Cassandra and Brett Berns with Keith Richards at Germano Studios in New York City, After Interviewing Him for the Film “BANG!”

Total Page:16

File Type:pdf, Size:1020Kb

Cassandra and Brett Berns with Keith Richards at Germano Studios in New York City, After Interviewing Him for the Film “BANG!” Bert Berns and Jerry Wexler on the Long Island Sound in the ’60s Cassandra and Brett Berns with Keith Richards at Germano Studios in New York City, after interviewing him for the film “BANG!” 38 | MALIBU TIMES MAGAZINE | #MALIBUTIMESMAG Bang! The Untold Story of a Rock ‘n’ Roll Legend The late Bert Berns’ lyrics realize their father’s untold story. “The first revelation for me,” Brett said, “was how are legendary. forgotten he was ... he had really fallen into complete and utter obscurity.” BY LAURIE HARTT Bert’s widow, Ilene, a music business legend in her own right PHOTOGRAPHY BY ROXANNE MC CANN after taking over the Bang label upon Bert’s death, eventually sold the record company, leaving the publishing business in the hands of her children. It didn’t take long for Brett and Cassandra e’s the man who penned and produced some of to realize the potential of their father’s legacy. the most well-known hits of the ‘60s: “Twist and “One day,” Cassandra said, “Brett and I realized we had to Shout,” Solomon Burke’s “Cry to Me,” The McCoys’ do something with this.” “Hang On Sloopy,” and Them’s “Here Comes the Bert’s work ethic certainly passed on to his children, HNight.” By all accounts, Bert Berns was one of the greatest because the two created a stage musical as well as a songwriters and music producers of all time—and also one documentary to tell their father’s story. of the most forgotten. Using their own painstaking research and Joel Selvin’s He also co-wrote “Piece of My Heart” and The 2014 biography “Here Comes the Night: The Dark Soul of Strangeloves’ “I Want Candy,” and produced The Drifters’ Bert Berns and the Dirty Business of Rhythm and Blues,” “Under the Boardwalk.” His music label Bang Records Brett and Cassandra holed up in their office night after night, was responsible for launching Van Morrison’s and Neil writing lines, crafting the story for the stage and bringing Diamond’s careers with early songs like “Cherry, Cherry” history back to life. and “Brown Eyed Girl.” “We would put the song titles on the wall and turn the His children, Brett and Cassandra (Cassie) Berns, phones off at night and conceived the musical,” Cassandra said. who currently live in Malibu, have spent the last 15 years “Piece of My Heart” debuted Off-Broadway in 2014 in a resurrecting the legacy of a man and father who had until limited run to great success. recently been lost to time and industry drama. “We took the greatest gamble of our lives,” Brett said. Their father, born to Jewish immigrants in 1929 in the [But] we brought him back to life on the living stage. The Bronx, contracted rheumatic fever as a child, irreparably musical is the crown jewel of our efforts.” scarring his heart. Doctors gave him a life expectancy of only 21, but Bert defied all odds, making history with every hen it came time to put together the documentary, many minute possible until his heart gave out in 1967 at the age Wstepped up to take part. The story is told primarily of 38. His son, Brett, was not quite three, and his daughter, through interviews of many of the people he worked with Cassandra, was 10 months old. Their brother Mark was only throughout the years. two weeks old when their father died. Brett directed the film and conducted the interviews, an It wasn’t until their mid-to-late 20s when the experience he said was an extraordinary heart-pull. With copyrights to their father’s songs started reverting back the likes of wiseguy Carmine “Wassel” DeNoia (Bert’s story to the original heirs that Brett and Cassandra began to is also infamous for its mob ties) and music industry icons FALL 2018 | 39 Brett and Cassandra reviewed work in their office on the beach in Malibu, where they continue to bring the “gloriously tuneful” “Piece of My Heart,” their father’s story, to stage and screen. Brett suitd up with his children Max, 18, Marcus, 16, and Olivia, 11, before they took their well-worn boards out surfing in Malibu. 