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solely on the basis of merit; however, if number of factors, including which 1993 Annual essentially the same proposal is received topics were not covered in recent CAA from two or more individuals, prefer­ conferences. All other things being ence may be given to the individual equal, preference may be given to Conference from the region in which the the artists/scholars from the region in conference will be held. Where propos­ which the conference will be held. als overlap, the program chairs reserve the right to select the most considered version or, in some cases, to suggest a fusion of two or more versions from Art History Program he 1993 CAA annual conference among the proposals submitted. The Co-Chairs will be held in Seattle, Washing­ program chairs may invite submissions Martha Kingsbury, professor of art T ton, at the Seattle Sheraton. Ses­ from people who have not submitted history at the University of Washington, sions will run Thursday, February 4, proposals but :whose experience, Seattle, received her B.A. from the through Saturday, February 6. expertise, and outreach would, in the Unlversity of Chicago (1962) and her chairs' opinion, be important to shaping M.A. and Ph.D. in art history from an interesting and balanced program. In Harvard Unlversity (1963, 1969). She Proposal Submission doing so, program chairs will consider a received a postdoctoral fellowship from Guidelines Proposals for sessions should be submitted to the program chairs in the form of a one-to-two page letter I essay framing the topic of the session and explaining any special or timely significance it may have for a particular field and/ or discipline. When possible, outline potential panelists and proce­ dures. Explanatory or supportive materials may be included. Send a c.v., biographical statement, mailing address, and work and horne telephone num­ bers. Please enclose a self-addressed stamped postcard so that the chairs can acknowledge receipt of your proposal, and a SASE if you wish any materials returned. To summarize CAA procedures: Only proposals from members will be considered. No one may chair a session more than once every three years (for example, session chairs in 1993 can not have served as chairs in 1991 or 1992). Program chairs will make their selec­ Seattle, site althe 1993 CAA annual conference tions from among eligible proposals PHOTO: JAMES BELL CONTINUED ON PAGE 3 CAA Committee on Electronic 1993 Annual Conference New York University (1963, 1974). She Art History Co-Chairs Annual Information and ARLIS/NA Joint CONTINUED FROM PAGE 1 worked in publishing prior to taking up Contents Session. Call for papers on the uses of art history. As an art historian, she Program Statement electronic databases for research and the American Council of Learned The 1993 CAA annual conference will be Volume 16. Number 3 taught at Sarah Lawrence College before Conference teaching purposes. Sought are papers on Societies for a year's work in Paris. She going to the University of British the first held in the Pacific Northwest. It May/June 1991 the purposes and uses of databases and/ has been at the University of Washing­ Columbia in 1975. She has received will be an appropriate time and place to or interactive video disks created by ton since 1968 and has also taught at fellowships from the National Endow­ examine the outer boundaries and inner Update scholars, and the challenges of the future Reed College (humanities), at the ment for the Humanities and the Social contours of the discipline of art history. Art history in America is at least an 1 1993 Annual Conference of electronic manipulation of art­ University of Chicago (art history), and Sciences and Humanities Research historical data. Send abstracts to: Vir­ at Hiroshima University as a Fulbright Council of Canada, and has been a octogenarian now (the Art Bulletin began publication in 1913, eighty years before ginia Kerrf 305 Central Park, Wilmette, lecturer for a year (art history and visiting member at the Institute for the Seattle meeting and CAA was IL 60091; 708/251-2945; fax c/o Deiss American studies). Kingsbury's contri­ Advanced Study, Princeton, N.L and a f Annual Conference Update 2 708/491-5685. Deadline: June 30,1991. butions to 19th-century scholarship have summer fellow in Byzantine studies at organized in 1911-12). At the edge of a new century, the field confronts issues Sessions Added to appeared in the Art Bulletin, Art Quar­ Dumbarton Oaks, Washington, D.C. Her terly, Gazette des Beaux-Arts, Winterthur particular area of research is late and interrogates materials not originally CAANews 1992 CAA Program Portfolio, Artnews Annual, Art Journal, in its purview. Within a broad context, 5 Conference Position medieval and Renaissance sculpturef in Chicago the 1993 art history program seeks to Available and Artweek. Among her books and focusing on Venice, and she has pub­ "The Destruction of Cultural Property." highlight sessions that address aspects A person is sought to serve as assistant catalogues on 20th-century American art lished articles and reviews in the Art Chair: D. Fairchild Ruggles, Center for of "what art history has come to be as a Legal Update to the projectionist/usher coordinator are: Art of the Thirties (Henry Art Gallery, Bulletin, Burlington Magazine, Arte 6 Advanced Study in the Visual Arts, cultural practice, and how." for CAA's 1992 annual conference in University of Washington, 1972), Art of Veneta, Journal of Modern History, National Gallery of Art, Washington, Art history continuously redefines Chicago, to assist in recruitment, the Pacific Northwest (National Collection Renaissance Quarterly, and RACAR. Her DC 20565. Sponsored by the CAA itself in relation to other academic fields. training, and on-site coordination of all of Fine Arts, Smithsonian Institution, dissertation, The Area Fusari: The Building 7 Solo Exhibitions by Artist Members Committee for the Acquisition of But are there factors integral to art projectionists and ushers hired for 1974), Northwest Traditions (Seattle Art of a Triumphal Gateway in Fifteenth­ Cultural Properties. history that either subvert or aggrandize sessions. There will be 75 sessions, to be Museum, 1978), Art in Washington State: Century Venice, was published in the Art historians are accustomed to the impacts of various disciplines? Also, held at the Hilton Hotel and Towers, A History ofl00 Years (State of Washing­ Garland series of dissertations in the fine People in the News discussing the preservation of the past how have the goals and strategies of art 8 February 13-16, 1992. Three full days of ton, 1989), and George Tsutakawa arts (1976). Pincus is currently complet­ and the legacy of history. Often the history been affected by the technolo­ work are required during the confer­ (University of Washington, 1990). ing a study of the political and religious past's material relics survive by chance: gies-and economics-of, among other ence, plus a training session on the Debra Pincus is an associate imagery of the tombs of the doges of a textile used as a shroud in a sealed things, printing, photoreproductionf air 9 Programs, New & Revised evening of February 12, and the assistant professor at the University of British Venice during the late medieval and tomb, a collection of photographs travel, or computer databases? will be asked to provide local support Columbiaf Vancouver. She received her early Renaissance periods and will be preserved in an attic trunk, or a street Beyond the academic, how has art for the coordinator's recruitment B.A. from the University of Michigan, working next year on a study of the and all its bulldings preserved by a history structured itself in relation to Grants, Awards, & Honors activities during the four months Ann Arbor (1956), and her M.A. and patronage of the 14th-century Venetian 10 cascade of volcanic ash. However, for other cultural practices? Exactly how preceding the conference. Applicants Ph.D. from the Institute of Fine Arts, scholar-doge Andrea Dandolo. each monument, object, and cultural does it use, and servef the marketing of should have previous experience in artifact that survives, millions more art, the political and ethnic uses of art, projection and supervision and should Conferences & Symposia crumble and disintegrate. Unfortu­ the criticism of art, and, of course, the 11 be a Chicago area resident. Salary: $400 nately, some of those objects, though changing practices of art history-its plus a complimentary hotel room during treasured for their beauty or as historical authority and pronouncements, its the conference. Send a letter of interest Opportunities records, are destroyed as a result of training and accreditations, its rewards 12 to CAA's usher / projectionist coordina­ human violence. The political events of and stature-shaped either openly or tor: Vicki Toye, Program Assistant, Film, the past year have made us keenly covertly by pressures from those who Information Wanted National Gallery of Art, Washington, aware of the vulnerability of some of would own or make or simply see art? Datebook DC 20565. 