Rich Rutherford
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DVD Movie List by Genre – Dec 2020
Action # Movie Name Year Director Stars Category mins 560 2012 2009 Roland Emmerich John Cusack, Thandie Newton, Chiwetel Ejiofor Action 158 min 356 10'000 BC 2008 Roland Emmerich Steven Strait, Camilla Bella, Cliff Curtis Action 109 min 408 12 Rounds 2009 Renny Harlin John Cena, Ashley Scott, Aidan Gillen Action 108 min 766 13 hours 2016 Michael Bay John Krasinski, Pablo Schreiber, James Badge Dale Action 144 min 231 A Knight's Tale 2001 Brian Helgeland Heath Ledger, Mark Addy, Rufus Sewell Action 132 min 272 Agent Cody Banks 2003 Harald Zwart Frankie Muniz, Hilary Duff, Andrew Francis Action 102 min 761 American Gangster 2007 Ridley Scott Denzel Washington, Russell Crowe, Chiwetel Ejiofor Action 113 min 817 American Sniper 2014 Clint Eastwood Bradley Cooper, Sienna Miller, Kyle Gallner Action 133 min 409 Armageddon 1998 Michael Bay Bruce Willis, Billy Bob Thornton, Ben Affleck Action 151 min 517 Avengers - Infinity War 2018 Anthony & Joe RussoRobert Downey Jr., Chris Hemsworth, Mark Ruffalo Action 149 min 865 Avengers- Endgame 2019 Tony & Joe Russo Robert Downey Jr, Chris Evans, Mark Ruffalo Action 181 mins 592 Bait 2000 Antoine Fuqua Jamie Foxx, David Morse, Robert Pastorelli Action 119 min 478 Battle of Britain 1969 Guy Hamilton Michael Caine, Trevor Howard, Harry Andrews Action 132 min 551 Beowulf 2007 Robert Zemeckis Ray Winstone, Crispin Glover, Angelina Jolie Action 115 min 747 Best of the Best 1989 Robert Radler Eric Roberts, James Earl Jones, Sally Kirkland Action 97 min 518 Black Panther 2018 Ryan Coogler Chadwick Boseman, Michael B. Jordan, Lupita Nyong'o Action 134 min 526 Blade 1998 Stephen Norrington Wesley Snipes, Stephen Dorff, Kris Kristofferson Action 120 min 531 Blade 2 2002 Guillermo del Toro Wesley Snipes, Kris Kristofferson, Ron Perlman Action 117 min 527 Blade Trinity 2004 David S. -
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences
TREFOR PROUD Make-Up Artist IATSE 706 Journeyman Member of the Academy of Motion Picture Arts and Sciences FILM MR. CHURCH Make-Up Department Head Director: Bruce Beresford Cast: Britt Robertson, Xavier Samuel, Christian Madsen SPY Make-Up Department Head Director: Paul Feig Cast: Jason Statham, Rose Byrme, Peter Serafinowicz, Julian Miller THE PURGE 2 - ANARCHY Make-Up Department Head and Mask Design Director: James DeMonaco Cast: Michael K. Williams, Frank Grillo, Carmen Ejogo BONNIE AND CLYDE Make-Up Department Head Director: Bruce Beresford Cast: Emile Hirsch, Holly Hunter, William Hurt, Sarah Hyland Nominee: Emmy – Outstanding Make-Up for a Miniseries or a Movie (Non-Prosthetic) ENDER’S GAME Make-Up Department Head Director: Gavin Hood Cast: Harrison Ford, Asa Butterfield, Sir Ben Kingsley JACK REACHER Make-Up Department Head Director: Christopher McQuarrie Cast: Rosamund Pike, Robert Duvall THE RITE Make-Up and Hair Designer Director: Mikael Håfström Cast: Alice Braga, Anthony Hopkins, Ciarán Hinds A NIGHTMARE ON ELM STREET Department Head Make-Up, Los Angeles Director: Samuel Bayer Cast: Jackie Earle Hayley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker, Kellan Lutz, Clancy Brown LONDON DREAMS Make-Up and Hair Designer Director: Vipul Amrutlal Shah Cast: Salman Khan, Ajay Devgan, Asin, THE COURAGEOUS HEART Make-Up and Hair Department Head OF IRENA SENDLER Director: John Kent Harrison Hallmark Hall of Fame Cast: Anna Paquin, Goran Visnjic, Marcia Gay Harden Winner: Emmy for Outstanding Make-Up for a Miniseries or Movie -
