May 2014 Welcome

Total Page:16

File Type:pdf, Size:1020Kb

May 2014 Welcome MAY 2014 WELCOME It’s a true pleasure to introduce you to the work of Quiara AlegrÍa Hudes, whose Pulitzer Prize- winning play Water by the Spoonful exemplifies the best new American playwriting. Her play is in good hands with director Edward Torres, a nationally DOUG GATES acclaimed theatre artist who is making his Globe Managing Director Michael G. Murphy and Artistic Director Barry Edelstein. debut with this production. Torres knows Hudes’ work well as both an actor and a director, and he just ushered her latest play, The Happiest Song Plays Last, to a world premiere at Chi- cago’s Goodman Theatre. Torres is joined by a team of designers who have a deep understanding of this small and intimate stage. Scenic designer Ralph Funicello has designed over 75 productions for The Old Globe, including a decade of sets for the Summer Shakespeare Festival. He was also the very first scenic designer to work in this space, creating the set for its inaugural production, I Do! I Do!, in 2009. Costume designer David Reynoso recently designed both Double Indemnity and Be a Good Little Widow for this theatre, and he’s currently do- ing double duty, designing costumes for the Globe’s production of Time and the Conways that opened just two weeks before this show. They’re joined by some newcomers to The Old Globe: lighting designer Jesse Klug, sound designer Mikhail Fiksel, and an entire cast of actors who are making their Globe debuts. We welcome them to the Globe, as we welcome you to the vivid, unforgettable theatrical world they’ve created together. Barry Edelstein, Artistic Director Michael G. Murphy, Managing Director MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences and the community at large. PERFORMANCES MAGAZINE 1 WELCOME PRODUCTION SPONSORS LEADERSHIP GIFTS The Old Globe recognizes and thanks the following generous individuals who have made extraordinary gifts of $1 million or more. These major ELAINE LIPINSKY FAMILY FOUNDATION Thank you for joining us for Quiara Alegría contributions have been designated Daughter of the late Dorris and Bernard Lipinsky, Elaine was a Hudes’ Water by the Spoonful, winner of the 2012 for artistic, endowment and facilities stalwart supporter of The Old Globe, attending performances Pulitzer Prize for Drama. This production is the projects, and help The Old Globe for many years and sponsoring plays and musicals. The Lipinsky 26th Pulitzer Prize-winning play to be produced remain one of our country’s great family’s tradition of generous support to the Globe began in the at The Old Globe. theatre institutions. 1950s, and it was extremely important to Elaine that this tradi- tion continue. She shared her parents’s love of the Globe and As your new Globe Board Chair and a firm be- $20,000,000 or greater its service to the community and carried on their legacy of sup- Donald† and Darlene Shiley liever in the restorative powers of the arts, I am pleased to represent port through her own foundation and advocacy. Her personal and support this amazing institution alongside our valued sponsors $10,000,000 or greater DOUG GATES commitment endures through her daughters, Kamaya Jane and The Prado at Balboa Park, Gen7 Wines, and the Elaine Lipinsky Family Conrad Prebys Diane Zeps and Kamaya Jane with George Takei. Diane Zeps—a third generation of the Lipinsky family helping Foundation. $5,000,000 or greater make theatre accessible and meaningful for all of San Diego. Sheryl and Harvey White Show us your commitment—your philanthropy can make a difference. Kathryn Hattox Your financial support for the Globe, San Diego’s largest not-for-profit Karen and Donald Cohn performing arts organization, helps close the funding gap between the costs of presenting each show and ticket sales. We are grateful for our $2,000,000 or greater audiences, our supporters, and everything you do including purchas- Viterbi Family Foundation ing tickets, attending performances, and spreading the word about our $1,000,000 or greater The Old Globe is pleased to recognize The Prado at Balboa productions and education programs with your friends. California Cultural and Park for its outstanding and longtime support. The Prado is Historical Endowment