New British Poetry

Total Page:16

File Type:pdf, Size:1020Kb

New British Poetry New British Poetry EDITED BY Don Pater son AND Charles Simic Graywolf Press SAINT PAUL, MINNESOTA ex- Contents xix Preface / Charles Simic xxiii Introduction / Don Paterson Gillian Allnutt 3 Scheherazade 4 . The Silk Light of Advent 5 Held To 6 Notes on living inside the lightbulb 6 The Road Home Simon Armitage 8 Very Simply Topping Up the Brake Fluid 9 Poem IO The Tyre II The Dead Sea Poems John Ash 13 The Ungrateful Citizens 17 The Sky My Husband 19 Memories of Italy \ Sujata Bhatt 21 foil (Sherdi) 22 Muliebrity 23 What Is Worth Knowing? 24 Fischerhude, 2001 John Burnside 26 Parousia 29 The Old Gods Robert Crawford 31 The Saltcoats Structuralists 3 3 The Handshakes 33 The Result 34 Fiat Lux 3 5 Alba Einstein Fred D'Aguiar 3 6 Airy Hall Nightmare 37 The Cow Perseverance 38 Sound Bite 40 Home Peter Didsbury 42 The Shorter Life 42 That Old-Time Religion 44 Part of the Bridge 45 Chandlery Michael Donaghy 46 Machines 47 Shibboleth 47 The Bacchae 48 Caliban's Books 49 A Repertoire CarolI Ann Duffy 5i Prayer 52 Warming Her Pearls 53 Little Red-Cap 54 Circe Ian Duhig 5 6 Fundamentals 5 7 Chocolate Soldier 6o The Lammas Hireling Paul Farley 62 Treacle 63 The Lamp 64 Diary Moon 65 An Interior 65 Peter and the Dyke James Fenton 66 Wind 67 A Staffordshire Murderer 7O In a Notebook Mark;Ford 72 Looping the Loop 74 The Long Man 75 Early to Bed, Early to Rise John Glenday 77 Concerning the Atoms of the Soul 78 A Day at the Seaside 78 The Garden 79 The Empire of Lights 80 Hydrodamalis Gigas Lavinia Greenlaw 8 2 Reading Akhmatova in Midwinter 83 Three 84 The Spirit of the Staircase 84 Zombies 85 Electricity W. N. Herbert 87 Slow Animals Crossing 88 Cabaret McGonagall 91 Smirr 92 The King and Queen of Dumfriesshire Selima Hill 94 I Will Be Arriving Next Thursday in My Wedding-Dress 95 I Know I Ought to Love You 9 5 My Sister's Jeans 96 A Small Hotel 9 6 Please Can I Have a Man Michael Hof mann 98 Ancient Evenings 99 The Machine That Cried 101 TheLate Richard Dadd;i8i7-i886 102 Lament for Crassus Kathleen Jamie 103 The Way We Live 104 The Bogey-Wife 105 Skeins 0 Geese 106 Pipistrelles 107 The Hill-track Alan Jenkins 108 Visiting 109 Portrait of a Lady no Barcelona in Inheritance Jackie Kay 113 Even the Trees 114 In my country Finger The Shoes of Dead Comrades 116 [from] Other Lovers Gwyneth Lewis 118 Pentecost 119 'One day, feeling hungry' 120 Woods 120 The Flaggy Shore 121 [from] Welsh Espionage: ix Advice on Adultery Roddy Lumsden 123 Always 124 An Older Woman 125 Piquant 125 The Man I Could Have Been Glyn Maxwell 128 My Turn 129 The Poem Recalls the Poet 129 Helene and Heloise Jamie McKendrick 133 Ancient History 134 Sky Nails 134 Six Characters in Search of Something 135 The One-Star Andrew Motion 138 The Lines i39 A Wall 140 A Glass of Wine 141 The Letter 142 Mythology Sean O'Brien 143 Cousin Coat 144 After Laf orgue 147 The Amateur God Alice Oswald 148 April 149 Bike Ride on a Roman Road 150 Sea Sonnet 150 Wedding 151 Prayer Ruth Padel 152 Tinderbox 153 Skin 153 Angel 155 The Starling 156 On the Line Don Paterson 157 The White Lie 159 St Brides: Sea-Mail 161 Imperial Peter Reading 162 [from] Stet 164 Salopian Christopher Reid 165 A Whole School of Bourgeois Primitives 166 What the Uneducated Old Woman Told Me 167 In the Echoey Tunnel 168 Mermaids Explained 169 Fetish Robin Robertson 170 Fall 170 Fugue for Phantoms 171 Artichoke 172 Wedding the Locksmith's Daughter 172 The Immoralist Anne Rouse 174 Testament 175 Faith Healers 175 Memo to Auden 178 The Anaesthetist Jo Shapcott 180 Muse 181 My Life Asleep 181 Motherland 182 The Mad Cow in Love 183 Phrase Book 185 Index of Authors and Titles 188 Index of First Lines.
