Coventry Patmore - Poems

Total Page:16

File Type:pdf, Size:1020Kb

Coventry Patmore - Poems Classic Poetry Series Coventry Patmore - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Coventry Patmore(23 July 1823 - 26 November 1896) Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. <b>Life</b> <b>Youth</b> The eldest son of author Peter George Patmore, Coventry Patmore was born at Woodford in Essex and was privately educated. He was his father's intimate and constant companion and inherited from him his early literary enthusiasm. It was Coventry's ambition to become an artist. He showed much promise, earning the silver palette of the Society of Arts in 1838. In 1839 he was sent to school in France for six months, where he began to write poetry. On his return, his father planned to publish some of these youthful poems; Coventry, however, had become interested in science and poetry was set aside. He later returned to writing however, enthused by the success of <a href="http://www.poemhunter.com/alfred-lord-tennyson/">Alfred Lord Tennyson</a>; and in 1844 he published a small volume of Poems, which was original but uneven. Patmore, distressed at its reception, bought up the remainder of the edition and destroyed it. What upset him most was a cruel review in Blackwood's Magazine; but the enthusiasm of his friends, together with their more constructive criticism, helped foster his talent. The publication of this volume bore immediate fruit in introducing its author to various men of letters, including <a href="http://www.poemhunter.com/dante-gabriel-rossetti/">Dante Gabriel Rossetti</a>, through whom Patmore became known to William Holman Hunt, and was thus drawn into the Pre-Raphaelite Brotherhood, contributing his poem "The Seasons" to The Germ. <b>Major work</b> At this time Patmore's father was financially embarrassed; and in 1846 Richard Monckton Milnes, 1st Baron Houghton obtained for Coventry the post of printed book supernumary assistant at the British Museum, a post he occupied for nineteen years, devoting his spare time to poetry. In 1847 he married Emily Andrews, daughter of Dr. Andrews of Camberwell and by 1851 they had had two sons, Coventry (born 1848) and Tennyson (born 1850). Three daughters followed - Emily (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last child, a son (Henry John), was born in 1860. www.PoemHunter.com - The World's Poetry Archive 1 At the British Museum Patmore was instrumental in starting the Volunteer Movement in 1852. He wrote an important letter to The Times on the subject, and stirred up much martial enthusiasm among his colleagues. In 1853 he republished Tamerton Church Tower, the more successful of his pieces from Poems of 1844, adding several new poems which showed distinct advance, both in conception and treatment; and in the following year (1854) the first part of his best known poem, The Angel in the House appeared. The Angel in the House is a long narrative and lyric poem, with four sections composed over a period of years: The Betrothed and The Espousals (1854) which eulogize his first wife; followed by Faithful For Ever (1860); and The Victories of Love (1862). The four works were published together in 1863 and have come to symbolise the Victorian feminine ideal - which was not necessarily the ideal amongst feminists of the period. By 1861 the family were living in Elm Cottage, North End, Hampstead. In 1862 Emily died after a lengthy and lingering illness, and shortly afterwards Coventry joined the Roman Catholic church. In 1865 he re-married, his second wife being Marianne Byles, daughter of James Byles of Bowden Hall, Gloucester; a year later he purchased Buxted Hall in Surrey, the history of which he wrote in How I managed my Estate (1886). In 1877 he published The Unknown Eros, which contains his finest poetic work, and in the following year Amelia, his own favourite among his poems, together with an interesting essay on English Metrical Law, appeared. This departure into criticism continued in 1879 with a volume of papers entitled Principle in Art, and again in 1893 with Religio poetae. His second wife Marianne died in 1880, and in 1881 he married Harriet Robson from Bletchingley in Surrey (born 1840). Their son Francis was born in 1882. In later years he lived at Lymington, where he died in 1896. He was buried in Lymington churchyard. <b>Evaluation</b> A collected edition of Patmore's poems appeared in two volumes in 1886, with a characteristic preface which might serve as the author's epitaph. "I have written little," it