40 | MALIBU TIMES MAGAZINE | #MALIBUTIMESMAG Jeff Barry, Ellie Greenwich, Phil Spector and Bert at the BMI Awards in New York City Artwork from the film “BANG!” and the Broadway- bound musical, “Piece of My Heart” Bert died of of heart failure at the age of 38, before his son Brett (shown here with the family cat, Keetch) was 3 years old. Ronald Isley, Solomon Burke, Ben E. King, Paul McCartney, Keith Richards, Betty Harris, Cissy Houston, Brenda Reid, Ilene Berns, and many others, the cast of the film is legendary in itself. Even notoriously interview-shy Van Morrison makes an appearance. “It was really a testament to my dad that they even agreed to sit down with us. They really poured their hearts and souls out to us,” Brett said. E Street Band guitarist and cast member of “The Sopranos” Steven Van Zandt narrated the story, bringing humor and a pace that emulates the breakneck speed of Bert’s own life and work. The documentary debuted at the 2016 South by I Southwest Film Festival and was released both theatrically mages and on Apple Music in 2017, just a year after Bert was co U inducted into the Rock & Roll Hall of Fame. Interesting note: rtesy Bert is the only songwriter who is in the Rock & Roll Hall of O Fame but not in the Songwriters Hall of Fame. F THE B ERNS he Berns siblings are just getting started, with plans F T for future broadcasts of the documentary, a biopic amily or televised series and a tribute concert, they are also FALLFALL 2018 2018 | 41 | 41 LOVING MALIBU Bert, pictured here in his New York studio, penned many classic songs including “Twist and Shout” and “Piece of My Heart.” Cassandra Berns: Favorite spot? The Backbone Trail in the Santa Monica Mountains, starting at the top of Kanan. Favorite memory? P hotos Stand-up paddling with a group of neighbors to the Malibu Pier. I live among some of the most co U amazing people. I’ve never lived in a place where rtesy people are happy to see each other, it’s kind of O extraordinary. F THE B ERNS F amily Bert heads to his yacht at the 79th Street Boat Basin on the Upper West Side of Manhattan. planning a full Broadway reboot of “Piece of My Heart” in the 2019-20 season. Although Bert’s story is straight out of New York, the siblings now call Malibu home. As children, they spent a summer in the Colony on vacation with their mother and it just “filled us with a love for Malibu,” Brett said. He’s now lived in the area for nearly a decade with his family, while Cassie has recently returned to Malibu after temporarily moving back to New York for Brett Berns: work on the musical and documentary. All three of Brett’s Favorite spot? children—Max, 18; Marcus, 16; and Olivia, 11—attended Point Dume Marine Science School, and are accomplished The Bluffs [where I coached baseball]. It’s just one of my favorite places in all of Malibu. I also musicians like their grandfather. loved surfing at Little Dume with my kids and all “[When I was young],” Brett said of Malibu, “it felt those hardcore locals. Now I surf a secret spot. like a place that only other people could live. Malibu was an enchanted place. The fact that we became part of the Favorite memory? community really was a dream come true.” Watching my three children go through Malibu baseball. I used to ride a bicycle up to the Bluffs Alive with the promise of their father’s legacy, Brett and when I was young and would think what a dream Cassandra feel that despite losing him at a very young age, it would be to watch my kids play ball there. I they do in fact know the legend who is Bert Berns. And they was an assistant coach for a couple of years. They feel he would have loved the story they are rebirthing. were some of the greatest years of my life. “He would have been so tickled,” Cassandra said. “I just think I could hear him laugh.” n 42 | MALIBU TIMES MAGAZINE | #MALIBUTIMESMAG.
Recommended publications
  • Television Has Long Upheld an Unspoken Rule: a Female Character May Be Beautiful Or Angry, but Never Both
    PRETTY HURTS Television has long upheld an unspoken rule: A female character may be beautiful or angry, but never both. A handful of new shows prove that rules were made to be broken BY JULIA COOKE Shapely limbs swollen and wavering under longer dependent on men to be effective.” Woodley’s Jane runs hard and fast, flashing water, lipstick wiped off a pale mouth with a These days, injustice—often linked to the back to scenes of her rape and packing a gun in yellow sponge, blonde bangs caught in the zip- tangled ramifications of a heroine’s beauty— her purse to meet with a man who might be the per of a body bag: Kristy Guevara-Flanagan’s gives women license to take all sorts of juicy perpetrator. Their anger is nuanced, caused by 2016 short film What Happened to Her collects actions that are far more interesting than a range of situations, and on-screen they strug- images of dead women in a 15-minute montage killing. On Marvel’s Jessica Jones, it’s fury at gle to tame it into something else: self-defense, culled mostly from crime-based television dra- being raped and manipulated by the evil Kil- loyalty, grudges, power, career. mas. Throughout, men stand murmuring over grave that spurs the protagonist to become the The shift in representation aligns with the beautiful young white corpses. “You ever see righteously bitchy superhero she’s meant to increasing number of women behind cameras something like this?” a voice drawls. be. When her husband dumps her for his sec- in Hollywood.
