Bettie Serveert Palomine Mp3, Flac, Wma

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Bettie Serveert Palomine mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Palomine Country: Europe Released: 2000 Style: Indie Rock MP3 version RAR size: 1107 mb FLAC version RAR size: 1214 mb WMA version RAR size: 1112 mb Rating: 4.6 Votes: 342 Other Formats: AUD MMF MP4 MP3 DTS APE MP2 Tracklist Hide Credits 1 Leg 2 Palomine 3 Kid's Allright 4 Brain-Tag 5 Tom Boy 6 Under The Surface 7 Balentine 8 This Thing Nowhere Healthy Sick 9 Written-By – Lou Barlow, Sebadoh 10 Sundazed To The Core 11 Palomine (Small) 12 Smile (Bonus Track) 13 Maggot (Bonus Track) 14 Get The Bird (Bonus Track) Companies, etc. Glass Mastered At – Sony DADC – A0100317029-0101 Credits Bass – Herman Bunskoeke Drums, Mixed By – Berend Dubbe Guitar – Peter Visser Lyrics By – Carol van Dijk (tracks: 1 to 8, 10 to 14) Music By – Bettie Serveert (tracks: 1 to 8, 10 to 14) Producer – Bettie Serveert Producer, Mixed By – Edwin "Hank" Heath, Frans Hagenaars Vocals, Guitar – Carol van Dijk Notes Recorded at Sound Enterprise Studio, Weesp, the Netherlands. Remastered by Hay Zeelen at Studio Jules. Barcode and Other Identifiers Barcode: 5 413356 750027 Mastering SID Code: IFPI L554 Mould SID Code: IFPI 94K7 Matrix / Runout: Sony DADC A0100317029-0101 14 A1 Rights Society: SABAM / BIEM Other versions Category Artist Title (Format) Label Category Country Year Brinkman BRCD 004, Bettie Palomine (CD, Records, BRCD 004, Netherlands 1992 BRCD.004 Serveert Album, Jew) Brinkman BRCD.004 Records OLE 046-2, Bettie Palomine (CD, Matador, OLE 046-2, US 1993 92285-2 Serveert Album) Atlantic 92285-2 Bettie Palomine (Cass, 79 22854 Matador 79 22854 Canada 1993 Serveert Album) Bettie Palomine (CD, OLE 046-2 Matador OLE 046-2 US 1993 Serveert Album) Brinkman BRCD 004, Bettie Palomine (CD, Records, BRCD 004, Netherlands 1992 BRCD.004 Serveert Album, Dig) Brinkman BRCD.004 Records Related Music albums to Palomine by Bettie Serveert Rock Asteroid B-612 - Two Fisted Rock'N'Roll Rock / Reggae / Pop / Folk, World, & Country Various - Pathetic Pop Divera - Love And Taboo Rock Noggin Toboggan - Your Days Are Numbered Rock Paganizer - Carve: Stillborn Revelations And Revel In Human Filth Rock De Artsen - Conny Waves With A Shell Rock / Blues / Pop / Folk, World, & Country Toby Beard - Fall Into Me Rock Various - Very Cool & Very Core Rock Sebadoh - Smash Your Head On The Punk Rock Rock Bettie Serveert - Lamprey.

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Bettie Serveert Bio 2016
BETTIE SERVEERT BIO 2016 The story begins when Canadian-born (Vancouver), Netherlands-reared Carol van Dyk was hired as the live-sound mixer for the celebrated underground band ‘de Artsen’ (the Doctors). Herman Bunskoeke and Peter Visser were band members, Berend Dubbe was their roadie and the musical side project in which all four friends participated became Bettie Serveert. (Since you ask, the name means "Bettie to serve" after Dutch tennis player Bettie Stöve, who lost the Wimbledon Ladies Final in 1977). After a false start in 1986, when the band called itself ‘Betty Serveert’ with a ‘y’, they dissolved after only one gig. The band reformed in 1991 in Amsterdam as Bettie Serveert and quickly caught the ear of Matador Records, Brinkman Records and 4AD's Guernica label for whom they kindly agreed to record their first album 'Palomine', which was released late 1992/early 1993. Two years later, in January 1995, the band recorded their second album 'Lamprey', which was hailed by Melody Maker as the most tangled, desolate, real life guitar sound of the year. They toured extensively with the likes of Belly, Dinosaur Jr, Buffalo Tom, Superchunk, Come and Jeff Buckley. 1997 saw the return of Bettie Serveert in fine form with the release of the long awaited third album 'Dust Bunnies'. It was the first time the Betties benefited from the studio guidance of producer Bryce Goggin (Pavement, Lemonheads). It was the first Bettie Serveert disc that was recorded entirely within the United States, at Bearsville studio in scenic Woodstock, New York. In 1998 the group released a live album of Velvet Underground cover songs 'Bettie Serveert plays Venus In Furs and other Velvet Underground songs'.
