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IS/SONY in High Gear W/Japanese Market on Eve Ur Inch Disks Bow
i sh Box Self Service Tape Guide (Turn The Page) ... IS/SONY In High Gear w/Japanese Market On Eve 2nd Spot In Global Disk Sales . The Split Look August 16, 1969 i Top 40 Radio ,;oldners Form ash.,mpany...EVR: )se To A Consumer Reality ... SSS Buys Ott Cash Box754 d Bird, Blue Cat Catalogs ... Mini Players, ur Inch Disks Bow On European Markets... Peter Sarstedt E WONDER: BIG STEVIE WONDER Intl Section Begins on Pg. 61 www.americanradiohistory.com The inevitable single from the group that brought you "Young Girl" and "WomanYVoman:' EC "This Girl Is Dir Ai STA BII aWoman Now7 hbAn. by Gary Puckett COiN and The Union Gap. DEE On Columbia Records* Di 3 II Lodz,' Tel: 11A fie 1%. i avb .» o www.americanradiohistory.com ///1\\ %b\\ ISM///1\\\ ///=1\\\ Min 111 111\ //Il11f\\ 11111111111111 1/11111 III111 MUSIC -RECORD WEEKLY ii INTERNATIONAL milli 1IUUIII MI/I/ MIII II MU/// MUMi M1111/// U1111D U IULI glia \\\1197 VOL. XXXI - Number 3/August 16, 1969 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone JUdson 6-2640 / Cable Address: Cash Box, N. Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Cash Box Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS Self- Service EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA Tape Guide ADVERTISING BERNIE BLAKE Director of Advertising ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood Much of the confusion facing first - 8 -TRACK CARTRIDGES: Using the WOODY HARDING unit tape consumers lies in the area same speed and thickness of tape Art Director of purchaser education. -
Boston Symphony Orchestra Concert Programs, Summer, 1969
TANGLEWOQ ik O^r '^0k^s^\^^ , { >^ V BOSTON SYMPHONY ORCHESTRA 7 :ICH LEINSDORF Music Director v- '^vy^. 'vt 4j>*l li'?^ BERKSHIRE FESTimL Sometimes when a man has worked very hard and succeeded, he enjoys ordering things just because they're expensive. -''«4^. ^*fc.-' ri** ^itim YEARS OLD Johnnie Walker Black Label Scotch 12 YEAR OLD BLENDED SCOTCttJ^KY, 86.8 PROOF. IMPORTED BY SOMERSET IMMI^HtD., N.Y,, N.Y. vsPTm' CL'iPCLViay/^le i^ ^c^o<ym wia//idi ^yymxz'TtceA Btethoven Iwko^Swu SYMPHONY N0.4/LEONORE OVERTURE No. 2 IHI BOSTON SYMPHONY/ERICH LEINSDORF ^?^. PROKOFIEFF ^^I^M S^MPW Ifl. 7 ^^F^n Mn«( from ^^^^^^Hr ^^^^H ^^gpHH CORIOllN ROMEO AND ^k^^v -^^H \mi mnwi JULIET ^^k, <vT 4^R|| ^^^. ^^sifi ^RL'S^ BOSTON ^^T ^'%- flRK HiiHr n [[i^DORF, SYMPHONY ^^Lr- ..v^i^^^ ^^^^^^^^^B ^E^Hb # ERICH ^^B JH^^E^ LEINSDORF ^^PHj^^H|^ Conduclor 9SH|^V^^^^^K^^^^Bs . ^k }iiiMomi T^lH^B ^ Bfc/---^— LM/LSC-2969 LM/LSC-2994 LM/LSC-3006 Haydn BRHHins: svmPHonv no. 4 , ^ Symphony No. 93 ^m BOSTon svmPHonv orchestrii Symphony No. 96 ("Miracle") ERICH lEinSDORF ^t Boston Symphony Erich Leinsdorf, Conductor &L '^mlocmt(J§rc^f.i/m LSC-3030 LM/LSC-3010 Invite Erich Leinsdorf and the Boston Symphony Orchestra to your home ... transform a memory to a permanent possession! ncii RTA Distributors, Inc. (Exclusive Wholesale Distributor) • RTA Building • Albany, New York 12204 The gentle taste of Fundadoi^ PP^^^ ^ ^^^ ^^Y ^^ li^^ ^^ ^^^ ^^^^ISlA J'^^^^^T drinker. You raise the snifter to your lips. You have barely lived, yet life— :^"» you feel—has already passed you by. -
The Iron Butterfly Free
FREE THE IRON BUTTERFLY PDF Chanda Hahn | 276 pages | 18 Apr 2012 | Createspace Independent Publishing Platform | 9781475070378 | English | United States Iron Butterfly Definition Iron Butterfly is an American rock band best known for the hit " In-A-Gadda-Da-Vida ", providing a dramatic sound that led The Iron Butterfly way towards The Iron Butterfly development of hard rock and heavy metal music. Formed in San Diego, Californiaamong band members who used to be "arch enemies", their heyday was the late s, but the band has been reincarnated with various members with varying levels of success, with no new recordings since Iron Butterfly was the first group to receive an In-House platinum album award from