runs; "but it is all my best; I have never spoken when I had nothing to say, nor spared time or labour to make my words true. I have respected posterity; and should there be a posterity which cares for letters, I dare to hope that it will respect me." The sincerity which underlies this statement, combined www.PoemHunter.com - The World's Poetry Archive 2 with a certain lack of humour which peers through its naïveté, points to two of the principal characteristics of Patmore's earlier poetry; characteristics which came to be almost unconsciously merged and harmonized as his style and his intention drew together into unity. His best work is found in the volume of odes called The Unknown Eros, which is full not only of passages but entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody. Spirituality informs his inspiration; the poetry is glowing and alive. The magnificent piece in praise of winter, the solemn and beautiful cadences of "Departure," and the homely but elevated pathos of "The Toys," are in their manner unsurpassed in English poetry. His somewhat reactionary political opinions, which also find expression in his odes, are perhaps a little less inspired, although they can certainly be said to reflect, as do his essays, a serious and very active mind. Patmore is today one of the least known but best-regarded Victorian poets. His son Henry John Patmore (1860–1883) also became a poet. <b>Trivia</b> Coventry Patmore was caricatured as the unpleasant poet Carleon Anthony in Joseph Conrad's novel Chance (1913). In X-Men: Season 1 Episode 1 Patmore's poem "Farewell", from the collection "The Unknown Eros", is paraphrased by the character Beast, "The faint heart averted many feet and many a tear, in our opposed path to perservere." The character also follows the quote with, "A minor poet for a minor obstacle." www.PoemHunter.com - The World's Poetry Archive 3 A Dream Amid the mystic fields of Love I wander'd, and beheld a grove. Breathlessly still was part, and part Was breathing with an easy heart; And there below, in lamblike game, Were virgins, all so much the same, That each was all. A youth drew nigh, And on them gazed with wandering eye, And would have pass'd, but that a maid, Clapping her hands above her, said, ‘My time is now!’ and laughing ran After the dull and strange young man, And bade him stop and look at her. And so he call'd her lovelier Than any else, only because She only then before him was. And, while they stood and gazed, a change Was seen in both, diversely strange: The youth was ever more and more That good which he had been before; But the glad maiden grew and grew Such that the rest no longer knew Their sister, who was now to sight The young man's self, yet opposite, As the outer rainbow is the first, But weaker, and the hues reversed. And whereas, in the abandon'd grove, The virgin round the Central Love Had blindly circled in her play, Now danced she round her partner's way; And, as the earth the moon's, so he Had the responsibility Of her diviner motion. ‘Lo,’ He sang, and the heavens began to glow, ‘The pride of personality, Seeking its highest, aspires to die, And in unspeakably profound Humiliation Love is crown'd! And from his exaltation still www.PoemHunter.com - The World's Poetry Archive 4 Into his ocean of good-will He curiously casts the lead To find strange depths of lowlihead.’ To one same tune, but higher, ‘Bold,’ The maiden sang, ‘is Love! For cold On Earth are blushes, and for shame Of such an ineffectual flame As ill consumes the sacrifice!’ Coventry Patmore www.PoemHunter.com - The World's Poetry Archive 5 A Farewell With all my will, but much against my heart, We two now part. My Very Dear, Our solace is, the sad road lies so clear. It needs no art, With faint, averted feet And many a tear, In our opposèd paths to persevere. Go thou to East, I West. We will not say There 's any hope, it is so far away. But, O, my Best, When the one darling of our widowhead, The nursling Grief, Is dead, And no dews blur our eyes To see the peach-bloom come in evening skies, Perchance we may, Where now this night is day, And even through faith of still averted feet, Making full circle of our banishment, Amazèd meet; The bitter journey to the bourne so sweet Seasoning the termless feast of our content With tears of recognition never dry. Coventry Patmore www.PoemHunter.com - The World's Poetry Archive 6 A London Fête All night fell hammers, shock on shock; With echoes Newgate's granite clang'd: The scaffold built, at eight o'clock They brought the man out to be hang'd.
