TIM PORTER, ACE Editor
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“The Mommy Problem” [Intro Music
The West Wing Weekly 7.02: “The Mommy Problem” [Intro Music] JOSH: You're listening to The West Wing Weekly. I’m Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. And today we’re talking about episode 2 from season 7, it’s called “The Mommy Problem.” JOSH: It was written by Eli Attie, it was directed by Alex Graves, and it first aired on October 2nd, 2005. HRISHI: In this episode, the astronauts who are stuck in the Space Station have been rescued, but the investigation into the leak about the secret military space shuttle gets ratcheted up as a grand jury gets convened. So, nobody is going to emergency, but somebody is going to jail. JOSH: Exactly. HRISHI: It’s all bad news for the Santos/McGarry campaign. We’re also having trouble getting their message out and projecting an image of Santos that is substantial. So Josh hires a Communications Director, and together they try to deal with the good luck or bad luck of Santos getting called up for Marine Reserve duty. JOSH: Very nice. Substantos. HRISHI: [laughing] Exactly. We may have covered this a little bit before. I think Richard Schiff mentioned that he was not a fan of the second half of season six and season seven, and I feel like you can hear it in his voice just when he says [West Wing Episode 7.02 excerpt] TOBY: Previously on The West Wing [end excerpt] JOSH: [laughing] That’s funny. HRISHI: What did you think of this episode? JOSH: I liked this episode. -
DVD Langue Anglaise
Tableau 1 L’Affaire Chelsea Deardon Ivan Reitman 1986 L’Affaire CIA Michael Keusch 2006 Les Affranchis Martin Scorsese 1990 2 DVD Age difficile obscur Mike Mills 2005 L’Agence tous risques Joe Carnahan 2010 A God Year Ridley Scott 2006 L’Aigle de le 9ème légion Kevin Macdonald 2011 Alabama Monroe Felix Van Groeningen 2012 Alamo John Wayne 1960 Alatriste Capitaine Agustin Diaz Yanes Alice n0est plus ici Martin Scorsese 1974 Alien Resurrection Jean-Pierre Jeunet 1997 Amadeus Milos Formann 1984 American Beauty Sam Mendes 1999 American gangster Ridley Scott 2007 Amicalement votre Ange & Démons Ron Howard 2009 L’Ange et le mal James Edward Grant 1934 Un Ange à ma table Jane Campion 1990 Annie Hall Woody Allen 1977 L’Antre de la Folie John Carpenter 2007 Anzio Edward Dmytryk 1968 Appaloosa Ed Harris 2008 Apparence Robert Zemeckis 2000 Apocalypse la 2ème guerre mondiale - séries 6 films Guillaud, de Turème, Clarke et Costelle 2009 Apocalypse Now Francis Ford Coppola 1979 Apocalypto Mel Gibson 2006 L’Arme fatale Richard Donner 1987 L’Arme fatale 2 Richard Donner 1987 L’Arme fatale 3 Richard Donner 1992 L’Arme fatale 4 Richard Donner 1998 Assassins Richard Donner 1998 Arrête toi si tu peux Steven Spielberg 2002 Attraction fatale Matthew Parkhill 2003 Au nom de la loi, saison 1 épisodes 21 à 24 1958 Au nom du père Jim Sheridan 1993 Australia Bad Luhrmann 2008 Autant en emporte le vent Victor Flemming 1939 Avatar James Cameron 2009 A Very british gangster Donald Macintyre 2006 Bad comapny Joël Schumacher 2002 Bad Cop William Kaufman 2010 Le Bagarreur du Kentucky Georges Waggner 1968 Bagdad café Percy Adlon 1987 Balade entre les Tombes Scott Frank 2014 Ballistic Ecks vs. -
Birth and Evolution of Korean Reality Show Formats
