MAY 2014 WELCOME

It’s a true pleasure to introduce you to the work of Quiara AlegrÍa Hudes, whose Pulitzer Prize- winning play Water by the Spoonful exemplifies the best new American playwriting. Her play is in good hands with director Edward Torres, a nationally

DOUG GATES acclaimed theatre artist who is making his Globe Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. debut with this production. Torres knows Hudes’ work well as both an actor and a director, and he just ushered her latest play, The Happiest Song Plays Last, to a world premiere at Chi- cago’s Goodman Theatre.

Torres is joined by a team of designers who have a deep understanding of this small and intimate stage. Scenic designer Ralph Funicello has designed over 75 productions for The Old Globe, including a decade of sets for the Summer Shakespeare Festival. He was also the very first scenic designer to work in this space, creating the set for its inaugural production, I Do! I Do!, in 2009. Costume designer David Reynoso recently designed both Double Indemnity and Be a Good Little Widow for this theatre, and he’s currently do- ing double duty, designing costumes for the Globe’s production of Time and the Conways that opened just two weeks before this show.

They’re joined by some newcomers to The Old Globe: lighting designer Jesse Klug, sound designer Mikhail Fiksel, and an entire cast of actors who are making their Globe debuts. We welcome them to the Globe, as we welcome you to the vivid, unforgettable theatrical world they’ve created together.

Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and the community at large.

PERFORMANCES MAGAZINE 1 WELCOME PRODUCTION SPONSORS LEADERSHIP GIFTS The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major ELAINE LIPINSKY FAMILY FOUNDATION Thank you for joining us for Quiara Alegría contributions have been designated Daughter of the late Dorris and Bernard Lipinsky, Elaine was a Hudes’ Water by the Spoonful, winner of the 2012 for artistic, endowment and facilities stalwart supporter of The Old Globe, attending performances Pulitzer Prize for Drama. This production is the projects, and help The Old Globe for many years and sponsoring plays and musicals. The Lipinsky 26th Pulitzer Prize-winning play to be produced remain one of our country’s great family’s tradition of generous support to the Globe began in the at The Old Globe. theatre institutions. 1950s, and it was extremely important to Elaine that this tradi- tion continue. She shared her parents’s love of the Globe and As your new Globe Board Chair and a firm be- $20,000,000 or greater its service to the community and carried on their legacy of sup- Donald† and Darlene Shiley liever in the restorative powers of the arts, I am pleased to represent port through her own foundation and advocacy. Her personal and support this amazing institution alongside our valued sponsors $10,000,000 or greater DOUG GATES commitment endures through her daughters, Kamaya Jane and The Prado at Balboa Park, Gen7 Wines, and the Elaine Lipinsky Family Conrad Prebys Diane Zeps and Kamaya Jane with George Takei. Diane Zeps—a third generation of the Lipinsky family helping Foundation. $5,000,000 or greater make theatre accessible and meaningful for all of San Diego. Sheryl and Harvey White Show us your commitment—your philanthropy can make a difference. Kathryn Hattox Your financial support for the Globe, San Diego’s largest not-for-profit Karen and Donald Cohn performing arts organization, helps close the funding gap between the costs of presenting each show and ticket sales. We are grateful for our $2,000,000 or greater audiences, our supporters, and everything you do including purchas- Viterbi Family Foundation ing tickets, attending performances, and spreading the word about our $1,000,000 or greater The Old Globe is pleased to recognize The Prado at Balboa productions and education programs with your friends. California Cultural and Park for its outstanding and longtime support. The Prado is Historical Endowment frequently visited by Globe patrons for lunch or dinner before We are in the midst of unfolding a great season, so we hope you will Estate of Dorothy S. Prough Globe performances, and restaurant patrons from all over the enjoy this important new play. Again, thank you for your presence and The Rivkin Family region receive unparalleled service and ambiance complement- all that you do for the Globe family. Estate of Beatrice Lynds ed by world-class cuisine. Owners David and Lesley Cohn be- Audrey S. Geisel/Dr. Seuss Fund lieve in supporting the arts and are pleased to partner with the at the San Diego Foundation Globe to ensure memorable and delicious nights out for Globe Mr. and Mrs. Victor H.† Ottenstein patrons. David and Lesley have attended Globe productions for Mrs. Helen Edison† more than a decade. The Old Globe greatly appreciates Cohn Elaine Bennett Darwin The Stephen & Mary Birch Foundation Restaurant Group’s generous financial contributions and in- Chair, Board of Directors The Kresge Foundation kind gifts, which support the theatre’s artistic and education †In Memoriam programming and fundraising events held throughout the year.

BOARD OF DIRECTORS

Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION

Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* VICE CHAIR, FINANCE & TREASURER VICE CHAIR, NOMINATING SECRETARY The Old Globe welcomes Gen7 Wines, an historic California winemaker of fine boutique wines, as a new corporate donor. DIRECTORS Victor P. Gálvez Ann Steck* HONORARY DIRECTORS EMERITUS DIRECTORS The Globe is pleased to recognize its outstanding support of Mary Beth Adderley* Kathryn Hattox* Steven J. Stuckey Mrs. Richard C. Adams Garet B. Clark theatre and patron events. Tim and Susanne Bacino are avid Elizabeth Altman Patricia A. Hodgkin Daniel L. Sullivan, Ph.D. (1912–2005) J. Dallas Clark (1913–2005) theatregoers and were introduced to the theatre through a spe- Pamela Cesak Daphne H. Jameson Karen Tanz Clair Burgener (1921-2006) Bea Epsten cial event they attended last summer. Gen7 Wines began assist- Mrs. John H. Fox Nicole A. Clay Jo Ann Kilty Rhona Thompson Sally Furay, R.S.C.J. ing the Globe through generous support of the annual Gala with Joseph J. Cohen Sheila Lipinsky Evelyn Mack Truitt (1908–2003) Bernard Lipinsky major in-kind wine discounting. Today, Gen7 Wines provides Donald L. Cohn* Mitzi Lizárraga Debra Turner Audrey S. Geisel (1914-2001) Valerie S. Cooper* Ramin Pourteymour Linda Van Vark Paul Harter Delza Martin (1915–2005) the Globe with top-rated wines for Opening Night dinners and Ann Davies Paula Powers* Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Darlene Marcos Shiley wine service in the Lipinsky Family Suite. The Old Globe thanks Silvija Devine Conrad Prebys* Jordine Von Wantoch Dolly Poet (1921-2007) Patsy Shumway Gen7 Wines for its friendship and very generous support. Stephen P. Embry Tim Rafalovich Pamela J. Wagner Deborah Szekely Carolyn Yorston-Wellcome Pamela A. Farr David L. Reagan Lynne Wheeler Hon. Pete Wilson Karen Fox Sandra Redman Debbie Wilson Robert Foxworth Crystal Sargent Karin Winner* *Executive Committee Member Jack Galloway Jean Shekhter June Yoder

2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 PRESENTS THE CAST (in alphabetical order)

FOUNTAINHEAD aka JOHN...... Robert Eli* YAZMIN ORTIZ...... Sarah Nina Hayon* WATER BY THE ELLIOT ORTIZ...... Rey Lucas* GHOST, PROFESSOR AMAN, POLICEMAN...... M. Keala Milles, Jr. ORANGUTAN...... Ruibo Qian* CHUTES&LADDERS...... Keith Randolph Smith* SPOONFUL ODESSA ORTIZ aka HAIKUMOM...... Marilyn Torres*

STAGE MANAGER...... Jess Slocum* BY QUIARA ALEGRÍA HUDES

SETTING 2009. Six years after Elliot left for Iraq. Philadelphia, San Diego, Japan (various cities), and Puerto Rico. Ralph Funicello† David Israel Reynoso Jesse Klug Mikhail Fiksel SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN

There will be one 15-minute intermission. Caparelliotis Casting Jess Slocum CASTING STAGE MANAGER

PRODUCTION STAFF ASSISTANT DIRECTOR...... Kristin Leahey DIRECTED BY ASSISTANT SCENIC DESIGN...... Sean Fanning ASSISTANT COSTUME DESIGN...... Shelly Williams EDWARD TORRES DIALECT COACH...... Jan Gist FIGHT CONSULTANT...... George Yé PRODUCTION ASSISTANT...... Sarah Kolman

Water by the Spoonful was originally commissioned by Hartford Stage Michael Wilson, Artistic Director Michael Stotts, Managing Director Through the AETNA New Voices Fellowship Program World Premiere Production Presented by Hartford Stage October 28, 2011 Darko Tresnjak, Artistic Director Michael Stotts, Managing Director New York Premiere Produced by Second Stage Theatre, New York, 2013 Carole Rothman, Artistic Director Water by the Spoonful is presented by special arrangement with Dramatists Play Service, Inc., New York.

*Member of Actors’ Equity Association, the union of Professional Actors and Stage Managers in the United States.

Sheryl and Harvey White Theatre †Associate Artist of The Old Globe. Conrad Prebys Theatre Center Si desea una sinopsis de esta obra en Español o en Inglés, favor de pedírsela al acomodador que le entregó este programa. April 12 - May 11, 2014 If you would like a synopsis of this production in English or Spanish, please request it from an usher.

