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Jacob's Pillow Dance Festival 2018 Runs June 20-August 26 with 350+ Performances, Talks, Events, Exhibits, Classes & Works
NATIONAL MEDAL OF ARTS | NATIONAL HISTORIC LANDMARK FOR IMAGES AND MORE INFORMATION CONTACT: Nicole Tomasofsky, Public Relations and Publications Coordinator 413.243.9919 x132 [email protected] JACOB’S PILLOW DANCE FESTIVAL 2018 RUNS JUNE 20-AUGUST 26 WITH 350+ PERFORMANCES, TALKS, EVENTS, EXHIBITS, CLASSES & WORKSHOPS April 26, 2018 (Becket, MA)—Jacob’s Pillow announces the Festival 2018 complete schedule, encompassing over ten weeks packed with ticketed and free performances, pop-up performances, exhibits, talks, classes, films, and dance parties on its 220-acre site in the Berkshire Hills of Western Massachusetts. Jacob’s Pillow is the longest-running dance festival in the United States, a National Historic Landmark, and a National Meal of Arts recipient. Founded in 1933, the Pillow has recently added to its rich history by expanding into a year-round center for dance research and development. 2018 Season highlights include U.S. company debuts, world premieres, international artists, newly commissioned work, historic Festival connections, and the formal presentation of work developed through the organization’s growing residency program at the Pillow Lab. International artists will travel to Becket, Massachusetts, from Denmark, Israel, Belgium, Australia, France, Spain, and Scotland. Notably, representation from across the United States includes New York City, Minneapolis, Houston, Philadelphia, San Francisco, and Chicago, among others. “It has been such a thrill to invite artists to the Pillow Lab, welcome community members to our social dances, and have this sacred space for dance animated year-round. Now, we look forward to Festival 2018 where we invite audiences to experience the full spectrum of dance while delighting in the magical and historic place that is Jacob’s Pillow. -
Canada Archives Canada Published Heritage Direction Du Branch Patrimoine De I'edition
UNIVERSITY OF CALGARY The Dreamer: The Creative Process by Hilary Ann Maxwell A THESIS SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF FINE ARTS DEPARTMENT OF DRAMA CALGARY, ALBERTA DECEMBER, 2007 © Hilary Ann Maxwell 2007 Library and Bibliotheque et 1*1 Archives Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-38121-2 Our file Notre reference ISBN: 978-0-494-38121-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library permettant a la Bibliotheque et Archives and Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par Plntemet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans loan, distribute and sell theses le monde, a des fins commerciales ou autres, worldwide, for commercial or non sur support microforme, papier, electronique commercial purposes, in microform, et/ou autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in et des droits moraux qui protege cette these. this thesis. Neither the thesis Ni la these ni des extraits substantiels de nor substantial extracts from it celle-ci ne doivent etre imprimes ou autrement may be printed or otherwise reproduits sans son autorisation. -
Finnish Dance in Focus 2017–2018 Editorial Contents Finnish Dance in Focus 2017–2018 P 3
P 2 FINNISH DANCE IN FOCUS 2017–2018 EDITORIAL CONTENTS FINNISH DANCE IN FOCUS 2017–2018 P 3 Lighting and sound designers Aino on equal terms with other Huovio artists and creatives. Jani-Matti 22–27 FINNISH DANCE IN FOCUS \ 2017–2018 VOLUME EIGHTEEN CAN WE TACKLE Salo \ Mandelin Publisher: Dance Info Finland 28–32 Tallberginkatu 1 C/93, 00180 Helsinki SOCIETY’S PROBLEMS combines styles Tel. +358 (0)9 6121 812 \ from circus [email protected] acrobatics to www.danceinfo.fi THROUGH DANCE? contemporary Editor-in-chief: Sanna Rekola dance. [email protected] Editor: Sanna Kangasluoma In today’s global climate, many feel that we live in a precarious and unsafe world, Ilpo [email protected] and this is also reflected in dance art. Art and artists are taking the opportunity to Vainionpää Editorial board: Sanna Kangasluoma, speak out in defence of empathy, trust, honesty and love. Collaboration is the working Katarina Lindholm, Sanna Rekola method du jour, and individual artistic geniuses and stars have been replaced by work that embraces collective creation between artists from different spheres. 