DOCSLIB.ORG

David Shaw-Parker Photo: MUG Photography

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
David Shaw-Parker Photo: MUG Photography 59 St. Martin's Lane London WC2N 4JS Phone: 0207 836 7849 Email: [email protected] Website: www.nikiwinterson.com David Shaw-Parker Photo: MUG Photography David is currently playing Father O'Hara in Some Mothers Do 'Ave 'Em Location: London, United Kingdom Eye Colour: Blue Height: 5'4" (162cm) Hair Colour: Salt & Pepper Weight: 10st. 7lb. (67kg) Hair Length: Short Playing Age: 56 - 75 years Voice Character: Cheerful Appearance: White Voice Quality: Warm Other: Equity, Musicians Union Stage Stage, Father O'Hara, Some Mothers Do 'Ave 'Em, Limelight Productions, Guy Unsworth Stage, Mam's Doctor / Leo Fairchild, Lady in The Van, Theatre Royal Bath / Jonathan Church Productions, Jonathan Church Stage, Tubby Wadlow, Hobson's Choice, Theatre Royal Bath/Jonathan Church Productions, Jonathan Church Stage, Canon Chasuble, The Importance of Being Ernest by Oscar Wilde, ATG, Lucy Bailey Stage, Hitchcock, McQueen, St James' Theatre, John Caird Stage, Old Shepherd, Oedipus Retold, Tristan Bates Theatre, Robert Gillespie Stage, Aemilius/Bacchus, Titus Andronicus, Shakespeare's Globe, Lucy Bailey Stage, The Old Shepherd, The Winter's Tale, Royal Shakespeare Company, Lucy Bailey Stage, Levene, Glengarry Glen Ross, Theatr Clwyd, Kate Wasserberg Stage, Telegin [Waffles], Uncle Vanya, The Print Room, Lucy Bailey Stage, Catiello, The Syndicate, Chichester Festival Theatre, Sean Mathias Stage, Peter Quince, A Midsummer Night's Dream, Headlong Productions, Natalie Abrahami Stage, Mario Galati, Heavenly Ivy, Mission, Sean Mathias Stage, Bader, My Balloon Beats Your Astronaut, Papatango, Elly Green Stage, Balthazaar, The Comedy of Errors, New Shakespeare Theatre, Regent's Park, Philip Franks Stage, Theban Elder [Chorus], Oedipus Rex, Royal National Theatre [Olivier], Jonathan Kent Stage, Quack, The Country Wife, Theatre Royal, Haymarket, Jonathan Kent Stage, Jake Thackray, A Bud Or Two For Jake, Church of St. James' Piccadilly, DSP/Hugh Kermode Stage, Robert Stillman, Acorn Antiques, Theatre Royal Haymarket, London SW1, Trevor Nunn Stage, Friar Francis, Much Ado About Nothing, Sheffield Crucible Theatre, Josie Rourke Stage, Flamenco Guitarist [PA], An Evening with Janie Dee, Pizza On The Park,, Janie Dee & Billy Deemer Stage, Frontin, The False Servant, Royal National Theatre, Jonathan Kent Stage, Mr. Sproule, The Ghost and Mrs. Muir, JGPC Productions, Hugh Wooldridge Television Television, Commissionaire Gordon, Endeavour, ITV, Andy Wilson Television, Hawker, The Crown, Netflix [Left Bank Pictures], Philippa Lowthorpe Television, Country Doctor, Victoria, ITV, Geoff Sax Television, Magistrate, The Commander, Lynda La Plante, Gillies MacKinnon Television, Vicar, City of Vice, Hardy & Sons, Dan Reed Television, Elizabethan Boatman, Melvyn Bragg's Travels in Literary Britain, ITV, Jonathan Levi Television, Lenny, Pieces of A Silver Lining, BBC, Steve Kelly Television, Bert Deling, Midsomer Murders, Bentley Productions, Peter Smith David Shaw-Parker 1/3 Television, Dubbing [Nathan Barley], Nathan Barley, Talkback, Chris Morris Film Film, Porter, Feature Film: The Man who Knew Infinity, Swati Bhise, Matt Brown Feature Film, Caretaker, Still Life, Still Life Productions, Uberto Pasolini