Lynne Wilson Phone
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
'Life-Changing Scholarships' Galapagos
MAGAZINE pictures MOVING seymour schulich’s ‘life-changing scholarships’ coal age galapagos VOL.25 | NO.2 | FALL | 2008 Canada Post Publications Mail Return undeliverable Canadian Agreement No. 40065040 addresses to: Alumni Office Dalhousie University Halifax NS B3H 3J5 These fund raising superheroes don’t require a phone booth to swing into action. Just a phone. Meet the Dalhousie Annual Fund gang. And, while it’s called the Annual Fund, this team works daily to secure the unlimited educational and research opportunities that make Dalhousie a great university. By supporting the Annual Fund you help Dalhousie ensure every student learns and explores in a dynamic and stimulating environment. For more information give us a call at 902.494.6862 or visit us at www.dal.ca/annualgiving. LEFT TO RIGHT, FRONT ROW: Anne Swan, Development Officer; Kimberly McDonald Winsor, Development Officer; Deb Maskell, Administrative Support; Marni Tuttle, Director LEFT TO RIGHT, BACK ROW: Yazeed Sobaih, Co-op student, Phonathon; Greg Blacklock, Development Officer DEPARTMENTS FROM THE EDITOR 2 UPFRONT ON CAMPUS 4 DaMAGAZINE l h o u s i e 12Lessons from the Little DALUMNI 28 Black Schoolhouse CLASS NOTES 31 It takes a lot of hats to learn THE BACK STORY 40 and share the lessons from 20Fossil record our past. Researcher, writer, producer and director Sylvia After Charles Lyell visited Hamilton’s latest film about the Joggins Fossil Cliffs, his segregated schools reveals impressions influenced a an aspect of Canadian young Charles Darwin. The history that has been all place where the fossil record but invisible. Time for a documents evolution in second take. -
The Last Comedy
v*? - at \ The Banff Centre for Continuing Education T h e B a n f f C e n t r e As The Banff Centre embarks on its seventh decade, it carries with it a new image as an internationally renowned centre of creativity. presents The Centre continues to stress the imagina tion's role in a vibrant and prosperous soci ety. It champions artists, business leaders and their gift of creativity. It brings profes The Last sionals face to face with new ideas, catalyses achievement, experiments with disciplinary boundaries. It takes Canadians and others to the cutting edge - and beyond. Comedy The Banff Centre operates under the authority of The Banff Centre Act, Revised by Michael Mackenzie Statutes of Alberta. For more information call: Arts Programs 762-6180 Gallery Information 762-6281 Management Programs 762-6129 Directed by - Jean Asselin Conference Services 762-6204 Set and Costume Design by - Patrick Clark Lighting Design by - Harry Frehner Set and Costume Design Assistant - Julie Fox* Lighting Design Assistant - Susann Hudson* Arts Focus Stage Manager - Winston Morgan+ Our Centre is a place for artists. The Assistant Stage Manager - Jeanne LeSage*+ Banff Centre is dedicated to lifelong Production Assistant - David Fuller * learning and professional career develop ment for artists in all their diversity. * A resident in training in the Theatre Production, We are committed to being a place that Design and Stage Management programs. really works as a catalyst for creative +Appearing through the courtesy of the Canadian activity — a place where artistic practices Actors' Equity Association are broadened and invigorated. There will be one fifteen minute intermission Interaction with a live audience is an important part of many artists’ profession al development. -
'Like an American, but Without a Gun'?: Canadian National Identity
