Writing Englishness 1900-1950: an Introductory Sourcebook On
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U DX45 Letters to Frank Noble Wood 1913-1945
Hull History Centre: Letters to Frank Noble Wood U DX45 Letters to Frank Noble Wood 1913-1945 Biographical Background: Frank Noble Wood was a poet and member of the Hull Literary Club for fifty years, acting as President between 1918 and 1931. He published two books of verse: Songs and Strife: A Selection of poems written during the Great War (1917) and Lines written on a visit to Wilberforce House, Hull and other verses (1912). He died on 11 November 1962, aged 84. Edmund Charles Blunden, born on 1 November 1896, was an English poet, author and critic. Blunden was educated at Queen's College, Oxford and entered the army as a second lieutenant of the Royal Sussex Regiment in August 1915. He saw action in Ypres and the Somme and was awarded the Military Cross. Blunden wrote about his experiences during the First World War in both his poetry and his prose. In 1919, he left the army and began studying at Oxford until he left in 1920 to pursue a literary career. His first book of poems was published in 1920 to be followed by many other books. In 1920 he also helped edit the poems of John Clare, mostly from Clare's manuscripts. Blunden was a prolific writer and he published numerous works between 1914 and 1967. Initially unable to support himself as a full-time writer, in 1924 he accepted the post of Professor of English at the University of Tokyo. In 1931, he became a Fellow of Merton College, Oxford and in 1944 became assistant editor of The Times Literary Supplement. -
Edmund Blunden
Edmund Blunden: An Inventory of His Papers at the Harry Ransom Center Descriptive Summary Creator: Blunden, Edmund, 1896-1974 Title: Edmund Blunden Papers Dates: 1909-1970, undated Extent: 95 boxes (39.90 linear feet), 10 galley folders (gf), 7 oversize folders (osf) Abstract: World War I British poet and English professor Edmund Blunden’s papers consist almost entirely of materials acquired from him during his lifetime. Nearly all of Blunden’s poetry, fiction, and nonfiction is represented in the Works series. Among the most extensive correspondences are those of fellow poet Siegfried Sassoon, publisher Rupert Hart-Davis, second wife Sylva Norman, and literary agent A. D. Peters. Four indexes (for Works, Letters, Recipients, and Miscellaneous) follow the Container List and provide more detailed access to the contents of these papers. Call Number: Manuscript Collection MS-0426 Language: The bulk of the collection is in English , with some materials in Chinese, French, German, Japanese, Spanish, and Welsh. Access: Open for research. Researchers must create an online Research Account and agree to the Materials Use Policy before using archival materials. Use Policies: Ransom Center collections may contain material with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations. Researchers are advised that the disclosure of certain information pertaining to identifiable living individuals represented in the collections without the consent of those individuals may have legal ramifications (e.g., a cause of action under common law for invasion of privacy may arise if facts concerning an individual's private life are published that would be deemed highly offensive to a reasonable person) for which the Ransom Center and The University of Texas at Austin assume no responsibility. -
EARLY HISTORY, ANNUALS, PERIODICALS Early History, Annuals, Periodicals
EARLY HISTORY, ANNUALS, PERIODICALS Early History, Annuals, Periodicals 166. ALCOCK, C W (Compiler) 171. [ANON] The Cricket Calendar for 1888, a The Cricket Calendar for 1909 pocket diary . The Cricket Press. Original limp cloth, very The Office of “Cricket”, 1888. Original limp good. Wynyard’s copy with annotations cloth, very good. Interesting, hand-written throughout. Includes his hand-written itiner- notes by the original owner. £90 ary for the 1909/10 MCC Tour to SA. Also reports on the 1909 MCC Team to Egypt, of 167. ALCOCK, C W (Compiler) which Wynyard was a member, introduction The Cricket Calendar for 1889, a to the 1909 Australians, death of the Earl of pocket diary . Sheffield etc. (illustrated below) £80 The Office of “Cricket”, 1888. Original limp cloth, very good. Interesting, hand-written notes by the original owner. £90 168. PENTELOW, J N (Compiler) The Cricket Calendar for 1899, being a pocket diary, containing all the chief county and club fixtures of the season, arranged in chronological order etc. The Cricket Press. Original limp cloth, very good. E G Wynyard’s copy with his hand- written notes throughout and his detailed match scores and performances written in. Includes club matches, MCC, Hampshire and other first-class games. Portrait of NF Druce. 175. TROWSDALE, T B This was the only year that Pentelow edited 172. LEWIS, W J the Calendar which ran from 1869 to 1914. The Language of Cricket; with The Cricketer’s Autograph Birthday £80 illustrative extracts from the Book W Scott, 1906. 342pp, illus, contains 130 literature of the game 169. -
Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’S the Cut, Amanda Craig’S the Lie of the Land, and Jonathan Coe’S Middle England
Brexit-Tales from a Divided Country: Fragmented Nationalism in Anthony Cartwright’s The Cut, Amanda Craig’s The Lie of the Land, and Jonathan Coe’s Middle England Emma Linders, S2097052 Master thesis: Literary Studies, Literature in Society: Europe and Beyond University of Leiden Supervisor: Prof. Dr. P.T.M.G. Liebregts Second reader: Dr. M.S. Newton Date: 01-02-2020 (Zaichenko) Emma Linders 2 Table of Contents INTRODUCTION ....................................................................................................................................... 3 CHAPTER 1 – Strangers in a Familiar Land: National divisions in Anthony Cartwright’s The Cut ......... 10 Outsider Perspective ......................................................................................................................... 10 Personification .................................................................................................................................. 11 Demographic Divides ........................................................................................................................ 11 Foreign Home Nation ........................................................................................................................ 13 Class Society ...................................................................................................................................... 14 Geography ......................................................................................................................................... 16 Language -
Cervantes and the Spanish Baroque Aesthetics in the Novels of Graham Greene
TESIS DOCTORAL Título Cervantes and the spanish baroque aesthetics in the novels of Graham Greene Autor/es Ismael Ibáñez Rosales Director/es Carlos Villar Flor Facultad Facultad de Letras y de la Educación Titulación Departamento Filologías Modernas Curso Académico Cervantes and the spanish baroque aesthetics in the novels of Graham Greene, tesis doctoral de Ismael Ibáñez Rosales, dirigida por Carlos Villar Flor (publicada por la Universidad de La Rioja), se difunde bajo una Licencia Creative Commons Reconocimiento-NoComercial-SinObraDerivada 3.0 Unported. Permisos que vayan más allá de lo cubierto por esta licencia pueden solicitarse a los titulares del copyright. © El autor © Universidad de La Rioja, Servicio de Publicaciones, 2016 publicaciones.unirioja.es E-mail: [email protected] CERVANTES AND THE SPANISH BAROQUE AESTHETICS IN THE NOVELS OF GRAHAM GREENE By Ismael Ibáñez Rosales Supervised by Carlos Villar Flor Ph.D A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy At University of La Rioja, Spain. 2015 Ibáñez-Rosales 2 Ibáñez-Rosales CONTENTS Abbreviations ………………………………………………………………………….......5 INTRODUCTION ...…………………………………………………………...….7 METHODOLOGY AND STRUCTURE………………………………….……..12 STATE OF THE ART ..……….………………………………………………...31 PART I: SPAIN, CATHOLICISM AND THE ORIGIN OF THE MODERN (CATHOLIC) NOVEL………………………………………38 I.1 A CATHOLIC NOVEL?......................................................................39 I.2 ENGLISH CATHOLICISM………………………………………….58 I.3 THE ORIGIN OF THE MODERN -
The New Age Under Orage
THE NEW AGE UNDER ORAGE CHAPTERS IN ENGLISH CULTURAL HISTORY by WALLACE MARTIN MANCHESTER UNIVERSITY PRESS BARNES & NOBLE, INC., NEW YORK Frontispiece A. R. ORAGE © 1967 Wallace Martin All rights reserved MANCHESTER UNIVERSITY PRESS 316-324 Oxford Road, Manchester 13, England U.S.A. BARNES & NOBLE, INC. 105 Fifth Avenue, New York, N.Y. 10003 Printed in Great Britain by Butler & Tanner Ltd, Frome and London This digital edition has been produced by the Modernist Journals Project with the permission of Wallace T. Martin, granted on 28 July 1999. Users may download and reproduce any of these pages, provided that proper credit is given the author and the Project. FOR MY PARENTS CONTENTS PART ONE. ORIGINS Page I. Introduction: The New Age and its Contemporaries 1 II. The Purchase of The New Age 17 III. Orage’s Editorial Methods 32 PART TWO. ‘THE NEW AGE’, 1908-1910: LITERARY REALISM AND THE SOCIAL REVOLUTION IV. The ‘New Drama’ 61 V. The Realistic Novel 81 VI. The Rejection of Realism 108 PART THREE. 1911-1914: NEW DIRECTIONS VII. Contributors and Contents 120 VIII. The Cultural Awakening 128 IX. The Origins of Imagism 145 X. Other Movements 182 PART FOUR. 1915-1918: THE SEARCH FOR VALUES XI. Guild Socialism 193 XII. A Conservative Philosophy 212 XIII. Orage’s Literary Criticism 235 PART FIVE. 1919-1922: SOCIAL CREDIT AND MYSTICISM XIV. The Economic Crisis 266 XV. Orage’s Religious Quest 284 Appendix: Contributors to The New Age 295 Index 297 vii LIST OF ILLUSTRATIONS A. R. Orage Frontispiece 1 * Tom Titt: Mr G. Bernard Shaw 25 2 * Tom Titt: Mr G. -