Radio Radio, Leonard Miall / Percy Wilkins, Far Side of The Moore by Sean Grundy, Perfectly Normal Productions, Dirk Maggs Radio, Barry and Sergio, Heading for Paradise by David Morley, BBC Radio 4 / Perfectly Normal Productions, Dirk Maggs Radio, Hearthstoke, Rumpole and The Tap End, Catherine Bailey Ltd. for BBC Radio 4, Marilyn Imrie Radio, Reg, Herbert Howells and Ronald Gurney, A Soldier and A Maker, Perfectly Normal Productions, Philip Franks Radio, Judge Stevenson, Crime and Punshment: The Corrupted by G. F. Newman, Pacificus Productions, Clive Brill Radio, Edgar, A Two Pipe Problem, Catherine Bailey Ltd, Marilyn Imrie Radio, Hardcastle/Nicholls, Out of the Blue, Perfectly Normal Productions, Dirk Maggs Radio, John Quiss, Headlong, Greenpoint obo BBC R4, Clive Brill Radio, Mitchell James, Sleeping Dog, BBC Radio Drama, Gary Brown Radio, Reader, In-Flight Entertainment, BBC Radio 4, Joanna Green Radio, Edgar, Sherlock Holmes Two Pipe Problem: Right Old Charlie, BBC Radio 4, Marilyn Imrie Radio, Dr Crawston/Reporter, Number Ten, BBC Radio 4, Clive Brill Radio, Lord Jessup, Rumpole and the Penge Bungalow Murders, BBC Radio 4, Marilyn Imrie Radio, Postman Pat/Lord Chamberlain, Two-Pipe Problem: Have You Come Far, BBC Radio 4, Marilyn Imrie Radio, Lord Spencer, Smithers, Dr Johnson's Dictionary of Crime: A is for Assassin, BBC Radio 4, Marilyn Imrie Radio, Priest, I Believe I Have Genius, BBC Radio 4, Jonquil Panting Radio, Edgar, Steve Dixie, Inspector Bradstreet, Sherlock Holmes Two-Pipe Problem, BBC Radio 4, Marilyn Imrie Radio, Judge Bullingham, Peter Plaistow, DI Belfrage, The Antisocial Behaviour of Horace Rumpole, BBC Radio 4, Marilyn Imrie Radio, Edgar, A Two Pipe Problem, Catherine Bailey Ltd, Marilyn Imrie Radio, Councillor Cotterill, The Card by Arnold Bennett, Catherine Bailey Ltd, Marilyn Imrie Radio, Thomas Haweis, Grace Awakening, United States Radio, Philip Glassborow Radio, Narrator / Reader, Hans Brinker, BBC Schools Radio, Jeff Capel, Andrew Barnes Radio, Mr. Rankin, Rumpole and the Right To Privacy by John Mortimer, BBC Drama [CBLtd], Marilyn Imrie Radio, Father - Mr. Spry, Constance, Catherine Bailey Ltd., Radio Four, Marilyn Imrie Radio, Socrates, Plato: The Symposium, Naxos, Garrick Hagon Radio, Narrator, The Lonely Giraffe & other stories, BBC7 Little Toe Radio, Tessa Whidburn Radio, Alan, Ancient and Modern, BBC Radio Four, Marilyn Imrie Radio, Russian Conspirator, Shaiton's Fire, USA Radio, Anne Rosenfeld Radio, Old Man, Signs And Wonders, BBC Radio Four, Eoin O' Callaghan Radio, Jimmy, Solitary, BBC Radio Four, Peter Leslie Wild Radio, Train Guard, The Bringer of Sweets, BBC Radio Four, Deborah Bayley Radio, The Police Inspector, The Hiding Place, USA Radio, Philip Glasborough Commercial Commercial, Cyclist, ASDA Valentine, Saatchi & Saatchi, In-House Director Commercial, Grandad, Panettone: Morrison's Advert, Morrisons, Morrisons Commercial, James the Butler, Cadbury's Bourneville, Cadbury's India, ACNE Films, Stockholm Commercial, Folk Singer, IP Awareness 'Knock-Off Nigel', Sell Sell Commercials Commercial, Roving Reporter / Interviewer, Course-Pursuite / Le Baptéme de l'air / Le Bar, Lovo Films [Bruxelles], Frank Devos Commercial, Pantomime Dame, MacDonalds at Christmas, MacDonalds, Creatives at agency Recording Recording, Narrator, The Eustace Diamonds, Naxos Audiobooks, John