NEW YORK VOICES Group Bio
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Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67
Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 Marc Howard Medwin A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2008 Approved by: David Garcia Allen Anderson Mark Katz Philip Vandermeer Stefan Litwin ©2008 Marc Howard Medwin ALL RIGHTS RESERVED ii ABSTRACT MARC MEDWIN: Listening in Double Time: Temporal Disunity and Structural Unity in the Music of John Coltrane 1965-67 (Under the direction of David F. Garcia). The music of John Coltrane’s last group—his 1965-67 quintet—has been misrepresented, ignored and reviled by critics, scholars and fans, primarily because it is a music built on a fundamental and very audible disunity that renders a new kind of structural unity. Many of those who study Coltrane’s music have thus far attempted to approach all elements in his last works comparatively, using harmonic and melodic models as is customary regarding more conventional jazz structures. This approach is incomplete and misleading, given the music’s conceptual underpinnings. The present study is meant to provide an analytical model with which listeners and scholars might come to terms with this music’s more radical elements. I use Coltrane’s own observations concerning his final music, Jonathan Kramer’s temporal perception theory, and Evan Parker’s perspectives on atomism and laminarity in mid 1960s British improvised music to analyze and contextualize the symbiotically related temporal disunity and resultant structural unity that typify Coltrane’s 1965-67 works. -
Guest Artist Recital: New York Voices New York Voices
Ithaca College Digital Commons @ IC All Concert & Recital Programs Concert & Recital Programs 11-5-2004 Guest Artist Recital: New York Voices New York Voices Follow this and additional works at: https://digitalcommons.ithaca.edu/music_programs Part of the Music Commons Recommended Citation New York Voices, "Guest Artist Recital: New York Voices" (2004). All Concert & Recital Programs. 3425. https://digitalcommons.ithaca.edu/music_programs/3425 This Program is brought to you for free and open access by the Concert & Recital Programs at Digital Commons @ IC. It has been accepted for inclusion in All Concert & Recital Programs by an authorized administrator of Digital Commons @ IC. ITHACA COLLEGE CONCERTS 2004-5 NEW YORK VOICES Darmon Meader Kim Nazarian Lauren Kinhan Peter Eldridge Andy Ezrin, piano Papul Nowinski, bass Marcello Pellitteri, drums Ford Hall Friday, November 5, 2004 8:15 p.m. · IT:HACA Program To Be Selected From The Following: Ain't Nobody Here Written by Joan Whitney & Alex Kramer But Us Chickens Additional Lyrics by Darmon Meader Arranged by Darmon Meader Almost Like Being in Love Music by Frederick Loewe Lyrics by Alan Jay Lerner Arranged by Darmon Meader A Night in Tunisia Written by Dizzy Gillespie Arranged by Darmon Meader Baby Driver Written by Paul Simon Arranged by Peter Eldridge & Darmon Meader Baroque Samba Written & arranged by Darmon Meader Bli-Blip Written by Duke Ellington & Sid Kuller Additional lyrics by Darmon Meader Arranged by Darmon Meader Caravan Written by Duke Ellington, Juan Tizol, Irving Mills Additional -
Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Sammy Figueroa Full
Sammy Figueroa has long been regarded as one of the world’s great musicians. As a much-admired percussionist he provided the rhythmical framework for hundreds of hits and countless recordings. Well-known for his versatility and professionalism, he is equally comfortable in a multitude of styles, from R & B to rock to pop to electronic to bebop to Latin to Brazilian to New Age. But Sammy is much more than a mere accompanist: when Sammy plays percussion he tells a story, taking the listener on a journey, and amazing audiences with both his flamboyant technique and his subtle nuance and phrasing. Sammy Figueroa is now considered to be the most likely candidate to inherit the mantles of Mongo Santamaria and Ray Barretto as one of the world’s great congueros. Sammy Figueroa was born in the Bronx, New York, the son of the well-known romantic singer Charlie Figueroa. His first professional experience came at the age of 18, while attending the University of Puerto Rico, with the band of bassist Bobby Valentin. During this time he co-founded the innovative Brazilian/Latin group Raices, which broke ground for many of today’s fusion bands. Raices was signed to a contract with Atlantic Records and Sammy returned to New York, where he was discovered by the great flautist Herbie Mann. Sammy immediately became one of the music world’s hottest players and within a year he had appeared with John McLaughlin, the Brecker Brothers and many of the world’s most famous pop artists. Since then, in a career spanning over thirty years, Sammy has played with a -
The Art of Lyric Improvisation
THE ART OF LYRIC IMPROVISATION A Comparative Study of Two Renowned Jazz Singers ______________________________________________ A thesis in partial fulfilment of the Requirements for the Degree of Masters of Music in the University of Canterbury by S. J. de Jong University of Canterbury 2008 _________________________________________ de Jong i Table of Contents THE ART OF LYRIC IMPROVISATION ........................................................................................................ i Table of Contents ........................................................................................................................................... i Abstract .................................................................................................................................................... iii Introduction ................................................................................................................................................... 1 Chapter 1: Historical and Biographical Overviews ....................................................................................... 5 1.1: Jazz Historical Background ................................................................................................................ 5 1.2: “Sometimes I’m Happy” .................................................................................................................... 6 1.3: Sarah Vaughan .................................................................................................................................. -
ERIN DICKINS QUARTET European Tour 2013
E.A. Artist Management Presents: ERIN DICKINS QUARTET European Tour 2013 “Dickins sophisticated scat, swing and ballads remind the listener that she was one of the founding members of Manhattan Transfer.” Jordan Wright - The Washington Examiner A founding member of Manhattan Transfer, Erin Dickins continues to enchant European Bookings audiences throughout the world. During her career Erin has performed and E.A. Artist Management recorded with Leonard Cohen, Bette Midler, James Taylor, The Talking Heads, Tuindorpstraat 61 James Brown, Barry Manilow, Jaco Pastorius and Ashford & Simpson, to name 7555 CS Hengelo (Ov) but a few. The Netherlands In 2013 Erin will release her debut solo album on Dot Time Records titled Java Web: www.eaartistmanagement.com Jive. The title track of the CD is a remake of the original Ink Spots hit recorded E-mail :- [email protected] on the first Manhattan Transfer album “Jukin” and features Erin’s long time Phone :- +31(0)74 850 7481 friend and Manhattan Transfer co-founder Tim Hauser. Dickins’ album was Skype : ea.artist.management carefully crafted over a two-year period by a group of renowned musicians including Film & TV composer Jesse Frederick (Flamingo Kid, Full House, Perfect Label Strangers, Step By Step, Family Matters), pianist/arranger Rob Mounsey (Kurt Dot Time Records Elling, Tony Bennett, Natalie Cole, Deborah Cox) and bassist David Finck (Harry Web: www.dottimerecords.com Connick Jr., Steve Kuhn, Rod Stewart, Sir Andre Previn). E-mail :- [email protected] Erin Dickins will be touring Europe in November 2013 to promote her new Management release. Please contact us for further Information regarding availability and Guy Zinger performance formats. -