Bettie Serveert Bio 2013
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And Add To), Provided That Credit Is Given to Michael Erlewine for Any Use of the Data Enclosed Here
POSTER DATA COMPILED BY MICHAEL ERLEWINE Copyright © 2003-2020 by Michael Erlewine THIS DATA IS FREE TO USE, SHARE, (AND ADD TO), PROVIDED THAT CREDIT IS GIVEN TO MICHAEL ERLEWINE FOR ANY USE OF THE DATA ENCLOSED HERE. There is no guarantee that this data is complete or without errors and typos. And any prices are sure to be out of date. This is just a beginning to document this important field of study. [email protected] ------------------------------ KEN 1984-02-22 P --------- 1984-02-22 / KEN CP022572 / CP022572 Ruin at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022572 / CP022572 (8-1/2 x 11) Performers: 1984-02-22: Kennel Club Ruin ------------------------------ KEN 1984-03-01 P --------- 1984-03-01 / KEN CP022615 / CP022615 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022615 / CP022615 (8-1/2 x 11) Performers: 1984-03-01: Kennel Club ------------------------------ KEN 1984-03-15 P --------- 1984-03-15 / KEN CP022614 / CP022614 Sleaze-A-Rama at Kennel Club - Philadelphia, PA Venue: Kennel Club Items: Original poster KEN / CP022614 / CP022614 (8-1/2 x 11) Performers: 1984-03-15 1984-03-18: Kennel Club ------------------------------ KEN 1984-05-17 P --------- 1984-05-17 / KEN CP022622 / CP022622 Igor and Melissa at Kennel Club - Philadelphia, PA Artist: Jim Meneses Venue: Kennel Club Items: Original poster KEN / CP022622 / CP022622 (8-1/2 x 11) Performers: 1984-05-17: Kennel Club Igor and Melissa ------------------------------ KEN 1984-06-21 -
Bettie Serveert Bio 2016
BETTIE SERVEERT BIO 2016 The story begins when Canadian-born (Vancouver), Netherlands-reared Carol van Dyk was hired as the live-sound mixer for the celebrated underground band ‘de Artsen’ (the Doctors). Herman Bunskoeke and Peter Visser were band members, Berend Dubbe was their roadie and the musical side project in which all four friends participated became Bettie Serveert. (Since you ask, the name means "Bettie to serve" after Dutch tennis player Bettie Stöve, who lost the Wimbledon Ladies Final in 1977). After a false start in 1986, when the band called itself ‘Betty Serveert’ with a ‘y’, they dissolved after only one gig. The band reformed in 1991 in Amsterdam as Bettie Serveert and quickly caught the ear of Matador Records, Brinkman Records and 4AD's Guernica label for whom they kindly agreed to record their first album 'Palomine', which was released late 1992/early 1993. Two years later, in January 1995, the band recorded their second album 'Lamprey', which was hailed by Melody Maker as the most tangled, desolate, real life guitar sound of the year. They toured extensively with the likes of Belly, Dinosaur Jr, Buffalo Tom, Superchunk, Come and Jeff Buckley. 1997 saw the return of Bettie Serveert in fine form with the release of the long awaited third album 'Dust Bunnies'. It was the first time the Betties benefited from the studio guidance of producer Bryce Goggin (Pavement, Lemonheads). It was the first Bettie Serveert disc that was recorded entirely within the United States, at Bearsville studio in scenic Woodstock, New York. In 1998 the group released a live album of Velvet Underground cover songs 'Bettie Serveert plays Venus In Furs and other Velvet Underground songs'. -
Bettie Serveert Biography 2020
BETTIE SERVEERT BIO 2020 The story begins when Canadian-born (Vancouver), Netherlands-reared Carol van Dyk was hired as the live-sound mixer for the celebrated underground band ‘de Artsen’ (the Doctors). Herman Bunskoeke and Peter Visser were band members, Berend Dubbe was their roadie and the musical side project in which all four friends participated became Bettie Serveert. (Since you ask, the name means "Bettie to serve" after Dutch tennis player Bettie Stöve, who lost the Wimbledon Ladies Final in 1977). After a false start in 1986, when the band called itself ‘Betty Serveert’ with a ‘y’, they dissolved after only one gig. The band reformed in 1991 in Amsterdam as Bettie Serveert and quickly caught the ear of Matador Records, Brinkman Records and 4AD's Guernica label for whom they kindly agreed to record their first album 'Palomine', which was released late 1992/early 1993. Two years later, in January 1995, the band recorded their second album 'Lamprey', which was hailed by Melody Maker as the most tangled, desolate, real life guitar sound of the year. They toured extensively with the likes of Belly, Dinosaur Jr, Buffalo Tom, Superchunk, Come and Jeff Buckley. 