DEBORAH EVANS Production Designer
DEBORAH EVANS Production Designer FILMS (partial list) G-FORCE Jerry Bruckheimer Films/ Dir: Hoyt Yeatman Walt Disney Pictures Prod: Jerry Bruckheimer BULLETPROOF MONK MGM Dir: Paul Hunter Prod: Terence Chang, Charles Roven, Douglas Segal, John Woo REMEMBER THE TITANS Jerry Bruckheimer Films/ Dir: Boaz Yakin Buena Vista Pictures Prod: Jerry Bruckheimer, Chad Oman CON AIR Jerry Bruckheimer Films/ Dir: Simon West Buena Vista Pictures Prod: Jerry Bruckheimer COMMERCIALS (partial list) Target, Toys R Us, Adobe Experience, Ram, New Balance, L’Oreal, Nike, Vanda, Space Jam, Redfin, Haines, Southwest, Carl’s Jr., Kohl’s, Maybelline, Chobani, Lux, American Family Insurance, Beats by Dre, FDA, Apple, Google, Microsoft, eBay*, Mercedes, BMW, Cadillac, Volvo, Lexus, Mitsubishi, Peugot, Renault, Honda, Toyota, General Motors, Chevy, Coors, Miller, Budweiser, Heineken, Amstel Light, Baileys, Pepsi, Diet Coke, Revlon, Cover Girl, Victoria’s Secret, Tommy Hilfiger, Levi’s, Reebok, EA Games, NFL, ESPN, Chase, Merrill Lynch, Citibank, NYSE, MasterCard, VISA, Cannon, Olympus, Panasonic, AT&T, Virgin Mobile, Partnership for a Drugfree America, Sears, J.C. Penny, Got Milk, Yoplait, Hallmark, Earthlink, GE, Intel, Optimum, Samsung, Blue Bunny, Verizon, Iams * AICP Show Honoree, Best Art Direction DIRECTORS (partial list) Phillip Andelman, Sam Mendes, Ed Zwick, Michael Bay, Jon Favreau, Tony Scott, Oliver Stone, John Woo, Joe Carnahan, Frederic Planchon, Peter Darley Miller, Josh Taft, Jim Sheridan, Jake Scott, Dave Meyers, Henrik Hansen, Kim Jacobs, Peter -
Info Fair Resources
………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… Info Fair Resources ………………………………………………………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….………………………………………………….…………… SCHOOL OF VISUAL ARTS 209 East 23 Street, New York, NY 10010-3994 212.592.2100 sva.edu Table of Contents Admissions……………...……………………………………………………………………………………… 1 Transfer FAQ…………………………………………………….…………………………………………….. 2 Alumni Affairs and Development………………………….…………………………………………. 4 Notable Alumni………………………….……………………………………………………………………. 7 Career Development………………………….……………………………………………………………. 24 Disability Resources………………………….…………………………………………………………….. 26 Financial Aid…………………………………………………...………………………….…………………… 30 Financial Aid Resources for International Students……………...…………….…………… 32 International Students Office………………………….………………………………………………. 33 Registrar………………………….………………………………………………………………………………. 34 Residence Life………………………….……………………………………………………………………... 37 Student Accounts………………………….…………………………………………………………………. 41 Student Engagement and Leadership………………………….………………………………….. 43 Student Health and Counseling………………………….……………………………………………. 46 SVA Campus Store Coupon……………….……………….…………………………………………….. 48 Undergraduate Admissions 342 East 24th Street, 1st Floor, New York, NY 10010 Tel: 212.592.2100 Email: [email protected] Admissions What We Do SVA Admissions guides prospective students along their path to SVA. Reach out -
SEAN FADEN VFX Supervisor Seanfaden.Com