14 humankind's most fragile and important We welcome the examination of works of art. Papers are encouraged that current issues of art history's practice address the issue of the destruction of and identity, and also of its evolution as 16 Classified Ads artifacts of the past not only in Iraq and Abstracts and a field. Kuwait during the present crisis, but in Cassette Tapes from The emphasis of the 1993 art history other times and places as well: Revolu­ program on "what art history has come CAA News, a publication of the 1990 Conference to be as a cultural practice, and how" College Art Association, is published tionary France, Iran, Europe and Japan Abstracts of papers presented at the 1991 six times a year. Material for in World War II, and Cambodia. Also CAA annual conference in Washington, will take place in the context of a variety inclusion should be addressed to: encouraged are papers discussing D.C., are still available. The 289-page of sessions focused in customary ways successful instances of intervention and on periods, regions, media, and issues. Editor volume, Abstracts and Program Statements protection. Sessions may be structured as individual CAANews Deadline for chair to receive 1991, covers both art history and studio 275 Seventh Avenue proposals for papers: August 1, 1991 (see art sessions. Copies may be ordered presentations, as presentations with New York, New York 10001 Announcement and Call for Participa­ from the CAA office for $16 ($17.50 commentary, as debates, as sequences of Telephone: 212/691-1051 tion, March/ April 1991 CAA News nonmembers). case studies, or other formats. insert, for guidelines for participation). Cassette tapes of many of the 1991 Send proposals to both co-chairs, at Editor-in-Chief Susan Ball sessions are available from Audio the following addresses: Martha Managing Editor Virginia Wageman Kingsbury, 1207 Northeast 107th St., Editor Nancy Boxenbaum Archives. See page 15 for an order form. Martha Kingsbury and Debra Pincus, art history program co-chairs, © 1991 College Art Association, Inc. 1993 CAA annual conference

2 CAANEWS MAY/JUNE 1991 CAA NHWS MAY /JUNE 1991 3

I Seattle, WA 98125; and Debra Pincus, examine the question of "the artist as past editor-in-chief; Keith Moxey, book University of British Columbia, Depart­ world citizen" and the expanding roles review editor; Nicholas Adams, ment of Fine Arts, 6333 Memorial Rd., CAA of the artist within these diverse monograph series editor; and Larry Vancouver, Be, Canada V6T 1Z2; after communities, For the 1993 studio art Silver, chair of CAA's Art Historians September 1, 1991: Center for Advanced panels, we propose a discussion of these News Committee) and three members from Study in the Visual Arts, National roles and related topics. We are espe­ the out-going editorial board (James Gallery of Art, Washington, DC 20565. cially interested in proposals that Marrow, Donald Posner, and Richard Deadline for program chairs to receive change the traditional structure of Spear). The new board, which will session proposals: September 1, 1991. panels and will try to negotiate appro­ serve from july 1991 through june -Martha Kingsbury and Debra Pincus 1994, is charged to study the future priate spaces for them when necessary. 1992CAA Some of the questions that have makeup of the Art Bulletin editorial emerged for possible panel topics within Awards Committees board and the governance of the Studio Art Program this theme are: What is the role of the Nominations are sought for the follow­ monograph series, submitting its Co-Chairs artist in political planning and the ing CAA awards to be presented at the recommendations to the Board of 1992 annual conference in Chicago: Directors by the autumn of 1993. Rita Robillard is a mixed-media artist economic structure of a city or rural Distinguished Teaching of Art History with B.A. and M.F.A. degrees from the community? Are artists a demographic Award; Distinguished Teaching of Art University of California, Berkeley, and is group that should participate and Award; Frank Jewett Mather Award; Millard Meiss a graduate of the Cooper Union in New contribute to a region's overall planning Arthur Kingsley Porter Prize; Artist Subsidies York City, her home town. Her prints effort (including such issues as zoning, Award for a Distinguished Body of The College Art Association, through and paintings have been in several solo housing, economics, waste disposal and Work, Exhibition, Presentation, or the Mlllard Meiss Publication Fund, exhibitions in California and Washing­ other environmental factors, etc,)? What Performance; Distinguished Artist provides grants for book-length ton and have been included in shows unique contributions do artists make in A ward for Lifetime Achievement; scholarly manuscripts that have been that have traveled to England, social services in and outside the Alfred H. Barr, jr. Award; Charles Rufus accepted by a publisher but that cannot Singapore, Germany, Japan, and Mexico institutions, i.e., teaching in correctional Morey Award; and CAA and National be published without a subsidy. Works as well as Sao Paulo, Brazil, where she institutions, working wit.h victims of Institute for Conservation Joint Award about all periods and all areas of art lived for three years. She has been a war and trauma; as visionaries in the for Distinction in Scholarship and history are eligible for Meiss grants, but visiting artist at the University of role of reclaiming or identifying cultural Conservation. awards are not given for catalogues, Hawaii, Trinity College in Connecticut, values; and in redefining the role of the A complete list of award commit­ excavation reports, articles, or and Scripps College in Claremont, Calif., academy within the larger community? Norie 5ato (Self·Portrait, 1978, tees and chairs will appear in the july / multiauthor volumes. Subsidy is and was a recent resident of the Dorland What effect does this broad social slow-scan image), studio art August newsletter. Nominations for interpreted to mean less than the total Mountain Arts Colony in Temecula, program co-chair, 1993 CAA construct have for the individual studio Commission; and a member of the award recipients should be sent c/ a costs of production, that is, a substantial California. annual conference artist? How can the fragile development Seattle Planning Commission, where she committee chair to College Art Associa­ portion of production costs must be met She is currently on the faculty of worked with issues of city-wide concern of the individual artist be supported and what form does the artist/ entrepreneur tion, 275 Seventh Ave., New York, by the publisher or from other sources. Washington State University in Pull­ University of California at Davis. She such as zoning, land-use planning, and take within his or her community? NY 10001. Deadline for nominations: Although applicants for Meiss grants man, which is an agriculhrral region, has been an active member of the housing. She is a board member and We are also interested in the October 1, 1991. must be CAA members, applications are and previously taught at the San Women's Caucus for Art since 1978. Her chair of the Visual Arts Committee of changing roles of the artist in the use of submitted by publishers, not authors. Francisco Art Institute and at the current community activities and the Western States Arts Federation in technology, How can artists participate Commercial as well as university artwork are focused on being a Santa Fe, a regional arts organization downwinder to the Hanford Nuclear in the development of high technology Art Bulletin presses are eligible. Deadlines for that includes twelve Western states applications are March 1 and October 1 Reservation to the west and living just Sato has taught at the Cornish tools? Is there a role for artists that Editorial Board east of the Idaho National Engineering should be considered by high technol­ Reorganizes of each year, Application forms are College of the Arts and Western available from the CAA office. Laboratory. Washington University, and has been an ogy companies? Is there a new direction A new Art Bulletin editorial board has for educational connections between Norie Sato is a visual and media artist-in-residence at the University of been appointed in response to the aim of artists and high technology or a role in artist living and working in Seattle. Her Oregon, Washington State University, the College Art Association to have all international communications? What are Address Changes works on paper, glass, video, and Pi1chuk Glass School, School of the Art of its major committees and boards the aesthetic implications of new Permanent address changes should be computer have been shown extensively, Institute of Chicago, and Brandywine rotating and broadly representative of sent to the CAA office as soon as including solo exhibitions at the Linda Workshop in Philadelphia. technologies? its membership, A call for nominations Farris Gallery, which represents her We look forward to creative and and self-nominations for the four possible, but at least six to eight weeks work in Seattle, Reed College in broad interpretations of this theme and positions at-large appeared in the prior to the move. Please do not submit are hoping to expand our understanding temporary summer or one-term (six Portland, the Vancouver Art Gallery, The Artist as November/December 1990 issue of CAA and the Seattle Art Museum, Her work of artists' roles and involvement in the News. From that pool, Henry Drewal months or less) address changes. By the also includes public art projects in World Citizen world through this process. (University of Wisconsin), Lawrence time the change is entered on the Seattle, Vancouver, the new Denver The Pacific Northwest is a region of Send proposals to: Rita Robillard, Nees (University of Delaware), Patricia computer, you will have returned to airport, and the Dallas Convention beautiful and varied landscape coupled Washington State University, Fine Arts Mainardi (Brooklyn College and the where you previously resided, Center. with influences of Native American and Dept., Pullman, WA 99164; 509/335- Graduate Center of the City University For members whose addresses are In addition to her artwork, she has Pacific/ Asian cultures. Seattle's recent 8686; fax 509/335-8986. of New York), and Annabel Wharton changing from domestic to foreign, been active in Seattle as a visual/media history shows an activist artist commu­ Deadline for program chairs to receive (Duke University) were selected to join please contact the CAA office to director for and/or, an artist-run organi­ nity with an innovative and influential session proposals: September 1, 1991. five ex-officio members (Richard determine additional postage charges. zation; a board member and founder of public art program and artists involved -Rita Robillard and Norie Sato Brilliant, editor-in-chief; Walter Cahn, Rita Robillard, studio art the Center on Contemporary Art at many levels of city structure. The program co-chair, 1993 CAA annual conference (COCA); a member of the Seattle Arts region offers a unique location to

