The Devil and Tom Walker
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Eerie Archives: Volume 16 Free
FREE EERIE ARCHIVES: VOLUME 16 PDF Bill DuBay,Louise Jones,Faculty of Classics James Warren | 294 pages | 12 Jun 2014 | DARK HORSE COMICS | 9781616554002 | English | Milwaukee, United States Eerie (Volume) - Comic Vine Gather up your wooden stakes, your blood-covered hatchets, and all the skeletons in the darkest depths of your closet, and prepare for a horrifying adventure into the darkest corners of comics history. This vein-chilling second volume showcases work by Eerie Archives: Volume 16 of the best artists to ever work in the comics medium, including Alex Toth, Gray Morrow, Reed Crandall, John Severin, and others. Grab your bleeding glasses and crack open this fourth big volume, collecting Creepy issues Creepy Archives Volume 5 continues the critically acclaimed series that throws back the dusty curtain on a treasure trove of amazing comics art and brilliantly blood-chilling stories. Dark Horse Comics continues to showcase its dedication to publishing the greatest comics of all time with the release of the sixth spooky volume Eerie Archives: Volume 16 our Creepy magazine archives. Creepy Archives Volume 7 collects a Eerie Archives: Volume 16 array of stories from the second great generation of artists and writers in Eerie Archives: Volume 16 history of the world's best illustrated horror magazine. As the s ended and the '70s began, the original, classic creative lineup for Creepy was eventually infused with a slew of new talent, with phenomenal new contributors like Richard Corben, Ken Kelly, and Nicola Cuti joining the ranks of established greats like Reed Crandall, Frank Frazetta, and Al Williamson. This volume of the Creepy Archives series collects more than two hundred pages of distinctive short horror comics in a gorgeous hardcover format. -
Us Lone Wand'ring Whaling-Men
“Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives by Jennifer Hope Schell B.A., Emory University, 1996 M.A., University of Georgia, 1998 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2006 UNIVERSITY OF PITTSBURGH ARTS AND SCIENCES This dissertation was presented by Jennifer Hope Schell Jennifer Hope Schell It was defended on April 21, 2006 and approved by Susan Z. Andrade, Associate Professor of English Jean Ferguson Carr, Associate Professor of English Kirk Savage, Associate Professor of History of Art & Architecture Dissertation Advisor: Nancy Glazener, Associate Professor of English ii “Us Lone Wand’ring Whaling-Men”: Cross-cutting Fantasies of Work and Nation in Late Eighteenth- and Nineteenth-Century American Whaling Narratives Jennifer Hope Schell, PhD University of Pittsburgh, 2006 My project takes up a variety of fictional and non-fictional texts about a kind of work which attracted the attention of American novelists Herman Melville, Harry Halyard, and Helen E. Brown; historian Obed Macy; and journalist J. Ross Browne, among others. In my Introduction, I argue that these whaling narratives helped to further develop and perpetuate an already existing fantasy of masculine physical labor which imagines the United States’ working class men to be ideal, heroic Americans. This fantasy was so compelling and palpable that, surprisingly enough, the New England whalemen could be persistently claimed as characteristically and emblematically American, even though they worked on hierarchically-stratified floating factories, were frequently denied their Constitutional rights by maritime law, and hardly ever spent any time on American soil. -
ABSTRACT Title of Document: I Forgive You but It Is My Christian
ABSTRACT Title of Document: I Forgive You But it is My Christian Duty to Punish You Annette Lutivini Majanja, Master of Fine Arts, 2013 Directed By: Professor Howard Norman, Department of English This is a collection of stories about Kenyan characters that are the public face of homegrown success. They are obedient children and responsible working adults. For many of these characters it becomes clear that there is a big gap between voiced facts about their lives and the unspoken truths about what they are. Rumors, gossip, letter writing and private prayer undermine this public face. During Daniel Arap Moi’s Presidency between 1978 and 2002, Kenyan children were taught in school that Moi was the generous Baba wa Taifa or father of the Nation who supplied them with free school milk. He was the number one farmer, teacher, headmaster and chancellor of all universities in Kenya. This is where the characters in this story collection live. I FORGIVE YOU BUT IT IS MY CHRISTIAN DUTY TO PUNISH YOU A Collection By Annette Lutivini Majanja Thesis submitted to the Faculty of the Graduate School of the University of Maryland, College Park in partial fulfillment of the requirements for the degree of Master of Fine Arts 2013 Advisory Committee: Professor Howard Norman, Chair Professor Maud Casey Professor Emily Mitchell © Copyright by Annette Lutivini Majanja 2013 For Muderwa ii TABLE OF CONTENTS Falling……...…......................................................................................................... 1 Sickness..................................................................................................................... -
