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Oral History Interview with Edith Wyle, 1993 March 9-September 7
Oral history interview with Edith Wyle, 1993 March 9-September 7 Funding for the digital preservation of this interview was provided by a grant from the Save America's Treasures Program of the National Park Service. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview EW: EDITH WYLE SE: SHARON EMANUELLI SE: This is an interview for the Archives of American Art, the Smithsonian Institution. The interview is with Edith R. Wyle, on March 9th, Tuesday, 1993, at Mrs. Wyle's home in the Brentwood area of Los Angeles. The interviewer is Sharon K. Emanuelli. This is Tape 1, Side A. Okay, Edith, we're going to start talking about your early family background. EW: Okay. SE: What's your birth date and place of birth? EW: Place of birth, San Francisco. Birth date, are you ready for this? April 21st, 1918-though next to Beatrice [Wood-Ed.] that doesn't seem so old. SE: No, she's having her 100th birthday, isn't she? EW: Right. SE: Tell me about your grandparents. I guess it's your maternal grandparents that are especially interesting? EW: No, they all were. I mean, if you'd call that interesting. They were all anarchists. They came from Russia. SE: Together? All together? EW: No, but they knew each other. There was a group of Russians-Lithuanians and Russians-who were all revolutionaries that came over here from Russia, and they considered themselves intellectuals and they really were self-educated, but they were very learned. -
The Complete Peanuts Volume I by Charles M. Schulz
NACAE National Association of Comics Art Educators STUDY GUIDE: THE COMPLETE PEANUTS by Charles M. Schulz Volume One: 1950-1952 Study guide written by Art Baxter Introduction America was in the throes of post-war transition in 1950. Soldiers had returned home, started families and abandoned the cities for the sprawling green lawns of newly constructed suburbia. They had sacrificed during the Great Depression and subsequent war effort and this was their reward. Television was beginning to replace the picture-less radio not to mention live theater, supper clubs and dance halls, as Americans stayed home and raised families. Despite all this “progress” an empty feeling still resided in the pit of the American soul. Psychology, that new science that had recently gone mainstream, tried to explain why. Then, Charles M. Schulz’s little filler comic strip, Peanuts, appeared in the funny pages. Schulz was born in 1922, the solitary child of a barber and his wife, in St. Paul, Minnesota. Sparky, his lifelong nickname, was given to him when he was an infant, by an uncle, after the comic strip character Barney Google’s racehorse Spark Plug. Schulz had an early love and talent for drawing. He enjoyed famous comic strips like Roy Crane’s Wash Tubbs/Captain Easy (1924- 1943), the prototype of the adventure strip; E. C. Segar’s Thimble Theater (1919-1938), and its diverse cast of colorful characters going in and out rollicking adventures; and Percy Crosby’s Skippy (1925-1945) with its wise-for-his-age perceptive child protagonist. Schulz was a bright student and skipped several grades, making him the youngest and smallest in his class. -
Annual Report 2018–2019 Artmuseum.Princeton.Edu
Image Credits Kristina Giasi 3, 13–15, 20, 23–26, 28, 31–38, 40, 45, 48–50, 77–81, 83–86, 88, 90–95, 97, 99 Emile Askey Cover, 1, 2, 5–8, 39, 41, 42, 44, 60, 62, 63, 65–67, 72 Lauren Larsen 11, 16, 22 Alan Huo 17 Ans Narwaz 18, 19, 89 Intersection 21 Greg Heins 29 Jeffrey Evans4, 10, 43, 47, 51 (detail), 53–57, 59, 61, 69, 73, 75 Ralph Koch 52 Christopher Gardner 58 James Prinz Photography 76 Cara Bramson 82, 87 Laura Pedrick 96, 98 Bruce M. White 74 Martin Senn 71 2 Keith Haring, American, 1958–1990. Dog, 1983. Enamel paint on incised wood. The Schorr Family Collection / © The Keith Haring Foundation 4 Frank Stella, American, born 1936. Had Gadya: Front Cover, 