frequently visited by Globe patrons for lunch or dinner before We are in the midst of unfolding a great season, so we hope you will Estate of Dorothy S. Prough Globe performances, and restaurant patrons from all over the enjoy this important new play. Again, thank you for your presence and The Rivkin Family region receive unparalleled service and ambiance complement- all that you do for the Globe family. Estate of Beatrice Lynds ed by world-class cuisine. Owners David and Lesley Cohn be- Audrey S. Geisel/Dr. Seuss Fund lieve in supporting the arts and are pleased to partner with the at the San Diego Foundation Globe to ensure memorable and delicious nights out for Globe Mr. and Mrs. Victor H.† Ottenstein patrons. David and Lesley have attended Globe productions for Mrs. Helen Edison† more than a decade. The Old Globe greatly appreciates Cohn Elaine Bennett Darwin The Stephen & Mary Birch Foundation Restaurant Group’s generous financial contributions and in- Chair, Board of Directors The Kresge Foundation kind gifts, which support the theatre’s artistic and education †In Memoriam programming and fundraising events held throughout the year. BOARD OF DIRECTORS Elaine Bennett Darwin* Harold W. Fuson, Jr.* Peter J. Cooper* CHAIR IMMEDIATE PAST CHAIR VICE CHAIR, EDUCATION Anthony S. Thornley* Vicki L. Zeiger* Harvey P. White* VICE CHAIR, FINANCE & TREASURER VICE CHAIR, NOMINATING SECRETARY The Old Globe welcomes Gen7 Wines, an historic California winemaker of fine boutique wines, as a new corporate donor. DIRECTORS Victor P. Gálvez Ann Steck* HONORARY DIRECTORS EMERITUS DIRECTORS The Globe is pleased to recognize its outstanding support of Mary Beth Adderley* Kathryn Hattox* Steven J. Stuckey Mrs. Richard C. Adams Garet B. Clark theatre and patron events. Tim and Susanne Bacino are avid Elizabeth Altman Patricia A. Hodgkin Daniel L. Sullivan, Ph.D. (1912–2005) J. Dallas Clark (1913–2005) theatregoers and were introduced to the theatre through a spe- Pamela Cesak Daphne H. Jameson Karen Tanz Clair Burgener (1921-2006) Bea Epsten cial event they attended last summer. Gen7 Wines began assist- Mrs. John H. Fox Nicole A. Clay Jo Ann Kilty Rhona Thompson Sally Furay, R.S.C.J. ing the Globe through generous support of the annual Gala with Joseph J. Cohen Sheila Lipinsky Evelyn Mack Truitt (1908–2003) Bernard Lipinsky major in-kind wine discounting. Today, Gen7 Wines provides Donald L. Cohn* Mitzi Lizárraga Debra Turner Audrey S. Geisel (1914-2001) Valerie S. Cooper* Ramin Pourteymour Linda Van Vark Paul Harter Delza Martin (1915–2005) the Globe with top-rated wines for Opening Night dinners and Ann Davies Paula Powers* Stacey LeVasseur Vasquez Gordon Luce (1925-2006) Darlene Marcos Shiley wine service in the Lipinsky Family Suite. The Old Globe thanks Silvija Devine Conrad Prebys* Jordine Von Wantoch Dolly Poet (1921-2007) Patsy Shumway Gen7 Wines for its friendship and very generous support. Stephen P. Embry Tim Rafalovich Pamela J. Wagner Deborah Szekely Carolyn Yorston-Wellcome Pamela A. Farr David L. Reagan Lynne Wheeler Hon. Pete Wilson Karen Fox Sandra Redman Debbie Wilson Robert Foxworth Crystal Sargent Karin Winner* *Executive Committee Member Jack Galloway Jean Shekhter June Yoder 2 PERFORMANCES MAGAZINE PERFORMANCES MAGAZINE 3 PRESENTS THE CAST (in alphabetical order) FOUNTAINHEAD aka JOHN ...........................................................................................Robert Eli* YAZMIN ORTIZ ................................................................................................... Sarah Nina Hayon* WATER BY THE ELLIOT ORTIZ .................................................................................................................. Rey Lucas* GHOST, PROFESSOR AMAN, POLICEMAN .......................................................M. Keala Milles, Jr. ORANGUTAN ................................................................................................................Ruibo Qian* CHUTES&LADDERS ................................................................................... Keith Randolph Smith* SPOONFUL ODESSA ORTIZ aka HAIKUMOM ........................................................................... Marilyn Torres* STAGE MANAGER ........................................................................................................Jess