    [Show full text]
  • Lightning in a Bottle
    LIGHTNING IN A BOTTLE A Sony Pictures Classics Release 106 minutes EAST COAST: WEST COAST: EXHIBITOR CONTACTS: FALCO INK BLOCK-KORENBROT SONY PICTURES CLASSICS STEVE BEEMAN LEE GINSBERG CARMELO PIRRONE 850 SEVENTH AVENUE, 8271 MELROSE AVENUE, ANGELA GRESHAM SUITE 1005 SUITE 200 550 MADISON AVENUE, NEW YORK, NY 10024 LOS ANGELES, CA 90046 8TH FLOOR PHONE: (212) 445-7100 PHONE: (323) 655-0593 NEW YORK, NY 10022 FAX: (212) 445-0623 FAX: (323) 655-7302 PHONE: (212) 833-8833 FAX: (212) 833-8844 Visit the Sony Pictures Classics Internet site at: http:/www.sonyclassics.com 1 Volkswagen of America presents A Vulcan Production in Association with Cappa Productions & Jigsaw Productions Director of Photography – Lisa Rinzler Edited by – Bob Eisenhardt and Keith Salmon Musical Director – Steve Jordan Co-Producer - Richard Hutton Executive Producer - Martin Scorsese Executive Producers - Paul G. Allen and Jody Patton Producer- Jack Gulick Producer - Margaret Bodde Produced by Alex Gibney Directed by Antoine Fuqua Old or new, mainstream or underground, music is in our veins. Always has been, always will be. Whether it was a VW Bug on its way to Woodstock or a VW Bus road-tripping to one of the very first blues festivals. So here's to that spirit of nostalgia, and the soul of the blues. We're proud to sponsor of LIGHTNING IN A BOTTLE. Stay tuned. Drivers Wanted. A Presentation of Vulcan Productions The Blues Music Foundation Dolby Digital Columbia Records Legacy Recordings Soundtrack album available on Columbia Records/Legacy Recordings/Sony Music Soundtrax Copyright © 2004 Blues Music Foundation, All Rights Reserved.
    [Show full text]
  • The Uk's Top 200 Most Requested Songs in 1980'S
    The Uk’s top 200 most requested songs in 1980’s 1. Billie Jean - Michael Jackson 2. Into the Groove - Madonna 3. Super Freak Part I - Rick James 4. Beat It - Michael Jackson 5. Funkytown - Lipps Inc. 6. Sweet Dreams (Are Made of This) - Eurythmics 7. Don't You Want Me? - Human League 8. Tainted Love - Soft Cell 9. Like a Virgin - Madonna 10. Blue Monday - New Order 11. When Doves Cry - Prince 12. What I Like About You - The Romantics 13. Push It - Salt N Pepa 14. Celebration - Kool and The Gang 15. Flashdance...What a Feeling - Irene Cara 16. It's Raining Men - The Weather Girls 17. Holiday - Madonna 18. Thriller - Michael Jackson 19. Bad - Michael Jackson 20. 1999 - Prince 21. The Way You Make Me Feel - Michael Jackson 22. I'm So Excited - The Pointer Sisters 23. Electric Slide - Marcia Griffiths 24. Mony Mony - Billy Idol 25. I'm Coming Out - Diana Ross 26. Girls Just Wanna Have Fun - Cyndi Lauper 27. Take Your Time (Do It Right) - The S.O.S. Band 28. Let the Music Play - Shannon 29. Pump Up the Jam - Technotronic feat. Felly 30. Planet Rock - Afrika Bambaataa and The Soul Sonic Force 31. Jump (For My Love) - The Pointer Sisters 32. Fame (I Want To Live Forever) - Irene Cara 33. Let's Groove - Earth, Wind, and Fire 34. It Takes Two (To Make a Thing Go Right) - Rob Base and DJ EZ Rock 35. Pump Up the Volume - M/A/R/R/S 36. I Wanna Dance With Somebody (Who Loves Me) - Whitney Houston 37.