1984. Hand-coloring and hand-cut collage with lithograph, linocut, and screenprint. Collection of Preston H. Haskell, Class of 1960 / © 2017 Frank Stella / Artists Rights Society (ARS), New York 12 Paul Wyse, Canadian, born United States, born 1970, after a photograph by Timothy Greenfield-Sanders, American, born 1952. Toni Morrison (aka Chloe Anthony Wofford), 2017. Oil on canvas. Princeton University / © Paul Wyse 43 Sally Mann, American, born 1951. Under Blueberry Hill, 1991. Gelatin silver print. Museum purchase, Philip F. Maritz, Class of 1983, Photography Acquisitions Fund 2016-46 / © Sally Mann, Courtesy of Gagosian Gallery © Helen Frankenthaler Foundation 9, 46, 68, 70 © Taiye Idahor 47 © Titus Kaphar 58 © The Estate of Diane Arbus LLC 59 © Jeff Whetstone 61 © Vesna Pavlovic´ 62 © David Hockney 64 © The Henry Moore Foundation / Artists Rights Society (ARS), New York 65 © Mary Lee Bendolph / Artist Rights Society (ARS), New York 67 © Susan Point 69 © 1973 Charles White Archive 71 © Zilia Sánchez 73 The paper is Opus 100 lb. -
Margaret Wise Brown and Bedtime Parody Sand
Lunar Perturbations – How Did We Get from Goodnight Moon to Go the F**k to Sleep?: Margaret Wise Brown and Bedtime Parody Sandy Hudock Colorado State University-Pueblo From an Audi commercial to celebrating the end of the second Bush presidency to the ghost of Mama Cass presiding over a dead Keith Moon, to the ubiquity of the iPad, Good Night Moon has been and no doubt will continue to be parodied or invoked for generations to come. Songwriters reference it, the television show The Wire gives an urban twist to its constant refrain of “good night-----“ with “good night, po-pos, good night hoppers, good night hustlers…” What makes this story so much a part of the collective consciousness, a veritable cultural meme? How did Margaret Wise Brown’s life and her influence in children's publishing result in the longstanding enchantment of Good Night Moon? Recent political and cultural parodies of the go to bed genre all ultimately hearken back to this one simple story painted in green and orange, and the intrinsic comfort it provides to children as a go to bed ritual. Born in New York in 1910 to a wealthy family, Brown was a middle child whose parents’ many moves within the Long Island area required that she change schools four times while growing up, including a stint at a Swiss boarding school. As a child, she made up stories (in her family, a polite way of saying she told lies) and then challenged her siblings to look up the answers in the multi-volume Book of Knowledge, for which she later penned two entries on writing for small children. -
Dick Tracy.” MAX ALLAN COLLINS —Scoop the DICK COMPLETE DICK ® TRACY TRACY
$39.99 “The period covered in this volume is arguably one of the strongest in the Gould/Tracy canon, (Different in Canada) and undeniably the cartoonist’s best work since 1952's Crewy Lou continuity. “One of the best things to happen to the Brutality by both the good and bad guys is as strong and disturbing as ever…” comic market in the last few years was IDW’s decision to publish The Complete from the Introduction by Chester Gould’s Dick Tracy.” MAX ALLAN COLLINS —Scoop THE DICK COMPLETE DICK ® TRACY TRACY NEARLY 550 SEQUENTIAL COMICS OCTOBER 1954 In Volume Sixteen—reprinting strips from October 25, 1954 THROUGH through May 13, 1956—Chester Gould presents an amazing MAY 1956 Chester Gould (1900–1985) was born in Pawnee, Oklahoma. number of memorable characters: grotesques such as the He attended Oklahoma A&M (now Oklahoma State murderous Rughead and a 467-lb. killer named Oodles, University) before transferring to Northwestern University in health faddist George Ozone and his wild boys named Neki Chicago, from which he was graduated in 1923. He produced and Hokey, the despicable "Nothing" Yonson, and the amoral the minor comic strips Fillum Fables and The Radio Catts teenager Joe Period. He then introduces nightclub photog- before striking it big with Dick Tracy in 1931. Originally titled Plainclothes Tracy, the rechristened strip became one of turned policewoman Lizz, at a time when women on the the most successful and lauded comic strips of all time, as well force were still a rarity. Plus for the first time Gould brings as a media and merchandising sensation. -