Georgia State University ScholarWorks @ Georgia State University Film, Media & Theatre Dissertations School of Film, Media & Theatre Spring 5-6-2019 Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats Soo keung Jung [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/fmt_dissertations Recommended Citation Jung, Soo keung, "Dynamics of a Periphery TV Industry: Birth and Evolution of Korean Reality Show Formats." Dissertation, Georgia State University, 2019. https://scholarworks.gsu.edu/fmt_dissertations/7 This Dissertation is brought to you for free and open access by the School of Film, Media & Theatre at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Film, Media & Theatre Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. DYNAMICS OF A PERIPHERY TV INDUSTRY: BIRTH AND EVOLUTION OF KOREAN REALITY SHOW FORMATS by SOOKEUNG JUNG Under the Direction of Ethan Tussey and Sharon Shahaf, PhD ABSTRACT Television format, a tradable program package, has allowed Korean television the new opportunity to be recognized globally. The booming transnational production of Korean reality formats have transformed the production culture, aesthetics and structure of the local television. This study, using a historical and practical approach to the evolution of the Korean reality formats, examines the dynamic relations between producer, industry and text in the -
MICHAEL BONVILLAIN, ASC Director of Photography
MICHAEL BONVILLAIN, ASC Director of Photography official website FEATURES (partial list) OUTSIDE THE WIRE Netflix Dir: Mikael Håfström AMERICAN ULTRA Lionsgate Dir: Nima Nourizadeh Trailer MARVEL ONE-SHOT: ALL HAIL THE KING Marvel Entertainment Dir: Drew Pearce ONE NIGHT SURPRISE Cathay Audiovisual Global Dir: Eva Jin HANSEL & GRETEL: WITCH HUNTERS Paramount Pictures Dir: Tommy Wirkola Trailer WANDERLUST Universal Pictures Dir: David Wain ZOMBIELAND Columbia Pictures Dir: Ruben Fleischer Trailer CLOVERFIELD Paramount Pictures Dir: Matt Reeves A TEXAS FUNERAL New City Releasing Dir: W. Blake Herron THE LAST MARSHAL Filmtown Entertainment Dir: Mike Kirton FROM DUSK TILL DAWN 3 Dimension Films Dir: P.J. Pesce AMONGST FRIENDS Fine Line Features Dir: Rob Weiss TELEVISION (partial list) PEACEMAKER (Season 1) HBO Max DIR: James Gunn WAYS & MEANS (Season 1) CBS EP: Mike Murphy, Ed Redlich HAP AND LEONARD (Season 3) Sundance TV, Netflix EP: Jim Mickle, Nick Damici, Jeremy Platt Trailer WESTWORLD (Utah; Season 1, 4 Episodes.) Bad Robot, HBO EP: Lisa Joy, Jonathan Nolan CHANCE (Pilot) Fox 21, Hulu EP: Michael London, Kem Nunn, Brian Grazer Trailer THE SHANNARA CHRONICLES MTV EP: Al Gough, Miles Millar, Jon Favreau (Pilot & Episode 102) FROM DUSK TIL DAWN (Season 1) Entertainment One EP: Juan Carlos Coto, Robert Rodriguez COMPANY TOWN (Pilot) CBS EP: Taylor Hackford, Bill Haber, Sera Gamble DIR: Taylor Hackford REVOLUTION (Pilot) NBC EP: Jon Favreau, Eric Kripke, Bryan Burk, J.J. Abrams DIR: Jon Favreau UNDERCOVERS (Pilot) NBC EP: J.J. Abrams, Bryan Burk, Josh Reims DIR: J.J. Abrams OUTLAW (Pilot) NBC EP: Richard Schwartz, Amanda Green, Lukas Reiter DIR: Terry George *FRINGE (Pilot) Fox Dir: J.J. -
Ben Salisbury
Craft / Geoff Barrow of Portishead with Ben Salisbury quite dry, quite traditional. I was expecting it might be like ‘The Kids from Fame’. But they weren’t, the vast majority of students wanted to be music teachers! The benefit was there was a brand new recording studio at Newcastle University, and there was only me and one other guy who were interested in using it, so we had the run of it. It was absolutely state-of-the- art, when samplers and digital stuff were just taking off. So that was really my introduction into composing. Music for Film and TV at Bournemouth in the early ’90s was a brilliant course, in that you had your own workstation. You were sat down, you had deadlines, and it was quite pressurised, so was actually quite similar to life as a commercial composer. Weirdly, that was probably exactly the same time Geoff [Barrow] was using samplers to make Portishead’s Dummy. What was your first real break? I came out of Bournemouth with a credit to my name, because I did music for a short film that went on to win an award, and was broadcast on Channel Four. It was directed by a guy called Ben Salisbury Miguel Sapochnik who I’ve worked with since on other short films. Now he directs episodes of DAVE ROBINSON meets the nature documentary composer Game of Thrones! One person, that’s all it took: one director who has his (laser) sights on sci-fi chose a bit of music I’d done for that film as temp music for his film about elephants and en Salisbury is a name you can expect Your father worked at the BBC Natural said, “Look, you’re very inexperienced, but to see more and more of on your History Unit: that must have been useful to we’ve got this music in there. -
