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Cultural Production in Transnational Culture: an Analysis of Cultural Creators in the Korean Wave
International Journal of Communication 15(2021), 1810–1835 1932–8036/20210005 Cultural Production in Transnational Culture: An Analysis of Cultural Creators in the Korean Wave DAL YONG JIN1 Simon Fraser University, Canada By employing cultural production approaches in conjunction with the global cultural economy, this article attempts to determine the primary characteristics of the rapid growth of local cultural industries and the global penetration of Korean cultural content. It documents major creators and their products that are received in many countries to identify who they are and what the major cultural products are. It also investigates power relations between cultural creators and the surrounding sociocultural and political milieu, discussing how cultural creators develop local popular culture toward the global cultural markets. I found that cultural creators emphasize the importance of cultural identity to appeal to global audiences as well as local audiences instead of emphasizing solely hybridization. Keywords: cultural production, Hallyu, cultural creators, transnational culture Since the early 2010s, the Korean Wave (Hallyu in Korean) has become globally popular, and media scholars (Han, 2017; T. J. Yoon & Kang, 2017) have paid attention to the recent growth of Hallyu in many parts of the world. Although the influence of Western culture has continued in the Korean cultural market as well as elsewhere, local cultural industries have expanded the exportation of their popular culture to several regions in both the Global South and the Global North. Social media have especially played a major role in disseminating Korean culture (Huang, 2017; Jin & Yoon, 2016), and Korean popular culture is arguably reaching almost every corner of the world. -
Scriptedpifc-01 Banijay Aprmay20.Indd 2 10/03/2020 16:54 Banijay Rights Presents… Bäckström the Hunt for a Killer We Got This Thin Ice
Insight on screen TBIvision.com | April/May 2020 Television e Interview Virtual thinking The Crown's Andy Online rights Business Harries on what's companies eye next for drama digital disruption TBI International Page 10 Page 12 pOFC TBI AprMay20.indd 1 20/03/2020 20:25 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. sadistic murder case that had remained unsolved for 16 years. most infamous unsolved murder case? climate change, geo-politics and Arctic exploitation. Bang The Gulf GR5: Into The Wilderness Rebecka Martinsson When a young woman vanishes without a trace In a brand new second season, a serial killer targets Set on New Zealand’s Waiheke Island, Detective Jess Savage hiking the famous GR5 trail, her friends set out to Return of the riveting crime thriller based on a group of men connected to a historic sexual assault. investigates cases while battling her own inner demons. solve the mystery of her disappearance. the best-selling novels by Asa Larsson. banijayrights.com ScriptedpIFC-01 Banijay AprMay20.indd 2 10/03/2020 16:54 Banijay Rights presents… Bäckström The Hunt For A Killer We Got This Thin Ice Crime drama series based on the books by Leif GW Persson Based on a true story, a team of police officers set out to solve a How hard can it be to solve the world’s Suspense thriller dramatising the burning issues of following the rebellious murder detective Evert Bäckström. -
Bab I Pendahuluan
BAB I PENDAHULUAN 1.1 Gambaran Umum Subjek Penelitian 1.1.1 Series Produce 101 Produce 101 adalah acara survival dari Korea Selatan yang ditayangkan pada stasiun TV Mnet merupakan proyek berskala besar di mana masyarakat "menghasilkan" sebuah grup dengan cara memilih anggotanya dari 101 peserta yang merupakan trainee dari puluhan perusahaan hiburan Korea Selatan dan para trainee tersebut tidak hanya berasal dari Korea Selatan tetapi juga dari Jepang, China, Taiwan, hingga Thailand. Gambar 1.1 Poster Series Produce 101 Sumber: Allkpop.com diakses pada 04/09/2019 pukul 20.20 WIB Trainee yang berkompetisi untuk debut dalam satu grup ini akan melewati beberapa tahapan seleksi dan disetiap tahapan seleksi tersebut akan ada beberapa peserta yang tereleminasi. Nantinya penampilan para peserta disetiap tahapan seleksi akan disaksikan oleh