4 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 5 THE PLAY THE ELLIOT CYCLE FROM THE Over the course of eight years, playwright ARTISTIC Quiara Alegría Hudes wrote three plays in- spired by the experiences of her cousin, El- DIRECTOR liot Ruiz. Each play stands alone, but taken STORIES COLLIDE together, the plays follow the history of a Water by the Spoonful is the third and Hudes’ invention of a theat- family and the coming of age of a bright but play in a mini-season within our rical equivalent is to me nothing haunted young Puerto Rican man. season that brings to this theatre short of uncanny. AND INTERTWINE: the best contemporary American Elliot: A Soldier’s Fugue writing for the stage. I believe Water harnesses its formal origi- The first play takes place in deeply in the play, and I think you’ll nality to a story that expresses 2003-2004, when Elliot is find that its excellence speaks for this moment in our culture quite Playwright Quiara Alegría 18 and 19 years old. Wo- itself, but I’m pleased to note that completely. The returning Iraq ven into the story of Elliot’s a very distinguished group has also veteran is a figure much-analyzed Hudes and director Edward tours of duty are the stories

HUDES vouched for it: the Pulitzer Prize in contemporary journalism and Torres on Water by the Spoonful TORRES of his father and grand- selection committee. Water was film, but until Hudes’ Elliot took father, both also military awarded the Pulitzer for Drama the stage, the theatre had yet to Interview by Danielle Mages Amato veterans. The play moves in 2012, and the Globe is proud find a way to tell that story with across time and space as we to produce it, as it has 25 Pulitzer nuance and honesty. Hudes en- Quiara, could you tell us a bit locales are clear and precise, role of Pops, Elliot’s father. hear stories from Elliot’s father’s service in winners before it. twines this veteran’s fate with his about where this particular while keeping Elliot’s story as I had the pleasure of work- the Vietnam War and his grandfather’s ser- family’s and then links that fam- play falls in the larger tril- the focal point. I also love the shopping the third play in the vice in the Korean War. From her lush and Quiara Alegría Hudes, its author, ily to the denizens of an internet verdant garden in Philadelphia, Elliot’s mom, ogy of work about Elliot? Are musicality of the play. Figur- trilogy—The Happiest Song is a writer of immense talent and chatroom whose subject is an- Ginny, shares her own memories of her time there elements, themes, or ing out how the stories col- Plays Last—at the O’Neill imagination. Water is the second other one roiling contemporary spent in the Army Nurse Corps, where she styles that remain constant lide and intertwine, allowing Center Playwright’s Confer- play in a trilogy about the strug- America: addiction. With this bold met Elliot’s father. through all three plays? the characters the opportuni- ence, and I directed the world gles and triumphs of Elliot Ortiz, structure, Hudes focuses her audi- ty to realize that redemption premiere at the Goodman Finalist for the 2007 Pulitzer Prize for and while the Pulitzer has con- ence’s gaze on figures who rarely QUIARA ALEGRÍA HUDES: and forgiveness are attain- Theatre in the spring of 2013. Drama. ferred upon it an imprimatur of find themselves center stage, and The themes that seem to have able, that hope lies in sup- mainstream success, the approval in so doing, she imputes value to stuck with me since 2003, porting each other no matter QAH: Water by the Spoonful of the establishment has also in a them. Delicately, gently, and with when I began writing the how difficult the problem is. I began writing the first play In 2009, six years after El- way belied how experimental the huge respect, she dignifies them. plays, are: earth and healing, in 2003. In 2006, we cast Ar- liot first left for Iraq, he’s play really is. This act of artistic compassion is medicine, floating on water, The three plays in The Elliot mando Riesco to originate back in the United States. humanizing, both to Elliot and his gardens bringing urban deso- Cycle have drawn together the role of Elliot. I did not The former Marine is now Hudes’ early training as a musi- cohort and also to us. lation to thriving life, renew- some of the brightest lights in know him before auditions. working at Subway and cian has shaped her approach to al, ghosts, women healing the American theatre commu- He walked in and the role trying to kick-start his act- dramaturgical forms: Bach gives I hope that the Globe’s production men, and of course, music. nity (and the Latino theatre was his within 30 seconds. ing career. Ginny’s death the first play in the Elliot trilogy, of Water by the Spoonful will open community in particular) in His facility with language, his brings Elliot and his cousin Elliot: A Soldier’s Fugue, its distinc- for this theatre and its audience a Eddie, what drew you to this unique and positive ways. energy. The first line he ever Yazmin back in contact tive structure, and contemporary long and productive relationship piece as a director? What What’s it like to work on mul- said as Elliot onstage was “A with Elliot’s birth mother, Odessa, who runs world beats inspire the pulse of the with this playwright. She shows us are the biggest challenges of tiple pieces in the trilogy with man enters,” as he entered an online support group for recovering crack third play, The Happiest Song Plays that the theatre is a place of deep bringing it to the stage? the same collaborators? onstage. Now it is 2014 and addicts. Last. Water by the Spoonful is shot empathy toward others, where Armando is in The Happiest Winner of the 2012 Pulitzer Prize for Drama. through with jazz, and the musical formal innovation need not pre- EDWARD TORRES: ET: Song Plays Last in New York. construction of the play is every- clude deep humanity and where I was drawn by the opportu- Working on Water by the His final line as Elliot is “Just The Happiest Song Plays Last where apparent. Each time I lis- the polyglot, multi-cultural mix of nity to explore Elliot’s battle Spoonful kind of brings me like a kid, right?” The past de- The final play in the trilogy ten to it I appreciate more the so- 21st century America can sing out with addiction and his ability full circle. My first encounter cade has been a real era in our is set in 2010 and 2011. phistication of Hudes’ technique. in a powerful, idiosyncratic, and to function as an Iraqi war with the Elliot trilogy was creative lives. Elliot has returned to the She makes individual characters authentic voice. veteran in America—how as an actor/producer. Teatro Middle East—this time sound like soloists in a jam ses- he deals with his family in Vista in Chicago produced But today I am back to my as a consultant on a film sion, syncopating speech rhythms Thanks for coming. Enjoy the show. Philadelphia, and his ability the Midwest premiere of the writing desk, where there is about the Iraq War—and and sending voices on wild riffs. to face the emotional conse- first play—Elliot: A Soldier’s no safety net and no warm- he struggles to finally con- And yet she places these musical quences of his actions in Iraq. Fugue—in a co-production fuzzies. I’m looking out the front his ghosts head-on. flights within carefully composed The biggest challenge for this with Rivendell Theatre En- window, fishing the crisp air Yaz has moved into Ginny’s scenes that never privilege lyric play is to be able to stage it in semble as part of the Visiting for the next story and the house, bringing the trilogy’s musings on fancy over dramatic action. This such a way that the world of Company Initiative at Step- next character, and that I do family and community full circle. balance of freedom and control is, the internet and the various penwolf Theatre. I played the alone. of course, the very essence of jazz,

6 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 7 THE PLAY AUGUST: OSAGE COUNTY PULITZER PRIZE- WINNING PLAYS AT THE OLD GLOBE 1 2 Since 1917, the Pulitzer Prize has honored excellence in American jour- THE GIN GAME nalism and the arts. The brainchild of newspaper publisher and journalist Joseph Pulitzer, the Pulitzer Prize was originally given in eight categories: four journalism prizes and one each for novels, biographies, histories, and drama. Over the last century, the Prize has grown to 21 annual awards. To select finalists for the drama prize, a jury—usually composed of three critics, one academic, and one playwright—attends plays both in New York and the regional theatres. The award in drama goes to a playwright, but production of the play as well as script are taken into account.

3 4 5 LOST IN YONKERS OF A SALESMAN DEATH THE SKIN OF OUR TEETH 1. The cast of Tracy Letts’s August: Osage County, 2011. Photo by Henry DiRocco. 2. G Wood and Eve Roberts in D.L. Coburn’s The Gin Game, 1982. 3. (from left) Judy Kaye and Jennifer Regan in Neil Simon’s Lost in Yonkers, 2010. Photo by Craig Schwartz. 4. (from left) Jeffrey DeMunn, Tyler Pierce, and Lucas Caleb Rooney in Arthur Miller’s Death of a Salesman, 2011. Photo by Henry DiRocco. 5. Michael Lueders, Gary Dontzig, Old Globe Associate Artist Sada Thompson, and Sean Sullivan in Thornton Wilder’s The Skin of Our Teeth, 1983.

Dinner with Talley’s Folly Cat on a Hot A Streetcar The Time of Water by the Friends The Piano Seascape The Subject Tin Roof Picnic Named Desire Harvey Your Life You Can’t Take Spoonful Lesson The Effect of Gamma Was Roses It with You Rays on Man-in-the- Moon Marigolds

August: Osage Driving Miss That Champi- Long Day’s Death of a The Skin of Anna Christie County Lost in Daisy The Gin Game onship Season A Delicate Journey Into Teahouse of the Salesman State of the Our Teeth Our Town Yonkers Balance Night August Moon Union

2012 2001 1990 1980 1975 1971 1965 1955 1953 1948 1945 1940 1937

WON THE PULITZER 2008 1991 1988 1978 1973 1967 1957 1954 1949 1946 1943 1938 1922

GLOBE PRODUCTION 1953 1969 1975 1967 2011 2010 1989 1982 1977 1979 1967 1957 & 1948 1950 & 1947 & & 2012 2011 & 1983 & 1990 1979 2014 2001 1989 1983 1977 1972 1966 1976 1960 1959 1970 1958

8 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 9 THE PLAY ARTISTS ROBERT ELI directed by Hal Brooks (Reverie Theatre Com- tions), Godspell (The Ocean Beach Playhouse (Fountainhead aka John) has pany), Sunsets and Margaritas directed by Nick and Arts Center), and The Elaborate Entrance of appeared on Broadway in Tar- Avila (Denver Center Theatre Company), and Chad Deity (ion theatre company). He is also tuffe (Roundabout Theatre Night Over Taos directed by Estelle Parsons a musician, composer, teacher, and freelance WHO’S WHO Company) and Off Broadway (INTAR). Ms. Hayon’s recent television and web writer. Still relatively new to San Diego, in Saturn Returns (Lincoln film credits include “Unforgettable,” “Parker he is honored and grateful to work with The Center Theater), The Pretty & Maggie,” “Are We There Yet?,”The Green, Old Globe. mkealamillesjr.com. Trap (Theatre Row), The Drunk (Center Stage), “Sex and the City,” “Law & Order,” and Ava- Tracking the Links and John Gabriel Borkman (Century Center tar. She dedicates her performance to Phil, Ed, RUIBO QIAN for the Performing Arts). His regional credits and her beloved LAB family. (Orangutan) is delighted to include Macbeth, La Dispute, and The 39 Steps be making her Globe debut. (Hartford Stage), Bell, Book and Candle (Long REY LUCAS Her New York credits include Wharf Theatre/Hartford Stage), A Few Good (Elliot Ortiz) is excited to be Henry IV (The Pearl Theatre Eugenia Ortiz Men (Alley Theatre), Moving Picture, Caligula, making his West Coast the- Company), Miss Julie (Jim- sister to “Mami Ginny” and Polaroid Stories (Williamstown Theatre atre debut at The Old Globe, my’s No. 43), and Measure Festival), The Show-Off (Westport Country with prior theatre work for Measure, a cautionary tale, Festen, and King Playhouse), The Cherry Orchard and Twelfth including Roundabout The- Lear (New York University Graduate Acting Night (Chautauqua Theater Company), Cat on atre Company on Broadway, Program). Her other credits include You for Me a Hot Tin Roof (Flat Rock Playhouse), All My The Public Theater, Playwrights Horizons, and for You (Woolly Mammoth Theatre Company), Odessa Ortiz Sons (Delaware Theatre Company), andWho’s INTAR Theatre in New York; Goodman The- Golden Child (Silk Road Rising), and Comedy [ONLINE: Haikumom] Afraid of Virginia Woolf? (English Theatre of atre and Victory Gardens Theater in Chicago; Central’s “Broad City.” Ms. Qian holds a B.F.A. mom to Frankfurt). Mr. Eli’s television credits include Arena Stage in Washington, D.C.; Long Wharf from Boston University and an M.F.A. from niece to niece “House of Cards,” “Hostages,” and “Fringe.” He Theatre, Yale Repertory Theatre, and The the New York University Tisch School of the legal custody graduated from The Juilliard School, Group 37. Eugene O’Neill Theater Center in Connecticut; Arts Graduate Acting Program. nephew to roberteli.com. Williamstown Theatre Festival in Massachu- setts; Alliance Theatre in Atlanta; and Den- KEITH RANDOLPH SARAH NINA HAYON ver Center Theatre Company in Colorado. On SMITH (Yazmin Ortiz) is thrilled to television, he has recurred on “Blue Bloods” (Chutes&Ladders) is hon-