Atlantic Records. The band formed in in San Diego. The group were soon joined by vocalist and tambourine player Darryl DeLoach. Jerry Penrod replaced Willis after the band relocated to Los Angeles in the summer of Pinney eventually left to return to school. Bruce Morse then replaced The Iron Butterfly until Ron Bushy from a group called the Voxmen came aboard The Iron Butterfly Morse left due to a family emergency. In earlythe band's debut album Heavy The Iron Butterfly released after signing a deal with Atco Recordsan Atlantic Records subsidiary. The group was signed by Atlantic's Charles Greene, who was co-producer of Heavy. All but Ingle and Bushy left the band after completing the album in the late summer of The Iron Butterfly two remaining musicians, faced with the possibility of the record The Iron Butterfly being released, quickly found replacements in bassist Lee Dorman and year-old guitarist Erik Brann also known as "Erik Braunn" and "Erik Braun" and resumed touring. -
The BG News April 28, 1970
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 4-28-1970 The BG News April 28, 1970 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News April 28, 1970" (1970). BG News (Student Newspaper). 2452. https://scholarworks.bgsu.edu/bg-news/2452 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. An Bowling Green, Ohio Independent April 28, 1970 Student Voice ■me BG news Volume 54 Number 93 Nixon mum on aid to Cambodia area WASHINGTON (AP)-The White supply Cambodia with small arms for people with the Cambodian issue. House fended off yesterday questions on defensive weapons but no U.S. military Both Mansfield and Scott spoke out the dispatch of U.S. arms to beleaguered advisers. against sending any U.S. manpower to Cambodia and Americans to advise the "I am in no position to discuss with Cambodia, but Scott did not oppose Cambodian forces. you where the President stands in his weapons aid. Press secretary Ronald L. Ziegler told decision," Ziegler said. Sen. Robert P. Griffin of Michigan, newsmen he was not in a position now to The implication was that the the assistant Republican leader, says say when President Nixon would reach a President has come to no firm con- shipment of some U.S. -
American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies. -
Read Liner Notes
Cover Photo: Paul Winter Consort, 1975 Somewhere in America (Clockwise from left: Ben Carriel, Tigger Benford, David Darling, Paul Winter, Robert Chappell) CONSORTING WITH DAVID A Tribute to David Darling Notes on the Music A Message from Paul: You might consider first listening to this musical journey before you even read the titles of the pieces, or any of these notes. I think it could be interesting to experience how the music alone might con- vey the essence of David’s artistry. It would be ideal if you could find a quiet hour, and avail yourself of your fa- vorite deep-listening mode. For me, it’s flat on the floor, in total darkness. In any case, your listening itself will be a tribute to David. For living music, With gratitude, Paul 2 1. Icarus Ralph Towner (Distant Hills Music, ASCAP) Paul Winter / alto sax Paul McCandless / oboe David Darling / cello Ralph Towner / 12-string guitar Glen Moore / bass Collin Walcott / percussion From the album Road Produced by Phil Ramone Recorded live on summer tour, 1970 This was our first recording of “Icarus” 2. Ode to a Fillmore Dressing Room David Darling (Tasker Music, ASCAP) Paul Winter / soprano sax Paul McCandless / English horn, contrabass sarrusophone David Darling / cello Herb Bushler / Fender bass Collin Walcott / sitar From the album Icarus Produced by George Martin Recorded at Seaweed Studio, Marblehead, Massachusetts, August, 1971 3 In the spring of 1971, the Consort was booked to play at the Fillmore East in New York, opening for Procol Harum. (50 years ago this April.) The dressing rooms in this old theatre were upstairs, and we were warming up our instruments there before the afternoon sound check. -
Karneval! Karneval!
