Wreckhouse Winds Michelle Cheraniy, Flute Sean Rice, Clarinet .I Maureen Volk, Piano

Total Page:16

File Type:pdf, Size:1020Kb

Wreckhouse Winds Michelle Cheraniy, Flute Sean Rice, Clarinet .I Maureen Volk, Piano Donald F. Cook Recital Hall SI' M. 0. Morgan Building Friday, 12 November 2004 at 8:00 p.m. Wreckhouse Winds Michelle Cheraniy, flute Sean Rice, clarinet .I Maureen Volk, piano Sonatine en trio, Op. 85 Florent Schmitt Assez anime (1870-1958) Assez vif Tres lent Anime Duos for flute and clarinet, Op. 24 Robert Muczynski Andante sostenuto (b. 1929) Allegro risoluto Mod erato Allegro ma non troppo Andante molto Allegro *Barn Dances (2001) Libby Larsen Forward Six and Fall Back Eight (b. 1950) Divide the Ring Varsouvianna (a simple dream waltz) Rattle Snake Twist INTERMISSION from Pieces-of-Eight ( 1989) Clifford Crawley Outward Bound (b. 1929) All at Sea Jerimiad The Rocky Road to Dublin Roulade Sonatine for flute and clarinet ( 1961) Andre J olivet Andantino (1905- 1974) Quasi cadenza-Allegro Intermezzo-Vivace from Sonatina for flute, clarinet and piano Paul Schoenfield Hunter Rag (b. 1947) Hungarian Dance no. 6 Johannes Brahms Hungarian Dance no. 5 ( 1833-1897) arr. Michael Webster *Canadian premiere With playing described as a" ... fine blend of artistry and bravura." (Edmonton Journal), flutist Michelle Cheramy is an artist recognized for the beauty of her sound, the fluidity of her playing and her interpretive skills in a wide range of repertoire. She has appeared as soloist with the Edmonton and Newfoundland Symphonies and with the Houston Chamber Orchestra, and is a frequent recitalist and clinician in the Maritimes and beyond. She has been featured in radio broadcasts in both the US and Canada, including nationally on CBC Radio's In Performance and Two New Hours. Michelle holds degrees from the University of British Columbia and Indiana University, and her primary teachers include Camille Churchfield, Peter Lloyd and Leone Buyse (flutists with the Vancouver, London (UK) and Boston symphonies respectively). She is currently associate professor of music at Memorial University. Sean Rice is a fourth year performance major currently studying clarinet at Memorial University of Newfoundland. Sean first began playing clarinet under the instruction of Vincenza Etchegary and later studied privately with Sean Carroll. In high school Sean held the position of principal clarinet with the Avalon East District Bcµld under the direction of Grant Etchegary. In 2002 Sean was selected to perform in the CBC national radio series 'Up and Coming'. In 2001, he received the Yamaha Rising Star Award and played lead saxophone in the Yamaha All Star Jazz Band at Musicfest Canada. In 2000, he competed in and won the Woodwind Category of the Canadian Federation of Music Festivals National Music Festival. Sean has been an active participant in the local Kiwanis Music Festival winning four Rosebowls: one Junior (2000) and three Senior (2001, 2003 & 2004). Sean has also received runner-up in the 2000 and 2001 Atlantic Debut Young Artists Competition and placed first in the 1999 and 2000 Provincial Music Festivals. In 2003 Sean was invited to perform with the National Arts Centre Orchestra and Symphony Nova Scotia. Sean performed with the National Arts Centre Orchestra while they were in St. John's on their 2003 Atlantic Tour and performed with Symphony Nova Scotia during the Atlantic Scene Festival held in Ottawa. During the Atlantic Scene Festival Sean performed a recital with pianist Patrick Cashin and was a featured soloist on the National Arts Centre Stage with Symphony Nova Scotia. This past summer Sean attended the Banff Centre for the Arts and studied clarinet with China's premiere clarinetist, Fan Lei. Maureen Volk began her piano studies in Saskatchewan, and received her bachelor of music degree from the University of Regina. With the assistance of The Canada Council, she continued her studies at The Juilliard School in New York, where she received her master of music degree, and at Indiana University, where she completed her doctorate in 1992. Her piano teachers include Sasha Gorodnitzki, Shigeo Neriki, and her current teacher Edna Golandsky. Dr. Volk has performed as a recitalist, orchestral soloist and chamber musician in Canada and the United States. She was president of the Canadian University Music Society from 1997-99 and director of the School of Music at Memorial from 1990-2000. ·she remains on faculty at the School of Music, where she teaches piano, piano literature and pedagogy, and aural skills. * * * * * * * * * * * * * * * The School of Music, Memorial University of Newfoundland acknowledges the generous support of our partners in sustaining the 2004 - 2005 Music at Memorial Concert Series: /(/) ~Arts andCulfureCentres CBC 1f; Radio-Canada rci 0.S--ofTourlMI, C....... end Aecl'Mlion DELTA ST. JOHN'S llOTIL AND CONR-.cl C1N1111 Upgrades to the D F Cook Recital Hall underway during the 2004 - 2005 concert season have been funded by the Department of Canadian Heritage's Cultural Spaces Canada Program with matching funds from Memorial University and from friends and benefactors of the School of Music. -** I Canadian Patrimoine I ~ Heritage canadien .