Recommended publications
  • Coventry Patmore: Critic of Literature and Art Julitta Gaul Loyola University Chicago
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1941 Coventry Patmore: Critic of Literature and Art Julitta Gaul Loyola University Chicago Recommended Citation Gaul, Julitta, "Coventry Patmore: Critic of Literature and Art" (1941). Master's Theses. Paper 187. http://ecommons.luc.edu/luc_theses/187 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1941 Julitta Gaul - COVENTRY PATMORE CRITIC OF LITERATURE AND ART BY SISTER JULITTA GAUL. S.C.C. A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF :MASTER OF ARTS I:N LOYOLA UNIVERSITY FEBRUARY 1941 ,...... PREFACE The past two decades have witnessed a revival of interest in Coventry Patmore, whom the world has come to know as 11 the poet of nuptial love." In 1921 Frederick Page collected and published a large uumber of Patmore's latest essays under the title of Courage~ Politics and other Essgys, while Osbert Burdett published a microscopic examination of the Patmorean theme under the title The Idea of Patmore. The numerous articles commemorating the centenary of Patmore's birth were followed in 1924 by a biography of his daughter Emily, a religious of the Holy Child Jesus, whose life is a kind of commentary on the odes of ~ Unknown ~· Frederick Page's study of Patmore's poetry appeared in 1933.
    [Show full text]
  • THE UNKNOWN EROS by Coventry Patmore
    THE UNKNOWN EROS by Coventry Patmore. PREFACE TO THIRD EDITION. To this edition of "The Unknown Eros" are added all the other poems I have written, in what I venture--because it has no other name--to call "catalectic verse." Nearly all English metres owe their existence as metres to "catalexis," or pause, for the time of one or more feet, and, as a rule, the position and amount of catalexis are fixed. But the verse in which this volume is written is catalectic par excellence, employing the pause (as it does the rhyme) with freedom only limited by the exigencies of poetic passion. From the time of Drummond of Hawthornden to our own, some of the noblest flights of English poetry have been taken on the wings of this verse; but with ordinary readers it has been more or less discredited by the far greater number of abortive efforts, on the part sometimes of considerable poets, to adapt it to purposes with which it has no expressional correspondence; or to vary it by rhythmical movements which are destructive of its character. Some persons, unlearned in the subject of metre, have objected to this kind of verse that it is "lawless." But it has its laws as truly as any other. In its highest order, the lyric or "ode," it is a tetrameter, the line having the time of eight iambics. When it descends to narrative, or the expression of a less-exalted strain of thought, it becomes a trimeter, having the time of six iambics, or even a dimeter, with the time of four; and it is allowable to vary the tetrameter "ode" by the occasional introduction of passages in either or both of these inferior measures, but not, I think, by the use of any other.
    [Show full text]
  • Owners, Kentucky Derby (1875-2017)
    OWNERS, KENTUCKY DERBY (1875-2017) Most Wins Owner Derby Span Sts. 1st 2nd 3rd Kentucky Derby Wins Calumet Farm 1935-2017 25 8 4 1 Whirlaway (1941), Pensive (’44), Citation (’48), Ponder (’49), Hill Gail (’52), Iron Liege (’57), Tim Tam (’58) & Forward Pass (’68) Col. E.R. Bradley 1920-1945 28 4 4 1 Behave Yourself (1921), Bubbling Over (’26), Burgoo King (’32) & Brokers Tip (’33) Belair Stud 1930-1955 8 3 1 0 Gallant Fox (1930), Omaha (’35) & Johnstown (’39) Bashford Manor Stable 1891-1912 11 2 2 1 Azra (1892) & Sir Huon (1906) Harry Payne Whitney 1915-1927 19 2 1 1 Regret (1915) & Whiskery (’27) Greentree Stable 1922-1981 19 2 2 1 Twenty Grand (1931) & Shut Out (’42) Mrs. John D. Hertz 1923-1943 3 2 0 0 Reigh Count (1928) & Count Fleet (’43) King Ranch 1941-1951 5 2 0 0 Assault (1946) & Middleground (’50) Darby Dan Farm 1963-1985 7 2 0 1 Chateaugay (1963) & Proud Clarion (’67) Meadow Stable 1950-1973 4 2 1 1 Riva Ridge (1972) & Secretariat (’73) Arthur B. Hancock III 1981-1999 6 2 2 0 Gato Del Sol (1982) & Sunday Silence (’89) William J. “Bill” Condren 1991-1995 4 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Joseph M. “Joe” Cornacchia 1991-1996 3 2 0 0 Strike the Gold (1991) & Go for Gin (’94) Robert & Beverly Lewis 1995-2006 9 2 0 1 Silver Charm (1997) & Charismatic (’99) J. Paul Reddam 2003-2017 7 2 0 0 I’ll Have Another (2012) & Nyquist (’16) Most Starts Owner Derby Span Sts.