2011 - 51 Years Phoenix Club The Phoenix Your Quarterly Magazine for the Anaheim Event Center 4 - 2011 On Phoenix Club Like Oktoberfest? You will LOVE Karneval! Bierstube Entertainment Rudy de La Mor Martin Gerschwitz Always open to the Public! Your Anaheim Event Center 2012 Martin Gerschwitz Karneval for Dummies ith Karneval coming up and reigning Wsupreme from February to March, So, someone invited you to German Karneval and you have no idea what to expect? After all you are the Phoenix Club welcomes friends and customers at the New Bierstube with a not into Ferris wheels and thrilling rides? Well, German Karneval is not the American Carnival and it Menu of German and American special- is also not Mardi Gras. The festivities you may have seen in ties. Indulge in the Best of German and New Orleans drew their beginnings from Karneval in Ger- American Cuisine at the Phoenix Club many, but that’s about it for what they truly share. - always open to the public. September 2011 urDay new MenuDate andDrs ouropen EntertainmentTime Program inEvent the new Bierstube Performer Location Admission OMondaywith international4 Stars like Martin GerschwitzLABOR and DAY Rudy de la Mor Clubhouse closed So, what is German Karneval? areThursday just the beginning.8 We are working7:00pm on newJA, and Just excitingAccordions offers that Accordions Bierstube FREE you can find online on our Website: www.ThePhoenixClub.com. he current Iron Butterfly Keyboarder Karneval in Germany began in the 16th century to allow commoners to Friday 9 7:00pm Membership Meeting Members &T Boardwho of Directorsworked manyPavillion years withMembers Eric BurOnly- don and The Animals, who played with mock the monarchy and politicians without fear of retribution, but it Friday 16 6:00pm Oktoberfest BlueBirds Showband Festhalle/Park FREE hank you for being a friend or a member of our Club. -
August 2002 Readers’ Platform
• APEX THEORY • YAMAHA OAK CUSTOM KIT • GGOOOO GGOOOO DDOLLSOLLS’’ MIKEMIKE MALININ MALININ MMAXIMUMAXIMUM PPOPOP JJEFFEFF PPORCAROORCARO TTRIBUTERIBUTE TTOO AA SSTUDIOTUDIO GGIANTIANT MMATTATT WWILSONILSON’’SS IIMPROVMPROV PPLAYHOUSELAYHOUSE HHOTOT LLATINATIN JJAZZAZZ:: MMETHENYETHENY’’SS AANTONIONTONIO SSANCHEZANCHEZ TTHREADGILLHREADGILL’’SS DDAFNISAFNIS PPRIETORIETO BBRAZILRAZIL’’SS VVERAERA FFIGUEIREDOIGUEIREDO $4.99US $6.99CAN 08 SSHOPHOP TTALKALK:: BBUILDINGUILDING YYOUROUR OOWNWN DDRUMSETRUMSET!! 0 74808 01203 9 Redefining “Drum Machine” Ever wonder why Evans heads are so consistent and easy to tune? Designed and built in-house by our staff of engineers, this robotic “Drum Machine,” called the Gluing Gantry, ensures that every Evans head has a true collar. A series of vacuum fixtures holds the film in place for each head while the robotic gluing arm circles above the hoop and dispenses epoxy. The result is a drumhead that tunes both easily and consistently. At Evans, we do it right the first time. And every time. Check out what Peter Erskine has to say about Evans drumheads at www.evansdrumheads.com PO Box 290 • Farmingdale, NY 11735 We’ve been making the world’s finest sticks for years. And experience tells us that there are no shortcuts when it comes to making a stick. There is, however a very good short- cut when choosing one. The journey from wooden dowel to finished drumstick is a tough one. Each stick makes its way through the hands of several craftsmen before it leaves us. And at every test, there’s always the chance of getting turned into firewood. But it does get easier when our sticks reach the store. Because once you feel a pair in your hands, you’ll appreciate the time it spent in ours. -