1997 saw the return of Bettie Serveert in fine form with the release of the long awaited third album 'Dust Bunnies'. It was the first time the Betties benefited from the studio guidance of producer Bryce Goggin (Pavement, Lemonheads). It was the first Bettie Serveert disc that was recorded entirely within the United States, at Bearsville studio in scenic Woodstock, New York. In 1998 the group released a live album of Velvet Underground cover songs 'Bettie Serveert plays Venus In Furs and other Velvet Underground songs'. -
GAVIN ALTERNATIVE SEANA BARUTH New Orleans
Inside Alternative EDITOR: LINDA RYAN ASSOCIATE EDITOR: Welcome to theGAVINseminar and GAVIN ALTERNATIVE SEANA BARUTH New Orleans. Is this place rad, or what? Despite the fact that most of the alternative community is in New 1 PEARL JAM - Better Man, Nothing, Corduroy (Epic) 1868 -251 Orleans, there still seems to be plen- 2 STONE ROSES - Love Spreads, Ten Storey, Begging You, Tightrope (Geffen) 1575 +59 Most Added ty of news to talk about. Station news: X -96's Great 1444 +160 3 LIVE - Lightning Crashes (Radioactive) ROYAL TRUX (18) Xpectations event was a huge suc- Thank You (Virgin) 4 OASIS - Live Forever, Supersonic, Rock And Roll Star (Epic) 1394 +131 cess. The event, which took place 5 BUSH - Everything Zen, Monkey (Trauma/Interscope/AG) 1300 114 ELASTICA (15) on Wednesday, February 15, fea- tured Belly, Everclear, The 6 R.E.M. - Star 69, Bang&Blame, Crush, What's (Warner Bros.) 1245 -45 "Connection" (DGC/Geffen) Murmurs and popular local band 7 NIRVANA - About A Girl, The Man Who, Lake/Fire, Jesus Doesn't (DGC) 1202 +26 IVY (15) The Obvious. The station started Realistic (Seed) 8 PORTISHEAD - Sour Times (London) 1186 149 giving tickets away and promoting 9 GREEN DAY - When I Come Around, Paradise (Reprise) 1177 -3 POSTER CHILDREN (14) the show a month ago, until the event "sold out." All tickets were 10 THROWING MUSES - University (Sire/Reprise) 1146 +90 Junior Citizen (Sire/Reprise) given away over -the -air, which PD 11 SIMPLE MINDS - She's A River, Great Leap Forward, Hypnotized (Virgin) 1123 +8 BELLY (13) Mike Summers says, "really boost- 12THE CRANBERRIES - Zombie, Ode/Family, I Can't Be, Dreaming (Island) 1055 -45 Star (Sire/Reprise) ed our TSL cume." 13LETTERS TO CLEO - Here & Now (Giant) 978 +75 On the other side of the country, Top Tip 99X -Atlanta celebrated Chinese 929 NEW 14PJ HARVEY - Down By The Water (Island) New Year with a huge party at the 15SHERYL CROW - All I Wanna, Strong Enough (A&M) 871 -81 Fox Theater. -
UN Rough Adlai
,/-;. ?h .', -,•;' \, DUtnbution : • '-}** ' . Low tonight la U» y, pertly cltedy, cooler. J3.SZS DIAL 741-0010 VOL, 86, NO. 65 I»»ft «*V. Monaw thNafh TrUUjr. Mend CUM RED BANK, N. J., FRIDAY, OCTOBER 25, 1963 7c PER COPY PAGE 9 Clocks Go Back %ift Big Success, But Raises Question "Spring forward; fall back." That's one way to re- member to torn clocks back at 2 a.m. Sunday, the end of Day- FRANKFURT, Germany (AP) for the transatlantic airlift. It close to East Germany'* Iron pected to try to reassure the Ger- if the depots filled with the di- •where the great probability is mans. vision's tanks, artillery and oth- that the equipment would not be light Saving Time throughout New Jersey. —The massive airlift of 15,000 was designed to impress NATO Curtain border. U<S. soldiers across the Atlantic countries — aod the Russians — Next week, the 2d Armored The issue could become a er heavy gear were overrun be- overrun." ' Two agencies have announcements concerning the time hat ended in resounding success. with growing U.S. ability to send will try to repel a mock lnv* grave one in U.S.-German rela- fore U.S. troops could land? Dunn suggested a surprise con* change. The New Jersey Highway Authority, operator of But a' nagging question remains large reinforcements overseas sion from the Communist east ons. Lt. Gen. Thomas Dunn, ar- ventional attack was unlikely .-• the .Garden State Parkway, notes that dusk will fall for the unanswered; quickly. But there were many skeptics, Critics raise a number of mored corps commander at Fort that political developments and points in challenging the realism Hood, answered that one tills a heating up of the cold war next few weeks during the hour of heavy homebound com- Except for a handful of plane particularly among the West How would Operation Big Lift of the Big Lift exercise. -
