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Ken Sleight's Fight to Restore Glen Canyon
New film chronicles environmental ‘outlawʼ Ken Sleightʼs fight to restore Glen Canyon 1/11/21, 5'22 PM New film chronicles environmental ‘outlawʼ Ken Sleightʼs fight to restore Glen Canyon “The Unfinished Fight of Seldom Seen Sleight” will be screened for free online Tuesday. (Courtesy of the Ken Sleight Collection) Ken Sleight and Tim DeChristopher met while DeChristopher was being tried for protesting oil leases near Arches National Park in 2010. San Juan County • When river runner, wilderness guide and legendary environmental provocateur Ken Sleight tells his life story, he likes to start at https://www.sltrib.com/news/2021/01/10/new-film-chronicles/ Page 1 of 6 New film chronicles environmental ‘outlawʼ Ken Sleightʼs fight to restore Glen Canyon 1/11/21, 5'22 PM the beginning. “Iʼm a farm boy from Paris,” he often says. “Paris, Idaho.” Sleight grew up in The Church of Jesus Christ of Latter-day Saints, but when he uses words like “temples,” “paradise” or “heaven” now, at the age of 91, it refers to an earthly fold of the Colorado Plateau, a place he first visited in 1955, named Glen Canyon. As one of the few commercial outfitters to guide rafts through Glen Canyon prior to its submersion under Lake Powell in the 1960s, Sleight remains haunted by the lost beauty of a place that few non-native Americans experienced as a flowing river. “I donʼt understand human thinking — to destroy temples, cathedrals,” Sleight says in the opening sequence of a new film by Sageland Media, “The Unfinished Fight of Seldom Seen Sleight.” “Would they flood the Sistine Chapel, flood the Mormon temple?” he continues. -
One Patriot Terry Tempest Williams
Hastings Environmental Law Journal Volume 8 Article 2 Number 2 Spring 2002 1-1-2002 One Patriot Terry Tempest Williams Follow this and additional works at: https://repository.uchastings.edu/ hastings_environmental_law_journal Part of the Environmental Law Commons Recommended Citation Terry Tempest Williams, One Patriot, 8 Hastings West Northwest J. of Envtl. L. & Pol'y 135 (2002) Available at: https://repository.uchastings.edu/hastings_environmental_law_journal/vol8/iss2/2 This Comment is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Environmental Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. Z 0 Not long ago, my father, a friend and I were having tea around our kitchen table. We were discussing politics. The conversation circled back to September 11. "I hesitate to say this," our friend said. "But when I watched the Twin Towers collapse and realized thousands of lives were collaps- ing with them-" She paused to find the right One Patriot words. "It just didn't seem real. I couldn't believe it. And then seeing the hole in the side of the Pentagon and hearing about more By Terry Tempest Williams& lives lost in Pennsylvania, well, it all felt like I was watching some horrific movie-But after- wards in the privacy of my own fears, I real- ized, living here in the West, what would truly shatter my world would be if the terrorists bombed the Tetons or the Grand Canyon "Nobody could bomb the Tetons-" my father said interrupting her. -
'Third Place' in Teaching Terry Tempest Williams' Autobiography
‘Third Place’ in Teaching Terry Tempest Williams’ Autobiography: Refuge: An Unnatural History of Family and Place1 Wasinrat Nualsiri University of Southampton This paper examines a lecturer's and students’ responses to the depiction of nature in Terry Tempest Williams’ Refuge: An Unnatural History of Family and Place in the Environmental Literature and Criticism postgraduate module taught from November 2013 to February 2014 at Chulalongkorn University in Thailand. I will use Claire Kramsch’s ‘third place’2 in her theory of teaching and learning foreign literature as my theoretical framework. Kramsch defines ‘third place’ as a symbolic process of negotiation of meaning across different cultures: in the text and in foreign literature classroom context. She regards this ‘third place’ as a ‘challenge’ in ‘intercultural learning’ in which the lecturer facilitates students’ understanding of plural cultures. Kramsch develops her concept of ‘third place’ as ‘symbolic competence, an ability that is both theoretical and practical, and that emerges from the need to find appropriate subject positions within and across the languages at hand’3. This definition can confirm that ‘third place’ has a potential to clarify the mediation of meaning in a particular classroom context. I will demonstrate this concept in the Thai lecturer’s and students’ choices of primary and secondary literature and of their interpretations in the Thai social and cultural context. My discussion of ‘third place’ presents how the lecturer interprets and teaches Refuge, and how the students respond to the lecturer’s interpretation and to the text. The subject matter I focus on is the representation of nature and its meaning. -
Federal Trial for Activist BLM “Wrencher” Begins