produser nasional (penonton) yang akan menentukan trainee terbaik pilihan mereka dengan memberikan vote, baik secara langsung saat 1 penampilan evaluasi ataupun melalui sms atau online setelah episode ditayangkan di TV, hal ini juga membantu terbentuknya basis penggemar yang kuat sebelum mereka resmi debut. Grup jebolan Produce 101 dijuluki “National Group” karena hanya warga Korea Selatan saja yang bisa mengikuti voting untuk para peserta di acara ini, dan warga Korea Selatan yang memberikan voting disebut “National Producer”. Berikut adalah tahapan seleksi yang akan dijalani oleh para trainee Series Produce 101: 1. Individual Test Level Pada test ini, para trainee akan tampil per-agensi, kemudian para pelatih dan MC akan berdiskusi dan membagi para trainee menjadi beberapa kelas sesuai kemampuan mereka saat tampil. 2. Group Battle Para trainee akan dibagi menjadi beberapa grup dengan anggota 5-7 orang, kemudian mereka akan menampilkan lagu dari grup-grup K-Pop terkenal, nantinya tiap 2 grup akan menampilkan lagu yang sama (battle) dan ada voting on-scene oleh penonton yang hadir untuk menentukan grup mana yang lebih baik saat menampilkan lagu tersebut. -
Winners Announced for the 2014 Canadian Children's Book Centre Awards
Winners Announced for the 2014 Canadian Children’s Book Centre Awards $135,000 in prize money awarded to Canadian children’s authors and illustrators FOR IMMEDIATE RELEASE: Toronto (November 7, 2014) – The Canadian Children’s Book Centre (CCBC) is thrilled to announce the winners of its six English-language children’s book awards. The TD Canadian Children’s Literature Award was given to author Kathy Stinson and illustrator Dušan Petričić, who took home the $30,000 prize for their picture book, The Man with the Violin (Annick Press); an additional $12,500 was divided between the winning book’s publisher and the other four nominees. Five other awards were given out: How To by Julie Morstad won the Marilyn Baillie Picture Book Award ($20,000) The Last Train: A Holocaust Story by Rona Arato won the Norma Fleck Award for Canadian Children’s Non-Fiction ($10,000) Graffiti Knight by Karen Bass won the Geoffrey Bilson Award for Historical Fiction For Young People ($5,000) Who I’m Not by Ted Staunton won the John Spray Mystery Award ($5,000) Sorrow’s Knot by Erin Bow won the Monica Hughes Award for Science Fiction and Fantasy ($5,000) The winners were announced last night at a gala event, hosted by the CBC’s Shelagh Rogers, at The Carlu in Toronto. The event marked the 10th anniversary of the TD Canadian Children’s Literature Awards, and a total of $92,500 was given out. At a gala event in Montreal last week, the CCBC also awarded the $30,000 Prix TD de littérature canadienne pour l’enfance et la jeunesse to Andrée Poulin for La plus grosse poutine du monde (Bayard Canada), with another $12,500 divided between Poulin’s publisher and four other nominees. -
KOBA 2018 to Open at the COEX, Seoul, on May 15, 2018 Find out Everything About the Convergence of Media
2018 KOBA Daily News THE KOREA BROADCATING ENGINEERS & TECHINCIANS ASSOCIATION 2018.5.15-18 233, Mokdongdong-ro, Yangcheon-gu, Seoul, Korea T. 82-2-3219-5635-42 F. 82-2-2647-6813 www.kobeta.com KOBA 2018 to open at the COEX, Seoul, on May 15, 2018 Find Out Everything About the Convergence of Media KOBA 2018 will showcase the leading ICT of the Fourth Industrial Revolution, such as UHD, 5G, IoT, and AI, and their applications in the broadcast market. The 28th Korea International Broadcast, where various programs will be offered, broadcasting Engineer” session, which always Kim Taek-Goo Audio&Lighting Equipment Show (KOBA including: the KOBA World Media Forum, draws a lot of attention, is in its fourth run Deputy Manager of MBC Relay Div. 2018), co-organized by the Korea Broadcasting the International Broadcast Technology this year. At this session, broadcast engineers Engineers&Technicians Association (KOBETA) Conference, HiFi Audio Show, and the Tech and technicians working at KBS, MBC, SBS, 05 and Korea E&EX Inc., will be held from May 15 Cemonstrations and Seminars Held under EBS, and CBS, each with three to five years of to 18, 2018, at the COEX, Seoul. the theme “Media, Connected Everywhere!,” work experience, will respond to jobseekers’ Sponsored by the Ministry of Science and KOBA 2018 will showcase the leading ICT of questions on various topics, such as how they Choi Won-Young ICT, Ministry of Trade, Industry and Energy, the Fourth Industrial Revolution, such as UHD, got their jobs, the recruitment process, and Manager of EBS IT Operation Dept. -