online make her debut at The Old and the upcoming new series “Believe,” and ored to be making his debut cousin to Globe. A three-time Drama he also appeared on “The Blacklist,” “The Fol- at The Old Globe. Mr. Smith’s Desk Award nominee, Ms. lowing,” “Golden Boy,” “Elementary,” “Person Broadway credits include Hayon is a proud member of of Interest,” “Weeds,” “Army Wives,” “Law & Fences with Denzel Wash- LAByrinth Theater Company Order,” and “100 Centre Street.” His appear- ington, King Hedley II with Brian Stokes and Partial Comfort Productions. Passionate ances in film include the upcoming Keep in Mitchell, The Piano Lesson with Charles “Roc” Elliot Yazmin about new play development, she has worked Touch and About Alex, and also Allegiance, On Dutton, Salome with Al Pacino, and Come with LAByrinth, Playwrights Horizons, Lark the Job Training, and The Doghouse. Mr. Lucas Back, Little Sheba with S. Epatha Merkerson. Theatre Company, New Dramatists, INTAR earned his B.A. in English and Government He has worked Off Broadway inFabulation Theatre, Rattlestick Playwrights Theater, from Wesleyan University in Connecticut and (Playwrights Horizons), Intimacy (The New Vineyard Theatre, Manhattan Theatre Club, his M.F.A. in Acting from the Yale University Group), The First Breeze of Summer (Signature The Public Theater, Page 73 Productions, The School of Drama. reylucas.com. Theatre Company), Holiday Heart (Manhat- 52nd Street Project, Yale Repertory Theatre, tan Theatre Club),Jitney (Second Stage The- Huntington Theatre Company, New York M. KEALA MILLES, JR. atre, National Theatre), The Resistible Rise of Stage and Film, and New York Theatre Work- (Ghost, Professor Aman, Arturo Ui (Classic Stage Company), and oth- shop. Her recent theatre credits include the Policeman) was born in ers. He has also enjoyed performing at some world premiere of Se Llama Cristina directed Honolulu, Hawaii but grew of the finest regional theatres in this country, Madeleine Mays Clayton “Buddy” Wilkie by Loretta Greco (Magic Theatre), The Nature up in Washington where he such as Goodman Theatre, Seattle Repertory [ONLINE: Orangutan] [ONLINE: Chutes&Ladders] of Captivity directed by Victor Maog (Mabou graduated from the Univer- Theatre, Alliance Theatre, La Jolla Playhouse, Mines), A Bright New Boise directed by Davis sity of Washington School of Hartford Stage, Long Wharf Theatre, Yale McCallum (Drama Desk nomination) and A Drama in 2001. His credits at UW include The Repertory Theatre, Huntington Theatre Com- Matter of Choice directed by John Gould Rubin General of Hot Desire, Woyzeck, and a handful pany, Actors Theatre of Louisville, Cleveland (Partial Comfort), Sor Juana (Royal Shake- of pieces through the playwriting and produc- Play House, Chautauqua Theater Company, speare Company), The Provenance of Beauty tion workshop he co-produced in attendance. Philadelphia Theatre Company, Arden The- directed by Melanie Joseph (The Foundry Mr. Milles’s local credits include Pride and Prej- atre Company, Pittsburgh Public Theater, and Theatre, Obie Award, Drama Desk nomina- udice (Arts Off Broadway/Ivy Players),Dinner McCarter Theatre Center. Mr. Smith has act- tion), Rearviewmirror directed by Carl Fors- Detective, the world premiere John Doe: The ed on film and television inMalcolm X, Girl 6, John man (Drama Desk nomination) and Widows Musical (A Culture of Peace/John Doe Produc- Anesthesia, The Warrior Class, Path to Paradise [ONLINE: Fountainhead]