Completeandleft
MEN WOMEN 1. Adam Ant=English musician who gained popularity as the Amy Adams=Actress, singer=134,576=68 AA lead singer of New Wave/post-punk group Adam and the Amy Acuff=Athletics (sport) competitor=34,965=270 Ants=70,455=40 Allison Adler=Television producer=151,413=58 Aljur Abrenica=Actor, singer, guitarist=65,045=46 Anouk Aimée=Actress=36,527=261 Atif Aslam=Pakistani pop singer and film actor=35,066=80 Azra Akin=Model and actress=67,136=143 Andre Agassi=American tennis player=26,880=103 Asa Akira=Pornographic act ress=66,356=144 Anthony Andrews=Actor=10,472=233 Aleisha Allen=American actress=55,110=171 Aaron Ashmore=Actor=10,483=232 Absolutely Amber=American, Model=32,149=287 Armand Assante=Actor=14,175=170 Alessandra Ambrosio=Brazilian model=447,340=15 Alan Autry=American, Actor=26,187=104 Alexis Amore=American pornographic actress=42,795=228 Andrea Anders=American, Actress=61,421=155 Alison Angel=American, Pornstar=642,060=6 COMPLETEandLEFT Aracely Arámbula=Mexican, Actress=73,760=136 Anne Archer=Film, television actress=50,785=182 AA,Abigail Adams AA,Adam Arkin Asia Argento=Actress, film director=85,193=110 AA,Alan Alda Alison Armitage=English, Swimming=31,118=299 AA,Alan Arkin Ariadne Artiles=Spanish, Model=31,652=291 AA,Alan Autry Anara Atanes=English, Model=55,112=170 AA,Alvin Ailey ……………. AA,Amedeo Avogadro ACTION ACTION AA,Amy Adams AA,Andre Agasi ALY & AJ AA,Andre Agassi ANDREW ALLEN AA,Anouk Aimée ANGELA AMMONS AA,Ansel Adams ASAF AVIDAN AA,Army Archerd ASKING ALEXANDRIA AA,Art Alexakis AA,Arthur Ashe ATTACK ATTACK! AA,Ashley -
The Kindergarten Canon: 100 Books Every Child Should Encounter By
The Kindergarten Canon Title Author 1 is One Tasha Tudor Alexander and the Terrible, Horrible, No Good, Very Bad Day Judith Viorst & Ray Cruz Amazing Grace Mary Hoffman & Caroline Binch Anansi the Spider Gerald McDermott* Are You My Mother? P.D. Eastman Bear Called Paddington, A Michael Bond Bear Snores On Karma Wilson & Jane Chapman Beauty and the Beast, The Brothers Grimm* Big Red Barn, The Margaret Wise Brown & Felicia Bond Birthday for Frances, A Russell Hoban & Garth Williams Blueberries for Sal Robert McCloskey Bremen Town Musicians, The Brothers Grimm* Brown Bear, Brown Bear, What Do You See? Bill Martin Jr. & Eric Carle Caps for Sale Esphyr Slobodkina Carrot Seed, The Ruth Krauss & Crockett Johnson Cars and Trucks and Things that Go Richard Scarry Cat in the Hat, The Dr. Seuss Chair for My Mother, A Vera B. Williams Bill Martin Jr. (author), John Archambault Chicka Chicka Boom Boom (author), and Lois Ehlert Chrysanthemum Kevin Henkes Cinderella Brothers Grimm* Click, Clack, Moo: Cows that Type Doreen Cronin & Betsy Lewin Corduroy Don Freeman Curious George Margret Rey and H. A. Rey Dear Zoo Rod Campbell Emperor's New Clothes, The Hans Christian Andersen* Fisherman and his Wife, The Brothers Grimm* Frederick Leo Lionni Freight Train Donald Crews Frog and Toad are Friends Arnold Lobel George and Martha James Marshall Gingerbread Man , The Fairy Tale* Giving Tree, The Shel Silverstein Go, Dog. Go! P.D. Eastman Goggles Ezra Jack Keats Goldilocks and the Three Bears Brothers Grimm* Good Night Gorilla Peggy Rathmann Good Night Moon Margaret Wise Brown & Clement Hurd Green Eggs and Ham Dr. -
Women Work It at W.T.C