The Crime of Material Culture, the Condition of the Colonies And
The Crime of Material Culture, the Condition of the Colonies and Utopian/Dystopian Impulses, 1908-10 Robyn Walton During the years 1908-10 in Britain and Northern Europe, a number of liter- ary authors were producing fictions that both reflected and critiqued what Joseph Conrad later described as “the crudely materialistic atmosphere of the time.”1 In 1908, Conrad and his literary collaborator Ford Madox Ford (Hueffer) were completing The Nature of a Crime , a slight tale of one Lon- don professional’s addiction to embezzlement .2 Taking this Conrad-Ford microcosm of Edwardian materialism as its point of departure, this article first analyses how a range of 1908-10 fictions represent local financial prac- tices and the impacts of Northern money-making and materialistic culture. It notes that the narratives concentrate on upwardly mobile and creative characters of the middle classes, rather than on aristocrats or on the work- ing poor and unemployed who were the subject of contemporaneous social surveys and were the most immediately affected by their social superiors’ financial criminality and mismanagement. The article then asks why – given that Northern incomes, raw materials, and finished goods frequently had their origins in the colonies and developing nations – these fictions rarely examined the impacts of global resource exploitation on regions outside Europe. A number of possible reasons why the 1908-10 authors did not at- tend to the colonies are explored. The fictions’ few allusions to colonies and developing nations are found to further the authors’ collective critique of COLLOQUY text theory critique 21 (2011). © Monash University. www.arts.monash.edu.au/ecps/colloquy/journal/issue021/walton.pdf 116 Robyn Walton ░ Europe’s materialist, capitalist culture rather than to investigate colonial cir- cumstances. -
The Oxford Companion to English Literature, 6Th Edition
e cabal, from the Hebrew word qabbalah, a secret an elderly man. He is said by *Bede to have been an intrigue of a sinister character formed by a small unlearned herdsman who received suddenly, in a body of persons; or a small body of persons engaged in vision, the power of song, and later put into English such an intrigue; in British history applied specially to verse passages translated to him from the Scriptures. the five ministers of Charles II who signed the treaty of The name Caedmon cannot be explained in English, alliance with France for war against Holland in 1672; and has been conjectured to be Celtic (an adaptation of these were Clifford, Arlington, *Buckingham, Ashley the British Catumanus). In 1655 François Dujon (see SHAFTESBURY, first earl of), and Lauderdale, the (Franciscus Junius) published at Amsterdam from initials of whose names thus arranged happened to the unique Bodleian MS Junius II (c.1000) long scrip form the word 'cabal' [0£D]. tural poems, which he took to be those of Casdmon. These are * Genesis, * Exodus, *Daniel, and * Christ and Cade, Jack, Rebellion of, a popular revolt by the men of Satan, but they cannot be the work of Caedmon. The Kent in June and July 1450, Yorkist in sympathy, only work which can be attributed to him is the short against the misrule of Henry VI and his council. Its 'Hymn of Creation', quoted by Bede, which survives in intent was more to reform political administration several manuscripts of Bede in various dialects. than to create social upheaval, as the revolt of 1381 had attempted. -
Members of Parliament Disqualified Since 1900 This Document Provides Information About Members of Parliament Who Have Been Disqu
Members of Parliament Disqualified since 1900 This document provides information about Members of Parliament who have been disqualified since 1900. It is impossible to provide an entirely exhaustive list, as in many cases, the disqualification of a Member is not directly recorded in the Journal. For example, in the case of Members being appointed 5 to an office of profit under the Crown, it has only recently become practice to record the appointment of a Member to such an office in the Journal. Prior to this, disqualification can only be inferred from the writ moved for the resulting by-election. It is possible that in some circumstances, an election could have occurred before the writ was moved, in which case there would be no record from which to infer the disqualification, however