Recommended publications
  • Unseen Poetry Preparation Anthology
    Unseen Poetry Preparation Anthology The Pearson Edexcel AS and A level English Literature Unseen Poetry Preparation Anthology can be used to prepare for Component 3 of your assessment Pearson Edexcel GCE in English Literature Approaching Contemporary Unseen Poetry: An Anthology of poems and resources For use with: GCE English Literature A level (9ET0) Component 3 Published by Pearson Education Limited, a company incorporated in England and Wales, having its registered office at Edinburgh Gate, Harlow, Essex, CM20 2JE. Registered company number: 872828 Edexcel is a registered trade mark of Edexcel Limited © Pearson Education Limited 2014 First published 2014 17 16 15 14 10 9 8 7 6 5 4 3 2 1 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 9781446913505 Copyright notice All rights reserved. No part of this publication may be reproduced in any form or by any means (including photocopying or storing it in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright owner, except in accordance with the provisions of the Copyright, Designs and Patents Act 1988 or under the terms of a licence issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London, EC1N 8TS (www.cla.co.uk). Applications for the copyright owner’s written permission should be addressed to the publisher. See page 65 for acknowledgements. Contents 1 Introduction 4 2 How to approach
    [Show full text]
  • The Shape of the Dance: Essays, Interviews and Digressions Free
    FREE THE SHAPE OF THE DANCE: ESSAYS, INTERVIEWS AND DIGRESSIONS PDF Michael Donaghy | 224 pages | 01 Oct 2009 | Pan MacMillan | 9780330456289 | English | London, United Kingdom Michael Donaghy - Wikipedia Donaghy was born The Shape of the Dance: Essays an Irish family and grew up with his sister Patricia in the BronxNew York, losing both parents in their early thirties. Donaghy commented: "I owe everything I know about poetry to the public library system in New York City and not to my miseducation at university [ My parents would say something like 'go out and play in the burning wreckage until dinnertime' and I'd make a beeline for the library. Inhe moved to just off Green Lanes in Harringaynorth London to join his partner and fellow musician, Maddy Paxman, whom he married in ; their son, Ruairi, was born in Errata followed inand Conjure in Recognition came in the form of the Geoffrey Faber and Cholmondeley awards and the Whitbread and Forward prizes, among others. Inhe teamed up with Cyborg scientist Kevin Warwick and wrote Grimoire. He died suddenly of a The Shape of the Dance: Essays haemorrhage on September 16, Not since Sylvia Plath almost half a century ago had an American poet living in Britain so decisively entered the bloodstream of his times. From Wikipedia, the free encyclopedia. Categories : births deaths American people of Irish descent American male poets Formalist poets People from The Shape of the Dance: Essays Fordham University alumni Musicians from the Bronx University of Chicago alumni 20th-century American poets 20th-century American musicians Fellows of the Royal Society of Literature 20th-century American male writers American emigrants to the The Shape of the Dance: Essays Kingdom.
