Classic Poetry Series Coventry Patmore - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Coventry Patmore(23 July 1823 - 26 November 1896) Coventry Kersey Dighton Patmore was an English poet and critic best known for The Angel in the House, his narrative poem about an ideal happy marriage. <b>Life</b> <b>Youth</b> The eldest son of author Peter George Patmore, Coventry Patmore was born at Woodford in Essex and was privately educated. He was his father's intimate and constant companion and inherited from him his early literary enthusiasm. It was Coventry's ambition to become an artist. He showed much promise, earning the silver palette of the Society of Arts in 1838. In 1839 he was sent to school in France for six months, where he began to write poetry. On his return, his father planned to publish some of these youthful poems; Coventry, however, had become interested in science and poetry was set aside. He later returned to writing however, enthused by the success of <a href="http://www.poemhunter.com/alfred-lord-tennyson/">Alfred Lord Tennyson</a>; and in 1844 he published a small volume of Poems, which was original but uneven. Patmore, distressed at its reception, bought up the remainder of the edition and destroyed it. What upset him most was a cruel review in Blackwood's Magazine; but the enthusiasm of his friends, together with their more constructive criticism, helped foster his talent. The publication of this volume bore immediate fruit in introducing its author to various men of letters, including <a href="http://www.poemhunter.com/dante-gabriel-rossetti/">Dante Gabriel Rossetti</a>, through whom Patmore became known to William Holman Hunt, and was thus drawn into the Pre-Raphaelite Brotherhood, contributing his poem "The Seasons" to The Germ. <b>Major work</b> At this time Patmore's father was financially embarrassed; and in 1846 Richard Monckton Milnes, 1st Baron Houghton obtained for Coventry the post of printed book supernumary assistant at the British Museum, a post he occupied for nineteen years, devoting his spare time to poetry. In 1847 he married Emily Andrews, daughter of Dr. Andrews of Camberwell and by 1851 they had had two sons, Coventry (born 1848) and Tennyson (born 1850). Three daughters followed - Emily (born 1853), Bertha (born 1855) and Gertrude (born 1857), before their last child, a son (Henry John), was born in 1860. www.PoemHunter.com - The World's Poetry Archive 1 At the British Museum Patmore was instrumental in starting the Volunteer Movement in 1852. He wrote an important letter to The Times on the subject, and stirred up much martial enthusiasm among his colleagues. In 1853 he republished Tamerton Church Tower, the more successful of his pieces from Poems of 1844, adding several new poems which showed distinct advance, both in conception and treatment; and in the following year (1854) the first part of his best known poem, The Angel in the House appeared. The Angel in the House is a long narrative and lyric poem, with four sections composed over a period of years: The Betrothed and The Espousals (1854) which eulogize his first wife; followed by Faithful For Ever (1860); and The Victories of Love (1862). The four works were published together in 1863 and have come to symbolise the Victorian feminine ideal - which was not necessarily the ideal amongst feminists of the period. By 1861 the family were living in Elm Cottage, North End, Hampstead. In 1862 Emily died after a lengthy and lingering illness, and shortly afterwards Coventry joined the Roman Catholic church. In 1865 he re-married, his second wife being Marianne Byles, daughter of James Byles of Bowden Hall, Gloucester; a year later he purchased Buxted Hall in Surrey, the history of which he wrote in How I managed my Estate (1886). In 1877 he published The Unknown Eros, which contains his finest poetic work, and in the following year Amelia, his own favourite among his poems, together with an interesting essay on English Metrical Law, appeared. This departure into criticism continued in 1879 with a volume of papers entitled Principle in Art, and again in 1893 with Religio poetae. His second wife Marianne died in 1880, and in 1881 he married Harriet Robson from Bletchingley in Surrey (born 1840). Their son Francis was born in 1882. In later years he lived at Lymington, where he died in 1896. He was buried in Lymington churchyard. <b>Evaluation</b> A collected edition of Patmore's poems appeared in two volumes in 1886, with a characteristic preface which might serve as the author's epitaph. "I have written little," it runs; "but it