SEAN FADEN VFX Supervisor seanfaden.com PROJECTS DIRECTORS PRODUCERS/STUDIOS LADY AND THE TRAMP VFX Supervisor Charlie Bean Walt Disney Pictures MULAN VFX Supervisor Niki Caro Walt Disney Pictures POWER RANGERS Dean Israelite Marty Bowen, Wyck Godfrey VFX Supervisor, 2nd Unit Director Brent O’Connor / Lionsgate / Temple Hill FANTASTIC FOUR (Pixomondo) Josh Trank 20th Century Fox SLEEPY HOLLOW Season 2 (Pixomondo) Various Directors Marc Alpert, Dennis Hammer 20th Century Fox SCORPION Pilot (Pixomondo) Justin Lin Don Tardino, Clayton Townsend / CBS GAME OF THRONES Season 3 (Pixomondo) Various Directors HBO VFX Supervisor, 2nd Unit Director Nomination - VES Award WANDA RIDE FILM (Pixomondo) Aerial Unit Director FAST & FURIOUS 6 (Pixomondo) Justin Lin Universal Pictures A GOOD DAY TO DIE HARD (Pixomondo) John Moore 20th Century Fox VFX Supervisor, On-set VFX Supervisor A NIGHTMARE ON ELM STREET (Method Studios) Samuel Bayer New Line Cinema VFX Supervisor, On-set VFX Supervisor, 2nd Unit Director PERCY JACKSON & THE OLYMPIANS: Chris Columbus Fox 2000 THE LIGHTNING THIEF (Method Studios) LET ME IN (Method Studios) Matt Reeves Overture Films VFX Supervisor, On-set VFX Supervisor A LITTLE BIT OF HEAVEN Nicole Kassell Davis Entertainment (Method Studios) The Weinstein Company GULLIVER’S TRAVELS Rob Letterman 20th Century Fox (Method Studios) LOCKE & KEY Pilot (Method Studios) Mark Romanek Dimension Films VFX Supervisor, On-set VFX Supervisor CAPTAIN AMERICA: THE FIRST AVENGER Joe Johnston Paramount (Method Studios) THE GIRL WITH THE DRAGON TATOO David Fincher Columbia Pictures (Method Studios) THE PURGE (Method Studios) James DeMonaco Blumhouse / Universal Pictures VFX Supervisor, On-set VFX Supervisor ARTHUR NEWMAN GOLF PRO (Method Studios) Dante Ariola Vertebra Films TERMINATOR: SALVATION (Asylum) McG Warner Bros. -
From Popular Music to Film and Digital Media
MUSC 499: The Music Video: From Popular Music to Film and Digital Media University of Southern California, Fall 2014 Tuesday, Thursday, 2:00-3:20 UUC B2 Instructor: Dr. Richard Brown Office: MUS 310 (Office Hour: T/Th 1-2pm) [email protected] www.richardhbrownjr.com Course Description: Since its emergence in the late 1970s, the music video has become the dominant means of advertising popular music and musicians, as well as one of the most influential multimedia genres in history. Music videos have affected aesthetic style in a wide range of film and television genres, introducing experimental and avant-garde techniques to a mass audience. Because most music videos last only a few minutes, it is difficult to make sense of their often-conflicting images, sounds, and messages. This course challenges participants to read music videos as texts by engaging with their visual and auditory materials. We will explore how the gender, race, and class of video participants shapes meaning, as well as how pacing and editing contribute to (or detract from) a narrative flow. We will also consider the music video in relation to notions of stardom and celebrity, and will speculate on the future of the music video amid drastic changes in the production and marketing of media. The second portion of the course applies these analytical skills to a wide variety of media, including video games, live concert films, film and television music placements, television title sequences and end credits, user generated content, YouTube, remixes and more. Course Materials: There is one required textbook available for free via USC’s electronic Ebook access: Carol Vernallis’ Experiencing Music Video: Aesthetics and Cultural Context (New York: Columbia University Press, 2004). -
Smells Like Teen Spirit Appears in Rock & Pop 2018