downtownCOLLABORATIVE ART SHOWS, P. 23 ® express VOLUME 22, NUMBER 11 THE NEWSPAPER OF LOWER MANHATTAN JULY 24 - 30, 2009 25 Broadway makes the grade for private school’s expansion BY JULIE SHAPIRO “You walk right out our Claremont Prep’s $30 door, cross Bowling Green, million expansion is back on and there you are,” Koffl er track after the school fi nal- said. “It’s a wonderful build- ized a lease this week for ing, it’s close by, and the 200,000 square feet at 25 staff is really thrilled.” Broadway. Claremont was able to Claremont will use the back out of the 100 Church space for middle and high St. lease because owner The school classes starting in the Sapir Organization took a fall of 2010, said Michael long time to get their bank Koffl er, C.E.O. of Met Schools, to sign off on the deal, Claremont’s parent company. Koffl er said. Koffl er made a similar The asking rent at 25 announcement in March, Broadway was $39 per square saying the school had leased foot, compared to $40 at space for its expansion at 100 100 Church. Koffl er said he Church St., but Claremont paid very close to the asking opted out of that deal rent at 25 Broadway, which because the 25 Broadway is owned by the Wolfson space was better, Koffl er Group. Wolfson and Sapir said. A major tipping point could not immediately be was 25 Broadway’s location, reached for comment. just steps from Claremont’s Claremont had detailed Broad St. -
Editorial Literacy:Reconsidering Literary Editing As Critical Engagement in Writing Support
St. John's University St. John's Scholar Theses and Dissertations 2020 Editorial Literacy:Reconsidering Literary Editing as Critical Engagement in Writing Support Anna Cairney Follow this and additional works at: https://scholar.stjohns.edu/theses_dissertations Part of the Creative Writing Commons EDITORIAL LITERACY: RECONSIDERING LITERARY EDITING AS CRITICAL ENGAGEMENT IN WRITING SUPPORT A dissertation submitted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY to the faculty in the department of ENGLISH of ST. JOHN’S COLLEGE OF LIBERAL ARTS AND SCIENCES at ST. JOHN’S UNIVERSITY New York by Anna Cairney Date Submitted: 1/27/2020 Date Approved: 1/27/2020 __________________________________ __________________________________ Anna Cairney Derek Owens, D.A. © Copyright by Anna Cairney 2020 All Rights Reserved ABSTRACT EDITORIAL LITERACY: RECONSIDERING LITERARY EDITING AS CRITICAL ENGAGEMENT IN WRITING SUPPORT Anna Cairney Editing is usually perceived in the pejorative within in the literature of composition studies generally, and specifically in writing center studies. Regardless if the Writing Center serves mostly undergraduates or graduates, the word “edit” has largely evolved to a narrow definition of copyediting or textual cleanup done by the author at the end of the writing process. Inversely, in trade publishing, editors and agents work with writers at multiple stages of production, providing editorial feedback in the form of reader’s reports and letters. Editing is a rich, intellectual skill of critically engaging with another’s text. What are the implications of differing literacies of editing for two fields dedicated to writing production? This dissertation examines the editorial practices of three leading 20th century editors: Maxwell Perkins, Katharine White, and Ursula Nordstrom. -
Cras-38.1.-009 165..190
Shooting the Movement: Black Panther Party Photography and African American Protest Tr a di ti o n s T.N. P h u Abstract: Although the failure of the Black Panther Party has often been attributed to the violence which consumed it, the photographic record suggests otherwise. This paper argues that the movement in fact developed a striking and self-aware protest aesthetic. Moreover, this still influential self-referential visuality emphasized the spectacular forms of defiance, contributing, in doing so, to African American traditions of protest conventionally rooted in the oral tradition. A focus on Black Panther Party photography helps account for how the rhetorical violence which focused the BPP’s protest aesthetic became complexly indistinguishable from violent realization. Keywords: African American photography, American studies, cultural studies, visual culture, race Re´sume´ : Bien que l’e´chec du parti des Panthe`res Noires