. Volume 17, Issue 2 November 2020 ‘Like an American, but without a gun’?: Canadian national identity and the Kids in the Hall Melissa Beattie, Independent Scholar, USA Abstract: Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the series is perceived. Keywords: Canadian national identity and media, Discursive national identity, Fan studies, Representation, Audiences Introduction and literature review Media representation of national identity can be complex and utilise many potential mechanisms for conveying said identity onto both diegeses and series. This paper analyses the mechanisms by which the corpus of texts produced by comedy troupe the Kids in the Hall (KITH) represents and constructs a Canadian national identity for domestic and foreign audiences. Utilising both textual analysis and audience research, this paper examines the banal diegetic nationalism (Beattie 2017a, b) of the corpus as well as how the Canadianness of the corpus is perceived. This is relevant when viewed in context of Edwardson’s (2008) work on the development of Canadian national identity through its cultural industries. Though his book looks at all of the cultural industries, Edwardson’s negative view of globalisation with regard Page 3 Volume 17, Issue 2 November 2020 to television in particular views the push for transnational television success as leading to the diminishing of Canadian-focused content in favour of what would appeal to a predominantly-American audience. -
Winners Announced for the 2014 Canadian Children's Book Centre Awards
Winners Announced for the 2014 Canadian Children’s Book Centre Awards $135,000 in prize money awarded to Canadian children’s authors and illustrators FOR IMMEDIATE RELEASE: Toronto (November 7, 2014) – The Canadian Children’s Book Centre (CCBC) is thrilled to announce the winners of its six English-language children’s book awards. The TD Canadian Children’s Literature Award was given to author Kathy Stinson and illustrator Dušan Petričić, who took home the $30,000 prize for their picture book, The Man with the Violin (Annick Press); an additional $12,500 was divided between the winning book’s publisher and the other four nominees. Five other awards were given out: How To by Julie Morstad won the Marilyn Baillie Picture Book Award ($20,000) The Last Train: A Holocaust Story by Rona Arato won the Norma Fleck Award for Canadian Children’s Non-Fiction ($10,000) Graffiti Knight by Karen Bass won the Geoffrey Bilson Award for Historical Fiction For Young People ($5,000) Who I’m Not by Ted Staunton won the John Spray Mystery Award ($5,000) Sorrow’s Knot by Erin Bow won the Monica Hughes Award for Science Fiction and Fantasy ($5,000) The winners were announced last night at a gala event, hosted by the CBC’s Shelagh Rogers, at The Carlu in Toronto. The event marked the 10th anniversary of the TD Canadian Children’s Literature Awards, and a total of $92,500 was given out. At a gala event in Montreal last week, the CCBC also awarded the $30,000 Prix TD de littérature canadienne pour l’enfance et la jeunesse to Andrée Poulin for La plus grosse poutine du monde (Bayard Canada), with another $12,500 divided between Poulin’s publisher and four other nominees. -
V23N5 2012.Indd
Six men, two dories and the North Atlantic Why it’s an apt analogy for Atlantic Canada’s film industry and its place on the global stage. 52 | Atlantic Business Magazine | September/October 2012 By Stephen Kimber dawn in the nowhere It’s middle of the Atlantic ocean. How many days have they been drifting out here? Dickie – at 17, the youngest crew member – is supposed to be keeping watch. But he’s asleep, sprawled out in the bow of one of the two dories, his head lolling over the gunwhale. He wakes with a guilty start, stares, tries to make sense of the endless nothingness of dark-blue sea and flat grey sky. Wait! What’s that? On the horizon. A speck? Another vessel? A mirage? He looks back into his dory where his father, Merv, and Pete, the harpooner, are curled up asleep, and then across to the other dory where Gerald, Mannie and Gib are sleeping too. Finally, he decides. He reaches out, whispers, “Pete… Pete.” Pete wakes, growls: “What?” Dickie can only point. Pete sees what Dickie sees. He throws off his blanket, jumps to his feet. “There’s a boat,” he says, then louder, as if convincing himself. “There’s a boat. THERE’S A BOAT!” He’s screaming now, rousing the others. Gerald, the captain, immediately assumes command, scrambling to find the fog horn he’d rescued when their fishing boat sank. He blows a blast. Then another. The rest of the men grab for the oars. Mannie, the first mate, struggles to bring order to their chaos. -