Federal Trial for Activist BLM “Wrencher” Begins SALT LAKE CITY, UTAH: Today marks the opening day of the trial of “monkey- wrencher” climate activist Tim DeChristopher. In December of 2008, DeChristopher shut down a controversial BLM auction that offered thousands of acres of public lands adjacent to Utah national parks and residential areas for purchase by oil and gas companies. When apprehended by federal agents DeChristopher told authorities he disrupted the auction purposefully, citing a moral imperative to halt the conversion of Utah’s pristine and protected wilderness areas into fossil fuel extraction sites, without regard to environmental harm or contributions to climate change. The auction was overruled by incoming secretary Ken Salazar, who determined that the BLM had failed to complete procedural prerequisites with regard to the effect on ambient air and environmental quality of the national treasures adjacent to the leased lands. The legality of the auction itself, however, has since been dismissed as irrelevant and potentially distracting by federal judge Dee Benson; Benson also rejected DeChristopher’s proposed “necessity defense,” which would have taken into account the BLM auction’s threat to Utah’s public natural resources and contributions to climate change, and weighed DeChristopher’s crime as a “less of two evils.” The controversy of the illegitimate auction and the moral imperative that motivated DeChristopher will be absent from the courtroom. DeChristopher’s supporters have traveled from across the nation and include actress Daryl Hannah, writer Terry Tempest Williams, and songwriter and activist Peter Yarrow. Aided by DeChristopher’s nonprofit organization, Peaceful Uprising, his supporters intend to attempt to convey widespread approval of his actions and the controversial facts of the auction that have been banned from the courtroom via peaceful demonstrations on the courthouse lawn. -
Broadsides Volume 24 | No
BROADSIDES VOLUME 24 | NO. 2 | SUMMER 2014 Recapturing BLM Lands for All Americans Take What do you get when you put together 22 of conservation partners, and have never action! miles of illegally constructed ATV trails, a Utah relinquished our vigilance. Write to Secretary County Commissioner, a deadbeat rancher Weeks before Lyman’s incursion, Cliven Bundy Jewell and BLM Cliven Bundy’s son, and a canyon filled with staged a militia-backed rebellion against the Director Neil Kornze at fragile archeological treasures and active beaver BLM in Nevada. Bundy Ranch’s Facebook page [email protected] ponds? invited participation in the Recapture ride; insisting on equitable The wild wild west Lyman promptly posted a thank you, knowingly justice for all violators …on steroids inviting armed thugs from across the country. of BLM regulations. And so they came, along with Cliven Bundy’s Tim DeChristopher Broadsides Spring 2014 reported on San Juan son who personally signed copies of the U.S. served two years in County’s request to the Bureau of Land Constitution at an evening rally. Hoisting guns, federal prison for an Management (BLM) to hand over authority American flags, and children without helmets, at unarmed act of civil on 14.3 miles of least one rider held his disobedience, raising routes in Recapture finger on the trigger of his hand at an auction Canyon in Utah. an assault rifle as he to claim illegally offered Since then, the drove an ATV through oil and gas leases canyon has the canyon. drawn national near Arches National attention—for all “Imagine how history Monument. -
I Am Wild: an Ecofeminist Reading of Terry Tempest Williams's Refuge and Mary Oliver’S Poetry by Serenity Wood
I Am Wild: An Ecofeminist Reading of Terry Tempest Williams's Refuge and Mary Oliver’s Poetry By Serenity Wood The natural world plays an active role both in Terry Tempest Williams's Refuge: An Unnatural History of Family and Place and the poetry of Mary Oliver. Williams's deeply felt and affectionate unity with the land informs her desire to protect it. Her beliefs that women have a particular bond with nature and that land also has its own life make up the core of her politics. Williams frames her identity inside the context of her environment, finding strength through intimacy with wildness and place. Similarly, Oliver's intimacy with the natural world helps her answer essential questions of life and death, and philosophical questions about the meaning of the world's beauty. The use of natural imagery supports Oliver’s understanding of the world and of herself. The poet’s connection of nature with her own ideas, emotions, and body forms an authentic vehicle for her exploration of her sense of self and of meaningful ways of being in the world. Comparing the work of Williams and Oliver in the light of ecofeminism, we see their connection with the natural world emerge as a means of empowerment. The idea of women connecting to nature can be discussed in the most relevant and meaningful way through the lens of ecofeminism: the theory that links women and nature. Ecofeminist activist and scholar Greta Gaard states that the main premise of ecofeminism "is that the ideology which authorizes oppressions such as those based on race, class, gender, sexuality, physical abilities, and species is the same ideology which sanctions the oppression of nature" (1). -