Foley Recording, Narrator, The Monk and The Philosopher, Penguin USA, Adam Helal Recording, Narrator, Emigrants, Penguin USA, Red Apple Books Recording, Narrator, Cursed, Red Apple Books, Audible Recording, Narrator, Pendragon, Penguin, Ada Helal Recording, Narrator, Phineas Finn, Naxos Audio Books, John Foley Recording, Narrator, Can You Forgive Her? by Anthony Trollope, Naxos Audio Books, John Foley Recording, Storyteller, The Way We Live Now by Anthony Trollope, Naxos Audio Books Recording, Storyteller, The Last Chronicle of Barset, Naxos Audio Books, John Foley Recording, Storyteller, The Small House at Allington by Anthony Trollope, Naxos Audio Books, John Foley Recording, Storyteller, Doctor Thorne by Anthony Trollope, Naxos Audio Books, Pippa Vaughan Recording, Storyteller, Framley Parsonage by Anthony Trollope, Naxos Audio Books, Pippa Vaughan Recording, Storyteller, How The Rhinocerous Got His Skin, BBC Audio, Jeff Capel Recording, Reader, Barchester Towers by Anthony Trollope, Xaxos Audio Books, Pippa Vaughan Recording, Narrator [preface & voices], Doctor Thorne by Anthony Trollope, Naxos Audio Books, Pippa Vaughan for Nicolas Soames Recording, Narrator, A Pilgrim's Progress by John Bunyan, Naxos, Nicolas Soames David Shaw-Parker 2/3 Recording, Narrator, John Clare's Selected Poems selected by David Timson, Naxos, David Timson Recording, Guitarist and Composer, Original Instrumental Guitar music from Uncle Vanya, DSP, David Shaw-Parker Recording, Father, Pamela Shamela, Naxos Audio Books, Neville Jason Recording, Narrator, The Complete Sonnets of William Shakespeare, Blue Dot Music, David Shaw-Parker Recording, Narrator, The Warden by Anthony Trollope, NAXOS, Nicolas Soames Recording, Reader, Love in Vein, Janet Goodall Recording, Twelve character voices, Spitfire Pilots WW2, Random House, Jeff Capel Recording, Narrator and Twelve Character Voices, World War Two Spitfire Pilots, Random House, Jeff Capel Recording, Reader, Effective Leadership, Pan Macmillan, Alexa Moore Recording, Voice of Thomas Hardy, Thomas Hardy [Biography], Penguin Audio Books, Anne Rosenfeld Recording, The White Night / Tweedle Dum, Alice's Adventures in Wonderland, Naxos, Garrick Hagon / Nicholas Soames Recording, Narrator [preface & voices], The Somme, Strathmore Publishing, Jeff Capel Recording, Reader, Not Safe After Dark, MacMillan Audio Books, Alexa Moore & Ali Muirden Voice Over Voice Over, Gnomeo & Juliet, Louis Elman Associates, Louis Elman Voice Over, Peter the Monk, Bathory, Bathory Films Further Credits Concert, Guitar Accompanist for Janie Dee, Janie Dee at Crazy Coqs, Crazy Coqs, MD Alex Parker PC Gaming, Character Voices, Blackguards, OMUK, Joanna Green PC Gaming, Character Voices, Rise in Venice, OMUK, Juanma PC Gaming, Character Voices, Vampires, Top Flight Cabaret, Guitarist, Janie Dee in concert at The Pheasantry, Kings Road, Chelsea, Barry Mischon / The Pheasantry, Hugh Wooldridge Workshop, Geoff, Present Tense, Out of Joint, Andrew McLay Workshop, Sir Patrick Moore, Rough
Load more

Recommended publications
  • Helen Kluger Playwright
