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InsideInsideRockRock MusicMusic Inside InsideRockRock MusicMusic In i Roc sde k VANCE FERRELL u n M si I s d eRoc c i k Mus i c Violence Drug overdose Hypnotic trance Licentiousness Demonic control Murder Backward masking Escaping the addiction Evolution Facts, Inc. EF-761 Inside Rock Music by Vance Ferrell Published by Evolution Facts, Inc. Altamont, TN 37301 USA Printed in the United States of America Cover and Text Copyright © 2006 “There is a way that seemeth right unto a man, but the end thereof are the ways of death.” —Proverbs 16:25 “Rock music can make it easy for you to go somewhere you want to go, but know you shouldn’t.”—Lawson, Rock is Here! p. 70. “The same exact rhythms are used in each of the three religions named above, in African and Indian music, in rock music, and in music used in meetings of faith healers. The god comes, whenever he is called by anyone using those rhythms . “Does the god come to celebration-type wor- ship services, when the god’s rhythm is played in Christian rock music, even though the people present do not realize that they are calling a god? There is quite a strong consensus that the god does come.”—Demon Possession and Music, by Dr. Juanita McElwain. Additional copies: For additional copies of this book at remark- ably low prices in boxful quantities, write to Evolution Facts, Inc., Altamont, TN 37301. When you write, ask for a copy of our “General Book Order Sheet,” containing low-cost boxful prices of this and other books, such as Evolution Cruncher, Evolution Handbook, Sci- ence vs. Evolution. 3 Inside Rock Music CONTENTS Introduction 4 Not Morally Neutral 6 What is Rock Music? 15 More about Rock 19 What is Christian Rock? 38 More about Christian Rock 48 Music that Destroys 59 Tracing It to Its Origins 66 Worked by Demons 73 Satanic Control 85 Backward Masking 92 Unveiling a Master Plan 97 Country Music 100 Some Personal Experiences 103 Escaping the Addiction 112 Music in the Bible 119 Guide to Selecting Good Music 130 Final Appeal 138 Appendices — 1 - Best Chapter in the Book 143 2 - How Rock Stars Die 160 3 - Applause 170 Bibliography 183 General Index 189 4 Inside Rock Music Inside Rock Music INTRODUCTION The following appeal was given by a young man, at an international Christian assembly, to church leaders, pastors, and youth leaders representing ninety Christian organizations. They were asked to wake up to the devasta- tion that rock music is having on the youth of the churches: “Back then, it wasn’t a question of whether the mu- sic was right or wrong, because that did not matter to me. Somebody could come to me and say, ‘This worldly music that you have now given yourself over to is wrong.’ However, I could not agree with him, because I had to listen to it. I had no choice . “After years of rebellion and doing things that were very damaging to myself and to those around me, I finally got back under my parents’ authority and God’s plan for music. “I saw that rock music, rebellion, and immoral- ity were hooked together, and that only when you get rid of the wrong music can you get rid of the immoral desires and wrong feelings to which I was in bondage. “As I talk with others about music, they tend to argue, just as I did. However, when it comes right down to it, I can look them in the eye and say, ‘Are you expe- riencing victory in your life morally?’ After talking to hundreds that listen to this music, not one has said to Introduction 5 me, ‘Yes.’ “I bring you a plea, a cry from my generation, from the generation that was brought up in this music, and for the next generation that is coming along,—stop this music! Help us! Or a moral decay will overwhelm us—such as we have never known before!”—David Hill, testimony presented to a gath- ering of Christian pastors and youth leaders, at a CoMission Christian Conference, at the Moody Bible Institute, March 30, 1992. ——————————— “For even hereunto were ye called: because Christ also suffered for us, leaving us an example, that ye should follow His steps.”—1 Peter 2:21 “Let this mind be in you, which was also in Christ Jesus: Who, being In the form of God, thought it not robbery to be equal with God: But made Himself of no reputation, and took upon Him the form of a servant, and was made in the likeness of men: And being found in fashion as a man, He humbled Himself, and be- came obedient unto death, even the death of the cross.”