    [Show full text]
  • Download the 2015 Programme
    LEDBURY POETRY FESTIVAL 2O15 03–12 July 2015 Programme poetry-festival.co.uk @ledburyfest Ledbury Poetry Festival 3 -12 July 2015 Thank you to all the generous and enthusiastic people who give their time and energy to making the Festival the jam-packed, fun-filled, world-class poetry event that it is. Thank you to all our volunteers who help with administration, stewarding, hospitality, accommodation, driving and much more. Thanks also to all our sponsors and supporters. This Festival grew out of its community and it remains a community celebration. Community Programme Poets Brenda Read Brown and Sara-Jane Arbury work all year round with people who may never be able to attend a Festival event, who have never attempted creative writing before, or have never taken part in any cultural activity. The impact this work can have is astounding. The Community Programme reaches out to people facing social exclusion due to physical or mental health issues, disability or learning challenges and engages them in life-affirming ways with poetry and the creative process. See the Mary and Joe event on Sunday 12th July. Recent projects have included poetry writing in doctors’ surgeries and hospital waiting rooms, and with vulnerable women at a women’s shelter. Opportunities for self-expression in these communities are hugely rewarding for all involved. “You’ve woken something up in me!” said one participant. This is only possible due to funding from the Esmée Fairbairn Foundation, Garfield Weston Foundation, Herefordshire Community Foundation and Sylvia Adams Charitable Trust. Poets in Schools All year round the Festival sends skilled and experienced poets into schools across Herefordshire to enable pupils to read, write and thoroughly enjoy poetry.
    [Show full text]
  • Poetry from Britain and Ireland Since 1945
    The Penguin Book of Poetry from Britain and Ireland since 1945 EDITED BY SIMON ARMITAGE AND ROBERT CRAWFORD VIKING CONTENTS Introduction xix EDWIN MUIR 1887-1959 The Interrogation 1 The Annunciation 2 The Horses 3 HUGH MACDIABMID 1892-1978 Crystals Like Blood 5 To a Friend and Fellow-Poet 6 DAVID JONES 1895-1974 from The Sleeping Lord 7 ROBERT GRAVES 1895-1985 The White Goddess 9 Apple Island 10 Surgical Ward: Men 11 AUSTIN CLARKE 1896-1974 from Eighteenth Century Harp Songs (Mabel Kelly) 12 RUTH PITTER 1897—1992 Old Nelly's Birthday 13 BASIL BUNTING 1900-1985 from Briggflatts 15 STEVIE SMITH 1902-1971 Do Take Muriel Out 20 Not Waving but Drowning 21 The Jungle Husband 22 Piggy to Joey 22 PATRICK KAVANAGH 1904—1967 A Christmas Childhood 23 The Long Garden 25 I vi | Contents JOHN BETJEMAN 1906-1984 A-Subaltern's Love-Song 26 I. M. Walter Ramsden ob. March 26, 1947, Pembroke College, Oxford 28 Executive 29 Louis MACNEICE 1907-1963 All Over Again 30 Soap Suds 31 The Suicide 31 The Taxis 32 W. H. AUDEN 1907-1973 The Fall of Rome 33 The Shield of Achilles 34 First Things First 36 In Praise of Limestone 37 JOHN HEWITT 1907-1987 I Write For ... 40 The Scar 41 KATHLEEN RAINE 1908— Air 42 The Pythoness 42 ROBERT GARIOCH 1909-1981 The Wire 43 NORMAN MACCAIG 1910—1996 Summer farm 48 July evening 49 Aunt Julia 50. Toad 51 Small boy 52 SOMHAIRLE MACGILL-EAIN/SORLEY MACLEAN 1911-1996 Soluis/Lights 53 Hallaig/Hallaig 54 A' Bheinn air Chall/The Lost Mountain 58 ROY FULLER 1912—1991 1948 60 Contents | vii | GEORGE BARKER 1913-1991 On a Friend's Escape from Drowning off the Norfolk Coast 61 from Villa Stellar 62 R.