One Page Oregon Biography
O R E G O N B I O G R A P H Y Without a doubt O R E G O N is one of the finest groups l a t e r, O R E G O N moved to Elektra/Asylum Records. Its ever to paint a musical landscape of such global first release on that label, Out of the Woods, r e a c h e d proportions. For three decades O R E G O N has inspired a decidedly wider audience and was included in the 101 audiences in renowned concert halls including Best Jazz Albums list. They were enjoying imm e n s e Carnegie Hall, Lincoln Center, Berlin Philharmonic popularity when in November 1984, Walcott died in an H a l l, and Vienna’s Mozartsaal; in international jazz auto accident in the former East Germany, leaving the clubs and at major festivals on tour throughout ECM album C r o s s i n g as his final document. Over the every continent. next five years, percussionist Trilok Gurtu played on three albums with the band. Upon his departure the three original members continued their creative development as a trio. For the 1996 Intuition recording Northwest Passage, the group incorporated drummer MARK WALKER on the Indie Award winning record. He soon after became their newest member. In June 1999 the band traveled to Moscow to record the double CD O R E G O N I N M O S C O W for I n t u i t i o n. -
Ralph Towner Works Mp3, Flac, Wma
Ralph Towner Works mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Works Country: US Style: Contemporary Jazz MP3 version RAR size: 1800 mb FLAC version RAR size: 1532 mb WMA version RAR size: 1386 mb Rating: 4.3 Votes: 176 Other Formats: DMF WMA MP1 DXD AIFF DMF MIDI Tracklist Hide Credits Oceanus A1 10:59 Bass – Eberhard WeberDrums, Percussion – Jon ChristensenSaxophone – Jan Garbarek Blue Sun A2 7:15 Piano, Synthesizer, Percussion – Ralph Towner New Moon A3 Bass – Eddie GomezCello – David DarlingDrums, Percussion – Michael DiPasquaTrumpet, 7:21 Flugelhorn – Kenny Wheeler Beneath The Evening Sky B1 7:00 Cello – David DarlingPiano – Ralph Towner The Prince And The Sage B2 6:18 Synthesizer – Ralph Towner Nimbus B3 Bass – Eberhard WeberDrums, Percussion – Jon ChristensenPiano – Ralph 6:26 TownerSaxophone, Flute – Jan Garbarek Credits Design – Dieter Rehm Engineer – Jan Erik Kongshaug Guitar – Ralph Towner Producer – Manfred Eicher Barcode and Other Identifiers Barcode: 781182026841 Other versions Category Artist Title (Format) Label Category Country Year 823 268-2 Ralph Towner Works (CD, Comp) ECM Records 823 268-2 Germany Unknown 823 268-4 Ralph Towner Works (Cass, Comp) ECM Records 823 268-4 Canada 1984 823 268-4 Ralph Towner Works (Cass, Comp, RE) ECM Records 823 268-4 US Unknown 823 268-1 Ralph Towner Works (LP, Comp) ECM Records 823 268-1 Germany 1984 823 268-4 Ralph Towner Works (Cass, Comp) ECM Records 823 268-4 Germany 1984 Related Music albums to Works by Ralph Towner Ralph Towner - Old Friends, New Friends Ralph Towner - Anthem Oregon - Ecotopia Ralph Towner - Solstice Ralph Towner / Gary Burton - Slide Show Ralph Towner, D. -
ERIC HOFBAUER American Grace MOSTTY