Skunk Anansie Al Noisy Naples Festival: Martedì 9 Luglio 2019 Arena Flegrea Napoli
Skunk Anansie Al Noisy Naples Festival: Martedì 9 luglio 2019 Arena Flegrea Napoli 07/03/2019 Noisy Naples Festival presenta SKUNK ANANSIE in concerto + special guest Martedì 9 luglio 2019 ore 21 ARENA FLEGREA Viale John Fitzgerald Kennedy, 54 – Napoli Info: tel. 081.562.80.40 - [email protected] UNICA DATA AL SUD ITALIA Gli Skunk Anansie aggiungono un nuovo concerto italiano al loro tour: martedì 9 luglio 2019 si esibiranno all’Arena Flegrea di Napoli, per il Noisy Naples Festival, nella loro unica tappa al Sud Italia. Il gruppo britannico torna nel capoluogo partenopeo a distanza di 8 anni esatti dallo suo primo e unico live in città (9 luglio 2011 a Bagnoli). Skin, Ace, Cass Lewis e Mark Richardson festeggiano 25 anni di carriera con un tour e un nuovo album tutto dal vivo - “25live@25 “pubblicato il 25 gennaio per Carosello Records - che documenta i migliori momenti della band sui palchi di tutto il mondo. Il doppio live contiene le canzoni degli esordi come “Little baby swastikkka”, “Selling Jesus”, “Intellectualise my blackness”, “Yes it’s fucking political”, brani ancora rilevanti e decisamente attuali. Gli Skunk Anansie sono un gruppo musicale con un sound e uno stile ben definito, una sintesi di heavy metal e musica di protesta rabbiosa, "nera" e femminista, con testi politicizzati e influenze ibride funk, blues, punk rock, reggae e hip hop. La band inglese è composta dalla cantante Skin (al secolo, Deborah Dyer) e da Cass (Richard Lewis) al basso e seconda voce, Ace (Martin Kent) alla chitarra e cori e Mark Richardson alla batteria e seconda voce. -
I Pledge Allegiance to the Embroidered Scarlet
I PLEDGE ALLEGIANCE TO THE EMBROIDERED SCARLET LETTER AND THE BARBARIC WHITE LEG ____________ A Thesis Presented to the Faculty of California State University Dominguez Hills ____________ In Partial Fulfillment of the Requirements for the Degree Master of Arts in Humanities ____________ by Laura J. Ford Spring 2018 ACKNOWLEDGEMENTS I would like to acknowledge the people who encouraged and assisted me as I worked towards completing my master’s thesis. First, I would like to thank Dr. Patricia Cherin, whose optimism, enthusiasm, and vision kept me moving toward a graduation date. Her encouragement as my thesis committee chair inspired me to work diligently towards completion. I am grateful to Abe Ravitz and Benito Gomez for being on my committee. Their thoughts and advice on the topics of American literature and film have been insightful and useful to my research. I would also like to thank my good friend, Caryn Houghton, who inspired me to start working on my master’s degree. Her assistance and encouragement helped me find time to work on my thesis despite overwhelming personal issues. I thank also my siblings, Brad Garren, and Jane Fawcett, who listened, loved and gave me the gift of quality time and encouragement. Other friends that helped me to complete this project in big and small ways include, Jenne Paddock, Lisa Morelock, Michelle Keliikuli, Michelle Blimes, Karma Whiting, Mark Lipset, and Shawn Chang. And, of course, I would like to thank my four beautiful children, Makena, T.K., Emerald, and Summer. They have taught me patience, love, and faith. They give me hope to keep living and keep trying. -
The Purloined Life of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe
Click here for Full Issue of Fidelio Volume 15, Number 1-2, Spring-Summer 2006 EDGAR ALLAN POE and the Spirit of the American Republic The Purloined Life Of Edgar Allan Poe by Jeffrey Steinberg Edgar Allan Poe great deal of what people think they know about dark side, and the dark side is that most really creative Edgar Allan Poe, is wrong. Furthermore, there geniuses are insane, and usually something bad comes of Ais not that much known about him—other than them, because the very thing that gives them the talent to that people have read at least one of his short stories, or be creative is what ultimately destroys them. poems; and it’s common even today, that in English liter- And this lie is the flip-side of the argument that most ature classes in high school—maybe upper levels of ele- people don’t have the “innate talent” to be able to think; mentary school—you’re told about Poe. And if you ever most people are supposed to accept the fact that their lives got to the point of being told something about Poe as an are going to be routine, drab, and ultimately insignificant actual personality, you have probably heard some sum- in the long wave of things; and when there are people mary distillation of the slanders about him: He died as a who are creative, we always think of their creativity as drunk; he was crazy; he was one of these people who occurring in an attic or a basement, or in long walks demonstrate that genius and creativity always have a alone in the woods; that creativity is not a social process, but something that happens in the minds of these ran- __________ domly born madmen or madwomen. -
HIP HOP & Philosophy
