DOCSLIB.ORG

PASIC 2007 Program Printed by Johnson Press of America, Pontiac, Illinois

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PASIC 2007 Program Printed by Johnson Press of America, Pontiac, Illinois pas president’s welcome ... 4 special thanks ... 6 exhibitors by name ... 8 exhibit hall map ... 9 exhibitors by category ... 12 exhibitor company descriptions ... 16 sponsors ... 32 area map and restaurant guide ... 36 convention center map ... 38 wednesday, october 31 schedule of events ... 40 thursday, november 1 schedule of events ... 42 friday, november 2 schedule of events ... 46 saturday, november 3 schedule of events ... 50 artists and clinicians bios ... 56 percussive arts society history ... 100 pasic 2007 advertisers ... 104 pas president’s welcome PERCUSSIVE ARTS SOCIETY BOARD OF DIRECTORS t is an honor gent work of the many volunteers on Ifor me, as the PASIC Logistics Team who make EXECUTIVE COMMITTEE your PAS each year’s PASIC a greater suc- President Gary Cook President, to cess. Please share your appreciation President-elect Steve Houghton welcome you with these individuals if you have the Vice President Lisa Rogers to Columbus, opportunity at PASIC 2007. Secretary John R. Beck Ohio and our Support of this vision is critical Treasurer Steve Beck Immediate Past President Rich Holly 32nd Percus- and the many percussion compa- Executive Director Michael Kenyon sive Arts nies and manufacturers who are Society Inter- PAS Sustaining Members dedicate DIRECTORS national Convention. PASIC 2007 is great amounts of time, energy, and Timothy K. Adams . Keith Aleo a celebration of 46 years of PAS and money investing in PAS and PASIC. Anders Åstrand . Michael Balter is the fifth time we have held our On behalf of the Board of Directors George Barrett . Michael Burritt annual convention in Columbus with and our entire membership I want to Ruth Cahn . Julie Davila previous years being 1993, 1999, acknowledge and thank these Sus- Christopher Deane . Peter Erskine 2002 and 2005. Each time, Columbus taining Members for their support Vic Firth . Gary France Julia Gaines . Lynn Glassock has proven to be a tremendously and sponsorship, as well as the hun- Neil Grover . Bret Kuhn welcoming city with excellent event dreds of exhibitors who transform Frederic Macarez . William Moersch facilities for our unique convention. the exhibit halls into the International Daniel Moore . Emil Richards Again this year, the lineup of world- Drum and Percussion Expo. Be sure David Samuels . Ed Shaughnessy class artists, clinicians, workshops, to plan your days to visit the exhibit Alison Shaw . Andy Zildjian exhibits, meetings, performances, halls where you’ll experience the and concerts promises to provide largest collections of new instru- COUNCIL OF PAST PRESIDENTS memorable experiences for all at- ments, music and products ever Mark Ford (2003–2004) James Campbell (2001–2002) tending and participating. assembled. Please take a moment Robert Breithaupt (1999–2000) PAS is about community and there to thank these sponsors and exhibi- Genaro Gonzalez (1997–98) is no greater community of percus- tors for providing so many wonderful Garwood Whaley (1993–96) sion and drumming enthusiasts opportunities for your enrichment at Robert Schietroma (1991–92) than you’ll find at a PASIC. As we PASIC. John Beck (1987–90) come together these four days to Lastly, I want to thank you, the Thomas Siwe (1984–86) share our music and friendship it is members of PAS, and the many James Petercsak (1978–81) important to recognize those who PASIC participants and attendees Gary Olmstead (1973–77) make YOUR PASIC the greatest per- for making PASIC the unique experi- Gordon Peters (1964–67) cussion event in the world. PASIC ence it is. PASIC is a time and place Donald Canedy (1961–63) wouldn’t be possible without the for sharing of concepts and ideas tireless efforts of Jeff Hartsough, with our colleagues, to renew old PERCUSSIVE ARTS SOCIETY STAFF PAS Director of Event Production friendships and make new ones, to Executive Director Michael Kenyon & Marketing and Cory Cisler, PAS become more involved in PAS and Director of Event Production Program and Events Manager and the world of percussion and to be & Marketing Jeff Hartsough their staff. These individuals work renewed and inspired by new prod- Marketing and Communications Director Jon Feustel with the PAS Executive Committee ucts, publications, provocative think- Museum Curator/Librarian Otice Sircy and Executive Director Michael ing and ideas, and the incredible Membership Development Manager Jim Gratner Kenyon and his staff in Indianapolis artistry of our greatest performers. Program and Events Manager Cory Cisler to create a vision for each PASIC I hope you will enjoy and celebrate Administrative Coordinator Toni McNalley from the hundreds of applications YOUR unique community at PASIC Administrative Assistant Lynna Mills and incredible proposals for PASIC 2007! Publications Editor Rick Mattingly sessions received from individuals, Graphic Designer Hillary Henry groups, companies and PAS Com- Support Services Larry Moore mittees. After months of refining and Intern Kelly Strait planning they eventually implement Gary Cook PAS HISTORIANS this vision at PASIC through the dili- PAS President Lisa Rogers and James Strain 4 welcome message special thanks donations to the 2007 logistics incentives program ALFRED PUBLISHING CO.