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Bettie Serveert Biography 2020
BETTIE SERVEERT BIO 2020 The story begins when Canadian-born (Vancouver), Netherlands-reared Carol van Dyk was hired as the live-sound mixer for the celebrated underground band ‘de Artsen’ (the Doctors). Herman Bunskoeke and Peter Visser were band members, Berend Dubbe was their roadie and the musical side project in which all four friends participated became Bettie Serveert. (Since you ask, the name means "Bettie to serve" after Dutch tennis player Bettie Stöve, who lost the Wimbledon Ladies Final in 1977). After a false start in 1986, when the band called itself ‘Betty Serveert’ with a ‘y’, they dissolved after only one gig. The band reformed in 1991 in Amsterdam as Bettie Serveert and quickly caught the ear of Matador Records, Brinkman Records and 4AD's Guernica label for whom they kindly agreed to record their first album 'Palomine', which was released late 1992/early 1993. Two years later, in January 1995, the band recorded their second album 'Lamprey', which was hailed by Melody Maker as the most tangled, desolate, real life guitar sound of the year. They toured extensively with the likes of Belly, Dinosaur Jr, Buffalo Tom, Superchunk, Come and Jeff Buckley. 1997 saw the return of Bettie Serveert in fine form with the release of the long awaited third album 'Dust Bunnies'. It was the first time the Betties benefited from the studio guidance of producer Bryce Goggin (Pavement, Lemonheads). It was the first Bettie Serveert disc that was recorded entirely within the United States, at Bearsville studio in scenic Woodstock, New York. In 1998 the group released a live album of Velvet Underground cover songs 'Bettie Serveert plays Venus In Furs and other Velvet Underground songs'.
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The Moving Image Collection of Matador Records
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Complete Report
Acknowledgments FMC would like to thank Jim McGuinn for his original guidance on playlist data, Joe Wallace at Mediaguide for his speedy responses and support of the project, Courtney Bennett for coding thousands of labels and David Govea for data management, Gabriel Rossman, Peter DiCola, Peter Gordon and Rich Bengloff for their editing, feedback and advice, and Justin Jouvenal and Adam Marcus for their prior work on this issue. The research and analysis contained in this report was made possible through support from the New York State Music Fund, established by the New York State Attorney General at Rockefeller Philanthropy Advisors, the Necessary Knowledge for a Democratic Public Sphere at the Social Science Research Council (SSRC). The views expressed are the sole responsibility of its author and the Future of Music Coalition. © 2009 Future of Music Coalition Table of Contents Introduction ..................................................................................................................... 4 Programming and Access, Post-Telecom Act ........................................................ 5 Why Payola? ........................................................................................................... 9 Payola as a Policy Problem................................................................................... 10 Policy Decisions Lead to Research Questions...................................................... 12 Research Results ..................................................................................................
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Bettie Serveert Log 22 Mp3, Flac, Wma
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Felix Issue 1016, 1995
TT IV The student newspaper of I Imperial College Issue 1035 October 6th, 1995 Hizb-ut-Tahrir Move into Imperial BY ANDY SINHARAY Islamic state as such, but were Police were called to an incident merely "raising awareness." on Prince Consort Road on According to sources at ICU, Tuesday after confrontations the group's aggressive style between the Islamic Liberation warranted concern among Party and the organisers of the Union Stewards who asked Freshers' Fair. A group of them to relocate. students representing Hizb-ut- When this failed, College Tahrir were involved in security called the Police, who unauthorised activities just watched from outside the newly outside Beit Quad. refurbished Aeronautics Chem- While the officially ical Engineering entrance. recognised Imperial College Shortly afterwards they asked Islamic Society had a legal stand the group to move slightly to in the Sherfield Ante Room, one side as they were blocking certain members of an the main Union entrance. internationally renowned radical However the Hizb-ut-Tahrir grouping decided that this was campaigners complied with this not sufficiently prominent. request. Hizb-ut-Tahrir feel that Hizb-ut-Tahrir came to both their organisation and prominence in October 1994 Islam in general, have been after allegedly distributing anti- subjected to a media smear semitic and homophobic BY IVAN CHAN campaign portraying them as literature at the University The annual Freshers' Flea Market - another creative name for evil extremists. Distributing London Union, and IC's own freshers' fair - took place on Tuesday afternoon. While committee leaflets from a stand outside Islamic Society distanced itself members of clubs and societies tried to get as many members as Beit Arch on Prince Consort from the group, as have many possible, freshers and non-freshers received more and more leaflets.