An Interview with Terry Tempest Williams
Journal of American Studies of Turkey 30 (2009): 17-28 Interbeing: An Interview with Terry Tempest Williams Vidya Sarveswaran As a Fulbright Scholar, I had the opportunity to meet with Terry Tempest Williams at the Department of English, University of Utah, Salt Lake City, in February 2009. Before the formal interview began, Terry and I walked a shared labyrinth. For me the walk itself was a treasured one and I view it as a metaphor for the sacred spaces within oneself that Williams passionately talks about in her writings. In the interview, we discussed several issues ranging from the personal to the political and the sacred. Terry’s openness toward life and other cultures, her warmth, enthusiasm, and refreshing idealism, are a few things that I brought back home with me. VS: Although you are known as an “environmental writer,” you are clearly connected in powerful ways to other people. Could you tell me something about the people—family, writers—who have particularly influenced your writing? TTW: Of all the people who have influenced me, the first would certainly be my grandmother Mimi. I think she really brought me into a larger sphere of what nature is, even human nature, and at a time when there were not that many global citizens in Utah. Now we have a global bond. That was not the case growing up. I grew up in a very staunch, strict, Mormon background. Salt Lake City in the 1950s and 1960s was very insular. The Mormon community became too small for my grandmother. She really sought her solace outside. -
Terry Tempest Williams
A [r o by Terry Tempest Williams Pieces of White Shell Terry Tempest Williams Earthly Messengers Coyote's Canyon Refuge An Unspoken Hunger Desert Quartet Leap PANTHEON BOOKS NEW YORK CONTENTS Home Work I Coyote's Canyon 21 Red 59 Desert Quartet 193 Wild Mercy 213 Appendices 217 America's Redrock Wilderness Act 219 Map of America's Redrock Wilderness 233 America's Redrock Wilderness: The Citizens' Proposal 235 Supporting Organizations 245 Acknowledgments 251 spirits have never left. One feels their intelligence held in the rocks, etched into the rocks. This rock stands in Kane Creek Canyon, the size of a small dwelling, exposed and vulnerable, only a few miles from the town of Moab, Utah. There she is, as she has been for hundreds of years, the Life comes, lifegoes, we make Z$e . One Who Gives Birth, a woman standing with her arms But we who live in the body see with outstretched, her legs wide open, with a globelike form the body? imagination things in emerging. Four sets of tiny feet march up the boulder outline. alongside her. There are other figures nearby: a large cere- -Virginia Woolf, monial being wearing what appears to be an elaborate The Waves headdress and necklace. It feels male but it could be fe- male. Who knows what these Anasazi petroglyphs might mean? What is translated through stone is the power of I forget the first time I saw this boulder, maybe thirty presence, even centuries old. years ago as an adolescent traveling through Utah's red- Deer. Mountain sheep. Centipedes. -
Unitarian Universalists for Social Justice
7750 16 th St. NW Unitarian Universalists for Social Justice Washington, DC 20012 Phone 202-600-9132 in the National Capital Region www.uusj.org Contact: [email protected] From the Executive Director Welcome to our E-News using our new logo and banner in a new, sleeker format! This is a transitional newsletter using our old template within the new. We will be transitioning over the next few months. UUSJ has been upgrading our on-line capabilities to enhance our communication capabilities in terms of ease, outreach, and efficiency. Our www.uusj.org website has been redesigned. Please take a look and give us your comments. Thank you for your patience during the transition. We are excited and hope you will begin seeing the difference. Please take note of the 50th anniversary of the March on Washington, with a gathering at All Souls Friday evening, Aug. 23 and then a rally the following day. (Under “Anti-Racism and Multiculturalism” below.) This is a chance for UUs to come out strong with others in honor of that March and to continue the work of it. We often do not take time to celebrate real victories, and this is a time for that and for rededication, both. Don’t miss it. And please be aware that the deadline for your nominations for our social justice awards is Sept. 6. We apologize for the technical difficulties with the online form. These have now been fixed. These awards offer a chance to honor and celebrate the outstanding justice people in your congregation. Way too often people give and give from their hearts to good work and never receive recognition for their efforts. -
Terry Tempest Williams's “Refuge: an Unnatural History of Family And