ACCESS ALL AREAS... SMELLS LIKE TEEN SPIRIT APPEARS IN ROCK & POP 2018 Released: 1991 Album: Nevermind Label: DGC Records ABOUT THE SONG Nirvana’s Kurt Cobain was attempting to write the ‘ultimate pop song’ when he came up with the guitar riff that would become ‘Smells Like Teen Spirit’. He WITH THE LIGHTS OUT, wanted to write a song in the style of The Pixies, telling Rolling Stone in 1994: ‘I was basically trying to rip off The Pixies. I have to admit it.’ The title came IT’S LESS DANGEROUS after Kathleen Hanna, lead singer of Bikini Kill, spray- painted ‘Kurt smells like Teen Spirit’ on his bedroom “ wall. Teen Spirit was actually a brand of deodorant. HERE WE ARE NOW, The first single from Nirvana’s second album Nevermind, ‘Smells Like Teen Spirit’ was a surprise hit. The label had anticipated that ‘Come As You Are’, the follow-up single, would be the song to cross over to a mainstream audience. ‘Smells Like Teen Spirit’ ENTERTAIN US was first played on college radio before rock stations and MTV picked it up. It is widely praised as one of I FEEL STUPID AND CONTAGIOUS the greatest songs in the history of rock music. RECORDING AND PRODUCTION Cobain began writing ‘Smells Like Teen Spirit’ a few weeks before Nirvana were due in the studio to record Nevermind. After presenting the main riff and melody of the chorus to the rest of the band, they jammed around the riff for an hour and a half. Bassist Krist Novoselic slowed the verse down and drummer Dave Grohl created a drum beat and as a result, ‘Smells Like Teen Spirit’ is the only song on Nevermind to give songwriting credits to all three band members. -
Masculinity in Emo Music a Thesis Submitted to the Faculty of Arts and Social Science in Candi
CARLETON UNIVERSITY FLUID BODIES: MASCULINITY IN EMO MUSIC A THESIS SUBMITTED TO THE FACULTY OF ARTS AND SOCIAL SCIENCE IN CANDIDACY FOR THE DEGREE OF MASTER OF ARTS DEPARTMENT OF MUSIC BY RYAN MACK OTTAWA, ONTARIO MAY 2014 ABSTRACT Emo is a genre of music that typically involves male performers, which evolved out of the punk and hardcore movements in Washington DC during the mid-80s. Scholarly literature on emo has explored its cultural and social contexts in relation to the “crisis” of masculinity—the challenging of the legitimacy of patriarchy through “alternative” forms of masculinity. This thesis builds upon this pioneering work but departs from its perpetuation of strict masculine binaries by conflating hegemonic and subordinate/alternative masculinities into a single subject position, which I call synergistic masculinity. In doing so, I use emo to explicate this vis-à-vis an intertextual analysis that explores the dominant themes in 1) lyrics; 2) the sites of vocal production (head, throat, chest) in conjunction with pitch and timbre; 3) the extensional and intensional intervallic relationships between notes and chords, and the use of dynamics in the musical syntax; 4) the use of public and private spaces, as well as the performative masculine body in music video. I posit that masculine emo performers dissolve these hierarchically organized masculinities, which allows for a deeper musical meaning and the extramusical signification of masculinity. Keywords: emo, synergistic masculinity, performativity, music video, masculinities, lyrics, vocal production, musical syntax, dynamics. ABSTRAIT Emo est un genre musical qui implique typiquement des musiciens de sexe masculine et qui est issu de movement punk et hardcore originaire de Washington DC durant les années 80. -