RECORDREVIEWS ERICHOFBAUER MOSTTYOTHER PEOPLE DO THE OREGON AmericanGrace KIttING FamilyTree SlipperyRock! EricHofbauet guitar PaulMc€andless, soprano saxophone, oboe, bass CreativeNation CNM 022 (CD).2012.Creative PeterEvans, piccolo trumpet, trumpet, slide trumpet; clarinet,flutes; Ralph Towner, classical guitar, Nation,prod.; Daniel Cantor, mix, mastering. Jonlrabagon, sopranino, soprano, alto, piano,synthesizer; Glen Moore, bass; Mark DDD?TT:58:27 tenor saxophones,flute; Moppa Elliott,bass; Walker,drums, hand percussion, drum synthesizer CAM JazzCAM 5046 (CD).2012. PERFORMANCE**'***{ KevinShea, drums, percussron ErmannoBasso, (CD). prod.; Oregon,prods.; Johannes Wohlleben, eng. DDD. soNtcs ***** Hot Cup123 2012.Moppa Elliott, RyanStrebet eng. DDD? TT:52:38 TT:60:58 PERFoRMANcE**'**-€ Guitarist Eric Hofbauer, cofounder of PERFoRMANcE***'* +.: sonrcs* *** + soNlcs*r*(*** the Creative Nation label, has become a significant force in Boston's improvised- Oregon still plays with fire and still music scene.Withjust a Guild arch- I saw this bizarre band, known to rts sounds like only one band in the top and an earthy, unadorned sound, fans asMOPDTI! at the BelgradeJazz worid. That sisnature blend of sonori- Hofbauer has blasted away at everything Festival last year. Their midnight concert ties comes from Raloh Towner's lush - &om Charlie Parker,Xric Dolphy, and was an outrageous Dadaist happening, a nylon-string guitar, Paul McCandless's Andrew Hill to Tears for Feari. a-ha- musical debauch of manic virtuosity and keening reeds,and Glen Moore's fluid and Van Halen. His aestheticevokes old deadoan merriment. bass.The runes,mostly wrimen by blues, Americana Tin Pan Alley, bebop, SEppery Ro ck I works because Towner, are bracing little hooks traced and funher fronciers.There's a rule- MOPDIKs more orsanized studio in tight unisons.lmprovisations are breaking spirit but also an impeccable versionof mayhem ii srill mayhem. -
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality
Unbound Jazz: Composing and Performing in a Multi- Cultural Tonality By Carlo Estolano Commentaries for the PhD folio of compositions University of York Music December 2017 2 3 Unbound Jazz: Composing and Performing in a Multi-Cultural Tonality Thesis submitted in partial fulfilment of a PhD degree in Music at The University of York, December 2018 by Carlo Estolano. Abstract This folio is conceived to propose and demonstrate music realisation of original compositions throughout the employment of elements of mainly two distinct sources: a selection from the wide palette of Brazilian folk styles that have improvisation as a strong element, which is internationally acknowledged as Brazilian Jazz; and its intersections with a certain style of European Jazz represented by artists notable by their keenness to combine elements from distinct musical genres with their Classical background, such as Ralph Towner, Jan Garbarek, John Abercrombie, Eberhard Weber, Kenny Wheeler, Terje Rypdal, Keith Jarrett to name a few. Both Brazilian and European approaches to Jazz seem to share processes of appropriation of foreign musical languages, as well as utilising characteristic features of their own traditions. Another common ground is their relation with some elements and procedures of classical music. The methodology to accomplish an organized collection of musical material was to divide them in five major influences, part of them by composers and part by genres notable by having evolved through absorbing elements from distinct cultural sources. In five projects, fifteen original compositions are provided along with their recorded and/or filmed performances and commentaries about the compositional aspects, concerningthe style or composer focused on.