    Helen Kluger Playwright Agents Nicki Stoddart [email protected] +44 (0) 20 3214 0869 Credits Theatre Production Company Notes THE DACHA Glasgow Lunchtime Theatre directed by Philip Howard BETTER IN MY DREAMS Waterman's Arts Centre, Brentford Dir: Sylvia Syms HONEY, YOU'RE TALKING New End Theatre, Hampstead, Kings Co-written with THROUGH YOUR HAT! Head and Salisbury Playhouse Elizabeth Romilly SWEET POUNDS OF FLESH Performed at The Arts Theatre Club TABLE HOPPING AT JOE'S Performed at the IVC, Covent Garden Co-written with Gary Lyons Radio Production Company Notes FOOTBALLERS' WIVES Radio 4 Dir: Jeremy Mortimer WE WHO SERVE Radio 4 Dir: Jeremy Mortimer FIFTEEN LOVE Radio 5 Co-written with Gillian Bevan and Tessa Peake- Jones Dir: Sally Avens SYNCHRO Radio 4 Dir: Jeremy Mortimer NO RIGHTS, ONLY Radio 4 Co-written with Gillian Bevan and Tessa Peake- WRONG Jones Dir: Lesley Manning An Independent Tight Assets Theatre Production United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes RUKULIBAM World Service Dir: Gordon House "Independent" newspaper choice of "95". Bronze award winner in The New York Festivals. ONE DAY, I'LL FLY AWAY Radio 4 Dir: Sally Avens PASSIONATE PLAYING World Service Dir: Gordon House HOLDING HANDS Radio 4 Dir: Tessa Peake-Jones Starring Barbara Leigh-Hunt and Richard Pasco. FUNNY BONES Radio 4 Dir: Marilyn Imrie ON THE ROCKS Radio 4 Dir: Pauline Harris LONELY HEARTS Radio 4 Dir: Sally Avens THE DACHA Radio 4 Dir: Gemma Jenkins THE SISTER OF DEATH Radio 4 Dir: Sally Avens GOOSE A thriller written for Dir: Celia de Wollf the Internet Starring Imelda Staunton as Janet and Tessa Peake-Jones as Margaret.
    [Show full text]
  • Stage by Stage South Bank: 1988 – 1996
    Stage by Stage South Bank: 1988 – 1996 Stage by Stage The Development of the National Theatre from 1848 Designed by Michael Mayhew Compiled by Lyn Haill & Stephen Wood With thanks to Richard Mangan and The Mander & Mitchenson Theatre Collection, Monica Sollash and The Theatre Museum The majority of the photographs in the exhibition were commissioned by the National Theatre and are part of its archive The exhibition was funded by The Royal National Theatre Foundation Richard Eyre. Photograph by John Haynes. 1988 To mark the company’s 25th birthday in Peter Hall’s last year as Director of the National October, The Queen approves the title ‘Royal’ Theatre. He stages three late Shakespeare for the National Theatre, and attends an plays (The Tempest, The Winter’s Tale, and anniversary gala in the Olivier. Cymbeline) in the Cottesloe then in the Olivier, and leaves to start his own company in the The funds raised are to set up a National West End. Theatre Endowment Fund. Lord Rayne retires as Chairman of the Board and is succeeded ‘This building in solid concrete will be here by the Lady Soames, daughter of Winston for ever and ever, whatever successive Churchill. governments can do to muck it up. The place exists as a necessary part of the cultural scene Prince Charles, in a TV documentary on of this country.’ Peter Hall architecture, describes the National as ‘a way of building a nuclear power station in the September: Richard Eyre takes over as Director middle of London without anyone objecting’. of the National. 1989 Alan Bennett’s Single Spies, consisting of two A series of co-productions with regional short plays, contains the first representation on companies begins with Tony Harrison’s version the British stage of a living monarch, in a scene of Molière’s The Misanthrope, presented with in which Sir Anthony Blunt has a discussion Bristol Old Vic and directed by its artistic with ‘HMQ’.