Recommended publications
  • Slch Prog 2019-20 Ang F Nc Low.Pdf
    T TABOUT US T Founded in 1904, the Schulich School of Music of McGill University is home to a diverse community of performers, composers, music theorists, educators, scientists, and researchers, and offers more than 45 undergraduate, graduate, and professional programs. In 2018, 513 undergraduate and 375 graduate students were enrolled at Schulich, with a third of that total coming from outside of Canada. This season, Schulich will present over 600 public events at a variety of venues within the School, throughout the City of Montreal, and elsewhere. S SSS S SCHULICH STUDENT POPULATION 63% 37% PERFORMANCE RESEARCH 34% 33% 33% FROM QUEBEC REST OF CANADA INTERNATIONAL S SSS S @schulichmusic INFORMATION S BOX OFFICE 514-398-4547 · mcgill.ca/music T TABLE OF CONTENTS T About Us ..........................................4 Musical Chairs Welcome Message ..........................5 Chamber Music Festival ...........25 McGill Symphony Orchestra........ 6-7 Schulich in Concert .................. 26-28 Opera McGill ................................ 8-9 Schulich in Your Neighbourhood ......28 Baroque Orchestra ........................10 McGill Noon-Hour Organ ..............29 Contemporary Music Ensemble .......11 Intermezzo .....................................29 McGill Choral Ensembles ........ 12-14 Musical 5 à 7 ..................................30 McGill Wind Orchestra ...................15 Schulich@COC ...............................31 McGill Jazz Ensembles ............ 16-17 Schulich@McCord .........................31 2019-2020 Competitions
    [Show full text]
  • The Chamber Music Society at Yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 P.M
    The Yale School of Music Robert Blocker, Acting Dean presents The Chamber Music Society at Yale Chamber Music Competition Winners TUESDAY, MAY 1, 2007 MORSE RECITAL HALL IN SPRAGUE HALL the chamber music society at yale Chamber Music Competition Winners Tuesday, May 1, 2007 at 8:00 p.m. Morse Recital Hall in Sprague Memorial Hall Trio in E-flat major,k . 498, “Kegelstatt” Wolfgang Amadeus Mozart Andante (1756-1791) Menuetto Rondo Romie de Guise-Langlois, clarinet Margot Schwartz, violin Wei-Jen Yuan, piano Triskelion Bruce Adolphe Allegro (b. 1955) Andante (with a ghostly quality) Allegro Joel Brennan and Olivia Malin, trumpet Jocelyn Crawford, horn Joshua Cullum, trombone Stephanie Fairbairn, tuba intermission Quartet in D minor, d. 810, “Death and the Maiden” Franz Schubert Allegro (1797-1828) Andante con moto Scherzo: Allegro molto − Trio Presto The Alianza Quartet Sarita Kwok and Lauren Basney, violin Ah-Young Sung, viola Dmitri Atapine, cello As a courtesy to the performers and to other audience members — Please silence cell phones and pagers Please do not leave the auditorium during selections No flash photography No sound or video recording of any kind 2 0 0 6- 2 0 0 7 s e a s o n Program Notes Mozart: Trio in E-flat,k . 498, “Kegelstatt” The strange subtitle (Kegelstatt or “Skittles”) alone gives this work a unique place in Mozart’s vast chamber music output. Add to that its unusual combination of instru- ments and you have a very original composition indeed. The story behind the work’s origins is that Mozart wrote this in 1786 while playing skittles (an old game similar to bowling) with his friend, the clarinetist Anton Stadler.