Slocum* BY QUIARA ALEGRÍA HUDES SETTING 2009. Six years after Elliot left for Iraq. Philadelphia, San Diego, Japan (various cities), and Puerto Rico. Ralph Funicello† David Israel Reynoso Jesse Klug Mikhail Fiksel SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN There will be one 15-minute intermission. Caparelliotis Casting Jess Slocum CASTING STAGE MANAGER PRODUCTION STAFF ASSISTANT DIRECTOR ............................................................................................. Kristin Leahey DIRECTED BY ASSISTANT SCENIC DESIGN ..................................................................................... Sean Fanning ASSISTANT COSTUME DESIGN ..............................................................................Shelly
Recommended publications
  • Plays to Read for Furman Theatre Arts Majors
    1 PLAYS TO READ FOR FURMAN THEATRE ARTS MAJORS Aeschylus Agamemnon Greek 458 BCE Euripides Medea Greek 431 BCE Sophocles Oedipus Rex Greek 429 BCE Aristophanes Lysistrata Greek 411 BCE Terence The Brothers Roman 160 BCE Kan-ami Matsukaze Japanese c 1300 anonymous Everyman Medieval 1495 Wakefield master The Second Shepherds' Play Medieval c 1500 Shakespeare, William Hamlet Elizabethan 1599 Shakespeare, William Twelfth Night Elizabethan 1601 Marlowe, Christopher Doctor Faustus Jacobean 1604 Jonson, Ben Volpone Jacobean 1606 Webster, John The Duchess of Malfi Jacobean 1612 Calderon, Pedro Life is a Dream Spanish Golden Age 1635 Moliere Tartuffe French Neoclassicism 1664 Wycherley, William The Country Wife Restoration 1675 Racine, Jean Baptiste Phedra French Neoclassicism 1677 Centlivre, Susanna A Bold Stroke for a Wife English 18th century 1717 Goldoni, Carlo The Servant of Two Masters Italian 18th century 1753 Gogol, Nikolai The Inspector General Russian 1842 Ibsen, Henrik A Doll's House Modern 1879 Strindberg, August Miss Julie Modern 1888 Shaw, George Bernard Mrs. Warren's Profession Modern Irish 1893 Wilde, Oscar The Importance of Being Earnest Modern Irish 1895 Chekhov, Anton The Cherry Orchard Russian 1904 Pirandello, Luigi Six Characters in Search of an Author Italian 20th century 1921 Wilder, Thorton Our Town Modern 1938 Brecht, Bertolt Mother Courage and Her Children Epic Theatre 1939 Rodgers, Richard & Oscar Hammerstein Oklahoma! Musical 1943 Sartre, Jean-Paul No Exit Anti-realism 1944 Williams, Tennessee The Glass Menagerie Modern
    [Show full text]
  • NETC News, Vol. 15, No. 3, Summer 2006
    A Quarterly Publication of the New England Theater NETCNews Conference, Inc. volume 15 number 3 summer 2006 The Future is Now! NETC Gassner Competition inside Schwartz and Gleason Among 2006 a Global Event this issue New Haven Convention Highlights April 15th wasn’t just income tax day—it was also the by Tim Fitzgerald, deadline for mailing submissions for NETC’s John 2006 Convention Advisor/ Awards Chairperson Gassner Memorial Playwrighting Award. The award Area News was established in 1967 in memory of John Gassner, page 2 Mark your calendars now for the 2006 New England critic, editor and teacher. More than 300 scripts were Theatre Conference annual convention. The dates are submitted—about a five-fold increase from previous November 16–19, and the place is Omni New Haven years—following an extensive promotional campaign. Opportunities Hotel in the heart of one of the nation’s most exciting page 5 theatre cities—and just an hour from the Big Apple itself! This promises to be a true extravanganza, with We read tragedies, melodramas, verse Ovations workshops and inteviews by some of the leading per- dramas, biographies, farces—everything. sonalities of current American theatre, working today Some have that particular sort of detail that page 6 to create the theatre of tomorrow. The Future is Now! shows that they’re autobiographical, and Upcoming Events Our Major Award recipient this others are utterly fantastic. year will be none other than page 8 the Wicked man himself, Stephen Schwartz. Schwartz is “This year’s submissions really show that the Gassner an award winning composer Award has become one of the major playwrighting and lyricist, known for his work awards,” said the Gassner Committee Chairman, on Broadway in Wicked, Pippin, Steve Capra.