12–19 Writers: Olli Ahlroos, Niko Hallikainen, Jenny Body language and dance can be more effective than mere words when it comes Jägerhorn-Tabermann, Sanna Kangasluoma, to initiating all-encompassing human encounters. Breakdance workshops are being Maija Karhunen, Raisa Rauhamaa, used to prevent and resolve bullying problems involving young people, and a dance Inka Reijonen video made by a church in Helsinki and published on YouTube touched many with English translation: Claire Dickenson, its comforting message. \ Fleur Jeremiah, Lola Rogers Joint performances by a Finnish dance artist and an Iranian musician who applied What means can for asylum in Finland are leaving many in tears, and audience discussions on the topic Graphic design & layout: Inka Kosonen of immigration have become an integral part of the piece. -
Nordic Countries
2017 THE NORDIC COUNTRIES MADE IN 2017 NO BORDERS We in the arts can take centre stage and show that the ability to collaborate is one of the finest things in humanity, and is crucial for our survival. The Nordic countries have a long-standing tradition of working together, and the MADE IN project, its catalogue and website, is a small yet great example of that. Artists, leaders and promoters in the performing arts from five countries have come together to jointly present their information on what they are all doing right now and in the near future. This is the fifth edition, and for the first time, we’ve decided not to list the catalogue by country, as we chose to fully commit to our manifesto for no borders between Nordic performing arts organisations. You are all welcome to start your communication with any of us, as in front of you is a network of fearless artists not unlike their Viking ancestors. ÅSA EDGREN Editor in Chief, MADE IN the Nordic Countries 2017 3 CONTENT MADE IN 2017 - No Borders 3 CONTENT 4 - 5 THE NORDIC COUNTRIES & CITIES 6 MAP 7 ABOUT MADEIN-THEWEB.COM 8 - 9 ARTISTS, COMPANIES & PROJECTS 10 - 121 Aaben Dans 10 Andersson Dance/Örjan Andersson 12 Arja Tiili Dance Company 14 Art of Spectra 16 Björn Säfsten 18 Black Box Dance Company 20 Byström Källblad 22 Carte Blanche 24 Charlotta Öfverholm/Age on Stage 26 Charlotte Engelkes Production 28 Christina Tingskog/Relative Dance Production 30 Cinnober Teater 32 Cirka Teater 34 Cirkus Cirkör 36 4 CONTENT ARTISTS, COMPANIES & PROJECTS cont. -
2001-2002 Season Schedule
Press Release FOR IMMEDIATE RELEASE: March 6, 2012 The John F. Kennedy Center for the Performing Arts announces Nordic Cool 2013 International Festival of Theater, Dance, Music, Visual Arts, Literature, Design, and Film To Highlight Culture of Denmark, Finland, Iceland, Norway, and Sweden As Well as Territories of Greenland, the Faroe and Åland Islands In Ticketed and Free Events Throughout the Kennedy Center February 19 – March 17, 2013 (WASHINGTON, D.C.)—From February 19 to March 17, 2013, the John F. Kennedy Center for the Performing Arts presents an unprecedented festival highlighting the culture of the Nordic countries— Denmark, Finland, Iceland, Norway, Sweden—and the territories of Greenland, the Faroe, and Åland Islands. Continuing the Center’s tradition of producing renowned international celebrations by curating traditional and contemporary expressions of theater, dance, music, visual arts, literature, design, and film, this Festival will also explore the interplay of themes central to Nordic life, such as nature, technological innovation, environmental sustainability, entrepreneurial spirit, and youth culture. Seeking to answer the question of what is “Nordic,” this Festival aspires to offer clarity on a region of the world whose dynamic culture and creative economy have seemed elusive to many, particularly in America. By exploring the region’s cultural diversity, the Kennedy Center aims to foster an appreciation of the Nordic heritage, and an understanding of the region’s emerging global influence. In addition to the performing arts, New Nordic Cuisine will be highlighted in the Kennedy Center’s restaurants and demonstrations by the region’s renowned chefs will be featured on the Millennium Stage. -