1 CHAPTER I INTRODUCTION A. Background of the Study Brutal Is
CHAPTER I INTRODUCTION A. Background of the Study Brutal is an extremely ruthless or cruel. Brutality is the quality of being brutal, cruelty, and savagery. Brutality is one of the factors that are used to increase the terror; the other terror factors are violence, sadism, and graphic blood. Brutality is the part of cruelty. Cruelty is one of the danger signals of personality sickness. A “sick” personality is one in which there is a breakdown in the personality structure which results in poor personal and social adjustment, just as in physical illness, the person does not behave as he normally does (Hurlock, 1979: 389-403). Brutality in A Nightmare on Elm Street Movie is reflected by the main characters, namely Krueger. He kills many teenagers through their dreams, it is called “A Nightmare” and this phenomenon happens on Elm Street. So, it is the reason why this film is entitled “A Nightmare on Elm Street”. A Nightmare on Elm Street is a 2010 American slasher film directed by Samuel Bayer, and written by Wesley Strick and Eric Heisserer, based on a story by Mr. Strick and characters created by Wes Craven; director of photography, Jeff Cutter; edited by Glen Scantlebury; music by Steve Jablonsky; production designer, Patrick Lumb; costumes by Mari-An Ceo; produced by Michael Bay, Andrew Form and Brad Fuller; released by New Line Cinema, Warner Brothers Pictures and Platinum Dunes. Running time: 1 1 2 hour 42 minutes. The film stars Jackie Earle Haley, Kyle Gallner, Rooney Mara, Katie Cassidy, Thomas Dekker and Kellan Lutz. It is a remake of Wes Craven's 1984 film of the same name and the ninth Nightmare film in total, it is designed to reboot the Nightmare on Elm Street franchise. -
JEFF CRONENWETH, ASC Director of Photography
JEFF CRONENWETH, ASC Director of Photography o f f i c i a l w e bs i te FEATURES/ TV (partial list) BEING THE RICARDOS Amazon Studios Dir: Aaron Sorkin Prod: Desi Arnaz, Jr., Stuart M. Besser *TALES FROM THE LOOP (Pilot) Amazon Studios Dir: Mark Romanek Trailer Prod: Matt Reeves, Nathaniel Halpern A MILLION LITTLE PIECES Warner Bros. Dir: Sam Taylor-Johnson Trailer Prod: John Wells GONE GIRL 20th Century Fox Dir: David Fincher Trailer Prod: Reese Witherspoon, Ceán Chaffin HITCHCOCK Fox Searchlight, Dir: Sacha Gervasi Trailer Montecito Picture Co. Prod: Tom Pollock, Ivan Reitman **THE GIRL WITH THE DRAGON TATTOO Sony Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Ceán Chaffin ***THE SOCIAL NETWORK Columbia Pictures Dir: David Fincher Trailer Prod: Scott Rudin, Michael De Luca ONE HOUR PHOTO Fox Searchlight Dir: Mark Romanek Trailer Prod: Christine Vachon, Pam Koffler DOWN WITH LOVE 20th Century Fox Dir: Peyton Reed Trailer Prod: Dan Jinks, Bruce Cohen K-19 Paramount, Dir: Kathryn Bigelow Trailer Intermedia Prod: Kathryn Bigelow, Christine Whitaker FIGHT CLUB 20th Century Fox Dir: David Fincher Trailer Prod: Art Linson, Cean Chaffin *2020 Emmy Award Nominee – Outstanding Cinematography for a Single-Camera Series (One Hour) **2011 Academy Awards Nominee – Best Cinematography **2011 American Society of Cinematographers Awards Nominee – Best Cinematography ***2010 Academy Awards Nominee – Best Cinematography ***2010 American Society of Cinematographers Awards Nominee – Best Cinematography, Feature Film COMMERCIALS (partial list) EA -