The Moving Image Collection of Matador Records
New York University Tisch School of the Arts New York, NY We Are Underused The Moving Image Collection of Matador Records by Seth Anderson A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in Moving Image Archiving and Preservation May 7, 2012 Anderson - We Are Underused Table of Contents 1. Acknowledgments 3 2. Introduction and Scope 4 3. Collection History 6 4. Content Appraisal 10 5. Physical Appraisal 12 6. Format Assessment 21 7. Descriptive Systems 30 8. Intellectual Property 32 9. Recommendations 34 10. Work Plan and Budget 53 Appendix A: Workflow 58 Appendix B: Vendors 59 Appendix C: Videography 61 Appendix D: Inventory 79 2 Anderson - We Are Underused 1. Acknowledgments I would like to thank the staff of Matador Records and Beggars Group, especially Gabe Spierer, Patrick Amory, Robby Morris, and Jesper Eklow, for their time and assistance with this project; Nils Bernstein, Brett Vapnek, and Chris Lombardi for indulging me with interviews; Peter Oleksik, my advisor, who provided encouragement and guidance; the faculty of MIAP, and Alicia, for their constant support; my fellow Crazy Eights, we did it; and finally Ingrid Ostby for her love and support. 3 Anderson - We Are Underused 2. Introduction and Scope Since the record label’s founding twenty-three years ago, Matador Records has and continues to accumulate moving image materials for the promotion and documentation of the label’s artists. As a subsidiary of Beggars Group, an umbrella company that owns or distributes four independent record labels (including 4AD Records, XL Recordings, Rough Trade Records, and Matador Records), Matador continues to release new albums, generating more promotional media with each one. -
Positie Artiest Nummer 1 Pearl Jam Black 2 Foo Fighters
Positie Artiest Nummer 1 Pearl Jam Black 2 Foo Fighters Everlong 3 Muse Knights of Cydonia 4 Nirvana Smells Like Teen Spirit 5 Rage Against The Machine Killing in the Name Of 6 Metallica Master of Puppets 7 Cure A Forest 8 Queens Of The Stone Age No One Knows 9 Editors Papillon 10 Killers Mr. Brightside 11 Pearl Jam Alive 12 Metallica One 13 Muse Plug in Baby 14 Radiohead Paranoid Android 15 Alice in Chains Would? 16 Foo Fighters The Pretender 17 De Staat Witch Doctor 18 Arctic Monkeys I Bet You Look Good On The Dancefloor 19 Linkin' Park In The End 20 Underworld Born Slippy 21 Oasis Champagne Supernova 22 Rammstein Deutschland 23 Blur Song 2 24 System of a Down Chop Suey! 25 Boxer Rebellion Diamonds 26 War On Drugs Under The Pressure 27 Radiohead Street Spirit (Fade Out) 28 Beastie Boys Sabotage 29 Soundgarden Black Hole Sun 30 Radiohead Creep 31 David Bowie Heroes 32 Korn Freak On A Leash 33 Arcade Fire Rebellion (Lies) 34 Johnny Cash Hurt 35 Pearl Jam Jeremy 36 Tame Impala Let It Happen 37 Pearl Jam Just Breathe 38 Editors Smokers Outside The Hospital Doors 39 Nirvana Lithium 40 Tool Schism 41 Metallica Enter Sandman 42 Queens Of The Stone Age Go With The Flow 43 AC/DC Thunderstruck 44 Green Day Basket Case 45 A Perfect Circle Judith 46 Pearl Jam Even Flow 47 Smashing Pumpkins Disarm 48 Limp Bizkit Break Stuff 49 Nirvana Heart-Shaped Box 50 Joy Division Love Will Tear Us Apart 51 16 Horsepower Black Soul Choir 52 Muse Psycho 53 Slayer Raining Blood 54 Nirvana Come As You Are 55 Radiohead Exit Music (For A Film) 56 Pixies Where Is My -
Complete Report