    [Show full text]
  • COSTA (FORMERLY WHITBREAD) BOOK AWARDS Shortlists 1995
    COSTA (FORMERLY WHITBREAD) BOOK AWARDS Shortlists 1995 - present 2019 Costa First Novel Award Diary of a Somebody by Brian Bilston Queenie by Candice Carty-Williams The Confessions of Frannie Langton by Sara Collins The Other Half of Augusta Hope by Joanna Glen Costa Novel Award Middle England by Jonathan Coe Confession with Blue Horses by Sophie Hardach Starling Days by Rowan Hisayo Buchanan Shadowplay by Joseph O’Connor Costa Biography Award On Chapel Sands: My mother and other missing persons by Laura Cumming The Volunteer: The True Story of the Resistance Hero who Infiltrated Auschwitz by Jack Fairweather In Extremis: The Life of War Correspondent Marie Colvin by Lindsey Hilsum The Making of Poetry: Coleridge, the Wordsworths and Their Year of Marvels by Adam Nicolson Costa Poetry Award Surge by Jay Bernard Flèche by Mary Jean Chan The Mizzy by Paul Farley Reckless Paper Birds by John McCullough Costa Children’s Award Asha & the Spirit Bird by Jasbinder Bilan Crossfire by Malorie Blackman In the Shadow of Heroes by Nicholas Bowling Furious Thing by Jenny Downham 2018 Costa First Novel Award Pieces of Me by Natalie Hart An Unremarkable Body by Elisa Lodato The Seven Deaths of Evelyn Hardcastle by Stuart Turton (winner) Meet Me At The Museum by Anne Youngson Costa Novel Award The Silence of the Girls by Pat Barker The Italian Teacher by Tom Rachman Normal People by Sally Rooney (winner) From a Low and Quiet Sea by Donal Ryan Costa Biography Award To Throw Away Unopened by Viv Albertine The Cut Out Girl by Bart van Es (winner) The Salt
    [Show full text]
  • Conference Programme
    CONFERENCE PROGRAMME 3RD CONTEMPORARY BRITISH AND IRISH POETRY CONFERENCE, UNIVERSITY OF MANCHESTER September 12-14th 2013 THURSDAY 12 SEPTEMBER 11AM-12: Keynote 1: Don Paterson , ‘New Tropes in Contemporary Poetry – A Theoretical Approach’ 12-1:15 Session 1a Reconstructions Ian Pople, University of Manchester Roy Fisher’s The Ship’s Orchestra: Groovy or Gooey? Kym Martindale, Falmouth University Mourning Becomes Us – The Shrine Re-Membered in Alice Oswald’s Memorial and Paul Muldoon’s Maggot Jonathan Ellis, University of Sheffield ‘Don’t be afraid, old son’: Michael Donaghy’s Elegies Session 1b Scotland Scott Brewster, University of Salford John Burnside: Writing, Wilderness, Withdrawal Garry Mackenzie, University of St Andrews Utopias, Miniature Worlds and Global Networks in Modern Scottish Island Poetry Louise Chamberlain, University of Nottingham ‘Revealing-concealing’ in Thomas A. Clark’s The Hundred Thousand Places Session 1c Mapping Belfast Jessika Köhler, University of Hamburg, Germany Re-reading Belfast – The City in Recent Poetry Margaret Mills Harper, University of Limerick Poetic Devices and Square Windows: Sinead Morrissey's Spatial Ethics Ciaran O'Neill, Queen's University Belfast Ciaran Carson and Edward Thomas: Landscape, Memory, Influence. LUNCH 1:15-2:15 2:15-3:30 Session 2a Place & Space Alice Entwistle, University of Glamorgan ‘Forms of Address’: reading/writing topos, topography and topology in the poetries of contemporary Wales Niamh Downing, Falmouth University “Lens grinders in space”: Literary Geographies of the
    [Show full text]
  • Download Publication
    l(AIS01,2, The Arts Council of England Accounts 1999 The Arts Council is the national body for the arts in England . We distribute public money from government and the lottery to artists and arts organisations, both directly and through th e 10 Regional Arts Boards ; we commission new work ; conduct research ; provide advice and information ; and develop awarenes s and support for the arts in this country. We are an independent , non-political body working at arms length from the Government. Through all our work, we aim for excellence and seek to mak e the highest artistic achievements available to the widest public ; to be proactive in encouraging new work ; to integrate the arts more fully within education ; to bring the challenge of new art i n all forms to as many people as possible ; and to celebrate th e diversity of England's cultural background . The Arts Council's 1999 annual report is published in three sections : • Annual Review • Accounts • National Lottery Report I The Arts Council of England 1 The Arts Council of England accounts 1 April 1998 - 31 ,tilarch 199 9 Foreword year and monitors the work of the Chie f efficiently. All fixed assets are stated a t Introductio n Executive and staff . There are a numbe r cost less depreciation, except works o f The Arts Council of England is a of advisory panels which have no art, which are stated at cost . The registered charity, Charity Registration executive authority but play an estimated market value of the works o f Number 1036733 . It was established b y important role by providing advice fro m art is f26.973 million .