VIIF 2011 Media Release 1
Media Release August 31, 2011 The 12th Annual Vancouver International Improv Festival welcomes multimedia comedy sensations PICNICFACE! Sept. 26 – Oct. 1, 2011 at Performance Works www.vancouverimprovfest.com “I think there’s room for us fat, bloated ex-Kids in the Hall to be remembered fondly next to this thrilling, young, new group. I invite comparisons.” - Mark McKinney, Kids in the Hall and Executive Producer, PICNICFACE VANCOUVER, BC – What do you get when you add eight talented comedians, 25 million YouTube hits, a Comedy Network television show (PICNICFACE), a HarperCollins book (Picnicface’s Canada) and forthcoming feature film (Roller Town)? You get Picnicface, the “many headed comedy hydra” that’s set to blow the Canadian comedy scene out of the water this fall. But first, they’re popping into Vancouver to perform live at this year’s Vancouver International Improv Festival. Yes, you read that right. See, before they were the Canada’s great white comedy hope, Picnicface was just a group of fresh-faced young improvisers performing a weekly show at Halifax’s King’s College. And before that, two of its founding members, Mark Little (a New Westminster native) and Kyle Dooley met as teens at the long- running ImprovCamp—an annual improv summer camp helmed by none other than VIIF Festival Producer Alistair Cook. It’s therefore a bit of a homecoming for the group, who often use improvisation as the basis for their beloved sketch and web video work. Picnicface will be headlining the festival on Saturday, October 1 at 9:30pm, and Little, Dooley and the lovely Evany Rosen will be performing as part of the International Ensemble on Wednesday, September 28 at 9:30pm and Saturday, October 1 at 7:30pm. -
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and Comic Jason Stuart
Comedy: Stand-Up, Gay Male by Tina Gianoulis Actor and comic Jason Stuart. Encyclopedia Copyright © 2015, glbtq, Inc. Courtesy JasonStuart. Entry Copyright © 2002, glbtq, Inc. com. Reprinted from http://www.glbtq.com Stand-up comedy is a form of entertainment where one performer stands in front of an audience and tries to make common cause with that audience by pointing out the ridiculous and humorous in the universal problems of everyday life. Stand-up comics balance on a fine edge between the funny and the offensive. They can be social critics, prodding audiences to look at the unfairness and inequality in life and to rise above them with a laugh. They can also be part of that unfairness by using humor to make fun of women, gays, and ethnic groups, allowing some members of their audiences to feel superior to those who are the butts of the joke. The dilemma is well expressed by Henry Machtey on the Gay Comedy Links website: "Stand-up comedy. Cracking jokes. Are you going to aim those jokes at people who are less powerful? or people who are more powerful?" Too often, gay men have been the objects of hostile humor. Queer jokes, like female jokes and ethnic jokes, have long been a staple of straight stand-up comics looking for an easy laugh from audiences eager to assert their own heterosexuality in a world where it is often dangerous to be gay. At the same time, however, perhaps long before the all-male Greek theater of the fourth century B.C.E., audiences have also had a fascination with gender-bending. -
Tthhheee Tttaaattttttooooo
A9 | Monday, April 11, 2005 The Bristol Press TTHHEE TTAATTTTOOOO BRISTOL PRESS MAKING A PERMANENT IMPRESSION SINCE 1994 VOLUME 11 No. 11 ‘Hollow Men’ fill Iraq War protesters feel lucky By STEVEN DUREL University senior involved with the world, many calling for a and food from various organi- The Tattoo the Progressive Student timetable for the removal of zations. The Tent People even a TV humor void Alliance. American troops from Iraq, a entertained local religious lead- Amidst the ocean of green Marching in front of the nation which now possesses its ers who stopped by to let the By STEFAN KOSKI hats and balloons of St. Capitol at noon, the demon- own multi-ethnic