4 CAANEWS MAY/JUNH1991 CAANEWS MAY/JUNE1991 5 righted work. "Koons' sculpture does standards of decency" is vague and an Legal Update not criticize or comment upon Rogers' impermissible content-based restriction. photograph. It simply appropriates it." A lawsuit brought by art scholars Solo Applying the four factors, the court Dore Ashton, Max Kozloff, and Lucy ... and the found that the commercial nature of Lippard, the Elaine Benson Gallery, and Exhibitions Koons's work, the creative rather than others against the director of the Office factual nature of Rogers's work, Koons's of Foreign Assets Control has also been Winner Is appropriation of the entire photograph, resolved in favor of the plaintiffs. The by Artist and that Koons's use impacted upon plaintiffs wished to purchase from Rogers's potential markets precluded a Cuban nationals or take on consignment finding of fair use. from Cuban nationals, paintings, Members n this column I will discuss several Several recent cases highlight a drawings, and sculpture by Cuban recent decisions and developments constant theme in my previous col­ artists. They were prevented from doing umns-freedom of artistic expression Only artists who are CAA members are included I that have been the subject of prior so by a Treasury Department prohibi­ in this listing. When submitting information, legal update columns in this newsletter. and government censorship of the arts. tion against U.s. nationals engaging in include name of artist, gal/ery or museum name, To follow up on a case I referred to On January 9,1991, Los Angeles Federal transactions of Cuban works of art. In city, dates of exhibition, medium. Please indicate in the September/October 1990 CAA District Court Judge John G. Davies, in August 1988 Congress passed the free CAA membership. News, Federal District Court Judge the case of Bella Lewitisky et al. v. the trade in ideas, or Berman Amendment. Photographs are welcome but will be used only if space allows. Photographs cannot be returned. Charles S. Haight has recently ruled that National Endowment for the Arts, struck Congress' purpose in the Berman Jeff Koons's polychromed wood String down the National Endowment for the Amendment was to eliminate any of Puppies infringed on professional pho­ Arts "obscenity pledge" as "the type of restriction on the flow of information ABROAD/ tographer Art Rogers's Puppies. Judge obstacle in the path of the exercise of protected by the First Amendment. Rupert Garcia. El Centro Cultural/ Arte Haight stated: "Koons' reproduction of fundamental speech rights that the Nevertheless, the U.s. Treasury Depart­ constitution will not tolerate." He noted Contemporaneo, Polanco, Mexico. "Grabados y the Rogers photograph in sculpture ment singled out Cuban works for Carteles, 1967-1990." form does not preclude a finding of the importance of the role of the NEA prohibition. The plaintiffs successfully copyright infringement. The Copyright and the impact on an organization's challenged the discrimination on Act, 17 U.s.c. section 106, confers upon ability to receive future funds if it fails constitutional and Administrative MIDWEST/ P. Lynn Cox. Frohring Art Center, Hiram the copyright owner the exclusive rights to sign an oath. Another problem with Procedure Act grounds. College, Ohio, February 1991. Paintings and the obscenity pledge, according to Judge As noted in my last column to do and to authorize, 'inter alia, the folding screens. preparation of derivative works ... .' Davies, is that the role of the NEA as (January /February 1991), after six years Muriel Magenta. Kansas City Art Institute, Koons' sculpture is a derivative work arbiter of obscenity is inconsistent with of consideration Congress finally Supreme Court rulings that impose rigid Kansas City, Mo., February 16-March 15, 1991. based upon Rogers' photograph.... enacted the Visual Artists' Rights Act "Coiffure Carnival." There is no question that 'an average lay procedural safeguards and standards. (VARA) of 1990. VARA amends the Jim Nickel. Atrium Gallery, st. Louis, March 22- (A case brought by the New School for copyright law and grants to visual observer' would recognize the sculpture April 27, 1991. Sculpture. 'String of Puppies' as having been Social Research in New York, which artists limited rights of attribution and raised similar issues, has also been integrity. VARA aims to protect original Howardena Pindell. G. R. N'Namdi Gallery, appropriated from the photograph Birmingham, Mich., March I-April 13, 1991. 'Puppies.' II settled, with the NEA agreeing not to art works from intentionally or care­ Koons argued that his use of eruorce the obscenity pledge.) lessly inflicted damage. The legislation Rogers's photograph constituted fair use. The Lewitisky decision is a major creates a uniform standard for protect­ The fair-use doctrine -is the subject of victory for artistic freedom of expression ing artists' rights, often referred to as considerable debate. Fair use is a priv­ and should serve as precedent for a case "moral rights." V ARA does not apply to ilege that permits use of the copyrighted filed in Los Angeles on March 18, 1991, all works of art, only to those defined in work without permission of the copy­ by Karen Finley, John Fleck, Holly the legislation (a painting, drawing, right holder. Congress, in enacting sec­ Hughes, Tim Miller, and the National print, or sculpture existing in a single tion 107, provided examples of fair use Association of Artists' Organizations copy or a limited edition of 200 or less, (NAAO) against the NEA. The lawsuit and the factors to be considered in de­ signed and consecutively numbered). Audrey Flack, Civitas (detail), termining whether a particular case falls challenges the denial by the NEA of The definition limits the grant of rights 1991, bronze, 12' high, 1 of 5 within the doctrine. The examples in­ funding to the plaintiffs after they had to claims concerning only the original versions commissioned by been unanimously recommended for work and does not protect the artistic City of Rock Hill, S.C. clude "criticism, comment, news report­ COURTESY LOUIS K. MEISEL GALLERY, NEW YORK ing, teaching, and scholarship." The four funding by NEA's peer review panel. image or any reproduction. Under The artists allege, inter alia, that the NEA VARA the rights created are not nonexclusive factors that a court must Fern Shaffer. Artemisia Gallery, Chicago, May violated their First Amendment rights Judy Cuttler. Bowery Gallery, New York, April consider are: (1) purpose and character transferable, but may be waived in a I-June 1, 1991. "Greenhouse Effect," paintings 12-May 12, 1991. Paintings. by denying their applications on contract. Fortunately, such a waiver and installation. of the use; (2) nature of the copyrighted Karen Erla. Queens College Art Center, impermissible political grounds and by must be in writing and must specifically work; (3) the amount and substantiality Flushing, N.Y., April3-May 1, 1991. Works on failing to adhere to procedural safe­ identify the work and the uses of the of the portion used; and (4) the effect on NORTHEAST/ paper. the market. Koons argued that his sculp­ guards mandated by the First Amend­ work by the owner to which the waiver Carolyn Arnold. South Central Community ment. The artists and NAAO also Henry Finkelstein. Prince Street Gallery, New ture is a satirical comment on contempo­ applies. VARA takes effect June 1991. College Gallery, New Haven, Conn., April 9- York, March 22-Aprill0, 1991. Paintings. challenge the constitutionality of the Artists are nevertheless advised that May 3, 1991. Paintings. rary values. Judge Haight found that Audrey Flack. Louis K Meisel Gallery, New 1990 amendment to the reauthorization their "moral rights" may still be best Koons's sculpture does not fall within Banerjee. Bertha Urdang Gallery, New York, York, April 27-July 12, 1991. "A Pantheon of of the NEA requiring that "general protected by a contract. This is particu­ Rupert Garcia, Frida Kahlo, any statutory examples, since "criti­ 1975, silkscreen, 23" x 171/2" February 5-March 3, 1991. "Carbontransfers." Female Deities." standards of decency" be considered in larly so with site-specific art works. cism" as used in section 107 refers to ACHENBACH FOUNDATION FOR GRAPHIC ARTS. Michael Chelminski. Blue Mountain, New Sharon Gold. Stephen Rosenberg Gallery, New the awards of all federally funded arts FINE ARTS MUSEUMS OF SAN FRANCISCO usage specifically addressed to a copy- -Barbara Hoffman, CAA Honorary PHOTO: LEE FATHERREE York, April 12-May 1, 1991. "Lake Champlain York, Aprn9-May 4,1991. grants. They contend that "general Counsel Series."