Is an Immersive and Intense Journey That Digs Deep Into Each of Its Main Characters’ Souls
ADVERTISEMENT IS AN IMMERSIVE AND INTENSE JOURNEY THAT DIGS DEEP INTO EACH OF ITS MAIN CHARACTERS’ SOULS. JANUARY 2, 2020 US $9.99 JAPAN ¥1280 CANADA $11.99 CHINA ¥80 UK £ 8 HONG KONG $95 EUROPE €9 RUSSIA 400 AUSTRALIA $14 INDIA 800 3 GOLDEN GLOBE® NOMINATIONS INCLUDING DRAMA BEST DIRECTOR BEST PICTURE SAM MENDES CRITICS’ CHOICE AWARDS NOMINATIONS INCLUDING 8 BEST DIRECTOR BEST PICTURE SAM MENDES THE BEST OF THE LIKE NO FILM YOU A MASTERWORK OF PICTURE YEAR IS HAVE SEEN. THE FIRST ORDER. YOU COULDN’T LOOK AWAY IF YOU WANTED TO. GOLDEN GLOBES YEARS HER MOMENT FOLLOWING ACCLAIMED ROLES IN ‘BOMBSHELL’ AND ‘ONCE UPON A TIME IN HOLLYWOOD,’ ACTOR-PRODUCER MARGOT ROBBIE STORMS THE NEW YEAR WITH A FLURRY OF CREATIVE ENDEAVORS BY KATE AURTHUR P.5 0 P.50 Hollywood on Her Terms Margot Robbie is charging ahead as both an actor and a producer, carving a path for other women along the way. By KATE AURTHUR P.58 Creative Champion AMC Networks programming chief Sarah Barnett competes with streamers by nurturing creators of new cultural hits. By DANIEL HOLLOWAY P.62 Variety Digital Innovators 2020 Twelve leading minds in tech and entertainment are honored for pushing content boundaries. By TODD SPANGLER and JANKO ROETTGERS HANEL; HAIR: BRYCE SCARLETT/THE WALL GROUP/MOROCCAN OIL; MANICURE: TOM BACHIK; DRESS: CHANEL BACHIK; OIL; MANICURE: TOM GROUP/MOROCCAN WALL SCARLETT/THE HANEL; HAIR: BRYCE VARIETY.COM JANUARY 2, 2020 JANUARY (COVER AND THIS PAGE) PHOTOGRAPHS BY ART STREIBER; WARDROBE: KATE YOUNG/THE WALL GROUP; MAKEUP: PATI DUBROFF/FORWARD ARTISTS/C -
Bradley Whitford and Rob Lowe [Intro Music]
The West Wing Weekly 4.06: “Game On” Guests: Bradley Whitford and Rob Lowe [Intro Music] HRISHI: You’re listening to The West Wing Weekly, where it is a very special and exciting day. JOSH: A Very Special Episode…of Blossom. HRISHI: I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: You may know Joshua Malina from such things as this episode. JOSH [laughter]: Oh, man. Is there gonna be a lot of this? HRISHI: How did it feel to watch yourself on screen for the first time? JOSH: I’m almost embarrassed to admit I had butterflies in my stomach when I watched it. HRISHI: That’s great. JOSH: And it wasn’t nerves or anything, it’s literally like I was tying in organically to the excitement of that job and getting that job. I didn’t expect it at all. But yeah, that was like a very special time of my life, and as I started to watch it I just got, like, chills. HRISHI: You had a Proustian moment? JOSH: Yeah, exactly. HRISHI: You were transported. That’s great. In this episode, of course, we’re talking about “Game On.” It’s episode six from season four. JOSH: It was written by Aaron Sorkin and Paul Redford. It was directed by Alex Graves, and it first aired on October 30, 2002. HRISHI: This episode is a famous one because it features President Bartlet debating Governor Ritchie. There’s also some stuff about Qumar, there’s some stuff about Toby and Andy, but the real headline is that baby-faced Joshua Malina makes his first appearance as Will Bailey, who’s running the Horton Wilde campaign from a mattress store in Newport Beach. -