Press Information → 2020/21 Season
Press Information → 2020/21 Season THE VIENNA ① STATE BALLET 2020/21 »Along with my team and my dancers, I intend to work towards developing the Vienna State Ballet into a major hotspot of the art of dance in Austria and Europe forming an ensemble that reflects and inspires the traditions, changes and innovations of the lively metropolis, city of art and music, Vienna.« Martin Schläpfer Martin Schläpfer takes over the direction of the Vienna State Ballet with the 2020 / 21 season. The renowned Swiss choreographer and ballet director has recently led the multi-award-winning Ballett am Rhein Düsseldorf Duisburg to international acclaim. His works fascinate with their intensity, their virtuosity, their deeply moving images and a concise language of movement, which is understood as making music with the body, but always reflects the atmosphere and questions of today’s world. Several performances offer the opportunity to encounter Martin Schläpfer’s art – including two world premieres: Two new pieces for Vienna are being created to Gustav Mahler’s 4th Symphony and Dmitri Shostakovich’s 15th Symphony, which also mark the beginning of the intensive creative dialogue that Martin Schläpfer will be establishing with the artists of his ensemble in the coming years. As director, Martin Schläpfer is a bridge-builder who will naturally continue to cultivate the great ballet traditions, but will also enrich the programme with important contemporary artists and a great variety of choreographic signatures. The masters of American neo-classical ballet George Balanchine and Jerome Robbins will continue to be among the fixed stars of the Vienna repertoire, as will the Dutchman Hans van Manen. -
Program 2 1St Flash Jorma Elo
Program 2 1st Flash Jorma Elo WHICH/ONE Adi Salant Solo Echo Crystal Pite Feb 28 Mar 1 2 Queen Elizabeth Theatre @BALLETBC AN ARTSLANDIA #BALLETBCPROGRAM2 #TALKBALLET PUBLICATION WECHAT JOIN THE BALLET BC E-LIST: BALLETBC.COM Program 1st Flash orma lo WHICH/ONE Adi alant Solo Echo Crystal ite Learning Guide The goal of this Learning Guide is to help students engage fully with the dance performance featured in Ballet BC’s 2018 production of Program at the Queen Elizabeth Theatre. TABLE OF CONTENTS 3… Welcome from Artistic Director 4… About Ballet BC 5… nterie it Emi nr i … About Ballet BC’s Program … About the Artists 1… Before the Performance Lesson I - Dance … Before the Performance Lesson II - Storytelling … After the Performance Lesson III … Continue Your Exploration Ballet BC would like to thank Diamond Foundation for their geners support of Ballet BC’s Student and Community Dress Rehearsal rgrm. Ballet BC acknowledges the financial assistance of the Province of British Columbia for Ballet BC’s Outreach and Education Program. A message from Ballet BC WELCOME TO PROGRAM 2! First, a sincere thank you for joining and supporting us as we journey through this celebratory 2018–19 season . After weeks of exciting touring in new locations, we return to our home town to present a captivating evening of dance featuring three remarkable and inspired works. Tonight’s program features the return of Jorma Elo’s gripping 1st Flash, followed by a world premiere by the fresh choreographic voice of Adi Salant, and we close the evening with Solo Echo, a company signature and audience favourite by renowned Canadian choreographer, Crystal Pite. -
Dance Brochure
Boosey & Hawkes Music Publishers Limited Dance 2006 Edition Also see www.boosey.com/downloads/dance06icolour.pdf Figure drawings for a relief mural by Ivor Abrahams (courtesy Bernard Jacobson Gallery) The Boosey & Hawkes catalogue contains many of the most significant and popular scores in the dance repertoire, including original ballets (see below) and concert works which have received highly successful choreographies (see page 9). To hear some of the music, a free CD sampler is available upon request. Works written as ballets composer work, duration and scoring background details Andriessen Odyssey 75’ Collaboration between Beppie Blankert and Louis Andriessen 4 female singers—kbd sampler based on Homer’s Odyssey and James Joyce’s Ulysses. Inspired by a fascination with sensuality and detachment, the ballet brings together the ancient, the old and the new. Original choreography performed with four singers, three dancers and one actress. Argento The Resurrection of Don Juan 45’ Ballet in one act to a scenario by Richard Hart, premiered in 1955. 