    [Show full text]
  • Henderson Street Names A
    Henderson Street Names STREET NAMEP* FIRE SAM NUMBERING ADDRESS LOCATION MAP MAP STARTS/ENDS A Abbeystone Circle 3728-94 86 Mystical / 360’ CDS 2484-2495 Sunridge Lot 21 Abbington Street 3328-43 77 Courtland / Muirfield 300-381 Pardee GV South Abby Avenue 3231-64 120 Dunbar / Sheffield 1604-1622 Camarlo Park Aberdeen Lane 3229-23 102 Albermarle / Kilmaron 2513-2525 Highland Park Abetone Avenue 4226-16 422 CDS/Cingoli Inspirada Pod 3-1 Phase 2 Abilene Street (Private 3637-94, 260 Waterloo / Mission / San 901-910 Desert Highlands; Blk Mt Ranch within Blk Mtn Ranch) 3737-14 Bruno Ability Point Court 3533-48 169 Integrity Point / 231-234 Blk Mt Vistas Parcel C Unit 3 Abracadabra Avenue 3637-39 259 Hocus Pocus / Houdini 1168-1196 Magic View Ests Phs 2 Abundance Ridge Street 3533-46/56 169 Solitude Point / Value 210-299 Blk Mt Vistas Parcel C Unit 2, 3 Ridge Acadia Parkway 3332-92 143 Bear Brook/American Acadia Phase I Pacific Acadia Place 3329-63 99 Silver Springs / Big Bend No #’s Parkside Village Acapulco Street 3638-42 270 DeAnza / Encanto 2005-2077 Villa Hermosa Accelerando Way 3236-85 233 Barcarolle/Fortissimo Cadence Village Phase 1-G4 Ackerman Lane 3329-16 100 Magnolia / CDS 400-435 The Vineyards Acorn Way 3427-52 54 Wigwam / Pine Nut No #’s Oak Forest Acoustic Street 3537-29 257 Canlite / Decidedly 1148-1176 The Downs Unit 3 Adagietto Drive 3828- 87, 88 Moresca / Reunion 1361-1399 Coventry Homes @ Anthem 3, 4 66/56/46 Adagio Street 3728-11 85 Anchorgate / Day Canyon 801-813 Sunridge Lot 18 Adams Run Court 3735-63 218 155' CDS
    [Show full text]
  • C.1530 Sarah Raskin
    False Oaths The Silent Alliance between Church and Heretics in England, c.1400-c.1530 Sarah Raskin Submitted in partial fulFillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2016 © 2016 Sarah Raskin All rights reserved ABSTRACT False Oaths: The Silent Alliance between Church and Heretics in England, c. 1400-1530 Sarah Raskin This dissertation re-examines trials for heresy in England from 1382, which saw the First major action directed at the WyclifFite heresy in Oxford, and the early Reformation period, with an emphasis on abjurations, the oaths renouncing heretical beliefs that suspects were required to swear after their interrogations were concluded. It draws a direct link between the customs that developed around the ceremony of abjuration and the exceptionally low rate of execution for “relapsed” and “obstinate” heretics in England, compared to other major European anti-heresy campaigns of the period. Several cases are analyzed in which heretics who should have been executed, according to the letter and intention of canon law on the subject, were permitted to abjure, sometimes repeatedly. Other cases ended in execution despite intense efforts by the presiding bishop to obtain a similarly law-bending abjuration. All these cases are situated in the context of the constitutions governing heresy trials as well as a survey of the theology and cultural standing of oaths within both WyclifFism and the broader Late Medieval and Early Modern world. This dissertation traces how Lollard heretics gradually accepted the necessity of false abjuration as one of a number of measures to preserve their lives and their movement, and how early adopters using coded writing carefully persuaded their co-religionists of this necessity.