    [Show full text]
  • Acknowledgement to Reviewers of Sensors in 2019 Sensors Editorial Office
    Editorial Acknowledgement to Reviewers of Sensors in 2019 Sensors Editorial Office MDPI AG, St. Alban-Anlage 66, 4052 Basel, Switzerland Published: 20 January 2020 Peer review is an essential part in the publication process, ensuring that Sensors maintains high quality standards for its published papers. In 2019, a total of 5658 papers were published in the journal. Thanks to the cooperation of our reviewers, the median time to first decision was 17 days and the median time to publication was 43 days. Among the reviewers who reviewed for Sensors in 2019, the following five have been selected to receive the “Sensors 2019 Outstanding Reviewer Award” for the timeliness and quality of their review reports in 2019: Curiac, Daniel-Ioan from Politehnica University of Timisoara, Romania Esposito, Flavio from University of Naples “Parthenope”, Italy Herrera-May, Agustin L. from Universidad Veracruzana, Mexico Moh, Sangman from Chosun University, Korea Tsiropoulou, Eirini Eleni from University of New Mexico, USA The editors also express their sincere gratitude to all of the following, who shared their time and expert opinion by reviewing for Sensors in 2019: Aaen-Stockdale, Craig Abdelaziz Kerrache, Chaker Aazam, Mohammad Abdeljaber, Osama Abadal, Sergi Abdelkefi, Abdessattar Abaid, Nicole Abdel-Motaleb, Ibrahim M. Abalde-Cela, Sara Abdel-Nasser, Mohamed Abali, B. Emek Abdel-Rahman, Eihab Abambres, Miguel Abdelsamea, Mohamed Abate, Dante Abdolvand, Reza Abawajy, Jemal Abdul, Razaque Abbas, Sawaid Abdul-Aziz, Ali Abbasi, Hamid Abdulhalim, Ibrahim Abbasi, Qammer Abdulridha, Jaafar Abbaszadeh, Shiva (Canada) Abedini Nassab, Roozbeh Abbaszadeh, Shiva (USA) Abegão, Luis Abbene, Leonardo Abel, Dirk Abbod, Maysam Abelmann, Leon Abdalla, Ahmed Abhayasinghe, Nimsiri Abdallah, Ali Abir, Muhammad Abdelazim, Sameh Abonyi, Janos Sensors 2020, 20, 576; doi:10.3390/s20020576 www.mdpi.com/journal/sensors Sensors 2020, 20, 576 2 of 184 Abonyi, János Adhikari, Kaushallya Abot, Jandro Adly, Nouran Abramovich, Haim Adriaensen, Stefan Abrams, Michael J.
    [Show full text]
  • Music Academy of the West Archives PA Mss 65
    http://oac.cdlib.org/findaid/ark:/13030/kt9m3nd615 No online items Guide to the Music Academy of the West archives PA Mss 65 Finding aid prepared by David Seubert and Danielle Hoffman, 2007; revised by Zachary Liebhaber, 2019. UC Santa Barbara Library, Department of Special Research Collections University of California, Santa Barbara Santa Barbara 93106-9010 [email protected] URL: http://www.library.ucsb.edu/special-collections 2007; 2019 Guide to the Music Academy of PA Mss 65 1 the West archives PA Mss 65 Title: Music Academy of the West archives Identifier/Call Number: PA Mss 65 Contributing Institution: UC Santa Barbara Library, Department of Special Research Collections Language of Material: English Physical Description: 102 linear feet(117 document boxes, 19 half document boxes, 784 audiotape reels, 38 videocassettes) Date (inclusive): 1946-2014 Abstract: Audio and video recordings of Music Academy of the West concerts, recitals and masterclasses dating from 1961 to 2001, as well as Music Academy of the West organizational records dating from 1946 to 2012. Physical Location: Special Research Collections, UC Santa Barbara Library Access Restrictions The collection is open for research. Access copies must be made before listening to recordings. Use Restrictions Copyright has not been assigned to the Department of Special Research Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Research Collections. Permission for publication is given on behalf of the Department of Special Research Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained.