6 CAANEWS MAY/JUNE 1991 CAANEWS MAY/JUNE 1991 7 of architecrnre and landscape architechlre. Museums and Galleries Beginning in 1963 he was the chair of the Programs, People in Department of Art History for 15 years. He Trevor Fairbrother has been named Beal published extensively and was active in historic Curator of Contemporary Art at the Museum of preservation. After receiving a B.S. in architec­ Fine Arts, Boston. He had been acting curator in the News ture from Pennsylvania State College in 1935, he New & the Department of Contemporary Art at the got his master's in architecture from Harvard museum. University in 1937. He has received numerous honors, including American Institute of Revised Stephen Fleischman has been appointed di­ Architects awards, a Fulbright lecturer award, rector of the Madison Art Center, Madison, Wis. In Memoriam and the Distinguished Preservationist Award by He was previously director of program planning ------the Historic Preservation League of Oregon. A at the Walker Art Center in Minneapolis. reading room is named in his honor at the Warren Chappell, a book illustrator and graphic University of Oregon. Genetta Gardner is the director of the Bates artist, died March 26,1991, at age 86. A graduate College Museum of Art, Lewiston, Maine. She of the University of Richmond, he also studied Albert W. Wein, sculptor, died March 30, 1991. was formerly associate curator of paintings and The Association of Sculpture and Engineering at the Art Students League in New York, where He was 75. In 1973 he sculpted the largest sculpture at the Cincinnati Art Museum. Technologies has been formed to examine the he went on to teach. In 1978 he became artist-in­ granite bas-relief in the United States on the relationships between sculpture and engineer­ residence at the University of Virginia. Chappell, Libby Dam in Montana, a joint project of the Charles Parkhurst has been appointed interim ing-to foster relations between artists and along with illustrating numerous books on United States and Canada. He was awarded director and chief curator of the Smith College engineers; to celebrate the development of typography and literature, designed the gold medals from the National Sculpture Society Museum of Art, Northampton, Mass. He was innovative engineering technologies and the art typefaces Lydian and Trajanus. and the National Academy of Design. He previously assistant director and chief curator of that explores them; and to disseminate designed engraved glass for the Steuben the National Gallery of Art in Washington, D.C. information through meetings, exhibitions, and Gerald Cramer, an art dealer and publisher, division of the Coming Glass Company and the publications. For the continued success of the died March 17, 1991. He was 74. He ran Galerie Douglas Kenney, Sculpture #SC2, Dimitri Hadzi, Helmet Bell, 1990, Penguin House for the Bronx Zoo. Paul Perrot has been named director of the association, it is seeking innovative engineers as Gerald Cramer in Geneva, Switzerland, from 1990, saggerwfired ceramics, bronze, 30" x 19" x 11 3/4" Santa Barbara Museum of Art. He was formerly participants, speakers, and delegates; works in COURTESY LOUIS NEWMAN GALLERIES, BEVERLY HILLS 1942 to 1983, where he published books and 24" x 19" x 12" Frances Weitzenhoffer, an art historian and director of the Virginia Museum of Fine Arts. engineering and art relevant to its mission; and print editions. editor specializing in Impressionist painting, Perrot succeeds Richard V. West, who retired in sponsorship from companies seeking a high died March 10,1991, at age 46. She acted as a January 1991. profile for innovative engineering achievements. LeU Melgaard, artist, died March 9, 1991, at the consultant to Christie's auction house and was Kim E. Tester. John Lyman Center Gallery, For information: Colin Sanderson, Kirktonhill, Daniel Heyman. Upper Jewett Exhibition age of 92, His wood carvings are in numerous chair of the committee that is working on a Southern COIUlecticut State University, New Ted Potter, director of the Southeastern Center Ratho, Newbridge, Midlothian EH28 8RU, Corridor, Hopkins Center, Dartmouth College, public collections. In 1985 he received the revised edition of Adelyn Breeskin's catalogue Haven, Conn., April 1-30, 1991. "Environmental for Contemporary Art, is retiring. He has been Scotland. Hanover, N.H., March S-April19, 1991. National Heritage Award from the National raisonne of Mary Cassatt. Educated at the apPOinted the institution's director emerihts. "Alumni Series." Images," dra~ings and prints. Endowment for the Arts. University of Pennsylvania and Columbia The Bibliography of the History of Art is a new Leland Wallin. Gallery Henoch, New York, Nicholas Hill. Greene Art Gallery, Guilford, University, she went on to earn her Ph.D, from Nicholas Reeves has been appointed director of abstracting service for current art-historical April 6-27, 1991. "Tabletop Toys and Bernard Rosenquit died March 8, 1991, at age COIUl., May 1991. Paintings. City University of New York. She also studied at the gallery Daedalus Europe in Berkshire, literature. All types of publications will be Toyscapes," paintings. 68. An artist best known for his woodcuts and the Ecole du Louvre in Paris and was an England. He was formerly curator in the surveyed, including 4,000 periodicals and Douglas Kenney. Gallery Authentique, Roslyn, paintings, his work is in the collections of, instructor at Queens College. Deparhnent of Egyptian Antiquities in the selected art dealers' catalogues. There will be an N.Y., May 3-June 1, 1991. Ceramics. among others, the Metropolitan Museum of Art, British Museum, London. estimated 24,000 references each year. BHA has Ann Elizabeth P. Nash. Little Gallery, Nazareth WEST/ the Brooklyn Museum of Art, the New York Ronald Wogaman, former director of the South a new computer system that differentiates College, Rochester, N.Y., April 1991. "Second Les Barta. Erb Memorial Union Gallery, Public Library, the Smithsonian Institution, the Street Seaport Museum in New York, died Kathleen Whitaker has been named chief between references of major and minor Room." University of Oregon, Eugene, May 6-June 14, San Diego Museum of Art, Bryn Mawr College, March 23, 1991, of AIDS. He was 40. In 1980 he curator of the Southwest Museum in Los importance to a particular topic, employs a new 1991. Photocollages. and the Victoria and Albert Museum in London. Barbara Nessim. Rempire Fine Art and Gallery, became head of the history division at the Angeles. She has been assistant professor of bibliographic format based on international New York, April II-May 11, 1991- and traveling. Julia Couzens. Christopher Grimes Gallery, Oakland Museum in California. He joined the anthropology at California State University in standards, and is published quarterly. For Marion Dean Ross died April 1, 1991. A "Random Access Memories," computer art. Santa Monica, Calif., April4-May 18, 1991. South Street Seaport Museum in 1986, where he San Bernardino and professor of anthropology information: Getty Art History Information professor at the University of Oregon, where he "Being Exposed: Mortal Lessons," drawings. worked for two years until he became ill. at Crafton Hills College. Program, Sterling and Francine Clark Art Mimi Oritsky. Amos Eno Gallery, New York, joined the faculty in 1947, he taught the history May 11-30, 1991. Paintings and works on paper. Dimitri Hadzi. Louis Newman Galleries, Institute, Williamstown, MA 01267; 413/458- Beverly Hills, Calif., March 28-April11, 1991. 8260; fax 413/458-8503. Florence Putterman. Payne GaJlery, Moravian Sculpture. Academe Organization College, Bethlehem, Pa., February 7-March 3, The Detroit Institute of Arts has announced Glenn Hirsch. Mace Space for Art, San 1991. "A Twenty-Year Survey, 1970-1990." Anthony Alofsin is director of the Center for that, due to budgetary constraints, the Francisco, through April 13, 1991. "Biomorphic Susannah Simpson Kent is the director of the Lynn Sloan-Theodore. Photography Center American Architecture and Design at the School museum's over 100 galleries will be divided into Fantasies," paintings. Institute of Museum Services. She is currently on Gallery, 92nd Street Y, New York, April I-May of Architecture, University of Texas at Austin. a leave of absence from the Graduate School of two areas, with one area to be open only Michael Wright. City Council Chambers 2,1991. "Faces of AIDS." Museum Studies at George Washington mornings, the other only afternoons. Gallery, Buena Park, Calif., April 1-26, 1991. Paul Suttman. Philippe Staib Gallery, New The Kansas City Art Institute announces that University. Computer art. The M. H. de Young Memorial Museum in San York, March 14-April20, 1991. "The Master­ the following associate professors have been Francisco has opened a permanent gallery Pieces, 1981-1991," sculpture. promoted to the status of professor: Richard Anderson, liberal arts; Milton Katz, chair, devoted to the art of sub-Saharan Africa. The liberal arts; Jane Lackey, chair, fiber; Jack Lew, gallery is the first step in a long-term expansion chair, design; Warren Rosser, chair, painting of museum resources devoted to the traditional and printmaking; and Gary Sutton, photogra­ art of Africa, the Americas, and the islands of the phy and video. Pacific.

David D. Nolta has been appointed to the The Busch-Reisinger Museum, Harvard faculty of the Visual Arts Department, College of University, will move to a new location, the the Holy Cross, Worcester, Mass. second floor of Werner Otto Hall adjacent to the Fogg Art Museum, in October 1991. The Paul Rinaldi has been appointed to the faculty museum, founded in 1901, is dedicated to promoting the enjoyment, study, and under­ Marion Dean Ross, 1913-1991 of the American University in Cairo, where he PHOTO: PAUL NEEVEL will teach studio art and art history. standing of the art of German-speaking Europe.