Terry Tempest Williams’s “Refuge: An Unnatural History of Family and Place”: An Ecocritical Approach ﺭﻭﺍﻴﺔ ﺘﻴﺭﻱ ﺘﻴﻤﺒﺴﺕ ﻭﻴﻠﻴﺎﻤﺯ "ﺍﻟﻤﻼﺫ : ﺘﺎﺭﻴﺦ ﻏﻴﺭ ﻁﺒﻴﻌﻲ ﻟﻠﻌﺎﺌﻠﺔ ﻭﺍﻟﻤﻜﺎﻥ" ﻤﻥ ﻤﻨﻅﻭﺭ ﺍﻟﻨﻘﺩ ﺍﻟﺒﻴﺌﻲ By Lana Ahmad Al Faouri Supervisor Prof. Tawfiq Yousef A thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master in English Literature Department of English Language and Literature Faculty of Arts Middle East University for Graduate Studies September, 2009 Authorization I, Lana Ahmad Al Faouri, authorize Middle East University for Graduate Studies to supply copies of my thesis to libraries or establishments or individuals on request Name: …………………………………………… Signature: ……………………………………….. Date: …………………………………………….. Thesis Committee Decision This thesis (Terry Tempest Williams’s Refuge: An Unnatural History of Family and Place”: An Ecocritical Approach) was successfully defended and approved on ………………………. Examination Committee Signature Prof. Tawfiq Ibrahim Yousef (supervisor) ….………… Prof. Riyad F. Hussein ……………. Prof. Hamed Hajjaj …………….. Prof. Nedal Al-Mousa …………….. i ACKNOWLEDGEMENT I am grateful to Almighty Allah for his bounty that helped me complete this work. I would like to express my sincere gratitude and deep appreciation to my supervisor Prof. Tawfiq Yousef for his encouragement, generous support and valuable suggestions, which made this thesis appear in its final form. I am deeply indebted to him and have enjoyed working with him. My deep thanks are also presented to the head and staff of the Department of English Language and Literature at Middle East University for Graduate Studies for their help and cooperation. Special thanks are extended to committee members for their useful help. ii DEDICATION This work is dedicated to my lovely mother, father, brothers: Lara, Laith, and Mohammad, Mr. -
Issues of Accessibility in the Literature of Rachel Carson, Janisse Ray, and Terry Tempest Williams Helen Bralesford
Hop, Skip or Leap? Issues of Accessibility in the Literature of Rachel Carson, Janisse Ray, and Terry Tempest Williams Helen Bralesford The last half of the twentieth century was a period when American women finally became able to use their voice to instigate political change. In the field of environmentalism there are notable examples of women successfully doing just that. From Rachel Carson whose seminal text Silent Spring (1962) warned a generation of the wider implications of indiscriminate pesticide use, to contemporary regional writers like Southern activist Janisse Ray and Utahan Terry Tempest Williams, the strategies that they have employed in their writing in order to instigate political change are often risky, bold, and innovative. But they are also democratic, seeking always to move the broader public to activism on behalf of the environment. his essay explores the strategies of these three writers concentrating on close reading of the fables each employed in different political T environments in order to inform or change public opinion and so assert political pressure. From Rachel Carson’s use of “A Fable for Tomorrow” which led to criticism of her work as non-scientific, but helped make accessible to the lay public the complex issues surrounding the ecological destruction caused by the misuse of pesticides, to Terry Tempest Williams’ rewriting of Greek legend orated to a public hearing in Utah and Janisse Ray’s entreaty to a Southern population to respect its environment as it respects other Southern traditions, these little narratives have sought to create a big impact. Despite utilising a familiar and ancient literary form, each of these writers experiments artistically with the fable, tailoring it to the issues they seek to address and the audience they need to reach. -
A Voice in the Wilderness
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2006 A Voice in the Wilderness Michael Austin Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Creative Writing Commons Recommended Citation Williams, T. T., & Austin, M. (2006). A voice in the wilderness: Conversations with Terry Tempest Williams. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. A Voice in the Wilderness Edited by Michael Austin Conversations with Terry Tempest Williams A Voice in the Wilderness Photo by Cheryl Himmelstein Terry Tempest Williams A Voice in the Wilderness Conversations with Terry Tempest Williams Edited by Michael Austin Willet Drawing by Lee Carlman Riddell Utah State University Press Logan, Utah Copyright © 2006 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 Manufactured in the United States of America Printed on recycled, acid-free paper ISBN-13: 978-0-87421-634-9 ISBN-10: 0-87421-634-6 Library of Congress Cataloging-in-Publication Data Austin, Michael, 1966- A voice in the wilderness : conversations with Terry Tempest Williams / edited by Michael Austin ; Willet drawing by Lee Carlman Riddell. p. cm. Includes bibliographical references and index. ISBN-13: 978-0-87421-634-9 (pbk. : alk. paper) ISBN-10: 0-87421-634-6 (pbk. : alk. paper) 1. Williams, Terry Tempest--Interviews.