    [Show full text]
  • From the Podium News
    R ep o r John Climert , editor Spring 2006 From the Podium News Dear Colleagues: Warren Benson Forum on Creativity and Concert The 2006 regional conferences are now history, and from all ac- Dr. James Undercofl er, Dean, Eastman School of Music and the counts, they were among the most successful in our organization’s Benson family cordially invite you to share in a celebration of the history. I was fortunate to attend the Southwestern Division life of Warren Benson on Sunday, April 23, 2006 at the Eastman Conference as well as the combined Western and Northwestern School of Music in Rochester, New York. Conference and found both to be beautifully planned, exciting, stimulating events with a number of excellent performances. It At two o’clock, the Inaugural Warren and Patricia Benson Forum was good to hear that attendance in nearly every conference was on Creativity in the Howard Hanson Hall will be followed at three up from the previous meeting. o’clock by a concert in Kilbourn Hall with a reception immediately following at Cominsky Promenade. RSVP to 585-274-1040. I would like to look ahead to the 2007 National Conference and Hotel space is available at the Rochester Hyatt. Guests can call highlight several things for you. Obviously, fi rst would be the 1-800-233-1234 and ask for the “Warren Benson Concert” group dates, March 28-31, 2007 in Ann Arbor, Michigan. With Michael block to make reservations. Haithcock and the staff of the University of Michigan Bands as hosts, we are certain to have a memorable conference.
    [Show full text]
  • Volume CXXI, Number 11, January 9, 2004
    LAWRENCE UNIVERSITY'S STUDENT NEWSPAPER SINCE 1884 Th e La w r e n t ia n FRIDAY • JANUARY 9, 2004 • VOL CXXI, NO. 11 ■ WWW.LAWRENTIAN.COM LUCC candidate state­ Warch on weed / Page 4 SPORTS Vikes move up on ments/Page 2 FEATURES ranks/Page 8 LUCC institues online voting DeStasio awarded research grant Voyager system to $206,000 to allow voting at any study the effects time during electionof zebra mussels by Jonathan Isaacson in G reen Bay News Editor by Jonathan Isaacson Lawrence University News Editor Community Council convened Tuesday in a brief first meeting of Bart DeStasio, associate profes­ the term to discuss upcoming sor of biology, received a grant last council elections as well as change month from the University of in the bylaws and a potential con­Wisconsin Sea Grant Program to stitutional change. study the effects of the zebra mus­ The main item of discussion sel population in Green Bay. was the upcoming LUCC election DeStasio and student research to choose a new cabinet. The elec­ assistants will be compiling data tion will take place in the coming from previous studies with the data week, with a candidate forum on to be collected in the upcoming Sunday, January 11 at 3 p.m. in study to create computer models of Riverview Lounge. the effects of invading zebra mus­ The major change in elections sels, a species native to the Caspian this year is the institution of an Sea region of Asia, in Lake electronic voting option for stu­ Michigan's largest bay dents.
    [Show full text]
  • A Native of China, Fan Lei Has Been Captivating Audiences As a Soloist and Recitalist Throughout the United States, Canada, and Asia
    A native of China, Fan Lei has been captivating audiences as a soloist and recitalist throughout the United States, Canada, and Asia. He has collaborated with several of the world’s leading woodwind players, among them Patrick Gallois, Richard Killmer, Stephen Maxym, and David Shifrin, and is a founding member of the Norfolk Trio at the Norfolk Summer Chamber Music Festival in Connecticut. In 1998, he appeared in recitals at the Beijing International Clarinet and Saxophone Festival. He has performed as a soloist for the prime ministers of Canada and Great Britain, and has performed on broadcasts in the United States, Canada, Yugoslavia, and China. An active adjudicator and clinician, Fan Lei has served as a jury member for the 2009 International Clarinet Competition and the National Arts Club Clarinet Competition in New York, and is the artistic director for the International Clarinet and Saxophone Festival in Xi’an, China. In addition, he has presented recitals and master classes at Yale University, Interlochen Arts Academy, Oberlin Conservatory, Arizona State University, National Arts University and other major universities in Taiwan, all leading conservatories in China, and He was professor of clarinet for sixteen years at Lawrence University in Wisconsin,USA. Mr. Fan received degrees from Beijing Central conservtory, Oberlin Conservatory and Yale University, and his teachers have included Elsa Ludwig Verdehr, Lawrence McDonald, David Shifrin, Fred Ormand, and Kalmen Opperman. A recipient of prizes and honors at the Toulon International Competition in France, the International Young Clarinetist Competition in Washington, and the 1991 Young Concert Artist International Auditions in New York, Mr.