Acknowledgments FMC would like to thank Jim McGuinn for his original guidance on playlist data, Joe Wallace at Mediaguide for his speedy responses and support of the project, Courtney Bennett for coding thousands of labels and David Govea for data management, Gabriel Rossman, Peter DiCola, Peter Gordon and Rich Bengloff for their editing, feedback and advice, and Justin Jouvenal and Adam Marcus for their prior work on this issue. The research and analysis contained in this report was made possible through support from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors, the Necessary Knowledge for a Democratic Public Sphere at the Social Science Research Council (SSRC). The views expressed are the sole responsibility of its author and the Future of Music Coalition. © 2009 Future of Music Coalition Table of Contents Introduction ..................................................................................................................... 4 Programming and Access, Post-Telecom Act ........................................................ 5 Why Payola? ........................................................................................................... 9 Payola as a Policy Problem................................................................................... 10 Policy Decisions Lead to Research Questions...................................................... 12 Research Results .................................................................................................. -
Private Suit (2000)
Private Suit (2000) Carol van Dyk - vocals & guitar Peter Visser - guitar Herman Bunskoeke - bass Reinier Veldman - drums John Parish - organ, tambourine (on Unsound, John Darmy) keys, conga’s (on Satisfied, Healer) dobro (on Mariachi Souls) hammond (on Sower & Seeds), piano (on White Tales) Buni Lenski - violin (on Satisfied, Private Suit, My Fallen Word) Simon Lenski - cello (on Satisfied, Private Suit, My Fallen Word) Pascal Deweze - piano (on Auf Wiedersehen) backing vocals (on Auf Wiedersehen, White Tales) Allan Muller - backing vocals (on Auf Wiedersehen) synth (on White Tales) Bart Vincent - backing vocals (on Sower & Seeds, John Darmy) Carol & Peter - All other instruments Unsound I took a Tylenol and an hours' drive And somehow found a reason why I'm still alive Well, I'm brought up that way, I never fall too far I mean, it doesn't change the way you think you are Oh, let me fall asleep Don't wake me up until next week Until I finally get my feet back on the ground It's good to be unsound I moving back and forth, or I don't move at all Try to cut me down to size, I'll still be small And wrap me up in words Until the words no longer hurt And I'll be listening to syllables and vowels It's good to be unsound I'd like to disappear and leave without a trace I wouldn't have to fear the things I need to face If I could be myself, if I could just let go I wouldn't have to worry if I lose control Acid flashing neon-lights The traffic in the streets at night I'm nervously aware that you're in town It's good to be unsound Oh, please don't cover -
Bettie Serveert Log 22 Mp3, Flac, Wma
Bettie Serveert Log 22 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Log 22 Country: Netherlands Released: 2003 Style: Alternative Rock MP3 version RAR size: 1944 mb FLAC version RAR size: 1166 mb WMA version RAR size: 1412 mb Rating: 4.7 Votes: 764 Other Formats: DXD DMF AHX MPC TTA WMA MP4 Tracklist 1 Wide Eyed Fools 5:10 2 Smack 2:10 3 Have A Heart 4:35 4 Captain Of Maybe 4:35 5 De Diva 6:11 6 Given 6:05 7 Not Coming Down 2:17 8 Cut 'N Dried 2:48 9 LOG 22 4:33 10 White Dogs 8:20 11 Certainlie 4:48 12 The Ocean, My Floor 7:03 13 The Love-In 2:33 Companies, etc. Distributed By – Connected Music Vertrieb GmbH – CMV 5 0095 20 491 [ACY] Phonographic Copyright (p) – Palomine Records Copyright (c) – Palomine Records Licensed To – [PIAS] Recordings Recorded At – E-sound Studio Mixed At – Turtle Power Mastered At – Studio Jules Published By – Sony / ATV Music Publishing Manufactured By – Optimal Media Production – A375073 Credits Arranged By [Horns], Arranged By [Strings] – Stoffel Verlackt Arranged By [Strings] – Peter Visser Artwork [Beeldzorg For "certainlie"] – Herman Bunskoeke, Oda Arendje Artwork [Beeldzorg] – Herman Houbrechts Bass – Herman Bunskoeke (tracks: 1 to 3, 5, 6, 8, 10, 12), Stoffel Verlackt (tracks: 11, 13) Booking – The Agency Group Drums – Jeroen Blankert (tracks: 1 to 3, 5, 7, 10, 12) Drums, Percussion – Stoffel Verlackt (tracks: 6, 8, 9, 13) Management – Dingo Music Management Mastered By – Hay Zeelen Mixed By – Jan 'Master Jak' De Ryck* Music By – Bettie Serveert (tracks: 8, 12), Van Dyk* (tracks: 1 to 6, -