government protesters know that their The Tattoo Patrick’s Day in Hartford last strators chanted and carried and military. Many Coalition efforts were much appreciated. month, there were also banners signs condemning the invasion. countries, most notably Spain, Despite the overall sense of Ever since “Saturday Night Live” premiered on NBC in 1975, a and cries of discontent. Rallying together an hour have removed their forces from solidarity among the anniver- host of other sketch comedy shows have been launched with Gathering around the state later, the protesters denounced Iraq and others, like Italy and sary demonstrations, the pro- mixed success. The most notable of these include Fox’s “Mad TV” Capitol, dozens of dissatisfied the war, making reference to the Ukraine, have recently testers themselves seemed less and Canada’s “The Kids in the Hall.” protesters marked the second the more than 100,000 lives lost made requests to leave the area than optimistic about how the Comedy Central has introduced many of these sketch comedy anniversary of the invasion of in the past two years. -
Running Head: POPULAR PEDAGOGY in CANADIAN TELEVISION
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Brock University Digital Repository Running head: POPULAR PEDAGOGY IN CANADIAN TELEVISION Popular Pedagogy in Canadian Television: A Feminist Critical Discourse Analysis of Trailer Park Boys Andrew Haddow, B.A. (Hons.) Department of Graduate Studies in Education Submitted in partial fulfillment of the requirements for the degree of Master of Education Faculty of Education, Brock University St. Catharines, Ontario © Andrew Haddow, 2017 POPULAR PEDAGOGY IN CANADIAN TELEVISION Abstract This major research paper studied the representations of masculinity in the Canadian television program Trailer Park Boys from the perspective of public pedagogy and education. Motivated by a desire to expose how patriarchal discourses are learned through everyday practices and texts, a methodology of feminist Critical Discourse Analysis (CDA) was formulated. Trailer Park Boys is a long-running mockumentary series set in a fictional trailer park near Halifax, Nova Scotia. It focuses on a cast of male characters with exaggerated personalities, and is satirical in tone. Prior to the main analysis of this paper, a collection of relevant literature was conducted and an opportunity to address a lack of gender-focused studies of Canadian television, including Trailer Park Boys, was noted. This study used the feminist CDA method to analyze what masculinities were reinforced as normal or abnormal in Seasons 3 and 9 of the program, based on the understanding that popular culture is a site of everyday learning. After the data was collected episode-by-episode, it became apparent that the themes of family, authority, and sexuality were helpful in understanding what relationship Trailer Park Boys had with traditional representations of heteronormative masculinity. -
Nick CV 47 June 2019 (Dop)
NICHOLAS de PENCIER csc Director of Photography SELECTED FILM & VIDEO CREDITS to June, 2019 FEATURE DOCUMENTARIES 2015-18 ANTHROPOCENE: THE HUMAN EPOCH Feature documentary and VR shorts on the “Human Epoch”. Special Presentation TIFF 2018, Sundance and Berlin 2019. Winner TFCA Best Canadian Film, CSA Ted Rogers Award for Best Documentary and also Best Cinematography Award, CSC Best Documentary Cinematography (co-director with Jennifer Baichwal, Edward Burtynsky). Amira, EPIC, Cineflex, Google JUMP, Kolor Abyss. 2016/17 LONG TIME RUNNING Feature documentary on the Tragically Hip’s 2016 summer tour. TIFF gala 2017, theatrical release in Canada, Netflix internationally 2017. (co-director with Jennifer Baichwal). Amira, EPIC. 2014/15 BLACK CODE Feature documentary on internet surveillance, security and censorship. TIFF 2016, theatrical release April 2017. (Was also director). Amira, EPIC, C300, GH4. 2014/15 AL PURDY WAS HERE Feature documentary on the Canadian poet. TIFF 2015. Brian Johnson, Director. EPIC, C300. 