    [Show full text]
  • Literary Influences in the Art of Dante Gabriel Rossetti
    Literary influences in the art of Dante Gabriel Rossetti Item Type text; Thesis-Reproduction (electronic) Authors Oswald, Artell Pikka, 1945- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 28/09/2021 18:19:44 Link to Item http://hdl.handle.net/10150/347796 LITERARY INFLUENCES IN THE ART OF DANTE GABRIEL ROSSETTI by Artell Pikka Oswald A Thesis Submitted to the Faculty of the DEPARTMENT OF ART In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 19 7 2 STATEMENT BY AUTHOR This thesis has been submitted in partial ful­ fillment of requirements for an advanced degree at The University of Arizona and is deposited in the University Library to be made available to borrowers under rules of the Library. Brief quotations from this thesis are allowable without special permission, provided that accurate acknowledgment of source is made. Requests for permis­ sion for extended quotation from or reproduction of this manuscript in whole or in part may be granted by the head of the major department or the Dean of the Graduate College when in his judgment the proposed use of the material is in the interests of scholarship. In all other instances, however, permission must be obtained from the author. SIGNED APPROVAL BY THESIS CO-DIRECTORS This thesis has been approved on the date shown below; <r - 3 ~ 7 ROBERT W.
    [Show full text]
  • An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature
    Loyola University Chicago Loyola eCommons Master's Theses Theses and Dissertations 1949 An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature Gertrude Agnes Carter Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_theses Part of the English Language and Literature Commons Recommended Citation Carter, Gertrude Agnes, "An Analysis of the Poetry of Alice Meynell on the Basis of Her Personal Principles of Literature" (1949). Master's Theses. 744. https://ecommons.luc.edu/luc_theses/744 This Thesis is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Master's Theses by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1949 Gertrude Agnes Carter AN ANALYSIS OF THE POETRY OF ALICE MEYNELL ON THE BASIS OF HER PERSOIlAL PRIBCIl'LES OF LlTERAl'URE BY' Sister Gertrude Agnes Carter A THESIS SUBMITTED IN .t'AH.1'!AL FtJLFlLUlENT OF THE REQUIRl!:MENTS FOR THE DEGREE OF MASTER OF AR'rS IN LOYOLA UNIVERSITY June 1949 VITA Sister Gertrude Agnes was born in Chelsea, Massachusetts, August 31, 1898. She attended St. Rose Ch'ammar and High Schools in Chelsea. The Bachelor of Arts degree with a major in English was con£erred on her by St. Mary-of-the-Woods College, Indiana, June, 1932. In 1942 she received .t'rom the Indiana State Board of Education a lire license to teach Social Studies in the accredited high schools of Indiana The writer has taught in St.
    [Show full text]
  • Chestnut Filly Barn 3 Hip No
    Consigned by Parrish Farms, Agent Barn Hip No. 3 Chestnut Filly 613 Storm Bird Storm Cat ......................... Terlingua Bluegrass Cat ................... A.P. Indy She's a Winner ................. Chestnut Filly Get Lucky February 4, 2008 Fappiano Unbridled.......................... Gana Facil Unbridled Lady ................. (1996) Assert (IRE) Assert Lady....................... Impressive Lady By BLUEGRASS CAT (2003). Black-type winner of $1,761,280, Haskell In- vitational S. [G1] (MTH, $600,000), Remsen S. [G2] (AQU, $120,000), Nashua S. [G3] (BEL, $67,980), Sam F. Davis S. [L] (TAM, $60,000), 2nd Kentucky Derby [G1] (CD, $400,000), Belmont S. [G1] (BEL, $200,000), Travers S. [G1] (SAR, $200,000), Tampa Bay Derby [G3] (TAM, $50,000). Brother to black-type winner Sonoma Cat, half-brother to black-type win- ner Lord of the Game. His first foals are 2-year-olds of 2010. 1st dam UNBRIDLED LADY, by Unbridled. 4 wins at 3 and 4, $196,400, Geisha H.-R (PIM, $60,000), 2nd Carousel S. [L] (LRL, $10,000), Geisha H.-R (PIM, $20,000), Moonlight Jig S.-R (PIM, $8,000), 3rd Maryland Racing Media H. [L] (LRL, $7,484), Squan Song S.-R (LRL, $5,500). Dam of 6 other registered foals, 5 of racing age, 5 to race, 2 winners-- Forestelle (f. by Forestry). 3 wins at 3 and 4, 2009, $63,654. Sun Pennies (f. by Speightstown). Winner in 2 starts at 3, 2010, $21,380. Mared (c. by Speightstown). Placed at 2 and 3, 2009 in Qatar; placed at 3, 2009 in England. 2nd dam ASSERT LADY, by Assert (IRE).