    [Show full text]
  • FINAL THESIS Declan Ryan
    No Más & 'If I had touched you then/One of us might have survived' – the origins and evolution of Ian Hamilton's 'Perfect Speech' By Declan Patrick Jude Ryan A Doctoral Thesis in Creative Writing Presented to Royal Holloway, University of London May 2015 1 Declaration of Authorship I, Declan Patrick Jude Ryan, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, it is always clearly stated. Signed: ___________________________________________________________ Date: ____________________________________________________________ 2 Abstract This is the most sustained study to date of the late poet Ian Hamilton. The close readings of Hamilton's poems are shaped by a study of Hamilton's biographical and historical context, through interviews with his friends, colleagues and fellow poets and underpinned by the 'philosophy' behind Hamilton's magazines, The Review and The New Review, as evinced by the critical writings of Colin Falck. The study argues that Hamilton developed an ars poetica, 'Perfect Speech', through which it was possible for him to write, given his desire that poems not only serve some purpose but that they might also be able to mitigate their addressee's suffering. The poems were, I will show, intended to fill a void left by orthodox religious belief and place the poet in a 'priestly' role, using ideas influenced by Samuel Taylor Coleridge's writings on the 'imagination'. Hamilton's prosody, I will demonstrate, was built on poems he admired by Robert Lowell, Thomas Hardy and Keith Douglas, but was also a reaction against the emotionally repressed work of The Movement.
    [Show full text]
  • 50 Poems & the Fire of Belonging: the Life and Work of Mick Imlah
    50 Poems & The Fire of Belonging: The Life and Work of Mick Imlah and the influence of the work on my poetic development By Robert Edward Selby A Doctoral Thesis in Creative Writing Presented to Royal Holloway, University of London February 2015 Declaration of Authorship I, Robert Edward Selby, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, it is always clearly stated. Signed: ___________________________________________________________ Date: ____________________________________________________________ 2 Abstract This is the most sustained study to date of the late poet Mick Imlah. The close reading it makes of a number of his poems is informed and placed in context by biographical information gathered from archival research and interviews with his friends and colleagues. The study argues that Imlah’s first collection, Birthmarks, can be understood in the context of his predilection for the fictive potential of poetry being complemented by a contemporaneous, wider renaissance in interest in the Browningesque dramatic monologue and narrative. The study argues that his second collection, The Lost Leader, can be understood in the context of Imlah’s increased identification with his Scottish heritage, triggered by creative and personal crises and encouraged by Scotland’s growing sense of nationhood towards the end of the twentieth century. The implication is that Imlah’s oeuvre, contrary to the perception that it is sui generis, can be regarded as in dialogue with changes that took place within and without British poetry towards the end of the twentieth century and into the twenty-first: the re-appreciation of Victorian verse, for instance, or the emergence, from the 1980s, of a more confident Scottish voice.
    [Show full text]
  • Thesis Submitted in Fulfilment of the Degree of Doctor of Philosophy
    VERSES IN THE CELLULOID: POETRY IN FILM FROM 1910-2002ý WITH SPECIAL ATTENTION TO THE DEVELOPMENT OF THE FILM-POEM Robert Scott Speranza ThesisSubmitted In Fulfilment Of the Degreeof Doctor of Philosophy Departmentof English Literature University of Sheffield March, 2002 Robert Speranza Verses in the Celluloid: Poetry in Film From 1910-2002, With Special Attention to the Film-Poem Summary Poetry is not a new phenomenon in film and television. It is consistently treated as such becauseits presenceis not common;poetry is repeatedlyviewed as a 'specialelement' in a production.However, visual poetry is becomingless and lessof an oddity in modern-dayfilms. This thesis,which surveysmultiple intersectionsof poetry and cinema,places particular emphasison the most specific and direct use of poetry within film: 'film-poems'.Numerous poets andfilmmakers today havemade film-poems, particularly poet Tony Harrison.These works are importantbecause they are revolutionaryin their combinationand applicationof the two media: a film-poem is a simultaneouscollaboration of writing, shootingand cutting, which makesfor extraordinary,sense-inundating viewing. Their qualities,not to mention their evolution, have escapedformal study for the most part, and fully deservecritical exploration. The Harrisonianfilm-poem heavily involves both filmmaker and poet in most aspectsof production.Yet thereare discrepanciesthat emergewhen using the term 'film poem'.Other classificationslink the words to the arenaof avant-gardecinema. Avant-garde films might contain someverse, but mainly they depict a themeor story through a cinematically metaphoricalmeans, using imagesas thosemetaphors, using cinematicdevices as poetic devices. A study of the avant-garde and a language of cinema that is called 'poetry'itself (by some)is anotherfocus of this thesis.