—Six $50 Gift Certificates for any Alfred PASIC Booth Merchandise AVEDIS ZILDJIAN CompanY—Any Two Michael Bump Cymbals from the Zildjian Booth Focus Day DDRUM—7x13 Snow Sparkle Snare Drum (maple shell, die cast hoops) Kelly Strait DRUM WORKSHOP, INC.—DW Vintage PAS Intern Brass 6.5 x 14 Snare Drum with Chrome Hardware Aaron Bishara Nick Fielder Ryan Lassiter Jeff Piper EVANS DRUMHEADS—Five Drumhead Tom Logistics Managers Packs HAMMERAX— One Limited Edition Glass Rob Birenbaum Ray Fransen Instrument; Three John Stannard cds; One Drumset Logistics Hammerax T-shirt INNOVatiVE PERCUSSION—One FP3 Col- Michael Borne Ric Cassity Tony Cooper lege Primer Pack: Contains: 1 - MB-1; 1 pair All Star Audio CT-3 Timpani mallets; 2 pairs IP240 marimba mallets; 2 pairs RS251 vibe mallets; 1 pair Bryan Stone Robert DeMattina Andrew Guinn IP902 xylo/bell mallets; 1 pair IP906 xylo/bell PASIC Photographers mallets; 1 pair IP-JC concert snare sticks MEDIA PRESS, INC.—One $50 gift certificate Mountain RYTHYM/DREAM CYMBALS— Nathan Shireman 22” Bliss Crash/Ride Cymbal Hughies Video PEARL Corporation—One P2002PB Double Pedal; One S1330B Snare Drum Lisa Rogers 13”x3 PASIC Program PER-MUS Publications—$30.00 worth of free music from Per-Mus Publications Eddye & Hossein Moini POWER WRIST BUILDERS—One pair of Adventure Travel Power Wrist Builders PRO-MARK CORPORATION— One $200 Gift Terry Walburn Phyllis Smith Certificate. Geo Fern Co. REGAL TIP/Calato MFG.—Regal Tip Stick Bag with Sticks, Brushes, Mallets and Joe Shaw and Sherry Fish Specialty Sticks Greater Columbus Convention Center REMO, INC.—Leon Mobley Djembe, Plus Djembe Bag Nancy Morris, Kelly Szoke, and Valerie Gillespie SAMSON—One H2 Handy Recorder (por- Hyatt Regency Columbus table digital recorder) SMITH publications—One $60 Gift Certificate for any Smith Publications PASIC Booth Merchandise. Upbeat MUSIC Publications— $400.00 Gift Certificate to purchase sheet music from Upbeat Music Publications WINTER GUARD International—One set of three 2007 Percussion World Champion- ship DVDs exhibitors by name Alesis LLC ..............................................................328 Global Percussion Trio ..........................................89 MusicTime, Inc. ......................................................15 Alfonce Production ................................................67 GP Percussion ......................................................103 New York University Classical Alfred Publishing Co., Inc. ....................................12 Grover Pro Percussion, Inc. .................................92 Percussion Studio ..............................................97 Alternate Mode, Inc. .........................................104Q Guitar Center .........................................................926 Noble & Cooley Co. ...................................................919 Avedis Zildjian Company ..........801, Literature Bin Hal Leonard Corporation .......................................22 Oberlin Conservatory of Music ............................81 Bachovich Music Publications ............................50 Hamilton Stands, Inc. ..........................................330 Paiste America, Inc. ............................................613 Bands of America ................................................731 Hammerax .............................................................526 Pan Press Inc ..........................................................69 Beall Percussion Specialties ...............................50 HoneyRock Publishing ..........................................44 Panyard, Inc. .......................................................1026 Beat of the Drum Industries, Inc. ......................630 HORNETS Drumsticks .........................................531 Passaris Percussion ............................................126 Beatnik Rhymic Analyzer ....................................100 Hudson Music LLC .................................................22 Peace Musical Company ....................................326 Bergerault USA, Professional Division, Humes & Berg Mfg. Co., Inc. ............................1005 Pearl Corporation and Adams Musical Peripole-Bergerault, Inc. ....................................1 Innovative Percussion, Inc. ..................................23 Instruments .......................................................301
Load more

Recommended publications
  • B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
    B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col.