is all my best; I have never spoken when I had nothing to say, nor spared time or labour to make my words true. I have respected posterity; and should there be a posterity which cares for letters, I dare to hope that it will respect me." The sincerity which underlies this statement, combined www.PoemHunter.com - The World's Poetry Archive 2 with a certain lack of humour which peers through its naïveté, points to two of the principal characteristics of Patmore's earlier poetry; characteristics which came to be almost unconsciously merged and harmonized as his style and his intention drew together into unity. His best work is found in the volume of odes called The Unknown Eros, which is full not only of passages but entire poems in which exalted thought is expressed in poetry of the richest and most dignified melody. Spirituality informs his inspiration; the poetry is glowing and alive. The magnificent piece in praise of winter, the solemn and beautiful cadences of "Departure," and the homely but elevated pathos of "The Toys," are in their manner unsurpassed in English poetry. His somewhat reactionary political opinions, which also find expression in his odes, are perhaps a little less inspired, although they can certainly be said to reflect, as do his essays, a serious and very active mind. Patmore is today one of the least known but best-regarded Victorian poets. His son Henry John Patmore (1860–1883) also became a poet. <b>Trivia</b> Coventry Patmore was caricatured as the unpleasant poet Carleon Anthony in Joseph Conrad's novel Chance (1913). In X-Men: Season 1 Episode 1 Patmore's poem "Farewell", from the collection "The Unknown Eros", is paraphrased by the character Beast, "The faint heart averted many feet and many a tear, in our opposed path to perservere." The character also follows the quote with, "A minor poet for a minor obstacle." www.PoemHunter.com - The World's Poetry Archive 3 A Dream Amid the mystic fields of Love I wander'd, and beheld a grove. Breathlessly still was part, and part Was breathing with an easy heart; And there below, in lamblike game, Were virgins, all so much the same, That each was all. A youth drew nigh, And on them gazed with wandering eye, And would have pass'd, but that a maid, Clapping her hands above her, said, ‘My time is now!’ and laughing ran After the dull and strange young man, And bade him stop and look at her. And so he call'd her lovelier Than any else, only because She only then before him was. And, while they stood and gazed, a change Was seen in both, diversely strange: The youth was ever more and more That good which he had been before; But the glad maiden grew and grew Such that the rest no longer knew Their sister, who was now to sight The young man's self, yet opposite, As the outer rainbow is the first, But weaker, and the hues reversed. And whereas, in the abandon'd grove, The virgin round the Central Love Had blindly circled in her play, Now danced she round her partner's way; And, as the earth the moon's, so he Had the responsibility Of her diviner motion. ‘Lo,’ He sang, and the heavens began to glow, ‘The pride of personality, Seeking its highest, aspires to die, And in unspeakably profound Humiliation Love is crown'd! And from his exaltation still www.PoemHunter.com - The World's Poetry Archive 4 Into his ocean of good-will He curiously casts the lead To find strange depths of lowlihead.’ To one same tune, but higher, ‘Bold,’ The maiden sang, ‘is Love! For cold On Earth are blushes, and for shame Of such an ineffectual flame As ill consumes the sacrifice!’ Coventry Patmore www.PoemHunter.com - The World's Poetry Archive 5 A Farewell With all my will, but much against my heart, We two now part. My Very Dear, Our solace is, the sad road lies so clear. It needs no art, With faint, averted feet And many a tear, In our opposèd paths to persevere. Go thou to East, I West. We will not say There 's any hope, it is so far away. But, O, my Best, When the one darling of our widowhead, The nursling Grief, Is dead, And no dews blur our eyes To see the peach-bloom come in evening skies, Perchance we may, Where now this night is day, And even through faith of still averted feet, Making full circle of our banishment, Amazèd meet; The bitter journey to the bourne so sweet Seasoning the termless feast of our content With tears of recognition never dry. Coventry Patmore www.PoemHunter.com - The World's Poetry Archive 6 A London Fête All night fell hammers, shock on shock; With echoes Newgate's granite clang'd: The scaffold built, at eight o'clock They brought the man out to be hang'd.