2(II=picc).2.2.2—4.2.2.1—timp.perc:cyms/tgl/BD/SD/tamb— harp—strings Bernstein The Dybbuk 50’ First choreographed by Jerome Robbins for New York City Ballet 3.3.4.3—4.3.3.1—timp.perc(3)—harp—pft—strings—baritone in 1974. It is a ritualistic dancework drawing upon Shul Ansky’s and bass soli famous play, Jewish folk traditions in general and the mystical symbolism of the kabbalah. The Robbins Dybbuk invites revival, but new choreographies may be created using a different title. Bernstein Facsimile 19’ A ‘choreographic essay’ dedicated to Jerome Robbins and 2(II=picc).2.2(=Ebcl).2—4.2.crt.2.1—timp.perc(2)— first staged at the Broadway Theatre in New York in 1946. -
Tero Saarinen Company (Finland) October 27 & 28, 2017, 8Pm Vancouver Playhouse, 600 Hamilton Street
MEDIA RELEASE Media Contact: Marnie Wilson at 604.836.2409 [email protected] DanceHouse presents Morphed by Tero Saarinen Company (Finland) October 27 & 28, 2017, 8pm Vancouver Playhouse, 600 Hamilton Street VANCOUVER, BC / 19 September 2017 — In the spirit of Finland’s centennial, DanceHouse is pleased to kick off its 10th anniversary season with the Vancouver debut of celebrated Finnish troupe Tero Saarinen Company. Led by dancer-choreographer Tero Saarinen, the company will perform Morphed, an evening length work for seven male dancers. Hailed as a masterpiece of opposing forces and frictions, Saarinen’s choreography tackles themes of change and sensuality in a fresh exploration of masculinity. Recognized for his multidimensional artistry, Saarinen does not disappoint with Morphed, which brings together powerful movement, stunning visual landscapes and a bold score. Mikki Kunttu’s sets highlight a world constantly on tilt, as the dancers tangle and navigate through a forest of dancing ropes surrounding the stage. The work is performed to three pieces by acclaimed orchestra conductor and composer Esa-Pekka Salonen— Concert étude for solo horn (2000), Foreign Bodies (2001), and Violin Concerto (2009)—each notable for its kinetic quality and innate musical duality. Saarinen’s choreography further expands on these existing musical themes, submerging the audience in a striking world of sensitivity, heroism and all that lies between. “In Morphed, [Saarinen] casts seven male dancers of varying styles and ages and they are most definitely blokes, not boys, who move with rough-hewn heft, as well as moments of refinement and richness.” – Evening Standard About Tero Saarinen Company: Founded in 1996, Tero Saarinen Company has since captivated audiences in over 40 countries and is celebrated as one of Finland’s leading dance troupes. -
If One Were to Describe European Dance Since the 1990S in Geopolitical Terms, It Would Be a Disintegration of the Center and Dispersion Toward New Cells
2005.12.28 If one were to describe European dance since the 1990s in geopolitical terms, it would be a disintegration of the center and dispersion toward new cells. While on the one hand we see a continuing diversification of expression, we are also seeing the start of trend toward similarity in the creative approach and ideas due to the development of information networks and media. The creators are questioning the fundamental elements of “creativity” as the source of creation. Within this context, there was widespread critical acclaim when the Lyon Dance Biennial 2004 chose a program consisting primarily of artists from what had until recently had been considered the peripheral regions of Eastern Europe, Scandinavia and the Mediterranean countries rather than the “mainstream” countries of France and Germany. This move was considered an apt reflection of present conditions. In fact, there is increasing attention coming to focus today on the refreshing new expressions coming out of these areas of Eastern Europe, Scandinavia and the Mediterranean countries, which are indeed possessed of new, untapped appeal. Among these up and coming dance nations, Finland has shown especially vital growth in recent years. It is dance that is energetic and strong-boned or, you would not call it stylish or adroit, but it stands out among the dance styles of Europe with a unique vibrancy that draws from an accentuated presence of the body. For example, among the performances I saw during the 2005 season, the one that perhaps left the strongest impression was Borrowed Light by one of Finland’s representative choreographers, Tero Saarinen. -