    [Show full text]
  • PASIC 2010 Program
    201 PASIC November 10–13 • Indianapolis, IN PROGRAM PAS President’s Welcome 4 Special Thanks 6 Area Map and Restaurant Guide 8 Convention Center Map 10 Exhibitors by Name 12 Exhibit Hall Map 13 Exhibitors by Category 14 Exhibitor Company Descriptions 18 Artist Sponsors 34 Wednesday, November 10 Schedule of Events 42 Thursday, November 11 Schedule of Events 44 Friday, November 12 Schedule of Events 48 Saturday, November 13 Schedule of Events 52 Artists and Clinicians Bios 56 History of the Percussive Arts Society 90 PAS 2010 Awards 94 PASIC 2010 Advertisers 96 PAS President’s Welcome elcome 2010). On Friday (November 12, 2010) at Ten Drum Art Percussion Group from Wback to 1 P.M., Richard Cooke will lead a presen- Taiwan. This short presentation cer- Indianapolis tation on the acquisition and restora- emony provides us with an opportu- and our 35th tion of “Old Granddad,” Lou Harrison’s nity to honor and appreciate the hard Percussive unique gamelan that will include a short working people in our Society. Arts Society performance of this remarkable instru- This year’s PAS Hall of Fame recipi- International ment now on display in the plaza. Then, ents, Stanley Leonard, Walter Rosen- Convention! on Saturday (November 13, 2010) at berger and Jack DeJohnette will be We can now 1 P.M., PAS Historian James Strain will inducted on Friday evening at our Hall call Indy our home as we have dig into the PAS instrument collection of Fame Celebration. How exciting to settled nicely into our museum, office and showcase several rare and special add these great musicians to our very and convention space.
    [Show full text]
  • History of the Drum Set
    History of the Drum Set The drum set is as American as baseball, hotdogs, and apple pie. The instrument as it currently exists has seen a great deal of evolution and development. From its infancy at the start of the 20 th century to the innovations that are currently taking place, it has developed into the most visible and widely used instruments in the percussion family. Late 1800’s Brass bands were the most common type of instrumental ensemble in the United States in the later half of the 19 th century. Every town in America had bandstands were concerts were held and perhaps the reason for their existence can be attributed in part to the Civil War. Every military unit had its own squad of musicians, usually formed according to locality. Occasionally some bands stayed together after the war, while others disbanded. Each brass band consisted of two or more drummers that played snare, bass, and cymbals. In addition to marching parade commitments, these bands sometimes moved “indoors” entertaining patrons in concert providing music for occasions such as picnics and town socials. When these groups moved inside, the standard instrumentation was cut down somewhat for practical reasons. Because of this, the need for two or more drummers decreased and resourceful inventions began to flourish. The concept of one drummer playing two or more rhythms was made possible through the creation of the snare drum stand and bass drum pedal. Before the snare stand, drummers would hang the drum from their shoulder with a strap or sling, or position the drum on a chair.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • Downbeat.Com December 2014 U.K. £3.50
    £3.50 £3.50 . U.K DECEMBER 2014 DOWNBEAT.COM D O W N B E AT 79TH ANNUAL READERS POLL WINNERS | MIGUEL ZENÓN | CHICK COREA | PAT METHENY | DIANA KRALL DECEMBER 2014 DECEMBER 2014 VOLUME 81 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer Žaneta Čuntová Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Associate Kevin R. Maher Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman,
    [Show full text]
  • Knowledge Organiser