Felix Issue 1016, 1995
TT IV The student newspaper of I Imperial College Issue 1035 October 6th, 1995 Hizb-ut-Tahrir Move into Imperial BY ANDY SINHARAY Islamic state as such, but were Police were called to an incident merely "raising awareness." on Prince Consort Road on According to sources at ICU, Tuesday after confrontations the group's aggressive style between the Islamic Liberation warranted concern among Party and the organisers of the Union Stewards who asked Freshers' Fair. A group of them to relocate. students representing Hizb-ut- When this failed, College Tahrir were involved in security called the Police, who unauthorised activities just watched from outside the newly outside Beit Quad. refurbished Aeronautics Chem- While the officially ical Engineering entrance. recognised Imperial College Shortly afterwards they asked Islamic Society had a legal stand the group to move slightly to in the Sherfield Ante Room, one side as they were blocking certain members of an the main Union entrance. internationally renowned radical However the Hizb-ut-Tahrir grouping decided that this was campaigners complied with this not sufficiently prominent. request. Hizb-ut-Tahrir feel that Hizb-ut-Tahrir came to both their organisation and prominence in October 1994 Islam in general, have been after allegedly distributing anti- subjected to a media smear semitic and homophobic BY IVAN CHAN campaign portraying them as literature at the University The annual Freshers' Flea Market - another creative name for evil extremists. Distributing London Union, and IC's own freshers' fair - took place on Tuesday afternoon. While committee leaflets from a stand outside Islamic Society distanced itself members of clubs and societies tried to get as many members as Beit Arch on Prince Consort from the group, as have many possible, freshers and non-freshers received more and more leaflets. -
Nederlandse Indie Rock Artiesten in Een Digitaliserend Muzieklandschap
“Jongen, je zou eens wat commerciëler moeten denken.” Nederlandse indie rock artiesten in een digitaliserend muzieklandschap Yoni Drijfhout MA Thesis Kunstbeleid en -management Universiteit Utrecht, april 2010 Begeleiding: Dr. P.Lelieveldt I was born to be alive and to die on a stage I don’t care about the gold let me sing till I’m old and let me learn about life (Anne Soldaat ―Born to Perform‖) Utrecht, april 2010. 2 Inhoudsopgave Inleiding 5 Verantwoording 5 Doelstelling 6 Vraagstelling 6 Methode 7 De culturele diamant 8 Distributeurs als gatekeepers 9 Indie rock in de culturele diamant 10 Indie rock theorie 11 Sociale differentiatie 13 Canonisering 14 De post-punk esthetiek 16 Internationale ontwikkelingen in de jaren negentig 18 Opkomst en ontwikkeling Nederlandse indie rock 20 Richting een digitaal muzieklandschap 24 Nieuwe politieke economie 25 Het digitale muziekproduct 26 Het creatieve individu: auteur, producent, distributeur en gebruiker 28 Gift economie 29 Het digitale auteursrecht 31 Radiohead en Arctic Monkeys 33 Auteursrecht en de Nederlandse overheid 34 Nederlandse indie rock distributeurs 36 Platenmaatschappijen 37 Journalistieke platforms 41 Radio en televisie 43 Het rolconflict bij Nederlandse indie rockers 44 Artistieke integriteit 44 3 Muzikale concessies 46 Erkenning bij het grote publiek 49 Nieuwe lichting innovatieve Nederlandse indie rockers 52 Toepassen sociale media 52 Allianties met download communities 54 Het “pay what you want”-principe 58 Conclusies 59 Conclusies 60 Aanbevelingen voor verder onderzoek 62 Literatuur 65 Websites 68 4 Inleiding ―Ik had nu rijk kunnen zijn‖, beseft Bettie Serveert zangeres Carol van Dijk in een interview met 3VOOR12.1 De Arnhemse indie rock band – vernoemd naar Betty Stöve, de Nederlandse tennisster die in 1977 de finale op Wimbledon verloor – breekt in de vroege jaren negentig door in binnen- en buitenland met debuutalbum ―Palomine‖ (1992) en zorgt er eigenhandig voor dat Nederlandse indie rock in zwang raakt in het muziekklimaat.