CAANEWS MAY/JUNE 1991 9 8 CAANEWS MAY/JUNE1991 • International Parhterships among Museums Ann Elizabeth P. Nash has been awarded an emphasize cross-diSciplinary and cross-cultural provides American and foreign museums with Individual Artist Grant from Artists Space, New Historical Self-Consciousness, November 2-3, approaches. For information: Allen F. Roberts, the opportunity to establish interinstitutional Grants, York. Conferences 1991. Submit abstracts or papers to: Program for Anthropology Dept., McBride Hall, University ties by developing and conducting joint or Modern Studies, W35 AB, School of Art and Art of Iowa, Iowa City, IA 52242. Deadline: October 1, complementary projects. Projects may involve Constance Laundon Pierce, teacher at the History, University of Iowa, Iowa City, IA 52242. 1991, for paper proposals. Deadline: September 15, 1991. educational programs, exhibition design, Awards, & Cleveland Institute of Art, has been selected as & Symposia community outreach, conservation, or exhibition 1990-91 artist-in-residence at the Center for Arts The Art Libraries Society's Western New York development. The goal of the program is to and Religion in Washington, nc. Pierce was chapter is organizing a session on "The Arts and To Attend establish mutually beneficial, sustainable Honors also honored with a letter of special recognition Crafts Movement in Western New York: linkages between foreign and American from the House of Representatives of the 118th Tradition and Resources," for the 1992 ARLIS museums with similar missions. For informa­ General Assembly of Ohio for Outstanding Mistaken Identities: Examining Artists' conference in Chicago. Send proposals to: tion: Department of International Programs, Achievement. Calls for Papers Stereotypes is a symposium to be held June 23, Publication policy: Only grants, awards, or honors Stephanie Frontz, Art Librarian, University of American Association of Museums, 1225 Eye St., 1991, at the DeCordova Museum and Sculpture received by individual or institutional members of the Rochester, Rochester, NY 14627; 716/275-4476; NW, Washington, DC 20005; 202/289-1818. W. Jackson Rushing, assistant professor at the The Arts Council of the African Studies Park. The program is geared toward challenging College Art Association are listed. The grant/award/ fax 716/473-1906. Deadline: July 1, 1991. Deadline for applications to participate in the honor amount is not included. Please note the University of Missouri in St. Louis, has received Association will hold its 9th Triermial Sympo­ the myth that artists are stranger than other program for 1991-93: June 1,1991. a 1991 National Endowment for the Humanities sium on African Art, April 23-25, 1992, at the individuals. For information: DeCordova following format: The University of Iowa's Program for Modern Summer Stipend for a book project titled University of Iowa and the Museum of Art, both Museum and Sculpture Park, Sandy Pond Rd., Individual members: cite name, institutional Studies will host its graduate student confer­ The Pierpont Morgan Library has undertaken a Transformations in Native American Art since 1960. in Iowa City. Paper proposals from all Lincoln, MA 01773; 617 i259-8355. affiliation, and title of the grant, award, or h01lOr. ence, focusing on the theme of Modernism and comprehensive expansion and renovation Institutional members: cite name of organization, disciplines are welcome, especially those that project to be completed by October 1991. The title of the grant, award, or honor, and (optional) The J. Paul Getty Museum, Malibu, Calif., has New Forms in Willow is a conference on crafts, plan includes the creation of an education use or purpose of grant. Please indicate that you armounced that the following individuals will fiber sculpture, and the environment, July 5-7, center, permanent collections galleries, are a CAA member. participate in their 1991-92 Guest Scholar 1991, Ness Gardens, Wirral, Cheshire, England. reinstallation of the period rooms, construction Residency Program: Maryan Ainsworth, For information send SASE to: Celia Lamer, of a garden court, and increased handicapped Metropolitan Museum of Art; J. Robert Guy, Projects Environment, 11, Higher Downs, accessibility. Princeton University Art Museum; William B. Altrincham, Cheshire WA142QL, England; 061 Jordan, independent scholar, Dallas; Anne 9281966. The University of Delaware has announced a Dennis Barrie, director of the Contemporary Korteweg, Royal Library, The Hague; Anna Art in the Rural Society is the theme of a doctoral program in art conservation research, Arts Center in Cincinnati, has received the Maria Massinelli, independent scholar, conference to be held at Murray State Univer­ which will link modem scientific technology Cheek Award for Outstanding Presentation of Florence; Philippe Neagu, Musee d'Orsay, Paris; sity, July 19-20, 1991. Participants will explore with art and humanities. Chandra Reedy, a the Arts. John Reeve, British Museum, London; Luigi conservation scientist for the Los Angeles Spezzaferro, Universita degli Studi di Roma, the relationships between arts organizations and agencies, artists, and the public. The goal is to County Museum of Art, has joined Delaware's Linda Butti, adjunct assistant professor of art at "La Sapienza," Rome; and Yuna Zeck, State help the arts flourish in rural areas. Topics faculty and will coordinate the curriculum for st. John's University and Seton-Iona College, Hermitage Museum, Leningrad. include social issues of art in rural life, economic the new program. received a Staten Island Council on the Arts impact of the arts, artistic quality, ethnic Grant to develop an art workshop for battered The J. Paul Getty Museum has announced the representation, and artists' rights. For informa­ The Visual Artist Infonnation Hotline, 1-8001 women at the Victim Services Agency in New participants in its 1991-92 Visiting Conservator tion: Eagle Gallery, 4th fl., Price Doyle Fine Arts 232-2789, provides information on and referral York. ReSidency Program: Anne Cartier-Bresson, to organizations with funding, insurance, health Atelier de Restauration des Photographies, Center, Murray State University, Murray, KY 42071; 502/762-3052. services, legal assistance, colonies/residencies, Lynn Cox, assistant professor of fine art at Paris; Paul Mitchell, Paul Mitchell Limited, and public art programs for visual artists. London; Robert Fuchs, Forschungsstelle flir Westminster College, New Wilmington, Pa., The 9th Annual Conference on Textiles, to be Individuals can call toll free from anywhere in received a Fulbright Research Grant for summer Technik mittelalterlicher Buchmalerei, Germany; held July 19-21, 1991, at Purdue University, the United States to reach the Arts Resource 1991. Cox will produce a series of Icelandic Doris Oltrogge, Restaurierung und West Lafayette, Ind., is an interdisciplinary Consortium Library in New York City. The landscapes, which will then be organized for an Konservierung von Schriftgut, Graphik und forum on the history, theory, practice, and library's staff will give details on local and exhibition and catalogue. Buchmalerei, Germany; Robert Futernick, Fine development of textile knowledge and in the art national sources of information and assistance. Arts Museums of San Francisco; Pierre Ramond, of textile making. For information: Lisa Lee Robert Cronin of Cormecticut has been awarded L'Ecole BOlilie, Paris; and Dan Kushel, State Peterson, CA Dept., 317/494-3062; or Cherilyn University College at Buffalo. an Individual Support Grant from the Adolph Nelson, CSR Dept., 317 /494-8613; Purdue and Esther Gottlieb Foundation. University, West Lafayette, IN 47907. The John Simon Guggenheim Memorial Foundation has announced the recipients of its Cynthia M. Dantzic, professor of art at Long The Center for Critical Thinking and Moral Island University, Brooklyn, N.Y., has won the 1991 fellowships, and the following CAA Critique will hold its 11th armual conference on Trustees Award for Scholarly Achievement for members have been thus honored: Janet critical thinking and educational reform, Sono­ Abramowicz, artist, New York City, and senior her book Design Dimensions: An Introduction to ma State University, Calif., August 4-7, 1991. lecturer on fine arts, Harvard University: a study the Visual Surface. The theme is 'Teaching Students Intellectual of Morandi's still-life paintings; Jonathan Standards They Can Use to Reason Persuasively, Lois Marie Fink, curator of research at the Knight Crary, assistant professor of art history, Master Content, and DiScipline Their Minds." National Museum of American Art, was Barnard College, Columbia University: the crisis For information: Center for Critical Thinking in perception, 1880-1900; Harmony Hammond, awarded Honorable Mention for 1990 by the and Moral Critique, Sonoma State University, artist, Galisteo, N.Mex., and professor of art, Professional and Scholarly Publishing Division Rohnert Park, CA 94928; 707/664-2940. of the Association of American Publishers in the University of Arizona: visual art; Michael Ann Holly, associate professor of art history, category of arts, literahlre, and language for her The 18th International Congress of Byzantine book University of Rochester: studies in the histOriog­ American Art at the Nineteenth-Centul1J Paris Studies is scheduled to meet in Moscow, August raphy of Renaissance art; Molly Nesbit, Salons. 7-14,1991. For information: George Majeska, assistant professor of art history, Barnard U.S. National Committee, Dept. of History, Uni­ Katia Gushue, an artist-teacher at Vermont College, Columbia University: the language of versity of Maryland, College Park, MD 20742. College, has been awarded free studio space in industry; and Thomas Roma, photographer, and New York for a year by the Marie Walsh Sharpe instructor in photography, School of Visual Arts: photography. Art Foundation. Zuni Kachina Doll, in "Objects of Myth and Memory," Brooklyn Museum, New York MUSEUM EXPEOITiON 1903. MUSEUM COLLECTION FUND, BROOKLYN MUSEUM

10 CAA NEWS MAY IJUNE 1991 CAANEWS MAY/JUNE1991 11 Music and Narrative in Medieval Romance: Applicants must have received the Ph.D. offers at least 3 professionally organized exhibi­ and contact information. Each publication is The National Endowment for the Humanities The Poetics of Lyric Insertions is an interdisci~ between January 1, 1985, and July 1, 1992. The tions per year and/or includes exhibition as at $159.95. To order: Customer Service, R. R. has fellowships available for individuals to plinary conference examining romances with Opportun ities stipend is $32,500, half for independent research least 50 percent of its annual programming, and Bowker Company, PO Box 31, New Providence, pursue advanced study and research in lyric insertions and the conceptions governing and half for teaching in the undergraduate is an artist-run or small to mid-sized contempo­ NJ 07974; 800/521-8110; fax 908/665-6688. disciplines of the humanities. NEH Summer their production and reception. The conference, program in general education. Additional funds rary arts organization. For information: Mid Stipends support 2 months of full-time study sponsored by Mount Holyoke College, are available to support research. For informa­ Atlantic Arts Foundation, 11 E. Chase St., Suite The Artist's Friendly Legal Guide is a and research. Faculty members of colleges and University of Illinois-Chicago, and Northern tion: Director, Society of Fellows in the 2A, Baltimore, MD 21202; 301/539-6656. comprehensive guide to questions about universities in the United States must be illinois University, will be held October 4--5, Humanities, Columbia UniverSity, Box 100 copyright, reproduction rights, contracts, ethical nominated by their institution, which can 1991. For information: Center for Renaissance Calls for Entries Central Mail Rm., New York, NY 10027. The Pollock-Krasner Foundation awards grants standards, recordkeeping, and taxes. The book nominate up to three applicants. Individuals in Studies, Newberry Library, 60 W. Walton St., Deadline: October 15, 1991. to professional artists for their personal, includes checklists and samples of contracts, nonteaching capacities at colleges and universi­ Chicago, IL 60610; 312/943-9090. Listings have not been screened, so artists should professional, and medical needs. The amount of invoices, purchase orders, and tax forms. To consider making inquiries before submitting ties or individuals with no such affiliation may The Institute for Advanced Study offers the grant depends on the artist's situation. Equal order send $18.95 plus $3 postage and handling apply directly. Travel to Collections Grants The 28th International Congress of the History materials, particularly when a