El Efecto Del “Hallyu” En La Estrategia De Soft Power De Corea Del Sur
FACULTAD DE DERECHO Carrera de Relaciones Internacionales EL EFECTO DEL “HALLYU” EN LA ESTRATEGIA DE SOFT POWER DE COREA DEL SUR Tesis para optar el Título Profesional de Licenciado en Relaciones Internacionales SANDRA LUCÍA OCAÑA BAUDOIN Asesor: Manuel Augusto Gonzales Chávez Lima – Perú 2019 A mi familia, por siempre creer en mí y apoyarme en cada paso de mi camino. AGRADECIMIENTOS Me gustaría expresar mi sincera gratitud a las personas que me brindaron su apoyo para el desarrollo de esta tesis: Manuel Gonzales Chávez, Enrique Cárdenas Aréstegui, Juan Carlos Liendo O’Connor, Pamela Olano de Cieza. Así mismo, extiendo mi agradecimiento al Ministro Seung-in Hong y a la Primera Secretaria Ye-seung Lee, de la embajada de Corea del Sur en Perú. Finalmente, agradezco a mi familia por su apoyo incondicional durante esta investigación. Resumen El presente trabajo busca analizar el efecto del fenómeno Hallyu en la estrategia de soft power de Corea del Sur. El Hallyu, también llamado “Ola Coreana”, es el proceso de difusión de la cultura popular surcoreana, que inició a mediados de los años noventa y se mantiene hasta el día de hoy. Considerando el alcance global que logró obtener dicho fenómeno – debido al éxito de productos culturales tales como las telenovelas y el K-pop – esta tesis busca responder cuál es su impacto en la estrategia de soft power surcoreana. La investigación – que es de tipo explicativo y enfoque cualitativo – se basó en distintas publicaciones académicas para comprender el desarrollo del fenómeno Hallyu y los elementos que lo constituyen. Además, determina los efectos económicos, socioculturales y políticos del fenómeno Hallyu. -
Nick CV 47 June 2019 (Dop)
NICHOLAS de PENCIER csc Director of Photography SELECTED FILM & VIDEO CREDITS to June, 2019 FEATURE DOCUMENTARIES 2015-18 ANTHROPOCENE: THE HUMAN EPOCH Feature documentary and VR shorts on the “Human Epoch”. Special Presentation TIFF 2018, Sundance and Berlin 2019. Winner TFCA Best Canadian Film, CSA Ted Rogers Award for Best Documentary and also Best Cinematography Award, CSC Best Documentary Cinematography (co-director with Jennifer Baichwal, Edward Burtynsky). Amira, EPIC, Cineflex, Google JUMP, Kolor Abyss. 2016/17 LONG TIME RUNNING Feature documentary on the Tragically Hip’s 2016 summer tour. TIFF gala 2017, theatrical release in Canada, Netflix internationally 2017. (co-director with Jennifer Baichwal). Amira, EPIC. 2014/15 BLACK CODE Feature documentary on internet surveillance, security and censorship. TIFF 2016, theatrical release April 2017. (Was also director). Amira, EPIC, C300, GH4. 2014/15 AL PURDY WAS HERE Feature documentary on the Canadian poet. TIFF 2015. Brian Johnson, Director. EPIC, C300. 2014 GHOSTS IN THE MACHINE (CO-DOP) Feature documentary on animal sentience. Nominated in 2015 for four CSAs including Best Photography. Liz Marshall, Director. EPIC. 2011/13 WATERMARK Feature documentary on different aspects of water and how we use it. Special Presentation TIFF, 2013 and Berlin, 2014. Wide theatrical release in many territories. Winner CSA Best Documentary and Toronto Film Critics Association Best Canadian Film. Jennifer Baichwal, Edward Burtynsky, Co-Directors. EPIC, C-300, Cineflex. 2010/11 PAYBACK Feature documentary adaptation of Margaret Atwood's Massey Lecture on debt for NFB. Selected for Sundance Festival, 2012. Theatrical release by Mongrel Media in Canada and Zeitgeist Films in the U.S.A. -
FOR IMMEDIATE RELEASE Lone Eagle Entertainment Ltd. In
