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Universidad Peruana De Ciencias Aplicadas Facultad De Comunicaciones Programa Académico De Comunicación Audiovisual Y Medios I

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Universidad Peruana De Ciencias Aplicadas Facultad De Comunicaciones Programa Académico De Comunicación Audiovisual Y Medios I La producción fílmica fe ciencia ficción en el Perú: La visión de la audiencia y los realizadores de cine en el Perú, sobre la carencia de la ciencia ficción como género cinematográfico en el panorama nacional, y cómo esta carencia se relaciona a los discursos preestablecidos sobre el tratamiento de género en nuestro país Item Type info:eu-repo/semantics/bachelorThesis Authors Acosta Aguilar, José Rodrigo Publisher Universidad Peruana de Ciencias Aplicadas (UPC) Rights info:eu-repo/semantics/openAccess; Attribution- NonCommercial-ShareAlike 4.0 International Download date 29/09/2021 05:01:00 Item License http://creativecommons.org/licenses/by-nc-sa/4.0/ Link to Item http://hdl.handle.net/10757/656508 UNIVERSIDAD PERUANA DE CIENCIAS APLICADAS FACULTAD DE COMUNICACIONES PROGRAMA ACADÉMICO DE COMUNICACIÓN AUDIOVISUAL Y MEDIOS INTERACTIVOS La producción fílmica fe ciencia ficción en el Perú: La visión de la audiencia y los realizadores de cine en el Perú, sobre la carencia de la ciencia ficción como género cinematográfico en el panorama nacional, y cómo esta carencia se relaciona a los discursos preestablecidos sobre el tratamiento de género en nuestro país TRABAJO DE INVESTIGACIÓN Para Optar el Grado de bachiller en Comunicación Audiovisual y Medios Interactivos AUTOR Acosta Aguilar, José Rodrigo (0000-0001-9579-0479) ASESOR Gomero Correa, Giancarlo (0000-0001-6777-0999) Lima, 09 de diciembre de 2020 DEDICATORIA A todos aquellos que quieren hacer cine en el Perú 1 AGRADECIMIENTOS A mi familia, profesores y amigos 2 RESUMEN La visión de espectadores y cineastas, por igual, en el contexto de la falta de ciencia ficción como género cinematográfico en el Perú, y las teorías detrás de los intereses cinematográficos de los cineastas latinoamericanos. El presente texto tocará una visión analítica de la problemática de producción en el Perú para un género tan universal como lo es la ciencia ficción, a su vez revisará consecutivamente los pormenores del porvenir contextual de la ciencia ficción como género en el mundo, criterios estilísticos de la misma, definiciones, y consideraciones temáticas, adentrándonos en la historia anecdótica de la ciencia ficción, en Latinoamérica también. Por último, la investigación reciclará estos conceptos y reflexiones, y permitirá esclarecer algunos patrones en la historia nacional de las producciones de este tipo. Palabras claves: visión; contextual; ciencia ficción; universal; estilísticos; definiciones; género 3 Film Production of Science Fiction in Peru: The vision of the audience and filmmakers in Peru, on the lack of science fiction as a cinematographic genre in the national panorama, and how this lack is related to the preset discourses on the treatment of gender in our country. ABSTRACT The vision of viewers and filmmakers, alike, in the context of the lack of science fiction as a film genre in Peru, and the theories behind Latin American filmmaker cinematographic interests. This text will consecutively provide a greater understanding of science fiction as a cinematographic gender in Peru. It will explain the details of Peruvian science fiction production within the last three decades. My work will explore several characteristics and definitions regarding the true “meaning” of science fiction (and its global conceptions). It will conclude with a few thoughts that will put some light on the matter by discovering the causes and effects of the phenomenon. Key words: vision; science fiction; explore; characteristics. 4 TABLA DE CONTENIDOS 1 CAPITULO 1: PLANTEAMIENTO TEÓRICO ..................................................... 7 2 CAPITULO 2: ESTRUCTURA ............................................................................... 10 2.1 CRITERIOS DE DEFINICIÓN ................................................................................... 10 2.1.1 Características Principales ............................................................................... 11 2.1.2 Características Secundarias ............................................................................. 13 2.1.3 Tangentes Temáticas ....................................................................................... 15 2.2 GÉNEROS (CINE) ................................................................................................... 17 2.2.1 Entendimiento Teórico De Los Géneros En El Cine ....................................... 19 2.3 PANORAMA DE LA CIENCIA FICCIÓN COMO GÉNERO CINEMATOGRÁFICO EN LATINOAMÉRICA .............................................................................................................. 