large fee is required. research fellowships of one or two terms for weight is given to the artistic merit and financial to: North Light Books, 1507 Dana Ave., assist individuals in traveling to use research of Art will be held in Berlin, July 15-20, 1992. Due to limited space, the names of jurors have not 1992-93 in the School of Historical Studies, need of the applicant. Grants range from $2,000 Cincinnati, OH 45207; 800/289-0963. collections of libraries, archives, museums, or The theme is artistic exchange, with sessions been listed. which is concerned with the history of Western to $20,000. For information: Pollock-Krasner other repositories. Awards help defray research devoted to critical aspects of cultural and and Near Eastern civilization. A limited number Foundation, PO Box 4957, New York, NY 10185; The Artists' Guide to Philadelphia provides expenses such as transportation, subsistence, methodological interaction. For infonnation: Materials: Hard and Soft is accepting entries in of memberships are funded by the Andrew W. 212/517-5400. comprehensive descriptions of art galleries, lodging, photoduplication, and other reproduc­ Thomas W. Gaehtgens, Kunsthistorisches the craft media such as metal, wood, clay, fiber, Mellon Foundation for scholars who participate exhibition opportunities, and resources in the tion costs. For information: Division of Institut der Freien Universihit, Morgen­ glass, or paper. All work must have been in a program of seminars on the theme of greater Philadelphia region including Bucks Fellowships and Seminars, Rm. 316, National sternstraEe 2-3, 1000 Berlin 45, Germany; (030) completed within the past two years. Send no Culture and the Church. A Ph.D. or the County, Allentown, and Bethlehem. The guide Endowment for the Humanities, 1100 Pennsyl­ Calls for Manuscripts 77303-116/120/129; fax (030) 773 03 110. more than 3 slides, labeled, and indicate which equivalent and substantial publications are includes information about annual exhibitions, works are not for sale. Two-dimensional works vania Ave., NW, Washington, DC 20506. required of all candidates. Two-year member­ Art Journal is seeking articles for an issue slide regisbies, arts organizations, and support must not exceed 10 feet in any direction, and Deadlines: Travel to Collections: July 15, 1991, for ships for 1992-94 are also available in the School Objects of Myth and Memory, an exhibition of tentatively titled "Collaborations between Visual services for the visual arts community. To order wall-mounted pieces are limited to 75 pounds. travel after December 1, 1991; NEH Summer of Historical Studies to assistant professors in American Indian art at the Brooklyn Museum, Artists and Poets." The issue will examine the send $11 to: Artists' Guide, PO Box 8755, There will be cash awards. $20 entry fee. For Stipends: October 1, 1991, for summer 1992. the disciplines represented by the school-Greek will include a symposium that will examine varying ways in which exchanges between Philadelphia, PA 19101. information: Materials; Hard and Soft, Greater and Roman civilization, the history of Europe, intellectual and ethical questions about writers and painters confound canonical Denton Arts Council, 207 S. Bell Ave., Denton, The Aaron Siskind Foundation has grants Islamic culture, and the history of art. At the ethnological collecting and early museum assumptions about originality and authorship. The Directory of Computer and High TX 76201. Deadline: June 15, 1991. available up to $5,000 each for work in time of their arrival, members must have served representations of American Indian cultures. Articles should be theoretical and can be Technology Grants lists funding sources for photography and related fields. Students are not at least two and not more than four years as The symposium will be held October 26, 1991. interdisciplinary in orientation and address computers, software, and high-tech related The Mask 1991 is a juried competition eligible. Additional funds are available to assistant professors in institutions of higher For information: Brooklyn Museum, 200 Eastern aspects of topics such as the dialectical grants. The directory profiles foundations, sponsored by the Farrington-Keith Creative Arts support critical writing, publications, exhibi­ learning in the United States or Canada and Pkwy., Brooklyn, NY 11238; 718/638~5000; fax relationship between the artist and poet; who corporations, and federal programs and includes Center and is open to all arts media depicting or tions, and related projects concerning the must submit written assurance from their dean 718/638-3731. owns the idea?--obscuring beliefs about artistic helpful infonnation on how to secure grants. To incorporating the mask as an object or image. photographic work of Aaron Siskind. A concise or department chair that they may return to property; the pairing of artists and authors-the order send $44.50 plus $4 handling charge to: Cash prizes will be awarded. $10 fee for one description of proposed work should accom­ their positions after holding membership at the The Middle East Studies Association will hold publisher as auteur; collaboration as sublimated Research Grant Guides, Dept. 3A, PO Box 1214, entry, $5 for each additional. For information pany a written request for infonnation. For institute. The stipend will match the combina­ its 25th annual meeting in Washington, D.C., sexual desire; as well as key partnerships and Loxahatchee, FL 33470. send SASE to: Clara Kott Von Storch Gallery, infonnation: Aaron Siskind Foundation, 73 tion of salary and benefits at the member's home November 23-26,1991. For infonnation: Middle collaborations. Send proposals to: Debra Bricker 8099 Main St., Dexter, MI 48130; 313/426-0236. Warren St., New York, NY 10007. Deadline: institution. For infonnation: Administrative East Studies Association, 1232 N. Cherry Ave., Balken, PO Box 594, North Egremont, MA 01252. The Directory of New and Emerging Founda­ Deadline: June 24,1991. August 1, 1991. Officer, School of Historical Studies, Institute for University of Arizona, Tucson, AZ 85721; 602/ Deadline: August 1, 1991. tions includes over 3,000 independent, 621-5850. Advanced Study, Princeton, NJ 08540. Deadlines: community, and company-sponsored founda­ The Boston Drawing Show is open to all Reference Materials Awards are available for October 15, 1991, for 1- to 2-term memberships; Memoirs of the American Academy in Rome tions. The directory provides 2 levels of New England resident artists. For information: projects that organize essential resources for November 1, 1991, for 2-year memberships. invites the submission of papers in the fields information: in-depth descriptions of the large Boston Center for the Arts, 539 Tremont St., scholarship and improve access to infonnation represented in the Classical School of the foundations, and core data for the smaller Boston, MA 02116; 617/426-5000. Deadline: and collections. Awards are made in the The National Humanities Center is offering Academy, including classical studies, the history foundations. To order send $95 plus $4.50 June 28,1991. categories of tools and access. Dictionaries, fellowships in the humanities. Scholars from any of art, and postclassical studies. Authors who shipping and handling to: Foundation Center, 79 historical or linguistic atlases, encyclopedias, nation may apply. Applicants must hold the have worked in the academy library are invited Fifth Ave., New York, NY 10003; 800/424-9836. Six States of Clay: A Juried Midwestern concordances, catalogues raisonnes, grammars, doctorate or have equivalent professional to conbibute as well as fellows and other Competition invites artists from Missouri, descriptive catalogues, and data bases are accomplishments. Fellowships are awarded to members of the academy community. The The Guide to Funding for Emerging Artists Kansas, Iowa, Nebraska, Arkansas, and eligible in the tools category. Archival arrange­ senior scholars of recognized accomplishment editors are seeking ambitious articles of major and Scholars is a compilation of lists of Oklahoma to submit enbies for an exhibition to ment and description projects; bibliographies; and to promising young scholars, who should be interest, between 35 and 75 double-spaced typed resources and organizations that can help in be held at the Kansas City Artists Coalition bibliographical data bases; records surveys; no more than 10 years beyond the completion of pages. Copies of the illustrations, but not the preparing grant applications. Lists of the major Gallery, October 4--26, 1991. For information: cataloguing projects for prints, graphic, film, graduate study and should be engaged in originals, should be included. If the manuscript funding sources among corporations, founda­ Kansas City Artists Coalition, 201 Wyandotte, sound, and artifact collections; and indexes and research beyond the revision of their disserta­ is done on a computer, include the disks and tions, and communities are included. For a free Kansas City, MO 64105; 816/421-5222. Deadline: guides to documentation are eligible in the tion. Fellows are required to work at the center, identify the program used. Disks and manu­ copy, write to: President's Committee on the JulyU991. access category. For information: Reference where they have private studies, library and scripts will not be returned. Send to: Joseph Arts and Humanities, 1100 Pennsylvania Ave., Materials, Rm. 318, NEB, Washington, DC manuscript-typing services, and other adminis­ Connors, American Academy in Rome, via NW, Rm. 526, Washington, DC 20506. 20506. Deadline: September 1,1991. trative support. Stipends are individually Angelo Masina 5, 00153 Rome, Italy. Grants and Fellowships The Lannan Foundation administers a national determined based on the needs of each fellow Shtdies in Modem Art will be published by the grant program to assist nonprofit institutions in and the center's ability to meet those needs. For Museum of Modern Art, New York, as a series infonnation: Fellowship Program, National The Fulbright Scholar Program is open to schol­ the presentation and interpretation of contempo­ Publications of annual scholarly journals concentrating on ars from all academic ranks, as well as profes­ rary art through exhibitions, interdisciplinary Humanities Center, PO Box 12256, Research works of art in the museum's collection and sionals outside academe and independent schol­ activities that include a visual element, and Triangle Park, NC 27709-2256. Deadline: October topics related to its holding in all media. The 15,1991. The American Art Directory and Who's Who in ars. Applicants must be U.S. citizens and hold a other projects, such as symposia. For informa­ first issue, to be published in the fall, will focus American Art for 1991-92 are currently Ph.D. or equivalent professional qualifications. tion: Director, Art Programs, Lannan Founda­ on art of the 1960s. The publication is designed The Mid Atlantic Arts Foundation announces a available. The American Art Directory provides For infonnation: Council for International tion, 5401 McConnell Ave., Los Angeles, CA to provide scholars, students, and the public contact information and facts on more than 7,000 Exchange of Scholars, 3007 Tilden St., NW, Suite 90066. Deadline: October 1, 1991. new program, the Visual Arts Travel Fund, to with a discourse on aspects of the museum's 5M, Box NEWS, Washington, DC 20008-3009; assist curators and administ.rators from small to art organizations, museums, libraries, schools, collection by its curators and outside scholars. 202/686-7877. Deadlines: June 15, 1991, for The Columbia Society of FeIlows in the mid-sized organizations in attending confer­ and corporate art holdings throughout the Each volume will focus on a single topic, and Australasia, South Asia, most of Latin America, and Humanities will appoint a number of ences, workshops, and special exhibitions. United States and Canada. Who's Who in themes will include specific historical periods, as the U.S.S.R.; and August 1, 1991, for Africa, Asia, postdoctoral fellows in the humanities for 1992- Applicants must be employed as administrators American Art profiles over 11,500 contributors to well as techniques, movements, and institutions Europe, the Middle East, Canada, and lecturing 93. The appointment carries with it the or curators of a visual or media arts organization the visual arts field in the United States, Canada, important to modern art. Future issues will also awards in the Caribbean, Mexico, and Venezuela. expectation of renewal for a second year. that is nonprofit, located in the Mid-Atlantic, and Mexico. Entries contain a concise biography concentrate on the work of individual artists or on individual works of art of central importance.