10 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 11 ARTISTS (HBO), Dead Dogs Lie, Fallout, Journeymen, of In the Heights, Ms. Hudes won the Lucille sequent productions Off Broadway at Second Festival, Royal Shakespeare Company, The- MIKHAIL FIKSEL House, Pygmalion, A Room with a View, Rich- Backstreet Justice, three “Law & Order” series, Lortel and Outer Critics Circle Awards for Stage Theatre (2011 Lucille Lortel Award for atre Royal Bath, New York City Opera, LA (Sound Design) is excited for his first pro- ard O’Brien’s The Rocky Horror Show, the “Onion SportsDome,” “I’ll Fly Away,” “New Best Musical. The touring companies of In the Outstanding Play, Obie Award for Best New Opera, and San Diego Opera. He has received duction with The Old Globe. His other recent 2011-2013 Shakespeare Festivals, Rafta, York Undercover,” “Cosby,” “One Life to Live,” Heights have performed at Puerto Rico’s Cen- American Play) and at Geffen Playhouse to a Tony Award nomination, the Michael Mer- regional and Off Broadway credits include Rafta…, Robin and the 7 Hoods, Alive and Well, “All My Children,” and “Another World.” Mr. tro de Bellas Artes, L.A.’s Pantages Theatre, critical acclaim. Mr. Torres has been a pro- ritt Award for Excellence in Design and Col- productions with Long Wharf Theatre, Amer- Sammy, Cornelia, Since Africa, Dr. Seuss’ How Smith is a graduate of The American Academy and Tokyo’s International Forum. Her other ducer for 18 years and is the cofounder and laboration, and numerous awards from the ican Conservatory Theater, Dallas Theater the Grinch Stole Christmas!, and The Glass of Dramatic Arts in New York. works include Barrio Grrrl!, a children’s musi- former artistic director of Teatro Vista. His San Francisco Bay Area Theatre Critics Circle Center, Berkeley Repertory Theatre, Gef- Menagerie. Her Broadway credits include In cal that premiered at The Kennedy Center in Teatro Vista directing credits include The and the LA Drama Critics Circle. He current- fen Playhouse, and Second Stage Theatre. the Heights. Her regional credits include Side MARILYN TORRES 2009 and toured nationally; 26 Miles, which Show Host, Jamie Pachino’s Aurora’s Motive, ly holds the position of Powell Chair in Set His upcoming productions include the PLAY Show, Ruined, The Third Story, Memphis, and (Odessa Ortiz aka Haiku- premiered at Atlanta’s Alliance Theatre in Romulus Linney’s Ambrosio, Edwin Sánchez’s Design at San Diego State University. Group, Williamstown Theatre Festival, The Most Wanted (La Jolla Playhouse), Post Office mom) was born and raised 2009 and was published in American Theatre Icarus, Reuben Gonzalez’s The Boiler Room, New Victory Theater and, in Chicago (where (Center Theatre Group), and Tranquility in Harlem, New York. She magazine; and Yemaya’s Belly, Ms. Hudes’ first and Karen Zacarías’s The Sins of Sor Juana. DAVID ISRAEL REYNOSO he is currently based), Goodman Theatre, Woods (Steppenwolf Theatre Company). Her has appeared in films such as play, which premiered at Portland Stage and His other Chicago directing credits include (Costume Design) recently designed the Writers’ Theatre, Victory Gardens Theater, San Diego credits include Mo’olelo Perform- Maid in Manhattan, Lady in the received the Clauder Prize. Ms. Hudes’ honors Fish Men, Amparo Garcia-Crow’s Cocks Have Globe’s productions of Time and the Conways, TimeLine Theatre Company, The Seldoms, ing Arts Company, North Coast Repertory Water, Bella, and Bernard and include the United States Artists Fontanals Claws and Wings to Fly, and Migdalia Cruz’s Double Indemnity, and Be a Good Little Widow. Lucky Plush Productions, Albany Park The- Theatre, and Lamb’s Players Theatre. She is Doris. Her television credits include “Law & Fellowship, the Joyce Fellowship at Goodman Lolita de Lares. As an actor he has appeared Mr. Reynoso is the Obie Award-winning cos- ater Project, The Hypocrites, and Redmoon a graduate of Vanderbilt University. Proud Order: Special Victims Unit,” “Law & Order,” Theatre, the Aetna New Voices Fellowship at in Oedipus el Rey (Victory Gardens Theater), tume designer of Sleep No More (Punchdrunk/ Theater. His recent film work includes scores member of Actors’ Equity. “Flight of the Conchords,” “Third Watch,” and Hartford Stage, the Roe Green Award at the El Grito del Bronx (Collaboraction in associa- Emursive). His scenic and costume design for the feature films Glitch, The Wise Kids, and “The Chris Rock Show.” Ms. Torres has graced Cleveland Play House, fellowships at Sun- tion with Goodman Theatre), The Cook (Good- credits include Chasing the Song workshop (La In Memoriam. He has received several Joseph BARRY EDELSTEIN the stage in Nicky Silver’s The Agony & the Ago- dance Institute Theatre Lab and The Eugene man Theatre), and Teatro Vista’s productions Jolla Playhouse), Futurity, Cabaret, The Snow Jefferson Awards, a Lucille Lortel Award, (Old Globe Artistic Director) is a stage direc- ny (Vineyard Theatre), Breath, Boom by Kia O’Neill Theater Center, and a residency at New of Massacre (Sing to Your Children) (Goodman Queen, Alice vs. Wonderland, Trojan Barbie, and the Michael Maggio Emerging Designer tor, producer, author, and educator. Widely Corthron (Yale Repertory Theatre), and most Dramatists. The City of Philadelphia honored Theatre) and Elliot, A Soldier’s Fugue (Rivendell Copenhagen, No Man’s Land, Hamletmachine, Award. He is a resident artist with Albany Park recognized as one of the leading authorities recently Mike Lew’s Bike America (Alliance Ms. Hudes with a Resolution in 2011, and Theatre Ensemble and Teatro Vista as part of Ajax in Iraq, and Abigail’s Party (American Theater Project and Adventure Stage Chicago; on the works of Shakespeare in the Unit- Theatre). Ms. Torres also had the honor to be Mayor Rahm Emmanuel declared April 27, the Visiting Company Initiative at Steppen- Repertory Theater), The Comedy of Errors and an ensemble member of 2nd Story Theatre; an ed States, he has directed nearly half of the part of the Tribeca Theater Festival in Late 2013 “Quiara Hudes Day” in Chicago. After wolf Theatre Company). He was the recipient Othello (Commonwealth Shakespeare Com- artistic associate with TimeLine Theatre Com- Bard’s works. Most recently Mr. Edelstein Night, Early Morning by Frank Pugliese, pro- graduating from public school in Philadel- of a 2010 3Arts Artist Award and was featured pany), The Woman in Black (Gloucester Stage pany, Teatro Vista, and Redmoon Theater; and made his directorial debut at The Old Globe duced by Robert De Niro, which made its way phia, Ms. Hudes went on to receive a B.A. in as guest director at the 2011 Eugene O’Neill Company), and Dead Man’s Cell Phone (The is on the faculty at Loyola University Chicago with The Winter’s Tale. As Director of the into the HBO Comedy Festival, winning best Music from Yale University and an M.F.A. in Theater Center National Playwrights Con- Lyric Stage Company). His upcoming work and University of Chicago. mikhailfiksel.com. Shakespeare Initiative at The Public Theater theatre piece. She has written and performed playwriting from Brown University, where ference, where he has served on their artis- includes Healing Wars directed by Liz Lerman (2008-2012), he oversaw all of the compa- two solo shows: I Have Something to Say and she studied with Paula Vogel. She was recently tic council since 2014. Mr. Torres has a B.A. (Arena Stage). His other work includes Aman- CAPARELLIOTIS CASTING ny’s Shakespearean productions, as well as its Snap Shots. Her monologues have been fea- inducted into the Central High School Hall of in Theatre from Roosevelt University and an da Palmer’s “Down Under” tour, Juan Son’s (Casting) recently cast the Globe produc- extensive educational, community outreach, tured on “Showtime at the Apollo” and HBO Fame, in the first round of women to receive M.F.A. in Film from Columbia College Chica- “Mermaid Sashimi” tour, and Gallow Green at tions of Time and the Conways, Bethany, The and artist-training programs. At The Public, Latino. Her latest film projects includeMusi - this honor since the school’s founding in go. He has served on the Illinois Arts Council, The McKittrick Hotel. davidreynoso.com. Winter’s Tale, The Few, Double Indemnity, The Mr. Edelstein staged Julius Caesar starring cal Chairs with Priscilla Lopez, Suck City with 1836. Ms. Hudes is on the board of Philadel- the National Endowment for the Arts Theater Rainmaker, Other Desert Cities, Be a Good Lit- Jeffrey Wright for Shakespeare in the Park, Robert De Niro, and Home with Gbenga phia Young Playwrights, which produced her Panel (2005-07), and the MAP Fund Theatre JESSE KLUG tle Widow, A Doll’s House, The Brothers Size, Timon of Athens with Richard Thomas, and Akinnagbe. first play in the 10th grade. She now lives in Panel (2008). (Lighting Design) has designed the Off Broad- Pygmalion, and Good People. Their Broadway The Merchant of Venice featuring Ron Leib- New York with her husband and children. way productions of The Elaborate Entrance of casting credits include Casa Valentina, The man’s Obie Award-winning portrayal of Shy- QUIARA ALEGRÍA HUDES RALPH FUNICELLO Chad Deity (Lucille Lortel and Henry Hewes Snow Geese, Lyle Kessler’s Orphans, The Trip lock. He was also Associate Producer of The (Playwright) is most recently the author of EDWARD TORRES (Scenic Design) is an Associate Artist of The Design Award nominations), The Screwtape to Bountiful, Grace, Dead Accounts, The Other Public’s Broadway production of The Merchant The Elliot Cycle, three stand-alone plays writ- (Director) is proud to make his directori- Old Globe and has designed the sets for over Letters (Off Broadway and National Tour), Place, Seminar, The Columnist, Stick Fly, Good of Venice starring Al Pacino. From 1998-2003 ten over an eight-year period. Each play uses a al debut at The Old Globe with Water by the 78 productions for the company including the Romulus, and The Hourglass. His regional People, Bengal Tiger at the Baghdad Zoo, The he was Artistic Director of Classic Stage Com- different kind of music—Bach, Coltrane, and Spoonful. Most recently he directed the world Summer Shakespeare Festivals 2004-2013. credits include Goodman Theatre, Drury House of Blue Leaves, Fences, Lend Me a Tenor, pany, where he produced and directed some of Puerto Rican folk music—to trace the coming premiere of White Tie Ball by Martín Zimmer- Elsewhere, Mr. Funicello has designed scen- Lane Theatre, Broadway In Chicago, Chicago and The Royal Family. They also cast for Man- New York’s most memorable classical produc- of age of a bright but haunted young Puerto man (Teatro Vista), Quiara Alegría Hudes’ ery on and Off Broadway and for many the- Shakespeare Theater, Marriott Theatre, Vic- hattan Theatre Club, Second Stage Theatre, tions. Mr. Edelstein’s Shakespearean direc- Rican man. Elliot, A Soldier’s Fugue, the first The Happiest Song Plays Last (Goodman The- atres across the country and abroad, including tory Gardens Theater, Lookingglass Theatre Atlantic Theater Company, LCT3, Ars Nova, torial credits include The Winter’s Tale with play, was a finalist for the Pulitzer Prize in atre), and How Long Will I Cry?: Voices of Youth Lincoln Center Theater, Manhattan Theatre Company, Steppenwolf Theatre Company, Goodman Theatre, Arena Stage, Ford’s The- David Strathairn, As You Like It with Gwyneth 2007. Water by the Spoonful, the second, won Violence (Steppenwolf for Young Adults). He Club, American Conservatory Theater, A Con- Court Theatre, Writers’ Theatre, Arizona The- atre, and three seasons with Williamstown Paltrow, and Richard III with John Turturro. the 2012 Pulitzer Prize for Drama. The final directed the world premiere of Kristoffer temporary Theatre, Mark Taper Forum, Ari- atre Company, Milwaukee Repertory Theater, Theatre Festival. Their recent film and tele- His additional credits include the Lucille Lor- play, The Happiest Song Plays Last, opened Off Diaz’s The Elaborate Entrance of Chad Deity at zona Theatre Company, Seattle Repertory Geffen Playhouse, Fulton Theatre, Center vision credits include HairBrained with tel Award-winning revival of Arthur Miller’s Broadway in February 2014 at New York’s Victory Gardens Theater (produced in asso- Theatre, Berkeley Repertory Theatre, Milwau- Stage, Indiana Repertory Theatre, Ameri- Brendan Fraser, “Odyssey” (NBC pilot), All My Sons; the world premiere of Steve Mar- Second Stage Theatre. Ms. Hudes wrote the ciation with Teatro Vista), which was named kee Repertory Theater, Denver Center Theatre can Theater Company, The Shakespeare The- “Ironside” (NBC), and Steel Magnolias (Sony tin’s The Underpants, which he commissioned; book for the Broadway musical In the Heights, Best Play of 2009 by the Chicago Tribune, Chi- Company, The Shakespeare Theatre Compa- atre Company, Asolo Repertory Theatre, for Lifetime). Molière’s The Misanthrope starring Uma Thur- which received the 2008 Tony Award for Best cago Sun-Times, and Time Out Chicago, was ny, Guthrie Theater, South Coast Repertory, Northlight Theatre, First Stage, and Time- man in her stage debut; and the world pre- Musical, a Tony nomination for Best Book of a a finalist for the Pulitzer Prize, and earned Oregon Shakespeare Festival, Williamstown Line Theatre Company. He is a Joseph Jeffer- JESS SLOCUM miere of novelist Nathan Englander’s play Musical, and was a 2009 Pulitzer Prize final- Joseph Jefferson Awards for Best Produc- Theatre Festival, Huntington Theatre Com- son Award and After Dark Award recipient. (Stage Manager) has previously worked at The Twenty-Seventh Man. He has also directed ist. For the original Off Broadway incarnation tion and Best Director. He also directed sub- pany, Intiman Theatre, Stratford Shakespeare jessekluglightingdesign.com. The Old Globe on The Winter’s Tale, A Doll’s new and classical work extensively at regional