    [Show full text]
  • Welcome to Picasso at the Lapin Agile! We're Thrilled to Kick Off 2017 With
    FEBRUARY 2017 WELCOME JIM COX elcome to Picasso at the Lapin Agile! We’re thrilled to kick off 2017 with this funny, fascinating, and endlessly W surprising play. As we begin a new year, we also celebrate the phenomenal successes of 2016. Last year, the Globe broke box office records with hits like Meteor Shower (another Steve Martin comedy) and our acclaimed productions of October Sky and Sense and Sensibility. It was also an outstanding year for philanthropy. Individual donors gave generously to support our mission, and the Globe reaped the benefit of major foundation and government support. Our Arts Engagement Department successfully launched a slate of new programs funded in part by The James Irvine Foundation’s New California Arts Fund, and the National Endowment for the Arts awarded the Globe a major grant to support new play development. In every way, 2016 was a banner year for The Old Globe. We couldn’t imagine a better way to start 2017 than Picasso at the Lapin Agile. Not only does the production mark the welcome return of writer Steve Martin to the Globe, it pairs him with his longtime collaborator—and our Erna Finci Viterbi Artistic Director—Barry Edelstein. Here, Barry shepherds an all-star cast featuring returning Globe favorites alongside talented performers making their Globe debuts. 2016 will be a tough act to top, but this show bodes well for another banner year of great theatre in Balboa Park. We hope to see you often at the Globe in the coming year! MISSION STATEMENT The mission of The Old Globe is to preserve, strengthen, and advance American theatre by: creating theatrical experiences of the highest professional standards; producing and presenting works of exceptional merit, designed to reach current and future audiences; ensuring diversity and balance in programming; providing an environment for the growth and education of theatre professionals, audiences, and the community at large.
    [Show full text]
  • Lauren Keating Directing Resume November 2015
    Lauren Keating 553 Lorimer St, Apt 2 | Brooklyn, NY 11211 Director [email protected] | 646.404.4404 www.Lauren-Keating.com Directing The Art of Gaman by Dipika Guha The Lark LULU by Frank Wedekind Drama League/Dixon Place Kristmas with the Kilroys: A Live Radio Show Naked Angels The Antony & Cleopatra Project by Tarell McCraney & Company The McCarter Theatre Conservatory How to be Alone by Rachel Kauder Nalebuff Dixon Place Comedie of Errors by William Shakespeare The New Lions/NYC Parks & Recreation Dept. The World’s Fair Plays by Wendy McLeod, Deen and Caridad Svich Queens Theater in the Park Architecture of Becoming by The WP Lab The Women’s Project/NY City Center The Harmonious Pimps of Harmony's Last Show by Daniel Hartley, Adam Lerman Ars Nova Al's Business Cards by Josh Koenigsberg At Play/The Old Vic This is How We Do It by Winter Miller New Ohio EARTHA by Francesca Choy-Kee The Walker Theater Charlotte’s Web, by Joseph Robinette The Hangar Theatre The Confidence Man by Paul Cohen Woodshed Collective The Ride by Crystal Skillman The Prospect Theater If by Erin Moughon 3LD/The Old Vic Broke: The Monday to Friday Plays by Laura Jacqmin Ars Nova Measure for Measure by William Shakespeare The New Lions/The Sage Theater Great Evenings by David Greenstein Cooper Union Monuments by Diane DiPrima Peculiar Works Project Directing – Workshops Matachanna by Rhiana Yazzie Oregon Shakespeare Festival/The Public Theater/The Inge Center Fly By Night by Will Connelly, Michael Mitnick & Kim Rosenstock Ars Nova Camdenside by Sarah Burgess Studio42
    [Show full text]
  • Programming and Award-Winning Work in the Community
    We l c o m e t o Welcome – it’s so good to have you What an exciting time to be at The Old here! Globe! We’re wrapping up an enormously suc- It’s “one from column A, and one cessful 2004 Winter Season, during which we from column B” for this last round of hosted the great American playwright Arthur Season 2004, and they couldn’t be Miller for his incredible production of more polar opposites, nor more beauti- Resurrection Blues, and presented William Inge’s fully yoked together. classic Bus Stop, plus Pulitzer Prize-winner Nilo In the Globe, Stephen Wadsworth Cruz’s Two Sisters and a Piano. We’re now getting returns with his celebrated Don Juan, one of the great and into gear for summer, highlighted by the much-anticipated challenging classics of Moliere, no where as farcical as the Shakespeare Festival, alongside the delightful new musical Lucky Duck, more familiar productions we’ve hosted over the years, but a directed by 2002 Tony Award®-winner John Rando, and a contempo- great, probing, and fascinating take on the life of the famous rary comedy, The Intelligent Design of Jenny Chow. reprobate that stands with Mozart’s Don Giovanni in its repu- We’ve just announced our 2004/2005 Winter Season as well, tation. Wadsworth is one of the true originals directing these continuing the Globe’s tradition of artistic excellence with an ambi- days, whose intense mastery of the works of the 17th and tious line-up of some of the most significant work being produced in 18th Centuries – whether it be Handel’s opera, Xerxes or the the theatre today.