19 2.3.1 Estrategias De Los Países Con Más Producción ............................................. 20 2.4 DESCRIPCIÓN DE LAS PRODUCCIONES PERUANAS (Y REALIZADAS POR PERUANOS) DESDE 1990 CON SUS ESTRATEGIAS CORRESPONDIENTES DE PRODUCCIÓN Y REALIZACIÓN. .................................................................................................................. 22 2.4.1 Producciones De Peruanos En El Extranjero .................................................. 24 3 CAPITULO 3: METODOLOGÍA ........................................................................... 35 3.1 HIPÓTESIS ............................................................................................................. 35 3.2 ENCUESTAS .......................................................................................................... 35 3.2.1 Cuestionario versión #1: ejemplo #1 ............................................................... 36 3.2.2 Cuestionario versión #1: ejemplo #2 ............................................................... 38 3.2.3 Cuestionario versión #2 (final): ....................................................................... 40 3.2.4 Conclusión Del Rubro De Encuestas............................................................... 52 3.2.5 Entrevistas ....................................................................................................... 52 3.2.6 Conclusión General ......................................................................................... 68 4 REFERENCIAS ........................................................................................................ 73 4.1 BIBLIOGRAFÍA ...................................................................................................... 73 5 ANEXOS .................................................................................................................... 78 5 ÍNDICE DE FIGURAS Tabla 1 Volumen de Respuestas .......................................................................................... 40 Tabla 2 Edad ........................................................................................................................ 41 Tabla 3 Grado de Instrucción .............................................................................................. 42 Tabla 4 Trabajo Actual ........................................................................................................ 43 Tabla 5 Cantidad de Películas ............................................................................................. 44 Tabla 6 Género Preferido .................................................................................................... 45 Tabla 7 Orden de Preferencia .............................................................................................. 46 Tabla 8 Género Común Cine Peruano ................................................................................. 47 Tabla 9 Gusto por la Ciencia Ficción .................................................................................. 48 Tabla 10 Razones de la Ausencia de la Ciencia Ficción ..................................................... 49 Tabla 11 Precepción del Cine Nacional .............................................................................. 50 Ilustración 1 Imagen Emblemática de la película El Viaje a la Luna de Georges Méliès... 10 Ilustración 2 Caratula del “Mundo de Edena” del dibujante Jean Giraud “Moebius”. ....... 14 Ilustración 3 Batman dibujado por David Mazzuchelli. ...................................................... 16 Ilustración 4 Linterna Verde Hal Jordan Dibujado por Frank Miller. ................................. 16 Ilustración 5 Fotograma de la película “The Lobster” de Yorgos Lanthimos. .................... 17 Ilustración 6 Afiche de la película “El Año de la Peste” de Felipe Cazals (1979). ............. 22 Ilustración 7 Portada de libro “Lima de Aquí a Cien Años” de Julián Manuel del Portillo (1843). ................................................................................................................................. 24 Ilustración 8 Fotograma de la Película “Ultra Warrior” de Augusto Tamayo San Roman (1990), en la foto aparece Diego Bertie a la derecha. .......................................................... 25 Ilustración 9 A la izquierda el afiche de la película “Crime Zone” (Calles peligrosas) de Luis Llosa y el de la película “Ultra Warrior” de Roger Corman. .............................................. 27 Ilustración 10 Foto del director Roger Corman. .................................................................. 28 Ilustración 11 Fotograma de El limpiador de Adrián Saba (2012)...................................... 30 Ilustración 12 afiche de la película “Welcome To Oblivion” de Augusto Tamayo. ........... 78 6 1 CAPITULO 1: PLANTEAMIENTO TEÓRICO El planteamiento teórico detrás de mi tesis es un tema que me ha estado causando serios problemas, pero también mucho interés en los últimos
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