    Key Composers Purpose Bernard Hermann James Horner Music in a film is there to set the scene, enhance the AoS3 – Film Music mood, tell the audience things that the visuals cannot, or John Williams Danny Elfman manipulate their feelings. Sound effects are not music! John Barry Alan Silvestri Jerry Goldsmith Howard Shore Key terms Hans Zimmer Leitmotif – A theme for a character Mickey-mousing – When the music fits precisely with action Musical Elements & Common Associations (Musical Cliche’s) Underscore – where music is played at the same time as action Tempo Fast Excitement, action or fast-moving things (eg. A chase scene) Slow Contemplation, rest or slowing-moving things (eg. A funeral procession) Fanfare – short melodies from brass sections playing arpeggios and often accompanied with percussion Melody Ascending Upward movement, or a feeling of hope (eg. Climbing a mountain) Descending Downward movement, or feeling of despair (eg. Movement down a hill) Instruments and common associations (Musical Clichés) Large leaps Distorted or grotesque things (eg. a monster) Woodwind - Natural sounds such as bird song, animals, rivers Harmony Major Happiness, optimism, success Bassoons – Sometimes used for comic effect (i.e. a drunkard) Minor Sadness, seriousness (e.g. a character learns of a loved one’s death) Brass - Soldiers, war, royalty, ceremonial occasions Dissonant Scariness, pain, mental anguish (e.g. a murderer appears) Tuba – Large and slow moving things Rhythm Strong sense of pulse Purposefulness, action (e.g. preparations for a battle) & Metre Harp – Tenderness, love Dance-like rhythms Playfulness, dancing, partying (e.g. a medieval feast) Glockenspiel – Magic, music boxes, fairy tales Irregular rhythms Excitement, unpredictability (e.g.
    [Show full text]
  • Dvds DVDS 277
    DVDs DVDS 277 CONCERTS & MUSIC Eric Clapton & Steve Winwood B.B. King Live from Madison Square Garden B.B. King Live AC/DC 2 DVDs ..................................................$27.99 17-WEA517585____ DVD ......................................................$14.99 40-7130HJDVD____ Blu-Ray Disc .........................................$17.99 40-7131HJBD____ Plug Me In Neil Diamond 2 DVDs ..................................................$29.99 40-10417____ Diana Krall Hot August Night/NYC Adele Live from Madison Square Garden Live in Rio DVD ......................................................$13.99 40-62711____ DVD ......................................................$14.99 40-EV302739____ Live at the Royal Albert Hall DVD & CD .............................................$18.99 40-90446____ Eagles Led Zeppelin The Band Farewell I Tour — Live from Melbourne Celebration Day 2 DVDs ..................................................$29.99 17-WEA970423____ DVD & 2 CDs .........................................$29.95 17-WEA532625____ The Last Waltz Hell Freezes Over Blu-Ray Disc & 2 CDs ...........................$34.95 17-WEA532628____ DVD ......................................................$14.99 40-M102021____ DVD ......................................................$24.99 40-B000437709____ Led Zeppelin History of The Eagles DVD 2-Pack ..........................................$29.99 17-WEA970198____ The Beatles The Story of an American Band Mothership ✸ 3 DVDs ............................................$34.99 40-347919____ The
    [Show full text]
  • Weeksville Lost Jazz Shrines
    1 Weeksville Lost Jazz Shrines Annotated Bibliography and Discography Primary Sources Interviews Note: Most of the artists listed below were interviewed over a period of two years (April, 2010 –October, 2011 through Weeksville’s Lost Jazz Shrine Project). Artists interviewed include: Brooklyn natives; longtime Brooklyn residents; or artists who performed frequently at some of Brooklyn's Lost Jazz Shrines and in some cases, continue to perform in Brooklyn. Abdullah, Ahmed. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 46 mins 36 sec. Barnes, Wade E. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 7 December 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 51 min. 26 sec. Barron, Kenny. Oral History Interview. Interviewed by Willard Jenkins. 9 October 2010. Audio. No Transcription. Weeksville Heritage Center Lost Jazz Shrines Project. Braithwaite, “Fab 5” Freddie. Oral History Interview. Interviewed by Willard Jenkins and Jennifer Scott. 7 Oct 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 25 mins. 32 secs. Carroll, Alma. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 24 August 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project. Length: 1 hr. 10 mins. 34 secs. Cheatham, Jo Ann. Oral History Interview. Interviewed by Willard Jenkins, Jennifer Scott and Kaitlyn Greenidge. 6 April 2010. Audio. Transcription. Transcription date: April 2011. Weeksville Heritage Center Lost Jazz Shrines Project.