    [Show full text]
  • OSLO Casting Announcement
    MICHAEL ARONOV, ADAM DANNHEISSER, JENNIFER EHLE, DANIEL JENKINS, DARIUSH KASHANI, JEFFERSON MAYS, DANIEL ORESKES, HENNY RUSSELL, JOSEPH SIRAVO, T. RYDER SMITH TO BE FEATURED IN THE LINCOLN CENTER THEATER PRODUCTION OF “OSLO” a new play by J.T. ROGERS directed by BARTLETT SHER PREVIEWS BEGIN THURSDAY, JUNE 16 OPENING NIGHT IS MONDAY, JULY 11 AT THE MITZI E. NEWHOUSE THEATER Lincoln Center Theater (under the direction of André Bishop) has announced that Michael Aronov, Adam Dannheisser, Jennifer Ehle, Daniel Jenkins, Dariush Kashani, Jefferson Mays, Daniel Oreskes, Henny Russell, Joseph Siravo, and T. Ryder Smith will be featured in the cast of its upcoming production of OSLO, a new play by J.T. Rogers, directed by Bartlett Sher. Commissioned by Lincoln Center Theater, OSLO begins performances Thursday, June 16 and will open Monday, July 11 at the Mitzi E. Newhouse Theater (150 West 65 Street). Additional casting will be announced at a later date. It’s 1993. The world watches the impossible: Israeli Prime Minister Yitzhak Rabin and Palestinian Liberation Organization Chairman Yasser Arafat, standing together in the White House Rose Garden, signing the first ever peace agreement between Israel and the PLO. How were the negotiations kept secret? Why were they held in a castle in the middle of Norway? And who are these mysterious negotiators? A darkly comic epic, OSLO tells the true, but until now, untold story of how one young couple, Norwegian diplomat Mona Juul (to be played by Jennifer Ehle) and her husband social scientist Terje Rød-Larsen (to be played by Jefferson Mays), planned and orchestrated top-secret, high-level meetings between the State of Israel and the Palestine Liberation Organization, which culminated in the signing of the historic 1993 Oslo Accords.
    [Show full text]
  • 32103371-0-AFA2017-Program.Pdf
    A WORD FROM THE PRODUCERS Michael Holzer Jacque Carnahan One year ago, we came together at the Gershwin Theatre for the very first Arts for Autism concert. Dozens of Broadway actors joined more than 150 young performers to take part in a show that inspired, educated and entertained us. It was uplifting to see so many passionate artists collaborate to raise awareness, encourage acceptance and to celebrate the power of the arts. We also witnessed the Broadway debut of Gina Hitsos, a young singer with autism who found her voice through the magic of music. There was an infectious feeling of love, excitement and optimism as everyone left the theatre that night. After a year of planning and projects we are back! We have many new and exciting developments since last June. After debuting a special arrangement of “Defying Gravity” in last year’s concert, we released a music video to share the beautiful message with an even wider audience. In February, we ventured out to the Ice Plant Recording studios in Queens with three former Broadway Elphabas from Wicked to reimagine the song we know and love. You can find the video on our website at ArtsForAutism.net. In May, we joined Autism Speaks at MetLife Stadium for the Northern New Jersey Walk. We were thrilled to be there and show our support. Jacque and our talented musicians serenaded and entertained the walkers; it was wonderful to see firsthand the positive impact that music can have. Now it’s June, and here we are again at the Gershwin Theatre.