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'Het Moest Dit Keer Erg Hard'
dinsdag, 12 januari 2010 ‘Het moest dit keer erg hard’ Het zou het hardste album worden dat ze ooit gemaakt hadden, zeiden Peter Visser en Carol van Dyk van Bettie Serveert de af- gelopen maanden keer op keer als hun nieuwe plaat ‘Pharma- cy of Love’ ter sprake kwam. Ze hebben woord gehouden. door Peter Bruyn ostalgie? Rot toch op man!’’ reageert gitarist Peter Visser op de vraag of de ,,N groep haar verle- den koestert. ,,Kijk, je komt er niet onderuit om je beste songs van vroeger nog te spelen. Maar ver- der….’’ ,,Daarvoor leven we veel te veel in het nu’,’ valt zangeres Carol van Dyk de gitarist bij. „We doen alles zelf. Het management, de financi- ën, alles. En veel van onze vrien- den en mensen waar we mee wer- ken zijn half zo oud als wij. Als je kijkt naar de geluidsapparatuur en de communicatiemogelijkheden van vroeger, dan wil je toch niet te- rug? In de vroege jaren negentig on- derhandelden we met platenmaat- schappijen via de fax. Dat duurde weken. En ik weet nog dat we een van de eerste mobiele telefoons mee hadden op tournee door Ame- rika. Die was ongeveer zo!’’ En Bettie Serveert zou best nog wel eens een hit-album als ‘Palomine’ uit 1992 willen maken. foto Paul Bergen haar handen geven het formaat aan van een flink broodrooster. Toch is er één ding waar Bettie Ser- gestaag groeiend oeuvre en overtui- En uit het oude repertoire zijn voor- ,,Misschien heeft het er ook wel sensuele stemgeluid en de uitstra- partij.
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Girl Band Guide a Directory of Women-Oriented Alternative Music Bands with Female Vocalists Issue #8, June 1994 Please Send Info
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Bettie Serveert Bio 2013
BETTIE SERVEERT BIO 2013 The story begins when Canadian-born (Vancouver), Netherlands-reared Carol van Dyk was hired as the live-sound mixer for the celebrated underground band de Artsen (the Doctors). Bunskoeke and Visser were already members, Dubbe was their roadie and the musical side project in which all four friends participated became Bettie Serveert. (Since you ask, the name means "Bettie to serve" after Dutch tennis player Bettie Stöve, who lost the Wimbledon Ladies Final in 1977). After a false start in 1986 when they dissolved after only one gig, the band reformed in 1991 and quickly caught the ear of Matador, Brinkman and 4AD's Guernica label for whom they kindly agreed to record their first album 'Palomine', which was released late 1992/early 1993. Two years later in January 1995 the band recorded their second album 'Lamprey', which was hailed by Melody Maker as the most tangled, desolate, real life guitar sound of the year. They toured extensively with the likes of Belly, Dinosaur Jr, Buffalo Tom, Superchunk, Come and Jeff Buckley. 1997 saw the return of Bettie Serveert in fine form with the release of the long awaited third album 'Dust Bunnies'. It was the first time the Betties benefited from the studio guidance of producer Bryce Goggin (Pavement, Lemonheads). It was the first Bettie Serveert disc that was recorded entirely within the United States, at Bearsville studio in scenic Woodstock, New York. In 1998 the group released a live album of Velvet Underground cover versions 'Bettie Serveert plays Venus In Furs and other Velvet Underground songs'.
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