    [Show full text]
  • Wissensbilanz 2018
    UNIVERSITÄT MOZARTEUM SALZBURG Wissensbilanz 2018 Für den Inhalt verantwortlich: Rektorat Redaktion: Abteilung für Qualitätsmanagement und Entwicklungsplanung Universität Mozarteum Salzburg Mirabellplatz 1 5020 Salzburg, Austria Tel: +43 662 6198-0 www.uni-mozarteum.at Die Universität Mozarteum Salzburg Die Universität Mozarteum Salzburg bietet 77 ordentliche künstlerische und pädagogische Studien aus den Bereichen Musik, Darstellende und Bildende Kunst an. An die 1.900 junge Künstlerinnen und Künstler aus aller Welt erfahren hier eine umfassende Qualifizierung in zahlreichen Instrumentalfächern, in Komposition, Dirigieren, Gesang, Musiktheater, Schauspiel, Regie, Bühnenbild, Musik- und Tanzpädagogik, Kunst- und Werkpädagogik sowie in Musikpädagogik und Musikwissenschaft. 577 Lehrende, viele davon international renommierte Künstlerinnen und Künstler sowie Expertinnen und Experten aus den Bereichen Pädagogik und Wissenschaft engagieren sich in Forschung, Lehre sowie der Entwicklung und Erschließung der Künste. Zusammen mit den Studierenden und allen Angehörigen der Universität wird auch das Haus selbst in seiner Mission und Ausstrahlung, seinen Möglichkeiten und Potenzialen stetig weiterentwickelt. Die Geschichte des Mozarteums reicht bis ins Jahr 1841 zurück und wurde von herausragenden Persönlichkeiten aus Musik, Theater, Pädagogik, Forschung und Kunst geprägt. Die Universität Mozarteum Salzburg sieht es als ihre Aufgabe, zur Entstehung und Interpretation, Reflexion und Vermittlung von Kunst und künstlerischer Praxis einen wesentlichen Beitrag zu leisten. Zentrales Anliegen ist die optimale, möglichst individuelle Förderung ihrer Studierenden. Neben der traditionellen Rolle als exzellente Kunstuniversität hat sich die Universität Mozarteum Salzburg als Kulturbetrieb positioniert und trägt mit zahlreichen Veranstaltungen von Studierenden und Lehrenden zum Salzburger Kulturleben bei. Im Umfeld der intensiven Studien in einer Stadt, die für ihre Kultur Weltrenommee genießt, beginnen hier die Netzwerke für spätere berufliche Karrieren.
    [Show full text]
  • Faculty Biographies Division Coordinators and Educational Consultants
    2012 Summer Symposium, presented by Faculty Biographies Division Coordinators and Educational Consultants Mark Buselli Jazz Band Division Coordinator Mark Buselli is Director of Jazz Studies at Ball State University. Awards include a 2010-2011 BSU College of Fine Arts Dean’s Creative Arts Award, a Creative Renewal grant from the Indianapolis Arts Council in 2005, a teacher of the year award in 2004 at Butler University, a Creative Vision award from NUVO in May of 2007, a top 10 CD release of 2009 (December 2009) in JAZZIZ magazine for “An Old Soul,” and a top 100 CD of the decade (January 2010) in DownBeat magazine for the Buselli/Wallarab release of “Basically Baker.” Mr. Buselli has over 40 arrangements published for big bands, brass ensemble and piano/trumpet. He has nine recordings out as a leader on the Owlstudios and OA2 record labels. He has written/arranged/performed for numerous artists.Mr. Buselli currently serves as Education Director of the Buselli Wallarab Jazz Orchestra/Midcoast Swing Orchestra in Indianapolis, where he has created numerous educational opportunities for over 10,000 students. Mr. Buselli graduated from the Berklee School of Music in Boston and received his Master of Music degree in Jazz Studies from Indiana University. Thomas Caneva Concert Band Division Coordinator Dr. Thomas Caneva is Director of Bands, Professor of Music and Coordinator of Ensembles and Conducting at Ball State University. At Ball State, Dr. Caneva’s responsibilities include conducting the Wind Ensemble, coordinating the graduate wind conducting program, teaching undergraduate conducting and administering the entire band program. Under his direction, the Ball State University Wind Ensemble has performed at CBDNA Regional and National Conferences, the American Bandmasters Association Convention, and state and regional MENC conventions.