    [Show full text]
  • Why We Need Coventry Patmore
    Why We Need . WHY WE NEED COVENTRY PATMORE STRATFORD CALDECOTT “With his eye turned firmly outward and upward —to the world and to God—Patmore’s writing reveals a keen perception of the infinite disclosed in every single finite creature.” The soul is the express image of God, and the body of the soul; thence, it, also, is an image of God, and “the human form divine” is no figure of speech. In the Incarnation, the body, furthermore, is God, so that St. Augustine dares to say, “the flesh of Christ is the head of man.” —The Rod, the Root, and the Flower The era of European civilization marked by the French Revolu- tion was one torn between the dialectic movements of Rational- ism and Romanticism. If Rationalism glorified the idea of uni- versal order perceived and attained through the use of reason, Romanticism rejected intellectual order in the name of self-ex- pression; it is associated in philosophy above all with the “turn to the subject” and away from any kind of objectivism. The question of “the” truth was swept away, leaving rather a concern with what was true for me and for you (hence, historicism, evolutionism, rela- Communio 41 (Spring 2014). © 2014 by Communio: International Catholic Review 160 STRATFORD CALDECOTT tivism, and irony)—a glorification of the “active, dynamic and imaginative self,” and the attempt to “express” the world rather than “describe” it. Thus, nature herself becomes a form of self- expression (Hegel). What the Romantic movement caught a glimpse of was that this “self-expression” of nature ultimately means that nature’s innermost form is symbolic.
    [Show full text]
  • Prep Races, Kentucky Derby Starters (1980-2020)
    PREP RACES, KENTUCKY DERBY STARTERS (1980-2020) The following is a listing of stakes races that have produced Kentucky Derby starters since 1980. Affirmed, Calder (8-0-0-0) 1983-I Desert Wine 2nd 2nd Year (Gr.) Horse Prep Derby 1983-I Paris Prince 4th 10th 2011 ® Watch Me Go 4th 18th 1983-1 Total Departure 7th 20th 2010 ® Jackson Bend 1st 12th 1982-I Gato Del Sol 3rd 1st 2007 ® Imawildandcrazyguy 5th 4th 1982-I Muttering 4th 5th 2003 ® Supah Blitz 2nd 13th 1981-I Partez 3rd 3rd 2001 ® Express Tour 1st 8th 1980-I Rumbo 2nd 2nd 1995 ® Mecke 1st 5th 1995 ® Suave Prospect 5th 11th Anglesey, Curragh (IRE) (1-0-0-0) 1984 ® Rexson’s Hope 6th 10th Year (Gr.) Horse Prep Derby 2002-III (T) Johannesburg 1st 8th Ahoy, Monmouth Park (1-0-0-0) Year (Gr.) Horse Prep Derby Arch Ward, Arlington (10-1-1-0) 1987 Demons Begone 1st DNF Year (Gr.) Horse Prep Derby 1993 Rockamundo 2nd 17th Ak-Sar-Ben Juvenile, Ak-Sar-Ben (3-0-0-0) 1992 Al Sabin 5th 6th Year (Gr.) Horse Prep Derby 1990 Unbridled 3rd 1st 1983-III Highland Park 1st 17th 1986 Wise Times 2nd 9th 1982 Music Leader 2nd 15th 1984 Coax Me Chad 5th 2nd 1981 Pass the Tab 1st 6th 1984 Biloxi Indian 2nd 12th 1983 Highland Park 3rd 17th Al Bastakiya, Meydan Racecourse (1-0-0-0) 1983 Total Departure 1st 20th Year (Gr.) Horse Prep Derby 1981 Golden Derby 3rd 21st 2015 Mubtaahij-IRE 1st 8th 1980 Execution’s Reason 1st 11th Alysheba, Turfway Park (2-0-0-0) Arizona Paradise Futurity, Turf Paradise (1-0-0-0) Year (Gr.) Horse Prep Derby Year (Gr.) Horse Prep Derby 1992-III Al Sabin 7th 6th 1982 Bold Style 5th 16th 1990-III Fighting Fantasy 1st 15th Arkansas Derby, Oaklawn Park (115-7-5-8) A.L.