FOR IMMEDIATE RELEASE Lone Eagle Entertainment Ltd. in association with Mindset Television Inc. announces production of a new comedic panel / variety show “TOO MUCH INFORMATION” for Super Channel (TORONTO, Ontario, Canada – April 30, 2014) Lone Eagle Entertainment Ltd., in association with Mindset Television Inc., is proud to announce that production has begun on the first season (36 episodes) of “Too Much Information”, a new original half-hour comedic panel/variety show exclusively for Super Channel. Much like popular UK shows “Never Mind the Buzzcocks” and “8 out of 10 Cats”, “Too Much Information” is a true battle of wits. In each episode, two teams (each team consisting of 3 guest Comedic Panelists) are steered and moderated by Host, Norm Sousa. Equal parts silly, witty, titillating and crass, “Too Much Information” lets the audience eavesdrop in on a conversation and battle of wits between 6 distinct but equally strong and hilarious comic minds. “We are really excited to be bringing such a unique comedic series to our subscribers,” said Julie Di Cresce, Director of Canadian Programming for Super Channel. “The format is unlike anything currently available on Super Channel, but the no-holds-barred comedic content is going to be perfectly at home in a premium cable space." Overseen by Series Producer, Greg Lawrence, this hilarious new series showcases a diverse mix of over 25 Comedic Panelists who change from episode to episode. Even though the panel changes, the funny remains constant. Panelists include the cream of Canadian comedy including: Carla Collins, Mark Forward, Stewart Francis, Geri Hall, Dave Merheje, Dave Merry, Naomi Snieckus, Ron Sparks and Pat Thornton. -
Star Channels, Dec. 27
DECEMBER 27, 2020 - JANUARY 2, 2021 staradvertiser.com MORE MASKS, PLEASE Who’s behind the mask? Find out with Craig Robinson as he hosts the series premiere of The Masked Dancer. The show’s panelists include singer Paula Abdul, Brian Austin Green, Ashley Tisdale and comedian Ken Jeong. Airing Sunday, Dec. 27, on Fox. Mele A‘e THE NEXT PERFORMANCE COULD BE YOURS. SUBMIT YOUR VIRTUAL AUDITION NOW! This is your chance to break through. Mele A¶e is a new program from ¶ũe^ehmaZmlahp\Zl^lAZpZb¶blg^qm`^g^kZmbhgh_fnlb\ZeZkmblml'?bef^]hg¶ũe^ehllmZm^&h_&ma^&Zkm olelo.org lhng]lmZ`^%Lmn]bh**++%l^e^\m^]Zkmblmlpbeei^k_hkfma^bkhpghkb`bgZelhg`l'Oblbmolelo.org/auditions 590228_MeleAe_2.indd 1 11/18/20 5:48 PM ON THE COVER | THE MASKED DANCER Keep ‘em guessing Fox introduces full-length costume to conceal any potentially their brains to make sense of the clues they distinguishing features. were given, the audience votes for their favor- ‘The Masked Dancer’ The panelists include singer Paula Abdul ite contestants with the hope of seeing them (“American Idol”), actor and former “Masked move forward in the competition. Each week By Rachel Jones Singer” contestant Brian Austin Green after the votes are tabulated, the losing singer TV Media (“Terminator: The Sarah Connor Chronicles”), is unmasked, revealing their true identity. actress Ashley Tisdale (“High School Musical,” For those of you familiar with “The Masked ho’s behind the mask? Find out with 2006) and comedian Ken Jeong (“The Singer,” no doubt this all sounds very familiar Craig Robinson (“Hot Tub Time Ma- Hangover,” 2009), who’s been a staple of “The to you, but do not panic — there are still some Wchine,” 2010) as he hosts the series Masked Singer” since its concep- changes to be had beyond the name and the premiere of “The Masked Dancer,” airing Sun- tion in early January 2019. -
Hallyu White Paper, 2018 Hallyu White Paper, 2018
‘18 한 류 백 서 Hallyu White Paper, 2018 Hallyu White Paper, 2018 Contents 1 Introduction to the Hallyu (The Korean Wave) White Paper, 2018 3 2 Hallyu, Again at the starting point 29 1) Hallyu and the social imaginary in Yongjin Won 30 the age of digital technology Professor, Sogang University, Department of Communication 2) Efficacy of Hallyu: Doobo Shim 58 beyond industry, beyond superpower Professor, Sungshin Women’s University, Department of Media Communication 3) Universality and particularity Sujeong Kim 76 of K-pop as a glocal culture Professor, Chungnam National University, Department of Journalism and Communication Studies 4) New media and K-pop Mi-yeon Kim 128 Director of the Kakao 1theK Studio Seok-jeong Kwon Kakao M PD 5) Q&A about Hallyu, Interviewee: Jong-hwan Do 159 the Second Story Poet and politician; member of the National Assembly; former Minister of Culture, Sports and Tourism Interviewer: Ah-young Kim KOFICE research team Introduction to the Hallyu(The Korean Wave) 1 White Paper, 2018 Hallyu White Paper, 2018 White Paper, Hallyu 1. Hallyu in Broadcast Programmes Need to change strategies for sustainable Hallyu in broadcast programmes The exports of broadcasting contents in 2018 were driven by programme providers and production companies. While the number of exports for terrestrial | Introduction to the Hallyu White Paper, 2018 White Paper, Introduction to the Hallyu broadcasting stations decreased by an annual average of 7.9% (approximately KRW 197.97888 billion between 2013 and 2017), that for programme providers increased by 20.6% (approximately KRW 126.23424 billion) and independent programme productions by 31.7% (approximately KRW 87.18336 billion) in the same period. -