    [Show full text]
  • 157: 10 Favorite Things I Watched This Year
    157: 10 Favorite Things I Watched This Year Hi guys. Before we get started, I wanted to let you know, today is the final day to sign up to receive the Quiet Collection for Christmas. Thousands of you have signed up to receive the brand-new, 10-day audio devotional series I created just for us in 2020. And many of you have come back and purchased the collection as gifts for others. We make that super easy for you to get it for yourself or for a group, large or small. Simply visit emilypfreeman.com/christmas to learn more and sign up today. All right. Now back to your regularly scheduled podcast episode. I’m Emily P. Freeman, and welcome to The Next Right Thing. You’re listening to episode 157. This is a podcast about making decisions, but also about making a life. Every week, I invite anyone who struggles with decision fatigue or chronic hesitation to join me for a few minutes for a thoughtful story, a little prayer, and a simple next right step. This month on the podcast, I’m changing up the format a bit, and I want to invite you into a final mini-series of the year where I’m sharing some of my next right favorite things. Last episode, I shared five books I read this year and in this one, I want to share 10 favorite things I watched, because next month, The Next Right Thing guided journal will hit bookshelves around the country, and one of the reflections in the book is a page that I call A Happy List.
    [Show full text]
  • Sandspur, Vol 89, No 09, January 25, 1983
    University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-25-1983 Sandspur, Vol 89, No 09, January 25, 1983 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol 89, No 09, January 25, 1983" (1983). The Rollins Sandspur. 1605. https://stars.library.ucf.edu/cfm-sandspur/1605 21st Century Theatre Showtimes7:00&9:15 Super Large Screen Four Channel Sound System Fresh Deli Foods and Pizza Domestic and Imported Beer and Wine Happy Hour 4- 6 PM Reserved Box Seating Colonial (Rt. 50) Fashion Square Mall THEATRE 740 Bennett Road, Orlando Corrine 1 Mile East Of-Fashion Square Mall Every Tuesday Is Student Night Holt mt SUPPORT OUR ADVERTISERS Aida Grey Judy's Business Service Rollins Concert Series Annie Russel Theatre Kaplan V. Rand Saltsgaver, P. A. Computer Word Processing lily Ann's Taylor's Pharmacyt Cracker Jet Ski On Stage 21st Century Theatre Decades Pappagallo Whamarama Herbal World Park Avenue Hair Design Zack's His and Hers Hair Design Park Avenue Records January 25, 1983 vol. 89 no. 9 EDITOR diana chrissis MANAGING EDITOR emily goss FEATURES EDITOR judy jones ©©OifQDDDgl Y© & © Ooflfe N\®m V@Qfl SPORTS EDITOR I david greenberg ARTS EDITOR John tamow PHOTO EDITOR david reed M " M COPY EDITOR JC *e *F lizzjacobson SHERRY UNDERWOOD WORDS PROPRIETRESS 102 PARK AVE N.