Devil and Philosophy 2nd pages_HIP HOP & philosophy 4/8/14 10:43 AM Page 195 21 Souls for Sale JEFF EWING F Y O Selling your soul to the Devil in exchaPnge for a longer life, wealth, beauty, power, or skill has long been a theme in Obooks, movies, and even music. Souls have Obeen sold for Rknowledge and pleasure (Faust), eternal youth (Dorian Gray), the ability to play the guitar (Tommy JohnCson in O Brother, Where Art P Thou?) or the harmonica (Willie “Blind Do g Fulton Smoke House” Brown in the 1986 Emovie, Crossroads), or for rock’n’roll itself (the way Black SCabbath did on thDeir 1975 greatest hits album, We Sold Our Soul for Rock’n’ERoll). The selling of aN soul as an object of exchange for nearly any- thing, as a sort of fictitious comTmodity with nearly universal exchange valuAe, makes it perChaps the most unique of all possi- ble commVodities (and as such, contracts for the sales of souls are the most unique of aEll possible contracts). One theorist in partiDcular, Karl MaRrx (1818–1883), elaborately analyzed con- tracts, exchange, and “the commodity” itself, along with all the hAidden implicatRions of commodities and the exchange process. Let’s see what Marx has to tell us about the “political economy” of the FaustOian bargain with the Devil, and try to uncover what it trulyC is to sell your soul. N Malice and Malleus Maleficarum UWhile the term devil is sometimes used to refer to minor, lesser demons, in Western religions the term refers to Satan, the fallen angel who led a rebellion against God and was banished from Heaven. -
Design of Seamless Knitted Radiation Shielding Garments with 3D Body Scanning Technology
Available online at www.sciencedirect.com ScienceDirect Procedia Technology 20 ( 2015 ) 123 – 132 The International Design Technology Conference, DesTech2015, 29th of June – 1st of July 2015, Geelong, Australia Design of Seamless Knitted Radiation Shielding Garments with 3D Body Scanning Technology Huda Ahmed Maghrabia,c, Arun Vijayana, Lijing Wanga*, Pradip Debb aSchool of Fashion & Textiles, RMIT University, Brunswick, Victoria 3056, Australia bSchool of Medical Sciences, RMIT University, Bundoora, Victoria 3083, Australia cDepartment of Textiles and Clothing, Umm Al-Qura University, Mecca 24382, Saudi Arabia Abstract Protective aprons for medical use shield against the effects of radiation. The aprons are universally tailored to fit both male and female bodies without due consideration to the differences that abound between masculine and feminine bodies. To date very little emphasis has been shown on the development of aprons to suit the needs of the female anatomy specifically the breast region as well as consideration of the body shape of pregnant women. This research reviews the needs to develop an X-ray protective garment that is specifically tailored for the female body. Protective aprons designed to fit the female physique incorporating curvature around specific parts of the body namely hip and breast regions as well as the suitability of the apron for use by pregnant women have been explored. Emphasis has been shown on the fit of the garment to impart improved wearer mobility. 3D body scanning technology was used to determine the fit of the developed designs and understand the significance of air gaps between the body and the garment. © 2015 The Authors. PublishedPublished by by Elsevier Elsevier Ltd. -
THE MYTH of 'TERRIBLE TURK' and 'LUSTFUL TURK' Nevs
THE WESTERN IMAGE OF TURKS FROM THE MIDDLE AGES TO THE 21ST CENTURY: THE MYTH OF ‘TERRIBLE TURK’ AND ‘LUSTFUL TURK’ Nevsal Olcen Tiryakioglu A thesis submitted in partial fulfillment of the requirements of Nottingham Trent University for the degree of Doctor of Philosophy December 2015 Copyright Statement This work is the intellectual property of the author. You may copy up to 5% of this work for private study, or personal, non-commercial research. Any re-use of the information contained within this document should be fully referenced, quoting the author, title, university, degree level and pagination. Queries or requests for any other use, or if a more substantial copy is required, should be directed in the owner(s) of the Intellectual Property Rights. i Abstract The Western image of Turks is identified with two distinctive stereotypes: ‘Terrible Turk’ and ‘Lustful Turk.’ These stereotypical images are deeply rooted in the history of the Ottoman Empire and its encounters with Christian Europe. Because of their fear of being dominated by Islam, European Christians defined the Turks as the wicked ‘Other’ against their perfect ‘Self.’ Since the beginning of Crusades, the Western image of Turks is associated with cruelty, barbarity, murderousness, immorality, and sexual perversion. These characteristics still appear in cinematic representations of Turks. In Western films such as Lawrence of Arabia and Midnight Express, the portrayals of Turks echo the stereotypes of ‘terrible Turk’ and ‘lustful Turk.’ This thesis argues that these stereotypes have transformed into a myth and continued to exist uniformly in Western contemporary cinema. The thesis attempts to ascertain the uniformity and consistency of the cinematic image of Turks and determine the associations between this image and the myths of ‘terrible Turk’ and ‘lustful Turk.’ To achieve this goal, this thesis examines the trajectory of the Turkish image in Western discourse between the 11th and 21st centuries. -