    [Show full text]
  • Applause Magazine, Applause Building, 68 Long Acre, London WC2E 9JQ
    1 GENE WIL Laughing all the way to the 23rd Making a difference LONDON'S THEATRE CRITI Are they going soft? PIUS SAVE £££ on your theatre tickets ,~~ 1~~EGm~ Gf1ll~ G~rick ~he ~ ~ e,London f F~[[ IIC~[I with ever~ full price ticket purchased ~t £23.50 Phone 0171-312 1991 9 771364 763009 Editor's Letter 'ThFl rul )U -; lmalid' was a phrase coined by the playwright and humourl:'t G eorge S. Kaufman to describe the ailing but always ~t:"o lh e m Broadway Theatre in the late 1930' s . " \\ . ;t" )ur ul\'n 'fabulous invalid' - the West End - seems in danger of 'e:' .m :: Lw er from lack of nourishmem, let' s hope that, like Broadway - presently in re . \ ,'1 'n - it too is resilient enough to make a comple te recovery and confound the r .: i " \\' ho accuse it of being an en vironmenta lly no-go area whose theatrical x ;'lrJ io n" refuse to stretch beyond tired reviva ls and boulevard bon-bons. I i, clUite true that the season just past has hardly been a vintage one. And while there is no question that the subsidised sector attracts new plays that, =5 'ears ago would a lmost certainly have found their way o nto Shaftes bury Avenue, l ere is, I am convinced, enough vitality and ingenuity left amo ng London's main -s tream producers to confirm that reports of the West End's te rminal dec line ;:m: greatly exaggerated. I have been a profeSSi onal reviewer long enough to appreciate the cyclical nature of the business.
    [Show full text]
  • Artistic Director Rupert Goold Today Announces the Almeida Theatre’S New Season
    Press release: Thursday 1 February Artistic Director Rupert Goold today announces the Almeida Theatre’s new season: • The world premiere of The Writer by Ella Hickson, directed by Blanche McIntyre. • A rare revival of Sophie Treadwell’s 1928 play Machinal, directed by Natalie Abrahami. • The UK premiere of Dance Nation, Clare Barron’s award-winning play, directed by Bijan Sheibani. • The first London run of £¥€$ (LIES) from acclaimed Belgian company Ontroerend Goed. Also announced today: • The return of the Almeida For Free festival taking place from 3 to 5 April during the run of Tennessee Williams’ Summer and Smoke. • The new cohort of eleven Resident Directors. Rupert Goold said today, “It is with enormous excitement that we announce our new season, featuring two premieres from immensely talented and ground-breaking writers, a rare UK revival of a seminal, pioneering American play, and an exhilarating interactive show from one of the most revolutionary theatre companies in Europe. “We start by welcoming back Ella Hickson, following her epic Oil in 2016, with new play The Writer, directed by Blanche McIntyre. Like Ella’s previous work, this is a hugely ambitious, deeply political play that consistently challenges what theatre can and should be. “Following The Writer, we are thrilled to present a timely revival of Sophie Treadwell’s masterpiece, Machinal, directed by Natalie Abrahami. Ninety years after it emerged from the American expressionist theatre scene and twenty-five years since its last London production, it remains strikingly resonant in its depiction of oppression, gender and power. “I first saw Belgian company Ontroerend Goed’s show £¥€$ (LIES) at the Edinburgh Fringe last year.
    [Show full text]
  • Uk Films for Sale in Cannes 2009
    UK FILMS FOR SALE IN CANNES 2009 Supported by Produced by 1234 TMoviehouse Entertainment Cast: Ian Bonar, Lyndsey Marshal, Kieran Bew, Mathew Baynton Gary Phillips Genre: Drama Rés. Du Grand Hotel 47 La Croisette, 6Th Director: Giles Borg Floor Producer Simon Kearney Tel: +33 4 93 38 65 93 Status : Completed [email protected] Home Office Tel: +44 20 7836 5536 Synopsis Ardent musician Stevie (guitar, vocals) endures a day-job he despises and can't find a girlfriend but... at least he has his music! With friend Neil (drums) he's been kicking around for a while not achieving much but when the pair of misfits team-up with the more-experienced Billy (guitar) and his cute pal Emily (bass) the possibility they might be on to something really good presents itself. For Stevie this is the opportunity he's been waiting for with the band and just maybe... Emily too! 13 Hrs TEyeline Entertainment Cast: Isabella Calthorpe, Gemma Atkinson, Tom Felton, Joshua Duncan Napier-Bell Bowman Lerins Stand R10 Genre: Horror Tel: +33 4 92 99 33 02 Director: Jonathan Glendening [email protected] Writer: Adam Phillips Home Office Tel: +44 20 8144 2994 Producer Nick Napier-Bell, Romain Schroeder, Tom Reeve Status : Post-Production Synopsis A full moon hangs in the night sky and lightning streaks across dark storm clouds. Sarah Tyler returns to her troubled family home in the isolated countryside, for a much put-off visit. As the storm rages on, Sarah, her family and friends shore up for the night, cut off from the outside world.