12 CAA NEWS MAY/JUNE 1991 CAA NEWS MAY/JUNE 1991 13 The National Institute for the Conservation of Miscellaneous Cultural Property has numerous publications Datebook available related to topics such as resources for Marketing Solutions is a career advice service collections care, strategies for collections care, for visual artists in the United States and and studies about collections care and conserva­ Canada. The service consists of analysis and tion work. A complete list is available from: evaluation of the artists work, followed by National Institute for the Conservation of personalized recommendations on how they can May 31 20 - 23,1991 Cultural Property, 3299 K St., NW, Suite 403, promote their work and plan their careers. For Deadline for submitting paper proposals to Washington, DC 20007; 202/625-1495; fax 202/ D.C. information: Directors Guild Publishers, Market­ chairs of art history, studio art, and joint sessions 625-1485. for the 1992 CAA annual conference (see ing Solutions, PO Box 369PR, Renaissance, CA The Problem of Fetishism Body Count: The Contemporary Body Others Viewing Others: March/ April 1991 CAA News insert) 95962; 800/383-0677. #IHt.221-0l0,Oll (2 TAPES) $18.00 in Sickness and Health The Representation of Gender and New York State Foundations: A Comprehen­ #110221-150,151 (2 TAPES) $18.00 Sexuality sive Directory includes current information on The Space Program provides free studio spaces June 3 The Face of the Gods: Art and Allars of #11~-280,281 (2 TAPES) $18.00 all independent; corporate, and community in New York to visual artists 21 years old and Deadline for submitting material for the July / the Black Atlantic World Somos Artistas: Who Is a "Hispanic" granhnaking foundations based in New York Artist? Art Patronage in the Modem Period: over. The studios are work space only and are August newsletter, to be published June 28 #110021-020,021 (2 TAPES) $18.00 #110221-160,161 (2 TAPES) $18.00 Structures, Strategies and Supporters State. The cost is $150 plus $4.50 shipping and available for periods of up to 1 year with an handling. To order: Foundation Center, 79 Fifth Nineteenth-Century European Art UI10221-290,291 (2 TAPES) $18.00 opportunity to reapply for a second. Submit June 13 Ave., New York, NY 10003; 800/424-9836. Deadline for Positions Listing submissions, to be #110221-030,031 (2 TAPES) $18.00 Nationalism and Internationalism in the slides of work, a resume, and a written state­ Modem Art of Eastern and East-Central published July 10 Late Gothic and Renaissance Art ment on why the studio space is needed. For in­ The Censorship Issue and the Media: Europe, ca. 1900-1945 During the Reigns of Henry VII and formation: Marie Walsh Sharpe Art Foundation, Effects on Art, Artists and #110221-170,171 (2 TAPES) $18.00 Henry VIII: England and Currents Workshops and Schools 711 N. Tejon St., Suite B, Colorado Springs, CO July 29 Audiences Across the Channel Deadline for submitting material for the 80903; 719/635-3220. Deadline: January 31, 1992. #110221-040.041 (2 T~) $18.00 The Romantic Sublime in Europe #110221-300,301 (2 TAPES) $18.00 The Cleveland Institute of Art will hold 2-week September/October newsletter, to be published and America summer workshops of intensive instruction by August 23 A Better Mousetrap: Innovative #110221-180,181 (2 TAPES) $18.00 Daily Bread/Forgivable Trespasses: Teaching Strategies in the Studio Arts The Artist Who Works in the Art visiting artists. Workshops are not geared to #110221-050.051 (2 TAPES) $18.00 The Gender Politics of American Art Museum beginners. This summer; workshops are offered September 1 and Culture #110221-310,311 (2 TAPES) $18.00 Deadline for submitting session proposals to art Interrelationships Between Art and in ceramics; glass; prinhnaking, papermaking; #110221-190,191 (2 TAPES) $18.00 history and studio art program co-chairs for the and painting. Additional shorter-term classes Science in the 20th Century What Really Counts? Evaluating the #Il0221-060',06l. (2 TAPES) $18.00 are available in drawing and other media. For Information Wanted 1993 eAA annual conference (see page 1) Censorship and the Visual Arts: Current Creative Pedonnance of the Artist­ information: Continuing Education, Cleveland Creators or Destroyers: Ethics, the Issues and Historical Perspectives Educator Institute of Art; 11141 East Blvd., University CiT., September 19 Environment{ and Art Matefials _ session does not contain program by HI10221-320,321 (2 TAPES) $18.00 #110221-070,an (2 TAPES) $18.00 .Christiilne Andersson Cleveland, OH 44106; 216/421-746]. Deadline for Positions Listing submissions, to be published October]8 #110221-200,201 (2 TAPES) $18.00 Artists and Society: Can't Live John Crawley, 1784-1844, an American painter, The NEA- The Next 25 Years WithThem/Can't Live Without Them The Mexico Photography Workshops in Xico is currently the subject of research. If you know #110221-080 (1 TAPE) $9,00 Conservation and Artistic Intent #110221-330,331 (2 TAPES) $18.00 are week-long programs for both beginners and October 1 #110221-210,211 (2 TAPES) $18.00 of paintings by this artist in public or private Deadline for nominations for 1992 CAA awards Issues in Contemporary Latin experienced photographers. For information: collections, contact: Ann C. Madonia, Muscarelle American Art Images of Power and the Construction (see CAA News, page 5) Cultural Identity and Design Otter Creek Photography, Hendricks, WV 26271; Museum of Art, College of William and Mary, #110221-090,091 (2 TAPES) $18.00 of Gender: Cross-C~ttural Perspectives #110221-220,221 (2 TAPES) $18.00 304/478-3586. Williamsburg, VA 23]85. #110221-340,341 (2 TAPES) $18.00 October 1 Images of Abuse: Despair, Hope and Deadline for Millard Meiss Publication Fund Triumph The Question of Biography esessiondoes The "Other" History of Art Modem Materials and Their Conservation A Winslow Homer Catalogue Raisonne is being not contain prog-ram by Gail Levin Applications (see CAA News, page 5) #110221-100 (1 TAPE) $9.00 #110221-350,351 (2 TAPES) $18.00 Implications is a course offered June 26-28, prepared for publication under the sponsorship #110221-230,231 (2 TAPE3) $18.00 1991, by the Conservation Analytical Labora­ of the Spanierman Gallery. The work, titled Critical Theory, Film, and the Other Computers in the Studio Curriculum: February 12-15, 1992 Nonfundional Crafts: Does the tory, Smithsonian Institution, to artists, art Lloyd Goodrich and Edith Havens Goodrich, Whit­ Visual Arts A Progress Report CAA annual conference, Chicago Argument Hold Water? teachers, art historians, and paintings conserva­ net) Museum of American Art, Record of Works by #I10221-110,111 (2 TAPES) $18.00 #110221-360,36'1 (2 TAPES) $18.00 #110021-240,241 (2 TAPES) $18.00 tors. For information: Francine Hall, CAL, MSC, Winslow Homer, is under the direction of Abigail Smithsonian Institution, Washington, DC 20560; Booth Gerdts, with the collaboration of the The Portable Muse: Prints as Visual The Past Preserved 301/238-3700. Intennediaries _session does not contain Medieval Women and Their Patrons: dI10221-370,371 (2 TAPES) $18.00 Graduate Center of the City University of New program by Hilarie Faberman Architectural Space and Decoration York The publication will be a complete #I10221-120,121 (2 TAPES) $18.00 #110221-250,251 (2 TAPES) $18.00 The Rare Book School will be held this summer Seeing Yourself Historically: compilation of data assembled and commentar­ The Importance of Self-Documentation at the Columbia University School of Library ies written on Homer's works by the Good­ The Object as Subject _session does not Gay and Lesbian Sensibility in in the Visual Arts Service, New York. The school will offer various riches. For anyone with knowledge