    [Show full text]
  • The Making of Woodwind Art in China
    Volume 9 - Issue 27 / March 2020 301 DOI: http://dx.doi.org/10.34069/AI/2020.27.03.33 The Making of Woodwind Art in China Становление искусства игры на деревянно-духовых инструментах в Китае Received: December 28, 2019 Accepted: February 15, 2020 Written by: Liu Yang102 ORCID: 0000-0003-1063-2637 Svetlana Anatolievna Mozgot103 Spin-code: 530-244 ORCID: 0000-0002-5342-6940 Abstract Аннотация The phenomenon of the formation of the Феномен становления искусства игры на woodwind instrument art in China of the 20th деревянно-духовых инструментах в Китае ХХ century is due to the unique synthesis of Western века обусловлен уникальным синтезом European traditions and the experience of западноевропейских традиций и опытом игры playing traditional national wind instruments. на традиционных национальных духовых The relevance of the study is due to the fact that инструментах. Актуальность исследования the growth of professionalism among musicians- связана с тем, что рост профессионализма performers stimulates composer creativity, среди музыкантов-исполнителей стимулирует producing the development by Chinese композиторское творчество, продуцируя composers of the styles and genres of Western освоение китайскими композиторами стилей и European music. In turn, the combination of жанров западноевропейской музыки. В свою styles and genres of academic art with intonation очередь, сочетание стилей и жанров and expressive means of national Chinese music академического искусства с интонацией и creates new, interesting examples of musical средствами выразительности национальной compositions by contemporary Chinese китайской музыки создаёт новые, интересные composers, worthy of a separate in-depth study. образцы музыкальных сочинений The purpose of the article is to consider the современных композиторов Китая, достойные prerequisites, features of the formation of the отдельного глубокого изучения.
    [Show full text]
  • Conference 2017 Piano Masterclass
    OKLAHOMA MUSIC TEACHERS ASSOCIATION Affiliated with the Music Teachers National Association 88th Annual Conference June 1 – 3, 2017 MUSIC for the MIND BODY and SPIRIT Tower Hotel, Oklahoma City President’s Welcome: A heartfelt welcome to officers, members, collegiate members and guests. I especially welcome our new members and those attending for the first time. We are here to celebrate OMTA’s 88th Annual Conference, entitled Music for the Mind, Body and Spirit. Each year we look forward to our state conference, because it gives us a special time to be together, to share stories and ideas, to gather information, and to renew our inspiration for teaching. My special thanks to Heather Lanners. This year she spent many hours planning our conference. She has invited renowned artists and clinicians to perform, to enlighten us, and to help us in our careers. I also thank Heather’s committee of teachers who have helped make each aspect of the conference a success. Please enjoy as many recitals and sessions as you possibly can, and share our good fortune in having great talent among us; and please visit our exhibits and support our exhibitors. To all OMTA members, I congratulate on your dedication to our profession and thank you for your continued support. Karen Harrington OMTA President A very special thanks goes out to Walt Myrick, Mike Gilliam and Larsen Music for providing the Steinway Model B Piano for our 88th Annual State Conference! OMTA would like to thank our generous Guidebook sponsors for 2017; please check out the Guidebook App for a list of sponsors, our conference artist bios, photos and more! WOW! Did you know that OMTA is the 2017 MTNA State Affiliate of the Year and OU is the 2017 MTNA Student Chapter of the year! Program Book Contents: State Conference Schedule Conference Recital Programs Guest Artist Bios State Conference Schedule Thursday, June 1, 2017 9:00 - 10:00 a.m.