    [Show full text]
  • Thursday 17 January 2019 National Theatre: February
    Thursday 17 January 2019 National Theatre: February – July 2019 Inua Ellams’ Barber Shop Chronicles will play at the Roundhouse, Camden for a limited run from July as part of a UK tour Gershwyn Eustache Jnr, Leah Harvey and Aisling Loftus lead the cast of Small Island, adapted by Helen Edmundson from Andrea Levy’s prize-winning novel, directed by Rufus Norris in the Olivier Theatre Justine Mitchell joins Roger Allam in Rutherford and Son by Githa Sowerby, directed by Polly Findlay Phoebe Fox takes the title role of ANNA in Ella Hickson and Ben and Max Ringham’s tense thriller directed by Natalie Abrahami Further casting released for Peter Gynt, directed by Jonathan Kent, written by David Hare, after Henrik Ibsen War Horse will return to London as part of the 2019 UK and international tour, playing at a new venue, Troubadour Wembley Park Theatre, for a limited run in October Olivier Theatre SMALL ISLAND adapted by Helen Edmundson based on the novel by Andrea Levy Previews from 17 April, press night 1 May, in repertoire until 10 August Andrea Levy’s epic, Orange Prize-winning novel bursts into new life on the Olivier Stage. A cast of 40 tell a story which journeys from Jamaica to Britain through the Second World War to 1948, the year the HMT Empire Windrush docked at Tilbury. Adapted for the stage by Helen Edmundson Small Island follows the intricately connected stories of two couples. Hortense yearns for a new life away from rural Jamaica, Gilbert dreams of becoming a lawyer, and Queenie longs to escape her Lincolnshire roots.
    [Show full text]
  • Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8
    Radio 4 Extra Listings for 19 – 25 August 2017 Page 1 of 8 SATURDAY 19 AUGUST 2017 Read by Robert Glenister monarchy and giving a glimpse into the essential ingredients of a Written by Sarah Dunant successful sovereign. SAT 00:00 Bruce Bedford - The Gibson (b007js93) Abridged by Eileen Horne In this programme, Will uses five objects to investigate a pivotal Episode 5Saul and Elise make a grim discovery in the nursing Produced by Clive Brill aspect of the art of monarchy - the projection of magnificence. An home. Time-hopping thriller with Robert Glenister and Freddie A Pacificus production for BBC Radio 4. idea as old as monarchy itself, magnificence is the expression of Jones. SAT 02:15 Me, My Selfie and I: Aimee Fuller©s Generation power through the display of wealth and status. Will©s first object SAT 00:30 Soul Music (b04nrw25) Game (b06172qq) unites our current Queen with George III; the Gold State Coach, Series 19, A Shropshire Lad"Into my heart an air that kills Episode 5In the final part of her exploration of the selfie which has been used for coronations since 1821. Built for George From yon far country blows: phenomenon, snowboarder Aimee Fuller describes how she will III in 1762, it reflects Britain©s new found glory in its richly gilded What are those blue remembered hills, be using social media as she sets out to compete for a place at the carvings and painted panels...but the glory was to be short lived. What spires, what farms are those? next Winter Olympics.
