Biography. I. Title. PN2287.M522A3 2007 792.7'028092—dc22 [B] 2007027143 ISBN-13: 978-1-4165-6974-9 ISBN-10: 1-4165-6974-X Photograph credits appear on last page. Visit us on the World Wide Web: http://www.SimonSays.com To my father, mother, and sister, Melinda Contents Beforehand Coffee and Confusion Comedy Through the Airwaves Disneyland The Bird Cage Theatre Television The Road Breakthrough Standing Down Acknowledgments Born Standing Up Beforehand I DID STAND-UP COMEDY for eighteen years. Ten of those years were spent learning, four years were spent refining, and four were spent in wild success. My most persistent memory of stand-up is of my mouth being in the present and my mind being in the future: the mouth speaking the line, the body delivering the gesture, while the mind looks back, observing, analyzing, judging, worrying, and then deciding when and what to say next. -
MIAMI UNIVERSITY the Graduate School Certificate for Approving The
MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of __________Peter McClelland Robinson__________ Candidate for the Degree: Doctor of Philosophy ____________________________________________ Director (Allan M. Winkler) ____________________________________________ Reader (Sheldon Anderson) ____________________________________________ Reader (Andrew R. L. Cayton) ____________________________________________ Reader (Marguerite S. Shaffer) ____________________________________________ Graduate School Representative (William J. Doan) ABSTRACT THE DANCE OF THE COMEDIANS: THE PEOPLE, THE PRESIDENT, AND THE PERFORMANCE OF POLITICAL STANDUP COMEDY IN AMERICA by Peter McClelland Robinson This dissertation argues that the emergent performance of political standup comedy became a significant agent for mediating and complicating the relationship between the American people and the American presidency, particularly during the middle half of the twentieth century. The Dance of the Comedians examines standup comedy—particularly its ramifications for the presidency and Americans’ perceptions of that institution—as a uniquely compelling form of cultural performance. Part ceremonial ritual and part playful improvisation, the performance of political comedy in its diverse forms became a potent site of liminality that empowered all of its constituents—the comic, the audience, and the object of the joke—to reexamine and renegotiate the roles of all concerned. It is this tripartite bond of reciprocal -
Gerald Ford, Saturday Night Live, and the Development of the Entertainer in Chief
The Historical Presidency Gerald Ford, Saturday Night Live, and the Development of the Entertainer in Chief KATHRYN CRAMER BROWNELL On April 17, 1976, President Gerald Ford and his press secretary Ron Nessen appeared on the late-night television show Saturday Night Live (SNL) after much deliberation. Though reluctant to assume the position as entertainer in chief, Ford’s appearance on SNL marked a distinctive shift in his communication strategy, as his campaign team attempted to restore the power of the Oval Office through performative politics. Though narratives of the development of the entertainer in chief have focused over- whelmingly on the celebrity presidency of John Kennedy, Ronald Reagan, and Bill Clinton, this article excavates the place of Richard Nixon and especially Gerald Ford in navigating a shifting media land- scape with the tools of entertainment and transforming public perceptions of the presidency in the process. Keywords: media, television, entertainment, campaigns, Richard Nixon, Gerald Ford, Ron Nessen On December 8, 2014, President Barack Obama appeared as a guest on one of the final episodes of the Colbert Report (Mercia 2014). In a seemingly surprise move, the presi- dent interrupted the host Stephen Colbert’s political satire segment, “The Word.” “Well, Stephen,” Obama said amidst cheers from the audience, “you have been taking a lot of shots at my job, so I’ve decided to take a shot at yours.” As the commander in chief then literally replaced Colbert as the star of the show, he asked, “How hard can this be?” The subsequent segment, which Obama renamed “The Decree” to make it more “presidential,” had television and Internet audiences laughing along with the country’s entertainer in chief. -
He History of W F U V | –
he History of W F U V | – he History of W F U V | – by Edwin Graves Wilson -, W F U C © E G W, A F , , : L D , W F U, P.O. B , W-S, NC . J D U. T M P S. P -, U S A. L C C N: ISBN ---- F N A E W, E G, - T H W F U. In Grateful Memory R H B (-) R A D (-) M H R (-) J R S (-) W G S (-) So many friends and colleagues—from the faculty, from the sta, from the ranks of the alumni—have helped me during the writing of this History that I dare not even begin to list them all. I hope that they will forgive me if I do not mention them, one by one, but instead single out a few people whose contributions have been necessary and continuing. First, I want to acknowledge the authors of the een “In Retrospect” essays, all of them students during the Scales presidency. I hope that readers of this History will appreciate, as much as I do, their memories and observations as providing a perspective on campus life that I would not have been qualied to give. Members of the sta of the Z. Smith Reynolds Library have been unfailingly ready to assist me, but I must name, as having been particu- larly helpful, Julia Bradford from the University archives. I don’t know how many times she has opened the locked door of the sixth oor stacks so that I could explore papers and documents that I needed to consult.