12 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 13 ARTISTS EDUCATION theatres around the USA. Mr. Edelstein has way this season. His Broadway credits also University of Arizona Alumni Association’s taught Shakespearean acting at The Juilliard include: The Nance, Dead Accounts, Catch Me Outstanding Citizen, for his contribution to School, New York University’s Graduate Act- If You Can, Impressionism, The Coast of Uto- their Fine Arts department; San Diego State Listen— ing Program and the University of Southern pia (Tony Award), Dr. Seuss’ How the Grinch University’s Outstanding Alumnus; Conser- California. He has lectured on theatre around Stole Christmas!, Dirty Rotten Scoundrels (Tony vator of American Arts Award from American It’s the Sound of the Future of Theatre the USA and the world and has written on nomination), Henry IV (Tony Award), Hair- Conservatory Theater; the San Diego Press the subject for The New York Times, The Wash- spray (Tony Award), Imaginary Friends, The Club Headliner Award; San Diego Gentleman ington Post, The New Republic, and American Invention of Love (Tony nomination, Drama of Distinction Award; and a combined tribute Theatre. His book Thinking Shakespeare was Desk Award), The Full Monty (Tony nomina- from the Public Arts Advisory Council and the One afternoon last Octo- published in 2007 and is now the standard tion), More to Love, Getting Away with Mur- San Diego County Board of Supervisors. Mr. ber, 600 students and their text on American Shakespearean acting. He der, Pride’s Crossing, The Little Foxes, Hapgood Noel was particularly proud of the following teachers were seated in the is also the author of Bardisms: Shakespeare (Lucille Lortel Award, Best Director), Damn three honors representing education and the- Old Globe Theatre watching for All Occasions. Mr. Edelstein is a graduate Yankees, Two Shakespearean Actors (Tony nom- atre: Honorary Doctorate of Humane Letters, a matinee. At the end, they of Oxford University, where he studied as a ination), Porgy and Bess (Tony Award). Metro- University of San Diego; Honorary Doctorate burst into thunderous ap- Rhodes Scholar. politan Opera: II Trittico. London: Love Never in Fine Arts, San Diego State University; and plause that a passerby might Dies, Hairspray (Olivier nomination). National the annual Awards for Excellence in Theatre mistake for the response to a MICHAEL G. MURPHY Theatre: His Girl Friday. Six movies for PBS’s named in his honor by the San Diego Theatre rock concert. But this was for (Managing Director) served as General “American Playhouse.” Awards: 2008 Theatre Critics Circle. In 2007, he received the Nation- The Last Goodbye, the musi- Manager of The Old Globe from 2003 to Hall of Fame Inductee, 2005 John Houseman al Medal of Arts—the nation’s highest honor calized take on Shakespeare’s 2012, overseeing the Production, Education, Award, ArtServe Michigan 2008 Internation- for artistic excellence—in a ceremony at the Romeo and Juliet. The cheer- Human Resources, Information Technology, al Achievement Award, Honorary Doctorate, White House. Craig Noel died on April 3, 2010 ing, the shouting, the foot and Facilities Departments, as well as Front University of Michigan. Honorary Doctor of at the age of 94. stomping—stunning to our of House operations. He also managed the Humane Letters, University of San Diego. staff, cast, and crew—was construction of the Globe’s new theatre and Film (actor): Sex and the City 2. Jack Be Nim- not so shocking to our educa- education facilities. Prior to the Globe, he ble: The Accidental Education of an Unintention- CASTING tion team. We’ve seen it be- was the Managing Director of Austin Lyric al Director, his memoir about the early years CAPARELLIOTIS CASTING fore. Young people, captivat- Opera in Austin, Texas; Director of Admin- of his career, was released in the summer of David Caparelliotis ed and engaged in a play that istration of San Diego Opera; and General 2013 by Farrar, Straus and Giroux. Lauren Port many think would simply not Manager of San Diego Repertory Theatre. interest them. Shakespeare? audience end up at the Globe are about to see. Students with unexpected tears at a Before relocating to San Diego from New CRAIG NOEL Come on, what teenager that day? speak lines from the plays, moment of aching tender- York, he held similar positions at Theatre (Founding Director) was first appointed direc- (aside from a future English Every September, San Diego create tableaus to physical- ness. Their raucous laughter, for a New Audience and the Joyce Theater tor in 1939, directing 15 productions prior to major) wants to sit through teachers and principals open ize plot points, wrestle with so freely given, rings out at Foundation’s American Theater Exchange. World War II. Since then he directed more SPECIAL THANKS Shakespeare? their emails to find an invi- challenging vocabulary, and comic moments that jaded Stephen Aveces He also served as negotiating assistant for than 200 plays of all styles and periods and Admittedly, this iteration tation from The Old Globe’s visualize how they might adults find only mildly amus- Meaghan Boeing the League of Resident Theatres and sales produced an additional 270 productions. His Edward Camarena of the Bard was infused with education department. They direct a scene themselves ing. These teen audiences are representative for Columbia Artists Theat- vision for The Old Globe resulted in the estab- Josue De La Sancha at City Boxing rock music and a slimmed- spring into action to be on before seeing how we do it. the most generous, engaged, ricals Corporation. Mr. Murphy has served lishment of the Shakespeare Festival and the Masahiro Omae down script that cut right to the list of applicants for our When students are given thoughtful, and responsive on the Board of Directors of the San Diego San Diego Junior Theatre in the late ’40s, the Rita Pittman-Philpot the chase. But experience has Student Matinee program. the opportunity to prepare group you’ll ever have the Performing Arts League and serves as a expansion to two theatres in the ’50s, Globe Myles Thurman shown that teenagers long to It’s the best deal in town— in advance for an adult-level honor to welcome into the Management Trustee for San Diego Coun- Educational Tours in the ’70s, and Teatro be treated like adults. They thousands of dollars worth experience, they behave like theatre. ty Theatrical Trusts, the pension and wel- Meta and the Old Globe/University of San want to reach deeply into of tickets at absolutely no adults. They arrive ready to Their applause is a most sin- fare trust for IATSE stagehands in the San Diego Graduate Theatre Program in the ’80s. their souls and discover who charge to the school—the show the world that they are cere thank you, reminding Diego region. He was also an adjunct facul- During the 1940s, Mr. Noel served as dia- This theatre operates under an agreement they are. They are willing to Globe’s way of investing in worthy of respect and willing actors why they have cho- between the League of Resident Theatres ty member of the Music Department at the logue director for the 20th Century Fox Stu- and Actors’ Equity Association, the union of be moved—if only we ap- San Diego’s youth and the to earn their warm welcome. sen this path. It’s a wake-up University of San Diego. Mr. Murphy earned dios and was the director of the Ernie Pyle professional actors and stage managers in the proach them with respect. theatre’s future. They pay us back for the free call for every stagehand who United States. his B.F.A. degree in Stage Management from Theatre in Tokyo. Described by Variety as the Those teens were a cross- But we provide more than tickets and free workshops struggled to get up early for

Webster University in St. Louis, Missouri, eminence grise of San Diego theatre, Mr. Noel The Directors are members of the Society section of the San Diego just tickets to matinees. Each by embracing the work and a student matinee. It’s the and his M.F.A. in Performing Arts Manage- is one of the few San Diegans to have had an of Stage Directors and Choreographers, community, from a wide va- class gets a free in-school applauding our efforts. future standing before us, an independent national labor union. ment from Brooklyn College of the City Uni- entire year (1987) proclaimed in his honor, riety of backgrounds and ex- workshop with one of our Once the students take their cheering and clapping and versity of New York. and to be named one of San Diego’s “Living periences. They were not all talented Teaching Artists— seats and the lights go down, showing us that theatre is for Treasures.” He was a founder of the California This Theatre operates under an Agreement with the International Alliance of Theatrical theatre students. Many had professional actors who love our team breathes in the joy all of us, now and for a very JACK O’BRIEN Theatre Council and a former vice president of Stage Employees Local No. 122. never seen a play. They came teaching young people their of that moment. We are priv- long time to come. (Artistic Director Emeritus) served as the the California Confederation of the Arts. His for a field trip and they left craft. These hour-long work- ileged to be in the room as Artistic Director of The Old Globe from 1982 numerous honors include the San Diego Union- having had the experience of shops are designed to get first time theatregoers gasp (above) Students take part in a post-show The Scenic, Costume, Lighting and Sound discussion with the cast after a matinee through 2007. Mr. O’Brien most recently Tribune list of 25 persons who shaped the city’s Designers in LORT Theatres are represented by a lifetime. students actively involved in at a shocking moment on- performance of The Last Goodbye. directed Ethan Hawke in Macbeth on Broad- history; the Governor’s Award for the Arts; United Scenic Artists Local USA-829, IATSE. So how did this rollicking learning about the show they stage, or surprise themselves

14 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 15 AT THE GLOBE Excitement was in the air for the much-anticipated Globe directorial debut of Artistic Director Barry Edelstein, whose produc- WHAT THE GLOBE tion of Shakespeare’s The Winter’s Tale celebrated its opening night on Thursday, February 13, 2014. Festivities began with the most well-attended Circle Patron dinner of all time prior to the evening’s performance, followed by a jubilant post-show party with donors, staff, cast, and, crew to close out the evening. MEANS TO US

Member of the Globe’s Craig Noel League Planned Giving Society ERIC SWENSON “We have been attending theatre for decades and for more than 20 years have enjoyed organizing theatre parties for our group of season subscribers. Both of us have continued this tradition because we love the variety of shows produced annually, the quality of actors, the production values the Globe is known for, and the great price of a subscription ticket. We admire the profes- sional talent we see in each show, and we are proud that many productions 2 go on to Broadway. Plus, the Shakespeare Festival is an experience that can’t be duplicated anywhere and is an evening we look forward to each summer.” Jeffrey White and Eric Swenson at the annual Craig Noel League Luncheon aboard Holland America Line’s ms Statendam. Photo by Bob Ross.

Craig Noel Level Circle Patrons BARBARA AND GERALD KENT “The Globe continues to provide world-class theatre in its 1 3 multiple venues. Coming from New York, one of our greatest concerns was giving up the quality of what we had come to expect in the arts. The Globe, in providing performances at the highest levels, long ago assuaged our concerns and is one of San Diego’s artistic gems.”

Founder Level Circle Patrons JUDY AND MATTHEW POLLACK “We were honored to attend the dinner and premiere of The (from left) Gerald and Barbara Kent and Judy and Matthew Pollack at the Opening Winter’s Tale directed by our esteemed Artistic Director Barry Night Dinner for The Winter’s Tale. Photo by Doug Gates. Edelstein. We are fortunate to have such a respected individual at the Globe who brings a certain sophistication and experience to our magnificent theatre.” 4 5 6

Director Level Circle Patrons KAREN FOX AND HARVEY RUBEN “When I settled in La Jolla, Harvey introduced me to The Old Globe, having been a patron since the days of Craig Noel. I was immediately smitten. We are thrilled with the theatre’s continu- ous evolution and commitment to our community’s youth and culture. Attending Galas and serving on the Board has given us an opportunity to contribute to the future of one of America’s most renowned theatre companies, while also indulging our passions.” 7 8 Board member Karen Fox and Harvey Ruben at the 2013 Globe Gala. Photo by Doug Gates. 1. Old Globe Artistic Director Barry Edelstein (far right) and cast members (from left) Billy Campbell, Jordi Bertran, Natacha Roi, and Paul Michael Valley. 2. Board member emerita Carolyn Yorston-Wellcome and Bard Wellcome. 3. Board member Don Cohn and Kar- en Cohn, Production Sponsors. 4. John Hattox and Board member and Production Sponsor Kathy Hattox. 5. Allison and Robert Price. 6. Board Chair Elaine Darwin and Dave Darwin, Production Sponsors. 7. (from left) Doug and Sue Roberts, Janet Rafalovich, and Board mem- ber Tim Rafalovich. 8. (from left) Lucia Stone, Joanne Wang, and Board member Vicki Zeiger. Photos by Doug Gates.

16 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 17 OUR THANKS In 1995, the Season Sponsor program was initiated by Globe Board members to secure a foundation of support for artistic Corporate Season Sponsors and education programs. Since that time, Season Sponsors have contributed millions of dollars collectively to underwrite the annual operating budget, and The Old Globe is grateful to acknowledge the following Season Sponsors who have generously supported the 2013-2014 season.

Lead Season Sponsors $75,000 and higher

Charter Sponsor since 1995 Sponsor since 2000

Charter Sponsor since 1995

Karen and Donald Cohn Darlene Marcos Shiley Audrey S. Geisel Sheryl and Harvey White Charter Sponsors since 1995 In memory of Donald Shiley Sponsor since 1998 Sponsors since 2000 Charter Sponsors since 1995 Sponsor since 2007 Sponsor since 2004 Sponsor since 2005

Conrad Prebys and Mary Ann Blair Peter Cooper and Paula and Brian Powers ANNUAL FUND DONORS Debra Turner Sponsor since 2007 Norman Blachford Sponsors since 2012 Sponsors since 2004 Sponsors since 2008 The Old Globe’s ability to maintain the highest standard of excellence, while keeping ticket prices affordable, is due in large part to the financial support of more than 2,000 individuals, businesses, foundations and government agencies. Please join us Season Sponsors $50,000 and higher in giving warm thanks and recognition to these leaders who have made tonight and our other performances possible. The Old Globe appreciates the support of those who have stepped into the spotlight.