    [Show full text]
  • Tiina Rosenberg
    Don ’t be Quiet TIINA ROSENBERG , Don’ ,t be Quiet ESSAYS ON FEMINISM AND PERFORMANCE Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance Tiina Rosenberg Published by Stockholm University Press Stockholm University SE-106 91 Stockholm, Sweden www.stockholmuniversitypress.se Text © Tiina Rosenberg 2016 License CC-BY ORCID: Tiina Rosenberg: 0000-0002-7012-2543 Supporting Agency (funding): The Swedish Research Council First published 2016 Cover Illustration: Le nozze di Figaro (W.A. Mozart). Johanna Rudström (Cherubino) and Susanna Stern (Countess Almaviva), Royal Opera, Stockholm, 2015. Photographer: Mats Bäcker. Cover designed by Karl Edqvist, SUP Stockholm Studies in Culture and Aesthetics (Online) ISSN: 2002-3227 ISBN (Paperback): 978-91-7635-023-2 ISBN (PDF): 978-91-7635-020-1 ISBN (EPUB): 978-91-7635-021-8 ISBN (Kindle): 978-91-7635-022-5 DOI: http://dx.doi.org/10.16993/baf This work is licensed under the Creative Commons Attribution 4.0 Unported License. To view a copy of this license, visit creativecommons.org/licenses/ by/4.0/ or send a letter to Creative Commons, 444 Castro Street, Suite 900, Mountain View, California, 94041, USA. This license allows for copying any part of the work for personal and commercial use, providing author attribution is clearly stated. Suggested citation: Rosenberg, Tiina 2016 Don’t Be Quiet, Start a Riot! Essays on Feminism and Performance. Stockholm: Stockholm University Press. DOI: http://dx.doi. org/10.16993/baf. License CC-BY 4.0 To read the free, open access version of this book online, visit http://dx.doi.org/10.16993/baf or scan this QR code with your mobile device.
    [Show full text]
  • Hilary Mantel Papers
    http://oac.cdlib.org/findaid/ark:/13030/c8gm8d1h No online items Hilary Mantel Papers Finding aid prepared by Natalie Russell, October 12, 2007 and Gayle Richardson, January 10, 2018. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org © October 2007 The Huntington Library. All rights reserved. Hilary Mantel Papers mssMN 1-3264 1 Overview of the Collection Title: Hilary Mantel Papers Dates (inclusive): 1980-2016 Collection Number: mssMN 1-3264 Creator: Mantel, Hilary, 1952-. Extent: 11,305 pieces; 132 boxes. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2191 Email: [email protected] URL: http://www.huntington.org Abstract: The collection is comprised primarily of the manuscripts and correspondence of British novelist Hilary Mantel (1952-). Manuscripts include short stories, lectures, interviews, scripts, radio plays, articles and reviews, as well as various drafts and notes for Mantel's novels; also included: photographs, audio materials and ephemera. Language: English. Access Hilary Mantel’s diaries are sealed for her lifetime. The collection is open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. The responsibility for identifying the copyright holder, if there is one, and obtaining necessary permissions rests with the researcher.
    [Show full text]
  • Equity Magazine Autumn 2020 in This Issue
    www.equity.org.uk AUTUMN 2020 Filming resumes HE’S in Albert Square Union leads the BEHIND fight for the circus ...THE Goodbye, MASK! Christine Payne Staying safe at the panto parade FIRST SET VISITS SINCE THE LIVE PERFORMANCE TASK FORCE FOR COVID PANDEMIC BEGAN IN THE ZOOM AGE FREELANCERS LAUNCHED INSURANCE? EQUITY MAGAZINE AUTUMN 2020 IN THIS ISSUE 4 UPFRONT Exclusive Professional Property Cover for New General Secretary Paul Fleming talks Panto Equity members Parade, equality and his vision for the union 6 CIRCUS RETURNS Equity’s campaign for clarity and parity for the UK/Europe or Worldwide circus cameras and ancillary equipment, PA, sound ,lighting, and mechanical effects equipment, portable computer 6 equipment, rigging equipment, tools, props, sets and costumes, musical instruments, make up and prosthetics. 9 FILMING RETURNS Tanya Franks on the socially distanced EastEnders set 24 GET AN INSURANCE QUOTE AT FIRSTACTINSURANCE.CO.UK 11 MEETING THE MEMBERS Tel 020 8686 5050 Equity’s Marlene Curran goes on the union’s first cast visits since March First Act Insurance* is the preferred insurance intermediary to *First Act Insurance is a trading name of Hencilla Canworth Ltd Authorised and Regulated by the Financial Conduct Authority under reference number 226263 12 SAFETY ON STAGE New musical Sleepless adapts to the demands of live performance during the pandemic First Act Insurance presents... 14 ONLINE PERFORMANCE Lessons learned from a theatre company’s experiments working over Zoom 17 CONTRACTS Equity reaches new temporary variation for directors, designers and choreographers 18 MOVEMENT DIRECTORS Association launches to secure movement directors recognition within the industry 20 FREELANCERS Participants in the Freelance Task Force share their experiences Key features include 24 CHRISTINE RETIRES • Competitive online quote and buy cover provided by HISCOX.