    [Show full text]
  • University of Oklahoma Graduate College Performing Gender: Hell Hath No Fury Like a Woman Horned a Thesis Submitted to the Gradu
    UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of MASTER OF ARTS By GLENN FLANSBURG Norman, Oklahoma 2021 PERFORMING GENDER: HELL HATH NO FURY LIKE A WOMAN HORNED A THESIS APPROVED FOR THE GAYLORD COLLEGE OF JOURNALISM AND MASS COMMUNICATION BY THE COMMITTEE CONSISTING OF Dr. Ralph Beliveau, Chair Dr. Meta Carstarphen Dr. Casey Gerber © Copyright by GLENN FLANSBURG 2021 All Rights Reserved. iv TABLE OF CONTENTS Abstract ........................................................................................................................................... vi Introduction .................................................................................................................................... 1 Heavy Metal Reigns…and Quickly Dies ....................................................................................... 1 Music as Discourse ...................................................................................................................... 2 The Hegemony of Heavy Metal .................................................................................................. 2 Theory ......................................................................................................................................... 3 Encoding/Decoding Theory ..................................................................................................... 3 Feminist Communication
    [Show full text]
  • Copy UPDATED KAREOKE 2013
    Artist Song Title Disc # ? & THE MYSTERIANS 96 TEARS 6781 10 YEARS THROUGH THE IRIS 13637 WASTELAND 13417 10,000 MANIACS BECAUSE THE NIGHT 9703 CANDY EVERYBODY WANTS 1693 LIKE THE WEATHER 6903 MORE THAN THIS 50 TROUBLE ME 6958 100 PROOF AGED IN SOUL SOMEBODY'S BEEN SLEEPING 5612 10CC I'M NOT IN LOVE 1910 112 DANCE WITH ME 10268 PEACHES & CREAM 9282 RIGHT HERE FOR YOU 12650 112 & LUDACRIS HOT & WET 12569 1910 FRUITGUM CO. 1, 2, 3 RED LIGHT 10237 SIMON SAYS 7083 2 PAC CALIFORNIA LOVE 3847 CHANGES 11513 DEAR MAMA 1729 HOW DO YOU WANT IT 7163 THUGZ MANSION 11277 2 PAC & EMINEM ONE DAY AT A TIME 12686 2 UNLIMITED DO WHAT'S GOOD FOR ME 11184 20 FINGERS SHORT DICK MAN 7505 21 DEMANDS GIVE ME A MINUTE 14122 3 DOORS DOWN AWAY FROM THE SUN 12664 BE LIKE THAT 8899 BEHIND THOSE EYES 13174 DUCK & RUN 7913 HERE WITHOUT YOU 12784 KRYPTONITE 5441 LET ME GO 13044 LIVE FOR TODAY 13364 LOSER 7609 ROAD I'M ON, THE 11419 WHEN I'M GONE 10651 3 DOORS DOWN & BOB SEGER LANDING IN LONDON 13517 3 OF HEARTS ARIZONA RAIN 9135 30 SECONDS TO MARS KILL, THE 13625 311 ALL MIXED UP 6641 AMBER 10513 BEYOND THE GREY SKY 12594 FIRST STRAW 12855 I'LL BE HERE AWHILE 9456 YOU WOULDN'T BELIEVE 8907 38 SPECIAL HOLD ON LOOSELY 2815 SECOND CHANCE 8559 3LW I DO 10524 NO MORE (BABY I'MA DO RIGHT) 178 PLAYAS GON' PLAY 8862 3RD STRIKE NO LIGHT 10310 REDEMPTION 10573 3T ANYTHING 6643 4 NON BLONDES WHAT'S UP 1412 4 P.M.
    [Show full text]
  • Note Di Produzione
    ! Note di produzione Questa è la storia dell’ascesa del gruppo più famigerato del mondo. Nel 1987, usando rime brutalmente vere e ritmi hardcore, cinque ragazzi —Ice Cube (O’SHEA JACKSON, JR.), Dr. Dre (COREY HAWKINS di Non-Stop), Eazy-E (JASON MITCHELL di Contraband), DJ Yella (NEIL BROWN, JR. di Fast & Furious) e MC Ren (ALDIS HODGE di Die Hard – Un buon giorno per morire) — hanno trasformato la loro frustrazione e rabbia nei confronti della vita nel loro quartiere a Los Angeles nell’arma più potente che avevano: la loro musica. Verso la fine degli anni ’80, le strade di Compton, California, erano tra le più pericolose del Paese. Il crack si stava diffondendo a una velocità tanto allarmante quanto il business violento delle bande che spingevano il suo uso. Il dipartimento di polizia di Los Angeles (LAPD) e la sua unità specializzata in gang conducevano una guerra contro la droga con una ferocia tanto incontrollata e senza freni da lasciare i residenti della comunità di quella cittadina della California del sud non semplicemente tesi ma scioccati, senza fiducia verso l’autorità e dolorosamente inaspriti. Eazy-E, un carismatico spacciatore e traffichino tanto sveglio da vedere un futuro nell’emergente scena rap di L.A., aveva un piano. Deciso a lasciarsi alle spalle la vita di strada si è messo in contatto con il suo amico Dr. Dre, un deejay locale che lavorava regolarmente nei club di Compton in coppia con DJ Yella. Anche loro erano stanchi di vicoli ciechi e affamati di cambiamento, e Eazy-E aveva le risorse e le connessioni per fare il grande cambiamento.