Benefactors ($100,000 and above) Anonymous Microsoft Sheryl & Harvey White Foundation City of San Diego Commission for Arts & Culture Paula & Brian Powers Globe Guilders Darlene Marcos Shiley, in memory of Donald Shiley HENRY DIROCCO HENRY WORONOWICZ KATARZYNA J. JIM COX Globe Guilders John A. Berol The County of San Diego Kathryn Hattox Joan and Irwin Jacobs The James Irvine Foundation The Shubert Foundation Charter Sponsor since 1995 Sponsor since 1996 Sponsor since 1996 Sponsor since 1998 Sponsors since 2002 Season Sponsors ($50,000 to $99,999) Mary Beth Adderley Mr. & Mrs. Brian K. Devine The Parker Foundation (Gerald & Inez Grant Parker) The Legler Benbough Foundation Edgerton Foundation Conrad Prebys & Debra Turner John A. Berol Hal & Pam Fuson Qualcomm Foundation Mary Ann Blair Audrey S. Geisel/Dr. Seuss Fund Mickey Stern California Bank & Trust at The San Diego Foundation Rhona & Rick Thompson Karen & Donald Cohn Kathy & John Hattox United Peter Cooper & Norman Blachford HM Electronics, Inc. Wells Fargo Mary Beth Adderley Valerie and Harry Cooper Mickey Stern June E. Yoder Elaine and Dave Darwin Sponsor since 2004 Sponsors since 2005 Sponsor since 2009 Sponsor since 2010 Sponsors since 2011 Valerie & Harry Cooper Joan & Irwin Jacobs Fund of the June E. Yoder Elaine & Dave Darwin Jewish Community Foundation Vicki & Carl Zeiger

Production Sponsors ($25,000 to $49,999) Bank of America Elaine & Leonard Hirsch San Diego Gas & Electric® Alan Benaroya The Hull Family Sheraton San Diego Hotel & Marina Richard & Kathy Binford Jo Ann Kilty Ms. Jeanette Stevens Pamela & Jerry Cesak Barbara G. Kjos Gillian & Tony Thornley Brian and Silvija Devine Rhona and Rick Thompson Hal and Pam Fuson Vicki and Carl Zeiger Cohn Restaurant Group/Prado Restaurant Elaine Lipinsky Family Foundation Torrey Pines Bank Sponsors since 2012 Sponsors since 2013 Sponsors since 2013 Sponsors since 2014 Ann Davies Jeffrey & Sheila Lipinsky Family Foundation Evelyn Mack Truitt Nina & Robert Doede National Corporate Theatre Fund Union Bank Pamela A. Farr Neiman Marcus U.S. Bank For additional information on how you may become a Season Sponsor, please contact Todd Schultz, Director of Development, GEN7 Wines Random House Children’s Books Mandell Weiss Charitable Trust at (619) 231-1941 x2310. Higgs Fletcher & Mack, LLP Gloria & Dick* Rasmussen Photo for Globe Guilders: Charlotte Parry and Robert Sean Leonard in Pygmalion, 2013; for John A. Berol: the cast of A Midsummer Night’s Dream, 2013; for The County of San Diego: Participants of the 2010 Summer Shakespeare Intensive. 18 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 19 OUR THANKS Jewish Community Foundation Alan & Ester Siman Steven & Susan Garfin Shirley Mulcahy Bob & Joyce Blumberg Dave & Phyllis Snyder Terrie Georgi Marsha J. Netzer ANNUAL FUND DONORS Cecilia Carrick & Stan Nadel Margery & John Swanson Arthur Getis & Roberta King Evy & Ed Newton Walter & Cheryl Deegan Greta & Steve Treadgold Norman & Patricia Gillespie William & Carla Nolan Dorothy R. Dring Stan & Anita Ulrich J. M. Gillman Rod & Barbara Orth Clare & Paul Friedman Karen Walker Robert & Edry Goot Dr. David & Elizabeth Ostrander Director Circle ($10,000 to $24,999) Gay and Lesbian Fund for San Diego James & Ellen Weil Barbara & Leonard Gosink Lori Partrick Jane Smisor Bastien Lee & Frank Goldberg Price Family Charitable Fund at The San Diego Foundation David & Irene Weinrieb Chris Graham & Michael Albo Julius J. Peal Fund at Bjorg Family Dr. & Mrs. Harry F. Hixson, Jr. Jean & Gary Shekhter Geraldo & Scarrain Gomes Fund Judith Wenker Carol & Don Green The San Diego Foundation The Anthony Cerami & Ann Dunne Daphne H. & James D. Jameson Ben & Karen Sherwood Louise & Doug Goodman Ms. Sandy Wichelecki & Richard & Candace Haden In Memory of Margaret Peninger Foundation for World Health Brooke & Dan Koehler Nita & Henk van der Werff Arthur & Marlene Greenberg Ms. Suzanne Dukes Jeff & Judy Handler Clifford T. Pentrack & Nikki & Ben Clay Carol & George Lattimer Jordine Skoff Von Wantoch Hexagone Howard & Christy Zatkin James & Ruth Harris Fund of the Mary E. Giovaniello Joseph Cohen & Martha Farish Rebecca Moores Pamela J. Wagner Joan & George Hornig Jewish Community Foundation Rowling Family Charitable Fund of the The County of San Diego National Endowment for the Arts Dr. Steve & Lynne Wheeler Isaacs Brothers Foundation at GOLD Virginia Hawkins Jewish Community Foundation The San Diego Foundation ($500 to $999) Kaaren Henderson Frank Ruyak Dan & Phyllis Epstein Caroline & Nicolas Nierenberg Karin Winner Jake’s on 6th A Wine Bar George Amerault Jamie Henson & Robert Houskeeper San Diego Branch of Dr. & Mrs. Robert Epsten Tom & Lisa Pierce Brent Woods & Laurie Mitchell Kenneth & Marilyn Jones Anonymous (3) Bruce & Jane Hopkins The English-Speaking Union Karen Fox & Harvey Ruben Ramin Pourteymour Louis & Mary Beth Kelly Earl Asbury Joseph & Donna Hynes Jay & Julie Sarno Diana R. Glimm Allison & Robert Price Robert Kilian & Kathleen Slayton Alicia Atun & Elaine Rendon* Ed & Linda Janon Simon & Ruth Sayre Gayle & Jerry Klusky Bruce & Patricia Becker Tony & Nancy Janus Brigid Hom-Schnapp & Russell Schnapp Bill & Linda Kolb Amnon & Lee Ben-Yehuda Dr. & Mrs. Clyde W. Jones Marilies Schoepflin, Ph.D. FOUNDER CIRCLE Diana J. Barliant* & Nowell Wisch Pat JaCoby Carole Sachs Dr. & Mrs. James E. Lasry Drs. John & Karen Berger Anthony & Joyce Joseph Linda J. Seifert ($5,000 to $9,999) Jan Bart Mary & Russell Johnson Beverly & Warren Sanborn Thomas D. Lookabaugh Foundation Jay Biskupski & Catherine Imrie Bob & Janice Kayler Howard & Beverly Silldorf Lawrence G. Alldredge & Dawn Moore Mr. & Mrs. Bear Jackie Johnston Sue & Duff Sanderson Edward & Nancy Lyon Barbara Bolt Dr. Marvin M. Kripps Mr. William D. Smith & Dr. Carol Harter Melissa Garfield Bartell & Michael Bartell Charlotte & Charles Bird Katleman Family Fund of the Sherry & Charles Sheppard Joy & Ronald Mankoff Deb & Brand Brickman La Farfalla Cafe Don Stanziano & Michael Sikich Joan & Jeremy Berg Joan Bishop, in memory Jewish Community Foundation Drs. Joseph & Gloria Shurman Jasna Markovac & Gary Miller Ruth Bunn LABS, Inc./Silvia Dreyfuss Ronald & Susan Styn Barbara Bloom of Harold McNeil Dr. Gerald & Barbara Kent Dee E. Silver, MD Marcia A. Mattson Mary-Kay Butler Rick & Sherry Levin Mr. & Mrs. Gordon Swanson The Louis Yager Cantwell Paul Black Edythe Kenton Beth & Kevin Smith Jim & Ruth Mulvaney Foundation at Beth & Tim Cann Marshall & Judy Lewis Fund of the Clifford & Kay Sweet Private Foundation Steve & Elizabeth Bluhm Gladys H. King Elene & Herb Solomon The San Diego Foundation Luc Cayet & Anne Marie Pleska Jewish Community Foundation Tim & Judy Tillyer Carol & Jeff Chang Dr. Herman & Irene H. Boschken Ken & Sheryl King Marisa SorBello & Peter Czipott Mark Niblack, MD Drs. Lynne Champagne & Wilfred Kearse Carl Maguire & Margaret Sheehan Brenda & Robert Tomaras Colwell Family Distributable Fund at Anita Busquets & William Ladd Webster & Helen Kinnaird Nancy & Alan Spector and Family Virginia Oliver Richard T. Clampitt Sally & Luis Maizel Doris Trauner, M.D. & Richard Sanford The San Diego Foundation Dr. & Mrs. Edgar D. Canada Jane & Ray* Klofkorn Barbie & Dan Spinazzola Barbara B. Oswalt Jack & Carol Clark Drs. Betty Joan Maly & John Meyers Jeffrey & Sheila Truesdell R. Patrick & Sharon Connell Edward & Pamela Carnot Curt & Nancy Koch Nancy Steinhart & Rebecca Goodpasture Christopher & Susan Pantaleoni Alan L. & Frances E. Cornell Mercy & Ron Mandelbaum Natalie C. Venezia & Paul A. Sager Bernard J. Eggertsen & Florence Nemkov Harry & Sandra Carter Rosalie Kostanzer & Michael Keefe Hannah & Gene Step Robert & Doris Reed Ronald D. Culbertson Rev. Stephen J. Mather Kathy & Jim Waring Marion Eggertsen George & Ellen Casey Regina Kurtz, in fond memory Karen & Don Tartre John & Josette Rekettye Honorable Vincent Di Figlia Ronald McCaskill & Robyn Rogers The Washkowiak Family Barbara & Dick Enberg Rudy & Carol Cesena of Al Isenberg Suzanne Poet Turner & Michael Turner Jordan Ressler Charitable Fund of the Dr. Donald & Eilene Dose Mr. & Mrs. William M. McKenzie Dennis & Carol Wilson Carol Spielman-Ewan & Joel Ewan Garet & Wendy Clark Bob & Laura Kyle Mary R. Warkentin Jewish Community Foundation Jacqueline & Stanley Drosch Mr. & Mrs. Paul E. Michelson Cass Witkowski Family Susanna & Michael Flaster Ms. Heidi Conlan/ Jean & David Laing Jan Harden Webster & Raul Ortega Esther Rodriguez Berit & Tom Durler James & Estelle Milch Fund of the Brendan M. & Kaye I. Wynne Martha & George Gafford The Sahan Daywi Foundation Terry & Mary Lehr The Patricia and Christopher Weil Dr. Sara Rosenthal & Dr. Julie Prazich Bill Eiffert & Leslie Hodge Jewish Community Foundation Drs. Thomas H. & Jane D. Gawronski Richard & Stephanie Coutts Ms. Sherrill Leist Family Foundation Crystal A. Rubin Drs. George & Susan Dersnah Fee Rena Minisi & Rich Paul Norm Hapke & Valerie Jacobs Hapke Susan Barlow Cowell Ronald & Ruth W. Leonardi Shirli, Damien and Justin Weiss Ryan Family Charitable Foundation Richard & Beverly Fink Charles & Ilene Mittman *In Memoriam Gordon & Phyllis Harris Gigi & Ed Cramer James & Pamela Lester Mary Kay West Sabuku Sushi Family Foundation Dr. Robert & Anne Morrison This list current as of March 21, 2014. Alexa Kirkwood Hirsch Carlo & Nadine Daleo Paul Levin Pat & Bob Whalen Richard Seer & Douglas Wallingford Pauline E. Forman & Jack Burke Charles & Susan Muha William Karatz Darlene G. Davies, in memory Sandy & Arthur Levinson James E. & Kathryn A. Whistler Jennifer Lake & Donald Francis Donovan of Lowell Davies Robin J. Lipman For additional information on how to support The Old Globe’s artistic, education, and community programs, please visit our website at Peter Landin & Michelle Cardinal Pat & Dan Derbes Barbara & Mathew Loonin DIAMOND www.TheOldGlobe.org or contact Rachel Plummer, Major Gifts Officer, at (619) 231-1941 x2317 or [email protected]. Peter Manes & Yoko Sakaguchi Dean & Mrs. Michael H. Dessent Susan and John Major ($1,500 to $2,499) Paul & Maggie Meyer Jim & Sally Ditto Donor Advised Fund at the Anonymous (2) Money/Arenz Foundation, Inc. Devora & Ron Eisenberg of Great News! Rancho Santa Fe Foundation Jeff & Donna Applestein Matthew & Judith Pollack Mr. & Mrs. Ira S. Epstein Dr. Robert & Marcia Malkus Mrs. Lazare F. Bernhard John & Marcia Price Family Foundation Diane & Elliot Feuerstein Jackie & Charlie Mann Fund of the Holly & David Bruce Rivkin Family Fund I at Mary & David Fitz Jewish Community Foundation Greg & Loretta Cass The San Diego Foundation Jean & Sid Fox Lois Marriott Jane Cowgill Your Donation Makes Great Theatre! The Jerome Robbins Foundation Chuck Freebern Ms. Kerri Martella Bill & Nancy Homeyer Chrissy & Roger Roberts Charles & Millicent Froehlich Dr. Ted & Marcy Mazer Dr. & Mrs. M. Joseph McGreevy The San Diego Theatre Critics Circle honors the best in local theatre every year with the Craig Noel Awards, named after the Patricia K. Shumway Joy & Dr. Fred Frye Elizabeth & Edward McIntyre Judith & Neil* Morgan Iris & Matthew Strauss Elaine Galinson Elizabeth B. Meyer Akiko Charlene Morimoto & Globe’s Founding Director. This year the work on our stages—made possible by loyal supporters of the Globe—was recog- Kathryn B. & Daniel L. Sullivan Family Barbara & Albert Garlinghouse Dr. Howard & Barbara Milstein Hubert Frank Hamilton, Jr. nized with eight awards: Fund at The San Diego Foundation Bill & Judy Garrett Sara F. Moser Elspeth & Jim Myer Pat & Jack Thomas Teresa George Nancy & James Mullen Susan C. Parker Cherie Halladay Tirschwell Wendy Gillespie Bette Nagelberg Shearn & Linda Platt A Gentleman’s Guide to Love and Murder won for New Musical, Direction of a Musical, Carol Vassiliadis Robert Gleason & Marc Matys Joyce & Martin Nash Ryde Family Memorial Foundation at Orchestrations, Scenic Design, and Lead Performance in a Musical for Jefferson Mays Viterbi Family Fund of the Sheila & Tom Gorey Lyn Nelson The San Diego Foundation Jewish Community Foundation George C. Guerra Arthur & Marilyn Neumann Ann & Robert Steck Jim & Mary Jane Wiesler Ms. Cheryl Haimsohn Lawrence Newmark Jack & Louise Strecker Miles Anderson won Lead Performance in a Play for The Merchant of Venice Pamela & Marty Wygod Guy & Laura Halgren Patrons of the Prado Ms. C. Anne Turhollow & Pat & Rick Harmetz Patricia Payne Mr. Michael J. Perkins Don Sparks won Featured Performance in a Play for Pygmalion CRAIG NOEL CIRCLE Patrick Harrison & Eleanor Lynch Col. & Mrs. Ben Pollard ($2,500 to $4,999) Liz & Gary Helming Bill & Mo Popp PLATINUM Dr. & Mrs. Wayne Akeson Rhonda Heth & Thomas Mabie Daniel Porte Jr., MD & Sally Dubois ($1,000 to $1,499) Other Desert Cities won for Lighting Design Gail Andrade and Gary & Carrie Huckell The Arthur & Jeanette Pratt In Memory of Freda Altschuler & John & Jennifer Andrade Richard & Janet Hunter Memorial Fund Sylvia Goldin Anonymous (6) Hutcheson Family Fund at Joseph & Jane Rascoff Drs. Gabriela & Mike Antos Judith Bachner & Eric Lasley The San Diego Foundation Sarah B. Marsh-Rebelo & John G. Rebelo Sondra & Robert Berk Fund of the Congratulations to all of the winners and nominees — and to you, the donors, who made Jan & Rich Baldwin Drs. Sonia & Andy Israel Nancy J. Robertson Jewish Community Foundation it happen! Bobbie Ball Jerri-Ann & Gary Jacobs Cathy & Larry Robinson Gary & Barbara Blake Family Fund of the