    [Show full text]
  • Broadway Bound #305, 6/15/19, 2019 Tony Awards Wrap-Up, Garrett Stack
    Order Time Writer(s) Title Artist Disc Label Year Position Comment File Number Intro Track Release Date Date Played Date Played Copy 01 3:16 Alan J Lerner/Frederick Lowe Overture My Fair Lady Orchestra My Fair Lady: 2018 Broadway Cast Recording Broadway Records 2018 Opened on Broadway April 2018 starring Lauren Ambrose as Eliza, Harry Haden-Paton as CDS My Fair Lad 1 2018 6/15/19 Prof Higgens. 02 3:46 Steven Lutvak/Robt. Freedman I Don't Understand the Poor Jefferson Mays; Ensemble A Gentleman's Guide to Love and Murder (Original Ghostlight 2014 Opened 11/14/13 CDS Gentleman's 6 2014 6/15/19 Broadway Cast Recording) 03 1:38 Gerry Goffin/Carole King Take Good Care of My Baby Jake Epstein & Jessie Mueller Beautiful - The Carole King Musical (Original Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 07 2014 9/13/14 6/15/19 Broadway Cast) 04 2:47 Carole King It's Too Late Jessie Mueller, Douglas Lyons, E. Clayton Beautiful: The Carole King Musical (Broadway Ghostlight 2014 Opened 1/12/2014 CDS Beautiful 0:08 21 2014 5/24/14 6/7/14 6/15/19 Cast) 05 3:24 Menken|Ashman|Rice|Beguelin Somebody's Got Your Back JCaomrneesl ioMuosn &ro eJ oIgshle hDaarvti,s Adam Jacobs & Aladdin Original Broadway Cast Disney 2014 Opened 3/20/2014 CDS Aladdin 15 2014 8/16/14 12/6/14 1/7/17 5/27/17 6/15/19 06 2:21 Jeanine Tesori/Lisa Kron Party Dress M“firciheanedl sC”erveris, Sydney Lucas, Beth Fun Home - Original Broadway Cast PS Classics 2015 Transfer from off-Broadway.
    [Show full text]
  • 2013 GIA Conference Program
    [ CONFERENCE PROGRAM ] GIA 2013 CONFERENCE THE NEW CREATIVE COMMUNITY [ WELCOME ] Welcome to Philadelphia for the 2013 Grantmakers in the Arts Conference. When our planning committee met last January, we were committed to producing a conference that was relevant, excit- ing, and a departure in format from past conferences. We wanted to do it differently and re-energize the proceedings. We think we’ve succeeded! Philadelphia is a perfect backdrop for a conference that is looking at the new ways art is presented and supported. IDEA LAB presenters, artists, and innovative administrators will inspire you with imaginative ideas about arts practice that are contributing to a new creative community. Keynotes, including Philadelphia’s own Quiara Alegría Hudes, will challenge you to think about the ways artists transform our communities and the ways we, as arts funders, expand the concept of community to include new and vibrant creative endeavors. Welcome to Philadelphia, the city where democracy was born, where the old is respected, but doesn’t stand in the way of the new. Welcome to the Barnes Foundation on Tuesday evening, a glorious new building and important collection. Welcome to Old City, where an industrial past has given way to an artistic present that has invigo- rated the core of the city. Welcome to the city of groundbreaking contemporary practice across the arts, culturally distinct neighborhoods, and fantastic food. We hope you will experience all of it. We are most grateful for the help of many friends and colleagues in making this conference pos- sible. Special thanks to the GIA staff, everyone willing to host a dine-around, the artists of Philadel- phia, and the many great people working at the arts sites you will visit.