2014 GHOSTS IN THE MACHINE (CO-DOP) Feature documentary on animal sentience. Nominated in 2015 for four CSAs including Best Photography. Liz Marshall, Director. EPIC. 2011/13 WATERMARK Feature documentary on different aspects of water and how we use it. Special Presentation TIFF, 2013 and Berlin, 2014. Wide theatrical release in many territories. Winner CSA Best Documentary and Toronto Film Critics Association Best Canadian Film. Jennifer Baichwal, Edward Burtynsky, Co-Directors. EPIC, C-300, Cineflex. 2010/11 PAYBACK Feature documentary adaptation of Margaret Atwood's Massey Lecture on debt for NFB. Selected for Sundance Festival, 2012. Theatrical release by Mongrel Media in Canada and Zeitgeist Films in the U.S.A. -
Heartbeat Press Kit (Pages)
Mongrel Media Presents HEARTBEAT A film by ANDREA DORFMAN (96 min., Canada, 2014) Language: English Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com/ Northeast Films Inc. Production Notes Title:!!!! HEARTBEAT Other Titles:!!! None Genre:!!! ! Feature Film - comedy/drama/live-action Year:!!!! 2014 Director:!!! Andrea Dorfman Nationality of Director:!! Canadian Writer:!!!! Andrea Dorfman Producers:!!! Bill Niven and Jay Dahl Production Company:!! Northeast Films Inc !!!! 2370 MacDonald Street Halifax, NS, Canada, B3L 3G4 !!!! 902-454-7866 902-431-8448 Country of Origin: ! ! Canada Original Language: !! English!! ! Principal Photography Start:! 10 Oct 2013!!!! Principal Photography End:! 6 Nov 2013 Running time:!!! 96 minutes Shooting Format:!! 2k 24P Heartbeat Press Kit 1 Northeast Films Inc. KEY CAST LIST Tanya Davis –– !! “Justine” Stephanie Clattenberg –– ! “Ruby” Stewart Legere –– !! “Ben” Glen Matthews –– !! “Drew” Kristin Langille –– !! “Lorna” Jackie Torrens –– ! ! “Louise” Producers:!!! Bill Niven and Jay Dahl !!!! Tel: 902-454-7866 [email protected] [email protected] Distributor for Canada:! Mongrel Media, Toronto; Tel: 416 516 9775 CREW LIST Production Designer!! Kevin Lewis! Director of Photography!! Stephanie Weber Biron Editor Thorben Bieger Costume Designer!! Sarah Haydon Roy! Sound Mixer!!! Andrew Rillie ! Casting Directors! Adam DeViller and Erin Hennessey! Original Music!!! Tanya Davis Animations!!! Andrea Dorfman, Gilly Fogg and Thorben Bieger Paintings !!! Kevin Lewis Poems!!!! Tanya Davis Heartbeat Press Kit 2 Northeast Films Inc. -
CANADIAN the Beaverton Its National Is Ready for Spotlight from Stage Fast-Track to Screen Tallboyz Head Writer at Writerat Head
CANADIAN CANADA $7 FALL 2019 VOL.22, NO.1 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA The Beaverton Tallboyz Brander is ready for fast-track graduates to its national from stage head writer at spotlight to screen 22 Minutes The Comedy Issue Meet the minds behind the funniest shows in Canadian TV PM40011669 CANADIAN SCREENWRITER The journal of the Writers Guild of Canada SPECIAL AWARDS Vol. 22 No. 1 Fall 2019 Contents ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Cover DESERVE SPECIAL Publisher Maureen Parker From Pratfalls to Flatfalls 6 Editor Tom Villemaire [email protected] For our special comedy issue, we talk to 11 of the hottest writers of Canadian comedy about the scenes that made them laugh and Director of Communications the ones that got away. Their responses are, well, funny. Lana Castleman CANDIDATES! By Diane Wild Editorial Advisory Board Michael Amo Michael MacLennan Features Susin Nielsen Simon Racioppa Fake News. Real Laughs. 14 Rachel Langer NOMINATIONS OPEN JAN. 6, 2020 FOR: With so many voices clamouring to be heard, The Beaverton President Dennis Heaton (Pacific) has managed to capture an audience with its sharp and incisive Councillors brand of news parody as it moves to national broadcast on CTV. Michael Amo (Atlantic) Mark Ellis (Central) By Matthew Hays Marsha Greene (Central) Alex Levine (Central) Anne-Marie Perrotta (Quebec) Tallboyz Fast-Track to TV 18 ALEX BARRIS MENTORSHIP AWARD Andrew Wreggitt (Western) With Bruce McCulloch of Kids in the Hall fame on-board as Design Studio Ours showrunner, Tallboyz Guled Abdi, Vance Banzo, Tim Blair, Cover Photo: Dan Bannister and Franco Nguyen discuss their quick transition from writing Printing Vibrant Graphics for the stage to writing for the small screen.