Malamander-Extract.Pdf
“Fantastical storytelling at its best.” M. G. Leonard THOMAS TAYLOR THOMAS TAYLOR This is a work of fiction. Names, characters, places and incidents are either the product of the author’s imagination or, if real, used fictitiously. All statements, activities, stunts, descriptions, information and material of any other kind contained herein are included for entertainment purposes only and should not be relied on for accuracy or replicated as they may result in injury. First published 2019 by Walker Books Ltd 87 Vauxhall Walk, London SE11 5HJ 2 4 6 8 10 9 7 5 3 Text and interior illustrations © 2019 Thomas Taylor Cover illustrations © 2019 George Ermos The right of Thomas Taylor to be identified as author of this work has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988 This book has been typeset in Stempel Schneider Printed and bound by CPI Group (UK) Ltd, Croydon CR0 4YY All rights reserved. No part of this book may be reproduced, transmitted or stored in an information retrieval system in any form or by any means, graphic, electronic or mechanical, including photocopying, taping and recording, without prior written permission from the publisher. British Library Cataloguing in Publication Data: a catalogue record for this book is available from the British Library ISBN 978-1-4063-8628-8 (Trade) ISBN 978-1-4063-9302-6 (Export) ISBN 978-1-4063-9303-3 (Exclusive) www.walker.co.uk Eerie-on-Sea YOU’VE PROBABLY BEEN TO EERIE-ON-SEA, without ever knowing it. When you came, it would have been summer. -
19Th Century American Authors, Literature, Informational Texts, and Visual Representation
19th Century American Authors, Literature, Informational Texts, and Visual Representation (Correlating to Cottonwood Middle School’s 8th Grade Language Arts textbook: The Elements of Literature) Lisa Ashley Cottonwood Middle School Cottonwood, AZ NEH Summer Institute 2009 Introduction and Rationale Having participated in this year’s Picturing Early America: People, Places, and Events 1770-1870, a four-week-long summer institute on interpreting and teaching early American art, my goal for the upcoming 2009-2010 school year is to incorporate visual references to EACH of my 8th grade Language Arts literature lessons. Being a Title One, low income school, our classroom materials are limited. We do have, however, classroom sets of the Holt textbook, Elements of Literature. The text contains fictional prose from the American authors Edgar Allen Poe, Mark Twain, and Nathanial Hawthorne. Additionally, the text also contains a nonfiction piece on Harriet Tubman and The Underground Railroad. Goals I have begun to build files with 19th century images of authors and illustrations of their works. These files will be available for any other teachers who would like to use them and who teach similar content in their English/Language Arts classrooms. This Power Point is just the beginning presentation of my files. National Endowment for the Humanities “Picturing America” Images Because our district was awarded a set of these images, I hope to enrich our current Language Arts curriculum by creating lessons connecting the images to as many reading and writing activities as possible. This endeavor to couple texts with images will be an ongoing, continuous process for me this year: I will need to find images of prints, paintings, and illustrations that are suitable and engaging for my students and pair them with activities that will extend and enrich our already existing texts. -
A Comparative Examination of Dead Souls, the Master and Margarita, and Revelation 12-3
LMU/LLS Theses and Dissertations Spring 2019 Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-3 Thomas "TJ" Kennedy Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/etd Part of the Biblical Studies Commons Recommended Citation Kennedy, Thomas "TJ", "Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-3" (2019). LMU/LLS Theses and Dissertations. 772. https://digitalcommons.lmu.edu/etd/772 This Thesis is brought to you for free and open access by Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU/LLS Theses and Dissertations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Understanding the Devil: A Comparative Examination of Dead Souls, The Master and Margarita, and Revelation 12-13 by TJ Kennedy A thesis presented to the Faculty of the Department of Theology Loyola Marymount University In partial fulfillment of the Requirements for the Degree Master of Arts in Theology May 7, 2019 Kennedy 1 Introduction Are you a devil?" "I am a man," answered Father Brown gravely; "and therefore have all devils in my heart. -G.K. Chesterton1 Evil begins where creation ends. In Zoroastrianism, Angra Mainyu propels the cause of druj (darkness), and is the antagonist to Ahura Mazda, the god of light.2 In Buddhism, the demon Mara often tries to tempt and trick the Buddha, including through kind words in the Padhaana Sutta of the Sutta-nipaata.