    [Show full text]
  • PDF Download Neil Gaimans How the Marquis Got His
    NEIL GAIMANS HOW THE MARQUIS GOT HIS COAT BACK: BBC RADIO 4 FULL-CAST DRAMATISATION PDF, EPUB, EBOOK Adrian Lester,Bernard Cribbins,Don Warrington,Full Cast,Mitch Benn,Joseph Paterson,James McAvoy,Samanta Beart,Neil Gaiman | none | 10 Nov 2016 | BBC Audio, A Division Of Random House | 9781785295225 | English | London, United Kingdom Neil Gaimans How the Marquis Got His Coat Back: BBC Radio 4 Full-Cast Dramatisation PDF Book You may disable these by changing your browser settings, but this may affect how the website functions. Last on. See More. You should've heard the sound I made when the Marquis says, "Some say I sound like my younger self! Shadow Moon has been away from America for nearly two years. Interesting insight Good short story with an interesting little insight into the Marquis' life. By: Neil Gaiman. All the performances are well done, and the story is everything I could wish for. Marsh This definitive collection of Neil Gaiman's short fiction will haunt your imagination and move you to the very depths of your soul. These tales and much more await in this extraordinary book, revealing one of our most gifted storytellers at the height of his powers. Play Sample. Littlest Finch This title is due for release on November 10, It doesn't. Anansi Boys Neil Gaiman. Gaiman has a gift for magical realism. Strictly Necessary cookies enable core functionality such as security, network management, and accessibility. Mr Once again Neil Gaiman has brought alive the mysterious London Below allowing us the capacity to wonder at the magic that could exist.
    [Show full text]
  • Announcing a VIEW from the BRIDGE
    FOR IMMEDIATE RELEASE, PLEASE “One of the most powerful productions of a Miller play I have ever seen. By the end you feel both emotionally drained and unexpectedly elated — the classic hallmark of a great production.” - The Daily Telegraph “To say visionary director Ivo van Hove’s production is the best show in the West End is like saying Stonehenge is the current best rock arrangement in Wiltshire; it almost feels silly to compare this pure, primal, colossal thing with anything else on the West End. A guileless granite pillar of muscle and instinct, Mark Strong’s stupendous Eddie is a force of nature.” - Time Out “Intense and adventurous. One of the great theatrical productions of the decade.” -The London Times DIRECT FROM TWO SOLD-OUT ENGAGEMENTS IN LONDON YOUNG VIC’S OLIVIER AWARD-WINNING PRODUCTION OF ARTHUR MILLER’S “A VIEW FROM THE BRIDGE” Directed by IVO VAN HOVE STARRING MARK STRONG, NICOLA WALKER, PHOEBE FOX, EMUN ELLIOTT, MICHAEL GOULD IS COMING TO BROADWAY THIS FALL PREVIEWS BEGIN WEDNESDAY EVENING, OCTOBER 21 OPENING NIGHT IS THURSDAY, NOVEMBER 12 AT THE LYCEUM THEATRE Direct from two completely sold-out engagements in London, producers Scott Rudin and Lincoln Center Theater will bring the Young Vic’s critically-acclaimed production of Arthur Miller’s A VIEW FROM THE BRIDGE to Broadway this fall. The production, which swept the 2015 Olivier Awards — winning for Best Revival, Best Director, and Best Actor (Mark Strong) —will begin previews Wednesday evening, October 21 and open on Thursday, November 12 at the Lyceum Theatre, 149 West 45 Street.
    [Show full text]