03 - 12 February Bengaluru
03 - 12 FebrUARY BENGALURU DANCE AT ITS BEST 2017 is organised by the Attakkalari Centre for Movement Arts, Bengaluru IN PARTNERSHIP WITH: SUppORTED BY: FESTIVAL DIRECTOR'S NOTE • 06 85 • WRITING ON DANCE LABORATORY CENTRE-STAGE • 10 86 • CONVERSATIONS @AIB2017 • STUDIO ENCOUNTERS PLATFORM PLUS • 44 88 89 • DANCE ON CAMERA PLATFORM 17: EMERGING SOUTH ASIA • 50 90 • THANK YOU CONTENTS FACETS INTERNATIONAL CHOREOGRAPHY RESIDENCY • 64 94 • ATTAKKALARI TEAM OFF-STAGE INTERVENTIONS • 78 96 • TRANSMEDIA LIGAMENT • 84 97 • SCHEDULE DIRECTOR'S NOTE • 7 FESTIVAL DIRECTOR'S NOTE 2016 was an exceptional year with unprecedented changes sweeping With an apt theme- BLR Moves, in this 8th edition of the festival, many parts of the world, undermining several established norms and Centre-Stage performances will feature some of the finest works certainties. In India too we had our fair share of turbulence across from the international dance scene. Performances from South Korea various spheres of life. In a way this is one of those times when we have enthralled audiences in Bengaluru in the previous festivals need -more than ever before- domains of creativity and sanctity and we kick start this biennial with an exciting double bill by South helping us reach moments of extraordinary happiness and fulfilment. Korean companies Gamblerz & Animation and the Second Nature Dance Company exploring harmony and the true self. Through dance our imagination, memory, and experience coalesce into almost tangible yet ephemeral images that take us on a fantastic journey of discoveries and surprises. As a country with an immense heritage of the performing arts, and now at the cusp of rapid modernisation, India, and Bengaluru in particular, is emerging as a vibrant centre for contemporary performing arts. -
Tero Saarinen Company
Tero Saarinen Company The primary aim of Tero Saarinen Company, founded by dancer-choreographer Tero Saarinen in 1996, is to create, perform and teach powerful and engaging contemporary dance at the highest levels of artistic excellence in Helsinki, Finland and internationally, based on Tero Saarinen’s artistic vision. The Company has captivated audiences and critics in 40 countries on six continents, including at prestigious venues such as BAM and The Joyce Theater in New York, Chaillot and Châtelet in Paris, and the Royal Festival Hall in London. Its core activities also include running an international teaching programme, presenting international dance companies in Helsinki and community outreach projects. In addition, Saarinen and his team collaborate with other prominent dance groups; Nederlands Dans Theater (NDT1), the Batsheva Dance Company, Lyon Opéra Ballet and the Finnish National Ballet, to name but a few, have featured Saarinen’s works in their repertoires. Tero Saarinen Company has won international acclaim and loyal audiences for Saarinen’s unique movement and choreographic vision, for strong individual performers, exquisite visual design and, often, live music performed by renowned musical collaborators. The Company is in permanent residence at Helsinki’s Alexander Theatre – the former home of the Finnish National Opera and Ballet, where Saarinen started his career in the 1980’s. Tero Saarinen Company also performs regularly at the Finnish National Theatre and Finnish National Opera. Tero Saarinen Company provides work for about 80 individuals each year, ten of whom work on monthly salaries. The Company’s operations are supported by Finland’s Ministry of Education and Culture and The City of Helsinki.