    [Show full text]
  • I Wasn't on Some Campaign to Change the World, I Was a Drummer in A
    Contents Masthead The Off 07 Loic maurin Apesanteur [ZERO GRAVITY] 17 The Sum Of The Parts John Maher 28 Dropping Names Don Lombardi 35 Maximum Break Richard Colburn 44 Retirement Bill Bruford 49 Out On A Limb CONTENTS A conversation with Eddie Prevost Issue One, December 2012 57 Rhythm As A Medium Ben Martin 62 Tatsuya Amano クロスフェイス [CROSSFAITH] Subscriptions/Newsletter Editor: Tom Hoare [email protected] Art Director: Luke Douglas [email protected] Web Editor: Andrew Jones Contributors: Ben Martin, Iain Bellamy, Kate Darracott, Flora Hodson, Elspeth Leadbetter, John Maher, Julia Kaye, Jim Bevington Thanks: Tim Wilson, Rew Kubayashi, Ryan Richards, BGM Rhythms, John Williamson, James Walker, Greg & Julia, Alex Sayles, Crystalline Connolley, Papillon Zamprioli, Needham Avenue, Glen Thomson Contact: Editorial: [email protected] Advertising: [email protected] Cover: A preoccupation with time. Reading note: We’ve made this magazine to be readable online, without the need to zoom and MASTHEAD scroll. It looks best when viewed in full screen. Issue One, December 2012 www Copyright © The Drummer’s Journal 2012 The proprietors and contributors to The Drummer’s Journal have asserted their right under the Copyright Designs and Patens Act 1988 to be identified as the owners and authors of this work. THE OFF www welve months ago, the brief conversation which sowed the seeds for The Drummer’s Journal occurred. It was between a good friend and myself. Having dredged out an assorted collection of drum magazines from under my bed, he selected a copy and Tread it cover to cover. He then picked up another and did the same.
    [Show full text]
  • An Investigation of Dalcroze-Inspired Embodied Movement
    AN INVESTIGATION OF DALCROZE-INSPIRED EMBODIED MOVEMENT WITHIN UNDERGRADUATE CONDUCTING COURSEWORK by NICHOLAS J. MARZUOLA Submitted in partial fulfillment of the requirements For the degree of Doctor of Philosophy Dissertation Advisor: Dr. Nathan B. Kruse Department of Music CASE WESTERN RESERVE UNIVERSITY May, 2019 CASE WESTERN RESERVE UNIVERSITY SCHOOL OF GRADUATE STUDIES We hereby approve the dissertation of Nicholas J. Marzuola, candidate for the degree of Doctor of Philosophy*. (signed) Dr. Nathan B. Kruse (chair of the committee) Dr. Lisa Huisman Koops Dr. Matthew L. Garrett Dr. Anthony Jack (date) March 25, 2019 *We also certify that written approval has been obtained for any proprietary material contained therein. 2 Copyright © 2019 by Nicholas J. Marzuola All rights reserved 3 DEDICATION To Allison, my loving wife and best friend. 4 TABLE OF CONTENTS TABLE OF CONTENTS .................................................................................................... 5 LIST OF FIGURES .......................................................................................................... 10 ACKNOWLEDGEMENTS .............................................................................................. 11 ABSTRACT ...................................................................................................................... 13 CHAPTER ONE, INTRODUCTION ............................................................................... 15 History of Conducting ..................................................................................................
    [Show full text]