—Philippians 2:5-8 “Looking unto Jesus the author and finisher of our faith; who for the joy that was set before Him endured the cross, despising the shame, and is set down at the right hand of the throne of God. For consider Him that endured such contradiction of sinners against Himself, lest ye be wearied and faint in your minds.” —Hebrews 12:2-3 “He that saith he abideth In Him ought himself also so to walk, even as He walked.”—1 John 2:6 “Be ye therefore followers of God, as dear chil- dren; and walk in love, as Christ also hath loved us, and hath given Himself for us an offering and a sacri- fice to God for a sweet smelling savour.”—Epheslans 5:1-2 “If ye abide in Me, and My words abide in you, ye shall ask what ye will . Herein is My Father glorified, that ye bear much fruit.”—John 15:7-8 6 Inside Rock Music Inside Rock Music NOT MORALLY NEUTRAL Some say that music is never bad or good, but just something pleasant to be experienced. In defense of that idea, Maurice Zam, former di- rector of the Los Angeles Conservatory of Music, wrote: “Let us emancipate ourselves from the myth that music has anything to do with morals. Mu- sic is as amoral as the sound of a babbling brook or the whistling wind. The tones E, D, and C can be sung to the words, ‘I love you,’ ‘I hate you,’ or ‘three blind mice.’ ”—Maurice Zam, quoted in Chicago Tribune, August 19, 1993. Dana Key heartily agrees. He says it is not the sound of the music itself, but only the lyrics—the words—that count. “The ‘goodness’ or ‘badness’ of instrumental music is based on the performers’ competence and skill. If the music is played without skill it is bad. If it is performed skillfully, it is good.”—Dana Key with Steve Rabey, Don’t Stop the Music, p. 69. Writing in Moody Monthly, Don and Dave Wyrtzen, declared: “The morality or immorality of the sounds needs to be located in the hearts of the composer, the performer, and the listener, not in the music itself.”—Don and Dave Wyrtzen, Moody Monthly, September 1985. Not Morally Neutral 7 The Wyrtzens are saying that the music itself is always wonderful; the only thing that can be bad is the hearts of those who play or hear it. They continue: “If music is neutral with the morality rooted in the message, the artist intends to convey rather than the form itself, there is no such thing as a particular sa- tanic sound.”—Ibid. Thomas Dorsey, the well-known Gospel musician, put it this way: “The message is not in the music but in the words of the song. It matters not what kind of movement it has, if the words are Jesus, Heaven, Faith, and Life, then you have a song with which God is pleased.”—Thomas A. Dorsey, quoted in Oral L. Moses, “The Nineteenth-Century Spiri- tual Text: A Source for Modern Gospel,” in Feel the Spirit: Studies in Nineteenth-Century Afro- American Music, ed. George R. Keck and Sherrill V. Martin, p. 50. You have just read the major argument in de- fense of rock music. Regardless of how it is played and what the words say, how bewildering the sounds and wild the music,—it is claimed that the music is always good, with no moral effect upon the listener, either positive or negative. It is of interest that among those who primarily maintain this are the ones publishing, promoting, per- forming, and making money on what has become known in the world as “rock music,” and in the churches as “contemporary Christian music” (CCM). But there are other musicians, highly trained in the field, who present a clearer picture of the situ- ation: 8 Inside Rock Music “Dr. William J. Schafer tells us that ‘rock mu- sic is communication without words, regard- less of what ideology is inserted into the music.’ And Professor Frank Garlock says, ‘The Words only let you know what the music already says . The music is its own message and it can com- pletely change the message of the words.’ “To those who would propose the argument that music in itself is neutral and that it is the words that make it either moral or immoral, Dr. Max Schoen in his book The Psychology of Music says, ‘Music is the most powerful stimulus known among the perceptive senses. The medical, psy- chiatric and other evidences for the non-neutral- ity of music is so overwhelming that it frankly amazes me that anyone should seriously say oth- erwise.’ ”—Dr. Ruben Gonzalez, History of Rock Music. Dr. Howard Hanson, famed composer and former head of the Eastman School of Music in Rochester, New York, wrote: “Music is made up of many ingredients and, according to the proportion of these components, it can be soothing or invigorating, ennobling or vulgarizing, philosophical or orgiastic.