Ken Barnett and Chilina Kennedy in A Gentleman’s Guide to Love and Murder, 2013. Photo by Henry DiRocco. 20 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 21 OUR THANKS ASSOCIATE ARTISTS OF THE OLD GLOBE In recognition of their unique contribution to the growth of The Old Globe and their special talent, we take great pride and CORPORATE DONORS pleasure in acknowledging as Associate Artists the following individuals who have repeatedly demonstrated by their active presence on our stages and in our shops, that wherever else they may work, they remain the heart and soul of the Globe.

Lead Season Sponsors ($75,000 or more) Season Sponsors ($50,000 - $74,999) William Anton Tim Donoghue Mark Harelik John McLain Steven Rubin Deborah Taylor Gregg Barnes Richard Easton Bob James Jonathan McMurtry Ken Ruta Irene Tedrow* Jacqueline Brookes* Tovah Feldshuh Charles Janasz Stephen Metcalfe Douglas W. Schmidt Sada Thompson* Lewis Brown* Monique Fowler Peggy Kellner* Robert Morgan Seret Scott Paxton Whitehead Victor Buono* Robert Foxworth Tom Lacy Patrick Page David F. Segal James Winker Wayland Capwell* Ralph Funicello Diana Maddox Ellis Rabb* Richard Seger* Robert Wojewodski Kandis Chappell Lillian Garrett-Groag Nicholas Martin Steve Rankin Diane Sinor* G Wood* Eric Christmas* Harry Groener Dakin Matthews William Roesch Don Sparks Patricia Conolly A.R. Gurney Deborah May Robin Pearson Rose David Ogden Stiers * In Memoriam George Deloy Joseph Hardy Katherine McGrath Marion Ross Conrad Susa*