of previ­ contain program by Janet Abramowicz Photography _ session does not contain #I10221-380,381 (2 TAPES) $18.00 5-day, noncredit courses on topics concerning ously unknown works, as well as unpublished #110221-130,131 (2 TAPES) $18.00 program by A! It'n E! ienzweig rare books and special collections. The papers, letters, or other information on the artist, #110221-260,261 (2 TAPES) $18.00 Sculpture in Context: Site-Specific educational and professional prerequisites for contact: Spaniennan Gallery, 50 E. 78th St., New Capitol Centers: Spaces of Power in Monuments and The Politics of Sculpture and the Community these courses vary. Some are primarily directed York, NY 10021; 212/879-7085; fax 212/249-5227. Pre-Columbian Mesoamerica _session does Representation, 1865-1990 #I10221-390.391 (2 TAPES) $18.00 toward working librarians and archivists; others not contain program by John M.D. Poh! #110221-270,271 (2 TAPES) $18.00 11 1-140,141 (2 TAPES) $18.00 are intended for academics; persons working in Horace Pippin's work will be the subject of a the antiquarian book trade; bookbinders and major exhibition scheduled for 1993. A color Special Package Price •.. $570.00 Save OVER 20% - a savings 01 $154 Complete sel ollapes in slorage albums conservators; students of the history of books, catalogue is planned to document the work of writing, and printing; and those generally this African-American artist who lived from AUDI ARCHIVES MAil ORDER FORM interested in the subjects being treated. For li W BY PHONE Wilh your credil card; call (800) 747-8.069 or (818) 957·0874 1888 to 1946. Anyone with information ALL TAPES ARE COVERED BY A LIFETIME GUARANTEE • Monday - Friday 8:30 a.m. to 4:30 p.m. Pacific Tllne information: Rare Book School, School of Library regarding his paintings and their present Defecllve tapes will be replaced free of charge Service, Columbia University, 516 Butler locations contact: Judith Stein, Pennsylvania • ALL TAPE PRICES INCLUDE APPLICABLE SALES TAX ~BY MAIL Circle Ihe session numbers you wish to purchase, Library, New York, NY 10027; 212/854-4734; fax Academy of the Fine Arts, Broad and Cherry • FREE CASSETTE STORAGE ALBUM WITH 6 TAPE PURCHASE. L-.jcomplete this form, mail to: AUDIO ARCHIVES INTERNATIONAL, INC. 212/854-7846. . Sts., Philadelphia, FA 19102; 2]5/972-7600. We accept VISA, MasterCard, American Express, and ~ 3043 Foothill Blvd., Suite #2, La Crescenta, CA 91214 personal or company checks with payment to: AUDIO ARCHIVES. l...I':'.:I..J BY FAX FAX your order form wllh credit card Info to (818) 957-0876: 24 HRS/day. o CHECK 0 VISA 0 MasterCard 0 American Express Account Number Total selections at $9.00 ...... $ ____ Signature ______Exp. Date ____ Total selections at $18.00 ...... $ ____ Ship 10 (PLEASE PRINT) Special package price $570.00 ...... $ ____ Additional 6 tape albums at $4.00 ...... $ ____ Name Additional 12 tape albums at $6.00 ...... $ clo Domestic Mailing & handling: $ ----'4"'.O/J!.O_ Address ______14 CAANEWS MAY!JUNE1991 Foreign mailing & handling: $2 per t8pe up to $30 m8X $-­ City/Slale/Zip TOTAL ...... $-- 14 Sculptors Gallery, 164 Mercer St., New York, space, historic, progressive community. Classified Ads NY 10012, is currently accepting applications for Downpayment: $3.50/sq. ft.; monthly coop fee: membership and invitational exhibitions, Send $0.53/ sq. ft. Three units still available. Call slides, resume, SASE c/o Julie Small-Gamby. David LaFontaine or Marilyn Rittenhouse at The CAA newsletter accepts classified ads of a 215/546-1146. professional or semiprofessional nature (sales of Historic District of Savannah, Georgia. One libraries, summer rental or exchange of homes, etc.); square mile of 18th- and 19th-century buildings, Psychotherapy for Artists. PsycholOgist/art 7St-lward ($1.25/word for nonmembers); $15 parks, and fountains. 1839 townhouse, 2 therapist with specialization in helping with minimum. All ads must be prepaid. bedrooms, 2 1/2 baths, beautifully restored, creative block, depression, anxiety, and sleep furnished. July I-August 30. $750/month plus problems. Soho location. Free consultation. Dr. utilities, $750 security. 912/233-0441. Robyn Cooper,584 Broadway, New York, NY Bright, Sunny Loft. 7 extra-large windows 10012; 212/966-2316. (north plus east exposure). 1,400 sq. ft. co-op, New York City Rental. Art historians and art­ live/work. High ceilings, exposed brick, view ists-need a place to stay during business trips Summer Loft Sublet. Full art studio, kitchen, Empire State, custom Shoji, 1 bath, finished to New York? A small bedroom, in an apartment bath, 24-hour secure, great location, high kitchen, Garland stove, and washer/dryer. on East 63rd Street, is available to rent weekly ceilings. $1,400.111 Fourth Ave., 8G, New York, $335,000. Owner: 212/929-8718. ($150) or monthly ($450). Call: 212/308-1592. NY 10003.

Establish Your Own Art/Art History Program Performance on Incest.... and no one heard me Sunny, Private Retreat. 15 acres with streams. in Calais, France, renting these facilities: three scream by Ann Meredith. As a survivor of abuse, View of Rondout Reservoir; custom~built houses in urban center, suitable for offices, Meredith captures the essence of the loss of inno­ modified saltbox, gourmet kitchen with Garland classrooms, ,studios, and student accommoda­ cence and reveals the depth of emotions tortured stove, granite CQuntertops, and oak cabinets, 2 tions. Use our private collection of 3,000 books by the impact of betrayal. Incorporating voice, tile baths, 2 bedrooms, 2 fireplaces (master and 4,500 color slides for courses. Take advan­ computer-generated sound, light, photographic bedroom and living room), oak floors, finished tage of optional service of program administra­ projection, and movement, Meredith creates a basement with washer/dryer, oil heat. 2 hrs. tor (Ph.D. Columbia University; long experience multidimensional ritual performance about in­ NYc. Low taxes. Catskill Park, N.Y. $290,000. teaching in u.s. and Europe). Accept whole or cest, be it physical, sexual, emotional, or spiritu­ Owner: 212/929~8718. part of package. (The movable part is also al. For information and scheduling, performance available in London.) Calais and its region offer fees, space requirement, and travel costs, contact Translations. Art history article, books. German museums, medieval through Baroque monu­ Ann Meredith, 111 Fourth Ave.,8G, New York, to English, Italian to English. Copy available on ments, Impressionists' beaches, marble quarries, NY 10003; 212/777-3130. disk, Word Perfect 5.1, W. J. Wegener, Biblioteca and rapid transit to Paris, Bruge, London, and Hertziana, via Gregoriana 28, 00187 Rome, Italy; beyond. Givemy not far. Write: Dr. B. Watson, . Philadelphia Artists' Cooperative. Artist-owned fax 6790740. 40 River Court, Upper Ground, London SE1 9PE, living and working space in renovated former England; or telephone or fax (71) 633-9466. factory. 15' ceilings, huge windows, lots of green

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College Art Association 275 Seventh Avenue New York, New York 10001

College Art Association Board of Directors

Ruth Weisberg, President Larry Silver, Vice-President Judith K. Brodsky, Secretary John W. Hyland, Jr., Honoranj Treasurer Barbara Hoffman, Honorary Counsel Susan Ball, Executive Director

Suzanne Preston Blier Samella Lewis Phyllis Bramson Catherine Lord Whitney Chadwick Patricia Mainardi John Clarke James Melchert Van Deren Coke Keith Moxey Thomas Crow Debra Pincus Murry DePillars MariCarmen Sam Edgerton Ramirez-Garda Ruth Fine Danielle Rice Audrey Flack Emily J. Sano Marcia Hall Kenneth E. Silver Leslie King- Jaune Quick-To-See Hammond Smith

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