    [Show full text]
  • FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the Code and Complete Your Entry
    FLOWERS WITHOUT BORDERS July 9-11, 16-18, 23-25, 30-31 Enter to Win a Vocalise Mouthpiece Scan the code and complete your entry. backunmusical.com gives a soul to theMusic universe, wings to the mind, flight to the imagination, and charm and gaiety to life and to everything. ~Plato Now, more than ever, E DWIN • HUD RE EIGAN SO • • W D N H R • T • C E R D I D IP i V Y I L E N P U S S IT T I A S play on! • S N I L R A E Meet Some I K W B • I A K S T • E L Players D A L G A E N R O R D We Love! O c a B M • B • U E L S N F O I V A D A • Z M H E Patents. See website. www.rovnerproducts.com Established 2013 Heather Rodriguez Alcides Rodriguez RMS offers a premium selection of Hand selected Buffet clarinets clarinets for the demanding artist, and accessories educator and student. Artist level set ups, upgrades, repair work and overhauls www.rodriguezmusical.com 470-545-9803 [email protected] A NEW SPECIES OF REED VENN signals the dawn of a new era in woodwinds innovation: combining the stability and longevity of a synthetic reed with the sound and feel of natural cane. To mimic the organic structure of cane, we reverse-engineered cane itself, layering di erent strengths of polymer fi bers with resin and organic reed elements to make up the reed blank.
    [Show full text]
  • July 4 – 29, 2016 in Beijing , China Apply Before Feb. 17, 2016
    Morningside Music Bridge Audition Requirements (Audition requirements are as follows and must be met for applicants to Your completed online application must include: be considered.) • Non-refundable application fee ($65 USD); Piano • Video (recommended) or audio files of the appropriate audition July 4-29, 2016 in Beijing, China 1. Complete Classical Sonata (Haydn, Mozart, Beethoven or pieces. While the audition panel does not expect professional- Celebrating 20 years of Global Music Making Schubert); level production quality, it is important that your materials are of Morningside Music Bridge is Canada’s finest 2. Two contrasting solos by different composers of the high audio quality for the panel to clearly hear and assess your summer classical music training program for advanced performance level. The recording should be recent (within six candidate’s choice from the standard Baroque, Romantic, 20th young violin, viola, cello, piano and clarinet students ages st months) and without digital editing; or 21 Century repertoire (solo works only, concerted works not 12 to 18. The program embodies the highest international permitted). • Repertoire list (solo and chamber music) from the previous and current year; standards of excellence in training, bringing together Strings • A list of public performances from the previous and current year; outstanding emerging artists from around the world 1. J.S. Bach: Two contrasting movements from an unaccompanied • A letter of recommendation from your primary teacher (You will for a month of intensive study, performance opportunity Suite, Sonata or Partita; send an e-mail request through Decision Desk to your teacher and connecting through the language of music..
    [Show full text]
  • Catherine C. Kautsky
    Catherine C. Kautsky ADDRESSES Lawrence University 1016 Van Buren Str. Conservatory of Music Madison, WI 53711 P.O. 599 (608) 238-7558 Appleton, WI cell: 608 345-5299 (920) 832-6627, fax (920) 832-6633 email: [email protected] CITIZENSHIP: U.S. EDUCATION University City High School St. Louis, MO 9/65-6/68 High School Diploma Oberlin Conservatory Oberlin, OH 9/68-6/70 New England Conservatory Boston, MA 9/70-6/72 B.M. in piano with honors Juilliard School New York, NY 9/74-6/76 M.M. in piano 9/76-6/77 Professional Studies State University of New York at Stony Brook Stony Brook, NY 9/82-6/85 D.M.A. 6/85 MAJOR TEACHERS Piano: Theodore Lettvin New England Conservatory Boston, MA 6/70-6/72 Leon Fleisher Temple University Summer Institute Ambler, PA Summer, 1972 Gyorgy Sebok Indiana University Bloomington, IN Summer, 1973 Rosina Lhevinne USC Los Angeles, CA Summer, 1974 Juilliard School New York, NY 9/74-6/76 Martin Canin Juilliard School New York, NY 9/74-6/77 Gilbert Kalish SUNY, Stony Brook Stony Brook, NY 9/82-6/85 Chamber Music: Felix Galimir Juilliard School New York, NY 9/74-6/77 Gilbert Kalish Berkshire Music Center Lenox, MA Summer 1981, 1982 SCHOLARSHIPS and AWARDS St. Louis Artist Presentation Society Award April, 1974 St. Louis Symphony Young Artists Competition Winner January, 1976 Scholarship Participant, Rosina Lhevinne Master Class, USC Summer, 1974 Juilliard School Scholarship September, 1975 Juilliard School Teaching Fellowship 1976-1977 Berkshire Music Center Piano Fellowship, Tanglewood Summer, 1981,1982 C.
    [Show full text]