this is likely to have been a rare occurrence. This list is based on 10 the writs issued following disqualification and the reason given, such as appointments to an office of profit under the Crown; appointments to judicial office; election court rulings and expulsion. Appointment of a Member to an office of profit under the Crown in the Chiltern Hundreds or the Manor of Northstead is a device used to allow Members to resign their seats, as it is not possible to simply resign as a Member of Parliament, once elected. This is by far the most common means of 15 disqualification. There are a number of Members disqualified in the early part of the twentieth century for taking up Ministerial Office. Until the passage of the Re-Election of Ministers Act 1919, Members appointed to Ministerial Offices were disqualified and had to seek re-election. -
The Mystery of Evil in Five Works by Graham Greene
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1984 The Mystery of Evil in Five Works by Graham Greene Stephen D. Arata College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the English Language and Literature Commons Recommended Citation Arata, Stephen D., "The Mystery of Evil in Five Works by Graham Greene" (1984). Dissertations, Theses, and Masters Projects. Paper 1539625259. https://dx.doi.org/doi:10.21220/s2-6j1s-0j28 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. The Mystery of Evil // in Five Works by Graham Greene A Thesis Presented to The Faculty of the Department of English The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Stephen D. Arata 1984 APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree Master of Arts /;. WiaCe- Author Approved, September 1984 ABSTRACT Graham Greene's works in the 1930s reveal his obsession with the nature and source of evil in the world. The world for Greene is a sad and frightening place, where betrayal, injustice, and cruelty are the norm. His books of the 1930s, culminating in Brighton Rock (1938), are all, on some level, attempts to explain why this is so. -
Proquest Dissertations
A THESIS ON GRAHAM GREENS MASTER IN THE FICTIONAL STUDY OF EVIL By Sister Sadie Hedwig Neumann, S.G.M. Thesis presented to the Faculty of Arts of the TJniversity of Ottawa in view to obtaining the degree of Master of Arts. mmjw Saint Norbert, Manitoba, 1951 UMI Number: EC55492 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI® UMI Microform EC55492 Copyright 2011 by ProQuest LLC All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 ACKNOWLEDGMENT This thesis has been prepared under the direction of Reverend Father Rene Lavigne, O.M.I., Dean of the Faculty of Arts. The technique has been submitted to Mr. George Buxton, M.A., D.Lit., Director of the Department of English Literature, of the Faculty of Arts, University of Ottawa. To all who have offered their kind co-operation, we wish to express our thanks. TABLE OF CONTENTS Chapter page INTRODUCTION iv I.- BIOGRAPHY 1 Principal Works 8 II.- CATHOLIC PHILOSOPHY IN FICTION 9 III.- WRITING TECHNIQUE 16 IY.- INTERPRETATION OF OUR TIMES 26 V.- THE MAN WITHIN 41 71.- LESSER WORKS 52 1. -
An Inspector Calls Is Recommended for the Artistic Team Students in Grade 8 Director……………………….JIM MEZON and Higher
An Inspector by J.B. Priestley Calls ONNECTIONS Shaw Festival CStudy Guide The Shaw Story 2 The Players 3 The Story 4 Who’s Who 5 The Playwright 6-7 Director’s Notes 8 Designer’s Notes 9 Production History 10 World of the Play 11-15 Did You Know? 16 Say What? 17 Sources 18 Activities 18-29 Response Sheet 30 THE SHAW STORY MANDATE The Shaw Festival is the only theatre in the world which exclusively focuses on plays by Bernard Shaw and his contemporaries, including plays written or about the period of Shaw’s lifetime (1856 – 1950). The Shaw Festival’s mandate also includes: • Uncovered Gems – digging up undiscovered theatrical treasures, or plays which were considered major works when they were written but which have since been unjustly neglected • American Classics – we continue to celebrate the best of American theatre • Musicals – rarely-performed musical treats from the period of our mandate are re- discovered and returned to the stage WHAT MAKES • Canadian Work – to allow us to hear and promote our own stories, our own points SHAW SPECIAL of view about the mandate period. MEET THE COMPANY — OUR ENSEMBLE • Our Actors: All Shaw performers contribute to the sense of ensemble, much like the players in an orchestra. Often, smaller parts are played by actors who are leading performers in their own right, but in our “orchestra,” they support the central action helping to create a density of experiences that are both subtle and informative. • Our Designers: Every production that graces the Shaw Festival stages is built “from scratch,” from an original design.