Production Sponsors ($25,000 - $49,999) PATRON INFORMATION

TICKET SERVICES HOURS SEATING OF LATECOMERS Monday: Closed Although we understand parking is often at a premium, the seating of Tuesday – Sunday: Noon – last curtain latecomers is extremely disruptive. Latecomers may be given alterna- Hours subject to change. Please call ahead. tive seating and will be seated at an appropriate interval. PHONE (619) 23-GLOBE (234-5623) FAX (619) 231-6752 YOUNG CHILDREN EMAIL [email protected] or [email protected] Children five years of age and under will not be admitted to perfor- mances. ADMINISTRATION HOURS Monday – Friday: 9:00 a.m. – 5:00 p.m. ELECTRONIC DEVICES AND CAMERAS PHONE (619) 231-1941 The video and/or audio recording of this performance by any means WEBSITE www.TheOldGlobe.org whatsoever is strictly prohibited. Please silence all digital watches, pag- National Corporate Theatre Fund is a not-for-profit corporation created to increase ADDRESS The Old Globe Director Circle ($15,000 to $24,999) ers, and cellular phones prior to entering the theatre. and strengthen support from the business community for 10 of this country’s most P.O. Box 122171 distinguished professional theatres. The following foundations, individuals, and San Diego, CA 92112-2171 corporations support these theatres through their contributions to NCTF: ASSISTED LISTENING SYSTEM For the convenience of our hard-of-hearing and hearing-impaired pa- Acquis Consulting Group Marsh & McLennan Companies ORDERING TICKETS/CHANGE OF ADDRESS trons, The Old Globe has an Assistive Listening System in all three the- American Express Foundation The McGraw-Hill Companies The Old Globe accepts Visa, Discover, MasterCard, and American Ex- AOL MetLife atres: the Sheryl and Harvey White Theatre, the Old Globe Theatre, and Bank of America Morgan Stanley press. Phone orders for non-subscribers are subject to a $3.50-per-tick- the Lowell Davies Festival Theatre. A limited number of the lightweight Bloomberg Pfizer, Inc. et service charge. Ticket exchanges are subject to a service charge for headsets, as well as induction neck loops, may be obtained from the BNY Mellon RBC Wealth Management non-subscribers. If you have moved, please notify the Ticket Services house manager prior to performances. James E. Buckley RVM Inc. Office to update our records. Call (619) 234-5623 during Ticket Ser- Steven Bunson The Ralph and Luci Schey Foundation vices hours, mail your change of address to the Ticket Services Office, Christopher Campbell/ Sharp Electronics PUBLIC TOURS Palace Production Center Skadden, Arps, Slate, or email [email protected]. ($10,000 to $14,999) Cisco Systems, Inc. Meagher & Flom LLC Go behind the scenes at The Old Globe to learn about the history, three Citi George S. Smith, Jr. stages, shops and craft areas. Open tours: most Saturdays and Sundays Holland America Line First American Trust UNABLE TO ATTEND? Inn at the Park ResMed Foundation Clear Channel Outdoor TheaterMania.com/Gretchen Shugart at 10:30 a.m. Groups by reservation. $5 adults; $3 seniors and students. Cleveland Clinic John Thomopoulos If you find you are unable to use your tickets, please give them to a CMT/ABC The James S. and Lynne P. Turley Ernst Call (619) 238-0043 x2145 for information/reservations. Founder Circle ($5,000 - $9,999) Datacert, Inc. & Young Fund for Impact Creativity friend, or turn them in to the Ticket Services Office and receive a tax receipt for your donation. Tickets must be received by show time. Bertrand at Mister A’s Loma Media Nokia Inc. Dorsey & Whitney Foundation UBS LOST AND FOUND Epiq Systems Wells Fargo Ernst & Young Willkie Farr & Gallagher LLP If you have misplaced a personal item while at the theatre, please con- Craig Noel Circle ($2,500 - $4,999) RESTROOMS Cubic Corporation Luna Grill Goldman, Sachs & Co. tact the Ticket Services Office or Security as soon as possible. If we are Restrooms are located in the lower lobby of the Old Globe Theatre, the unable to locate your item, we’ll happily take down your contact in- lobby of the Sheryl and Harvey White Theatre, and adjacent to the Low- formation and a description of the item and contact you if it is found. PUBLIC SUPPORT ell Davies Festival Theatre. The Old Globe does not assume liability for items left behind on the premises. Major funding provided by the City of San Diego Commission for Arts and Culture. The Old Globe is funded by the County of San Diego. NATURAL HERB COUGH DROPS—COURTESY OF RICOLA USA, INC.—ARE AVAILABLE UPON REQUEST. PLEASE ASK AN USHER.

22 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 23 Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director

Amy E. Allison...... General Manager Kristine Hummel-Rosen...... Properties Assistant Diane Addis...... Membership Administrator Dave Henson...... Director of Marketing and Communications David Buess...... Property Master, Globe Rico Zamora...... VIP Donor Ticketing Todd Schultz...... Director of Development Kristen Flores...... Stage & Property Master, White Mark Somers...... Director of Finance Andrew Recker...... Property Master, Festival DONOR SERVICES Richard Seer...... Director of Professional Training Janette Jack, Barbara Lekes, Richard Navarro, Robert Drake...... Director of Production LIGHTING Gary Neuberg, Stephanie Reed, Stephen Wade, Roberta Wells-Famula...... Director of Education Shawna Cadence...... Lighting Director Rico Zamora...... Suite Concierges Sarah Lawler...... Lighting Fellow Tonnie Ficken...... Master Electrician, Globe MARKETING ARTISTIC Jim Dodd...... Master Electrician, White Susan Chicoine...... Public Relations Director Eric Louie, Justin Waldman...... Associate Producers Kevin Liddell...... Master Electrician, Festival Ed Hofmeister...... Associate Director of Marketing Danielle Mages Amato...... Literary Manager/Dramaturg Rebecca Broberg, Mark Dewey, Christian Erikson, Mike Hausberg...... Public Relations Associate Bernadette Hanson...... Artistic Associate Sam Ibrahim, Conor Mulligan, Kelly Boyle...... Digital and Print Publications Coordinator Jan Gist...... Resident Vocal Coach Luke Olson, Tyler Whitehead...... Electricians Laura Lothian...... Marketing Assistant Stephen Wade...... Marketing/Events Assistant PRODUCTION SOUND DeAndre Clay, Carolann Malley, Debra Pratt Ballard...... Associate Director of Production Paul Peterson...... Sound Director Lauren Senko...... Distribution Staff Suzanne Conway...... Company Manager Mark Hartshorn...... Master Sound Technician, Globe SUBSCRIPTION SALES Carol Donahue...... Production Coordinator Dana Pickop...... Master Sound Technician, White Scott Cooke...... Subscription Sales Manager Jackson Smith...... Assistant Company Manager Jeremy Nelson...... Master Sound Technician, Festival Arthur Faro, Janet Kavin, Pamela Malone, Yolanda Moore, Jessica Morrow, Ken Seper, STAGE MANAGEMENT ADMINISTRATION Cassandra Shepard, Jerome Tullmann, Alexandra Hisserich...... Operations Assistant Leila Knox...... Production Stage Manager Grant Walpole...... Subscription Sales Representatives Darlene Davies...... The Old Globe Historian

TECHNICAL TICKET SERVICES INFORMATION TECHNOLOGY Benjamin Thoron...... Technical Director Bob Coddington...... Ticket Services Director Dean Yager...... Information Technology Director Wendy Berzansky...... Associate Technical Director Marsi Bennion...... Ticket Operations Manager John Ralston..... Information Technology Assistant Manager Travis Barrett...... Assistant Technical Director Karen Ann Daniels...... Group Sales Manager Brittany Summers...... Information Technology Assistant Sean Fanning...... Resident Design Assistant Tony Dixon, Eliza Korshin...... Technical Assistant/Buyer Jordyn Patton...... Lead Ticket Services Representatives HUMAN RESOURCES Gillian Kelleher...... Master Carpenter Kari Archer, Kathy Fineman, Lauryn Greschke, Carole Payette...... Charge Scenic Artist Sandy Parde...... Human Resources Director Alejandro Gutierrez, Tyler Jones, Amanda King, Christian Thorsen...... Stage Carpenter/Flyman, Globe Manny Bejarano...... Human Resources Coordinator Caryn Morgan, Danielle Porath, Robert Dougherty...... Festival Master Carpenter Christopher Smith...... Ticket Services Representatives Jack Hernandez...... Charge Carpenter, White MAINTENANCE Jessica Amador, Eileen McCann, Mark Gingery...... Facilities Director PATRON SERVICES Dandridge Mitchell...... Painters Violanda Corona, Ismael Delgado, Frank Fields, Mike Callaway...... Patron Services Director Daniel Capiro, Sean Chaffin, Chris Chauvet, Roberto Gonzalez, Bernardo Holloway, Reyna Huerta, Janelle Conde, Mary Taylor...... House Managers Larry J. Hall, Francisco Ramirez...... Carpenters Jose Morales, Albert Rios, Maria Rios, Leonardo Stephanie Hable...... Front of House Assistant Rodriguez, Vielka Smith, Nicolas Torres, W. Adam Bernard...... Lead Scenic Artist Elaine Gingery...... Food and Beverage Manager Will Van Atta...... Building Staff Jason Chohon...... Automation Coordinator Timothy Acosta, Topher Rasmussen...... Pub Shift Supervisors PROFESSIONAL TRAINING COSTUMES Tanika Baptiste, Missy Bradstreet, Shana Wride...... Program Coordinator Stacy Sutton...... Costume Director Sondra Mejia, Stephanie Passera, Paige Plihal, Brian Byrnes, Maria Carrera, Cynthia Caywood, Michelle Thorsen...... Pub Staff Charlotte Devaux...... Resident Design Associate Ray Chambers, Gerhard Gessner, Jan Gist, Maureen Mac Niallais...... Assistant to the Director Linda Bahash, Jessica Piatt, Fred Robinson, Abraham Stoll...... M.F.A. Faculty Stephanie Rakowski...... Gift Shop Supervisors Shelly Williams...... Design Assistant/Shopper William Hartley, Corey Johnston, Michelle Hunt Souza...... Design Assistant Nate Parde, Nicole Ries...... M.F.A. Production Staff SECURITY/PARKING SERVICES Erin Cass...... Draper Edward Camarena...... Security Supervisor Marsha Kuligowski, Wendy Miller...... Tailors/Drapers EDUCATION Sherisa Eselin...... Security Officer Babs Behling, Anne Glidden Grace, Crystal Mercado...... Education Programs Manager Raquel Stewart...... Assistant Cutters Jonathon Ayon, Dallas Chang, Jeff Howell, Carol Green...... Speakers Bureau Coordinator Janet Larson, Guadelupe Velez...... Security Guards Mary Miller...... Tailoring/Construction James Cota, Jo Anne Glover, Lisel Gorell-Getz, Michael Prince, Allison Elsey, Anna MacDonald, Tea Ninkovic, Brian Hammond, Jason Heil, Stephen Hohman, Alexander Thomas...... VIP Valet Attendants Heather Premo, Alexander Zeek...... Stitchers Fredreka Irvine, Erika Malone, Heather Pauley, Erin Carignan...... Craft Supervisor/Dyer/Painter Erika Phillips, James Pillar, Christopher Salazar, Stephanie Parker...... Crafts Artisan Damon Shearer, Cynthia Stokes...... Teaching Artists Molly O’Connor...... Wig and Makeup Supervisor Kim Parker...... Assistant to Wig and Makeup Supervisor FINANCE Kimberly Eddo...... Wig Assistant Carly Bennett-Valle...... Senior Accountant Jack O’Brien...... Artistic Director Emeritus Beverly Boyd...... Wardrobe Supervisor Janet Gray...... Interim Senior Accountant Craig Noel...... Founding Director Beth Merriman...... Wardrobe Crew Chief, Globe Trish Guidi...... Accounts Payable/Accounting Assistant Anna MacDonald...... Wardrobe Crew Chief, White Adam Latham...... Payroll Coordinator/Accounting Assistant Ana Maldonado, Sue Noll, Tim Cole...... Receptionist Noelle Van Wyk...... Wardrobe Crew, Globe Marie Jezbera...... Rental Agent DEVELOPMENT Annamarie Maricle...... Associate Director, PROPERTIES Institutional Grants Neil A. Holmes...... Properties Director Bridget Cantu Wear...... Associate Director, Planned Giving Kristin Steva Campbell...... Assistant to the Director Eileen Prisby...... Events Manager M.H. Schrenkeisen...... Shop Foreman Rachel Plummer, Keely Tidrow...... Major Gifts Officers Rory Murphy...... Lead Craftsman Jessica Burger...... Development Manager, Chris Carignan, Trish Rutter...... Craftspersons Individual Annual Giving David Medina...... Properties Buyer Angelique von Thun...... Major Gifts Associate

24 PERFORMANCES MAGAZINE