    [Show full text]
  • The Birthday Party at A.C.T. Encore Arts San Francisco
    SAN FRANCISCO’S PREMIER NONPROFIT THEATER COMPANY THE BIRTHDAY PARTY JAN 2018 SEASON 51, ISSUE 4 BY QUI NGUYEN DIRECTED BY JAIME CASTAÑEDA Vietgone is not your typical how-Mom- met-Dad story. Not unless they hit it off at a refugee camp in Arkansas. But that’s the story of playwright Qui Nguyen’s parents, who fell in love against all odds. Fleeing war-torn Vietnam, Tong and Quang navigate the unfamiliar landscape of 1970s America. As they learn more about the culture of this new land, they ponder what “home” really means. Is home a place, a person, a feeling? Bending genres and breaking rules, Nguyen’s cheeky retelling of his own family story skips through time and “A raucous, immensely moving comedy.” Charles Isherwood, The New York Times BEGINS FEBRUARY 21 A.C.T.’S STRAND THEATER act-sf.org/vietgone | 415.749.2228 “Hip, high-wire theatricality . sultry sexiness . quirky playfulness.” The Seattle Times bounces between borders, cracking Winner of the 2016 Harold and Mimi jokes along the way. Director Jaime Steinberg/American Theatre Critics Castañeda, who’s known Nguyen for Association New Play Award, Vietgone years, calls this play “uniquely Qui— was an off-Broadway hit at Manhattan he takes what seems like a traditional Theatre Club and sold out shows at immigrant story and turns it into this 2016’s Oregon Shakespeare Festival. wild, epic road-trip fantasia with fights This all-new production—complete and music and dancing and sex.” with kick-ass ninja fights and an original rap-inspired score—will burst Set to an original soundtrack that mixes into The Strand this February.
    [Show full text]
  • Programming; Providing an Environment for the Growth and Education of Theatre Professionals, Audiences, and the Community at Large
    AUGUST 2016 WELCOME Welcome to the funny, unexpected, and delightfully off-kilter world of Meteor Shower. With this world premiere production, we’re thrilled to continue our ongoing relationship with the brilliant artist Steve Martin. The Globe’s production of Bright Star, Steve and Edie Brickell’s new musical that premiered here in 2014, transferred to Broadway earlier this year, where it was nominated for an impressive five Tony Awards, including Best Musical. Next season, the Globe will mount a major revival of Steve’s 1993 play Picasso at the Lapin Agile. We’re glad Steve has found a new artistic home here in San Diego. The Globe is an especially fitting place to premiere Meteor Shower because it is a DOUGLAS GATES California story. Set in Ojai in the 1990s, Managing Director Michael G. Murphy and Erna Finci Viterbi Artistic Director Barry Edelstein. the play examines a specific moment in the life of our state. It’s a theatrical snapshot of the mores and (kooky) ways of society in Southern California, and though it’s set in the past, it’s eminently recognizable to Californians today. It’s also a pleasure to welcome yet another artistic director of a major regional theatre here at the Globe. Gordon Edelstein is the Artistic Director of Long Wharf Theatre in Connecticut, the great company we’re partnering with to co-produce this show, and the fifth artistic director to helm a show at the Globe this year. And because we know you’re wondering: no, Gordon and Barry are not related, except in their devotion to the wonders of theatre.
    [Show full text]
  • At the Mission San Juan Capistrano
    AT THE MISSION SAN JUAN CAPISTRANO by José Cruz González based on the comic strip “Peanuts” by Charles M. Schulz directed by Christopher Acebo book, music and lyrics by Clark Gesner additional dialogue by Michael Mayer additional music and lyrics by Andrew Lippa directed and choreographed by Kari Hayter OUTSIDE SCR 2021 • SOUTH COAST REPERTORY • 1 THE THEATRE Tony Award-winning South Coast Repertory, founded in 1964 by David Emmes and Martin Benson, is led by Artistic Director David Ivers and SPRING/SUMMER 2021 SEASON Managing Director Paula Tomei. SCR is recog- nized as one of the leading professional theatres IN THIS ISSUE Get to know, or get reacquainted with, South Coast Repertory in the United States. It is committed to theatre through the stories featured in this magazine. You’ll find information about both that illuminates the compelling personal and Outside SCR productions: American Mariachi and You’re a Good Man, Charlie social issues of our time, not only on its stages but Brown, as well as the Mission San Juan Capistrano, acting classes for all ages and a through its wide array of education and engage- host of other useful information. ment programs. 6 Letter From the Artistic Director While its productions represent a balance of clas- That Essential Ingredient of the Theatre: YOU sic and modern theatre, SCR is renowned for The Lab@SCR, its extensive new-play development program, which includes one of the nation’s larg- 7 Letter From the Managing Director est commissioning programs for emerging, mid- A Heartfelt Embrace career and established writers and composers.
    [Show full text]