A Supercut of Supercuts: Aesthetics, Histories, Databases
A Supercut of Supercuts: Aesthetics, Histories, Databases PRACTICE RESEARCH MAX TOHLINE ABSTRACT CORRESPONDING AUTHOR: Max Tohline The genealogies of the supercut, which extend well past YouTube compilations, back Independent scholar, US to the 1920s and beyond, reveal it not as an aesthetic that trickled from avant-garde [email protected] experimentation into mass entertainment, but rather the material expression of a newly-ascendant mode of knowledge and power: the database episteme. KEYWORDS: editing; supercut; compilation; montage; archive; database TO CITE THIS ARTICLE: Tohline, M. 2021. A Supercut of Supercuts: Aesthetics, Histories, Databases. Open Screens, 4(1): 8, pp. 1–16. DOI: https://doi.org/10.16995/os.45 Tohline Open Screens DOI: 10.16995/os.45 2 Full Transcript: https://www.academia.edu/45172369/Tohline_A_Supercut_of_Supercuts_full_transcript. Tohline Open Screens DOI: 10.16995/os.45 3 RESEARCH STATEMENT strong patterning in supercuts focuses viewer attention toward that which repeats, stoking uncritical desire for This first inklings of this video essay came in the form that repetition, regardless of the content of the images. of a one-off blog post I wrote seven years ago (Tohline While critical analysis is certainly possible within the 2013) in response to Miklos Kiss’s work on the “narrative” form, the supercut, broadly speaking, naturally gravitates supercut (Kiss 2013). My thoughts then comprised little toward desire instead of analysis. more than a list; an attempt to add a few works to Armed with this conclusion, part two sets out to the prehistory of the supercut that I felt Kiss and other discover the various roots of the supercut with this supercut researchers or popularizers, like Tom McCormack desire-centered-ness, and other pragmatics, as a guide. -
Tim Maurice-Jones BSC Director of Photography
Tim Maurice-Jones BSC Director of Photography Cinematography Awards Hitchcock D'or Dinard Film Festival Best Cinematography "White Lightnin" Samuelson Award for Best Cinematography "Polaroid Resignation" Creative Circle Gold Cinematography Award "Polaroid Resignation" Creative Circle Gold Cinematography Award "Levis Drugstore" D&AD Silver Cinematography "Levis Drugstore" Agents Andrew Naylor Assistant [email protected] Lizzie Quinn +44 (0) 203 214 0899 [email protected] +44 (0)20 3214 0911 Credits Film Production Company Notes 355 Freckle Films / Genre Films Dir: Simon Kinberg 2020 BASTILLE DAY Vendome, Studio Canal Dir: James Watkins with Idris Elba, Richard Madden Prod: David Kanter 2015 KICK ASS 2 Marv Films / Kick Ass 2 Dir: Matthew Vaughn 2013 Productions United Agents | 12-26 Lexington Street London W1F OLE | T +44 (0) 20 3214 0800 | F +44 (0) 20 3214 0801 | E [email protected] Production Company Notes SHERLOCK HOLMES 2 Elementary Productions Ltd Dir: Guy Ritchie Additional Photography Prod: Steve Clark-Hall 45 Minutes Screen Time 2011 THE WOMAN IN BLACK Hammer Films Dir: James Watkins 2011 Prods: Simon Oakes / Richard Jackson / Ben Holden KICKASS Marv Films / Kickass Dir: Matthew Vaughn 2nd Unit Director Productions 2010 FILTH AND WISDOM Semtex Films / HSI London Dir: Madonna with Richard E Grant 2008 WHITE LIGHTNIN' Film and Music Dir: Dominic Murphy with Carrie Fisher Entertainment Prods: Mike Downes / Sam 2008 Taylor REVOLVER Dir: Guy Ritchie with Jason Statham, Ray Liotta Prod: Virginie Silla 2005 ENVY