Film & Television
416 466 1450 • [email protected] • www.larissamaircasting.com FILM & TELEVISION Zero Chill Netflix (Present) Secret Society of Second Born Royals (Canadian Casting) Disney + (Present) Ghostwriter (Season 1) Apple & Sesame (Present) Night Raiders Alcina Pictures, Eagle Vision (Present) An Untitled True Crime (Casting Consultant) Hollywood Suite (Present) The Set Up Lifetime (Present) Island of Shadows Lifetime (Present) Grounded for Christmas Lifetime (Present) Christmas 9 to 5 Lifetime (Present) How Do You Feel? TVO (Present) Christmas Duets Hallmark (Present) Magical Christmas Shoes Hallmark (Present) A Family’s Nightmare Lifetime (Present) The Christmas Chalet Lifetime (Present) Queer Haircuts Shaftesbury (Present) Emerald Code (Season 3) Shaftesbury (Present) Clearwater Kids Challenge Shaftesbury (Present) Tallboyz CBC (Present) Holly Hobbie (Season 2) Universal Kids, Family Channel (Present) Odd Squad Mobile Unit (Season 3) (PBS, TVO) (Present) Magnesium (Season 1) TBA (Present) Because The Night (Feature) Relay Station (Present) Cold Feet At Christmas (Feature) UPTV (Present) Dreamland (Toronto Casting, Feature) Land of Dreams Productions (Present) Riviera II (Toronto casting, Season 2) Sky Atlantic (2018) Entertaining Christmas (Feature) Hallmark (2018) First Person (Short Films) Carousel Pictures (2018) The Hilarious House of Frightenstein (Episodic) TBD (2018) Cavendish (Season 1) Temple Street, CBC (2018) From the Vine Came the Grape (Feature) Mythic Productions (2018) The Letter for the King (Toronto Casting)(Feature) Netflix (2018) Endlings (Season 1) Hulu, CBC (Canada), NBC Universal Kids, BBC (UK) (2018) The Beaverton (Season 3) CTV (2018) Holly Hobbie (Season 1) Universal Kids, Family Channel (2018) Bajillionaires (Season 1) Family Channel (2018) Detention Adventure (Season 1) CBC (2018) She Never Died (Feature) Alternate Endings Studios and Agency 71 Productions (2018) Idello (Season 1) TFO (2018) Holodomor (Documentary) Black Sea Media Inc. -
How Popular Culture Influences Asia Tourism Trends Within 10 Years (Especially in China and Korea)?
How popular culture influences Asia tourism trends within 10 years (especially in China and Korea)? Bachelor Thesis for Obtaining the Degree Bachelor of Business Administration in Tourism and Hospitality Management Submitted to Ivo Ponocny Wing Lam Venus CHOW 1611035 Vienna, 18th January 2020 Affidavit I hereby affirm that this Bachelor’s Thesis represents my own written work and that I have used no sources and aids other than those indicated. All passages quoted from publications or paraphrased from these sources are properly cited and attributed. The thesis was not submitted in the same or in a substantially similar version, not even partially, to another examination board and was not published elsewhere. 18th January, 2020 Date Signature 2 Abstract In the past ten years, popular culture has developed rapidly and has a huge influence. In Asia, popular culture has become the main reason for people to travel, and even affect people's psychology and behaviour. According to previous literature, there is a lack of research on the impact of popular culture on Asians and Asian tourism. This thesis studies the differences between culture and popular culture, and through self-experience and qualitative data collection, research and analysis of people's views on popular culture triggering tourism. Interview was conducted with 10 respondents from Asia, and realized that the interviewees mainly believe that popular culture is a trend at a specific time. During the interview, Korean popular culture became the example mentioned by most interviewees. According to the respondents' experience, they used to travel because of popular culture, and agreed that popular culture motivates people to travel, which has a certain impact on Asian tourism.