    [Show full text]
  • BANG! the BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES
    Presents BANG! THE BERT BERNS STORY Narrated by Stevie Van Zandt PRESS NOTES A film by Brett Berns 2016 / USA / Color / Documentary / 95 minutes / English www.BANGTheBertBernsStory.com Copyright © 2016 [HCTN, LLC] All Rights Reserved SHORT SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Here Comes The Night and Piece Of My Heart. He helped launch the careers of Van Morrison and Neil Diamond and produced some of the greatest soul music ever made. Filmmaker Brett Berns brings his late father's story to the screen through interviews with those who knew him best and rare performance footage. Included in the film are interviews with Ronald Isley, Ben E. King, Solomon Burke, Van Morrison, Keith Richards and Paul McCartney. LONG SYNOPSIS Music meets the Mob in this biographical documentary, narrated by Stevie Van Zandt, about the life and career of Bert Berns, the most important songwriter and record producer from the sixties that you never heard of. His hits include Twist and Shout, Hang On Sloopy, Brown Eyed Girl, Under The Boardwalk, Everybody Needs Somebody To Love, Cry Baby, Tell Him, Cry To Me, Here Comes The Night and Piece of My Heart. He launched the careers of Van Morrison and Neil Diamond, and was the only record man of his time to achieve the trifecta of songwriter, producer and label chief.
    [Show full text]
  • Neil Diamond Hot August Night Full Album Download Neil Diamond Hot August Night Full Album Download
    neil diamond hot august night full album download Neil diamond hot august night full album download. Artist: Neil Diamond Album: Hot August Night Released: 2016 Style: Pop Rock. Format: MP3 320Kbps. CD1: 01 – Prologue 02 – Crunchy Granola Suite 03 – Done Too Soon 04 – Dialogue 05 – Solitary Man 06 – Cherry Cherry 07 – Sweet Caroline 08 – Porcupine Pie 09 – You’re So Sweet 10 – Red Red Wine 11 – Soggy Pretzels 12 – Gitchy Goomy 13 – And The Grass Won’t Pay No Mind 14 – I Think It’s Going To Rain Today 15 – Shilo 16 – Modern Day Version Of Love 17 – Girl You’ll Be A Woman Soon 18 – Walk On Water 19 – Kentucky Woman 20 – Stones 21 – Musician Intros. CD2: 01 – Play Me 02 – Canta Libre 03 – Morningside 04 – Song Sung Blue 05 – Cracklin’ Rosie 06 – Holly Holy 07 – I Am…I Said 08 – SoolaimonBrother Love’s Travelling Salvation Show. Hot August Night. This is the ultimate Neil Diamond record. Not necessarily the best -- he's at his most appealing crafting in the studio -- but certainly the ultimate, capturing all the kitsch and glitz of Neil Diamond, the showman. And that also means that it's not just loaded with flair, but with filler, songs like "Porcupine Pie," "Soggy Pretzels," and "And the Grass Won't Pay No Mind" -- attempts to write grand, sweeping epics that collapse under their own weight. Still, that's part of the charm of Diamond and while it can sound unbearable on studio albums, it makes some sense here, surrounded by his pomp and circumstance. That spectacle is the great thing about the record, since it inflates not just his great songs, it gives the weaker moments character.
    [Show full text]
  • Sagawkit Acceptancespeechtran
    Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................
    [Show full text]
  • Venturing in the Slipstream
    VENTURING IN THE SLIPSTREAM THE PLACES OF VAN MORRISON’S SONGWRITING Geoff Munns BA, MLitt, MEd (hons), PhD (University of New England) A thesis submitted for the degree of Doctor of Philosophy of Western Sydney University, October 2019. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................. Geoff Munns ii Abstract This thesis explores the use of place in Van Morrison’s songwriting. The central argument is that he employs place in many of his songs at lyrical and musical levels, and that this use of place as a poetic and aural device both defines and distinguishes his work. This argument is widely supported by Van Morrison scholars and critics. The main research question is: What are the ways that Van Morrison employs the concept of place to explore the wider themes of his writing across his career from 1965 onwards? This question was reached from a critical analysis of Van Morrison’s songs and recordings. A position was taken up in the study that the songwriter’s lyrics might be closely read and appreciated as song texts, and this reading could offer important insights into the scope of his life and work as a songwriter. The analysis is best described as an analytical and interpretive approach, involving a simultaneous reading and listening to each song and examining them as speech acts.
    [Show full text]