    [Show full text]
  • “She Left the Window”: Challenging Domestic Ethos in Wilkie Collins's
    “She Left the Window”: Challenging Domestic Ethos in Wilkie Collins’s The Woman in White Rachael Zeleny Abstract: Historically, literary critics have considered Wilkie Collins’s Woman in White as yet another example of a novel that tentatively endorses alternate ver- sions of acceptable femininity but ultimately confines women within the traditional- ly confines of domesticity by the novel’s close. To draw such a conclusion, however, would be to overlook Collins’s intertextual relationship with artists and paintings of this time. By employing the lens of visual rhetoric, a reader has a better under- standing of how Collins uses Marian Halcombe’s proximity to windows throughout the novel as a means for challenging domestic ethos to the very last page. Keywords: feminist rhetoric, Pre-Raphaelite art, Wilkie Collins, Victorian art, sensa- tion novels, domestic ethos “I have got nothing and she has a fortune. I am dark and ugly and she is fair and pretty. Everybody thinks me crabbed and odd (with per- fect justice); and everybody thinks her sweet tempered and charming (with more justice still). In short, she is an angel and I am—Try some of that marmalade, Mr. Hartright and finish the sentence, in the name of female propriety, for yourself “ — Marian Halcombe, The Woman in White by Wilkie Collins Wilkie Collins’s sensation novel The Woman in White (1859) was a runaway bestseller. As demonstrated by the quotation above, Marian Halcombe cannot be located within the restrictive categories of Anglo femininity that circulated in mid-nineteenth-century Britain. Marian’s identity crisis rings true consider- ing the popularity of a singular paradigm of middle-class femininity, the Angel in the House, as coined by Coventry Patmore in his 1854 narrative poem of that title.
    [Show full text]
  • ©2015 Naomi Grierson Levine ALL RIGHTS RESERVED
    ©2015 Naomi Grierson Levine ALL RIGHTS RESERVED RHYME AND HISTORY IN VICTORIAN POETICS by NAOMI GRIERSON LEVINE A Dissertation submitted to the Graduate School – New Brunswick Rutgers, the State University of New Jersey in partial fulfillment of the requirements for the degree of Doctor of Philosophy Graduate Program in Literatures in English written under the direction of Carolyn Williams and approved by _________________________ _________________________ _________________________ _________________________ New Brunswick, New Jersey October, 2015 ABSTRACT OF THE DISSERTATION Rhyme and History in Victorian Poetics By NAOMI GRIERSON LEVINE Dissertation Director: Carolyn Williams This dissertation argues that Victorian experiments with rhyme grew out of a broader cultural fascination with the literary historical myths found in contemporary aesthetics and historiography. Although rhyme has come to be regarded as an unsophisticated sound effect, for Victorians it provoked urgent questions about the relationship between past and present, the importance of national and ethnic identity, and even the nature of human experience. In nineteenth-century literary historical prose, the advent of rhyme signaled the beginning of the modern European literary tradition and, by extension, the emergence of modern subjectivity. Its origins were consequently a matter of passionate dispute. Through a range of formal techniques from stanzaic patterning to assonance to blank verse, poets entered live debates about rhyme: whether it began in the East or West, how it moved into English literature, whether it signified spiritual achievement or cultural decline, and how it registered in the mind and body. Drawing on a rich archive of prose written and read by Victorian poets but largely neglected now, I show that nineteenth- century conceptions of literary history were not identical with our own.
    [Show full text]