ait souvent e´te´ attribue´ a` la violence qui l’embrasait, les dossiers photographiques laissent penser le contraire. Selon le pre´sent article, le mouvement a en fait de´veloppe´ un caracte`re d’autoprotestation frappant en matie`re d’esthe´tique. En outre, ce phe´nome`ne de perception autore´fe´rentiel qui conserve toujours son influence a mis l’accent sur des formes spectaculaires de de´fi et a ainsi contribue´ aux traditionnelles protestations afro-ame´ricaines classiquement enracine´es dans la tradition orale. L’accent mis sur la photographie du parti des Panthe`res Noires permet de constater comment la rhe´torique violente sur laquelle s’est polarise´ ce parti est devenue complexe et impossible a` distinguer de la re´alisation violente. -
Places to Visit Empire State Building
Places to visit Empire State Building – 103 story landmark with observation Statue of Liberty – American iconic in New York Harbour Central Park – Children’s attractions in the park Metropolitan Museum of Art – World class art collection Museum of Modern Art – World class sculpture, art & design Rockefeller Center – Iconic Midtown business complex National September 11 Memorial & Museum Grand Central Terminal – Architectural landmark & transit hub High Line – Park built into old elevated rail line Solomon R. Guggenheim Museum – Modern art museum with notable design Ellis Island – Museum, history, monument Chinatown – Dim sun food, walking, shopping, history, culture Radio City Music Hall – Legendary theatre, hone of the Rockettes Brooklyn Bridge – Landmark 19th century bridge Coney Island – Amusement park, beach Madison Square Garden – Iconic venue for sports, concerts & more Intrepid Sea, Air & Space Museum – Flight museum on an aircraft carrier The Cloisters – Medieval air in the a rebuilt monastery New York Harbour – Harbour, sailing, oysters, rivers & whales Little Italy – Walking, history, art Lincoln Center for the Performing arts – Premier New York City arts complex Time Square – Bright lights & Broadway shows Bryant Park – 4 acre urban oasis Staten Island Ferry – Beer, history, rivers, harbours & walking Yankee Stadium – Newest home of the baseball’s Yankees St Patrick’s Cathedral – Iconic church with storied history Whitney Museum of American Art – Museum with 20th & 21st century art Carnegie Hall – World-renowned classical music -
Annie Leibovitz Who Is Annie Leibovitz? Who Is Annie Leibovitz?
ANNIE LEIBOVITZ WHO IS ANNIE LEIBOVITZ? WHO IS ANNIE LEIBOVITZ? Annie Leibovitz is an American portrait photographer. She photographed John Lennon on the day he was assassinated, and her work has been used on numerous album covers and magazines. Born: 2 October 1949 (age 68) Awards: Honorary Clio Award, Glamour Award for The Visionary WHERE IS ANNIE LEIBOVITZ FROM? Waterbury, Connecticut, United States HOW ANNIE LEIBOVITZ GOT INTO PHOTOGRAPHY? During a vacation from school, Leibovitz visited her family, then living in the Philippines. She and her mother took a trip to Japan, where she bought a camera and began taking pictures. When she returned to school, Leibovitz enrolled in a night class in photography. "I was totally seduced by the wonderment of it all," she told a writer for Art News. "To see something that afternoon and have it materialize before your eyes that same day. There was a real immediacy to it. I lived in the darkroom." WHAT LOCATIONS / COUNTRIES HAS ANNIE SHOT AT? Annie Leibovitz has shot at various places in the world, one being at Buckingham Palace in the UK, as she did a photoshoot of the queen for the BBC. Leibovitz has also shot various photos for vanity fair which is based in Mayfair, London. Various photos have also been shot in the United States such as in New York where she shot in various places, such as a bar and New York skyline. WHAT ARE THEY TRYING TO COMMUNICATE WITH THEIR WORK? What Annie Leibovitz is trying to communicate with her work is a subject at the time, capturing a subject in the moment.