    [Show full text]
  • STAYING ALIVE Real Poems for Unreal Times
    STAYING ALIVE real poems for unreal times edited by NEIL ASTLEY SUB Gottingen 7 219 048 886 2006 A 6305 BISODAXG BQ5K5 CONTENTS Various 18 Poets on poetry Neil Astley 19 Introduction Mary Oliver 28 Wild Geese 1 Body and soul Denise Levertov 31 Living Andrew Greig 31 Orkney / This Life Alistair Elliot 32 Northern Morning Raymond Carver 33 Happiness James Merrill 33 My Father's Irish Setters Vernon Scannell 35 Legs Lucille Clifton 36 homage to my hips Grven Harwood 36 Naked Vision Thorn Gunn 37 The Hug Tess Gallagher 38 The Hug Elizabeth Bishop 39 Chemin de Fer Alden Nowlan 40 He Sits Down on the Floor of a School for the Retarded Les Murray 41 An Absolutely Ordinary Rainbow Michael Longley 43 A Prayer Carol Ann Duffy 43 Prayer Czeslaw Milosz 44 Encounter Rainer Maria Rilke 44 FROM The Tenth Duino Elegy Denise Levertov 45 Variation on a Theme by Rilke Gjertrud Schnackenberg46 FROM A Gilded Lapse of Time Kevin Hart 47 Dark Angel Nina Cassian 48 Temptation Sylvia Plath 48 Poppies in October Osip Mandelstam 49 'Eyesight of Wasps' David Constantine 49 The Wasps Charles Simic 50 The Old World Robert Bly 50 Watering the Horse Chase Twichell 51 Saint Animal Carol Rumens 51 Jarrow Stephen Dobyns 52 Where We Are 2 Roads and journeys Robert Frost 55 The Road Not Taken James K. "Baxter 55 The Bay Elizabeth Garrett 56 Tyranny of Choice Stevie Smith 57 Not Waving but Drowning Vona Groarke 99 Simon Armitage 57 Poem Tonight of Yesterday Hay den Carruth 100 Carl Sandburg 58 Choose Sonnet James Wright 100 Vladimir Holan 58 Meeting in a Lift Lying in a Hammock at William Duffy's Farm William Empson 101 E.E.
    [Show full text]
  • What Use Is Poetry?
    What Use is Poetry? Chasing the Ivy (a collection of poetry), and What Use is Poetry? (the role of poets and poetry with particular reference to Horace and the combination of use and beauty) Maureen Almond This thesis is submitted in fulfilment of the requirements of Newcastle University for the degree of Doctor of Philosophy September, 2013 2 Contents Abstract 3 Acknowledgements 4 Chasing the Ivy, a collection of poetry 5-61 Dissertation: What Use is Poetry? (the role of poets and poetry with particular reference to Horace and the combination of use and beauty) Introduction 63-68 Chapter One: Horace 69-87 Chapter Two: Beauty and Usefulness from Horace to Today 88-121 Chapter Three: Personal Practice 122-156 Chapter Four: Conclusions 157-164 Appendix 165-171 Bibliography 172-179 3 Abstract The thesis comprises a collection of poems and a dissertation. Chasing the Ivy is a collection of poems inspired by Horace and his belief (expressed in the Ars Poetica ) that the highest form of poetry combines usefulness and beauty. The collection is not a translation but a recontextualisation of the thirty eight odes which comprise Horace Odes I. The collection also includes eleven poems written in the voices of those women who frequently appear in the poems of Horace. Chasing the Ivy addresses the contemporary poetic career, the difficulties involved in publication and the establishment of a literary career. It uses a variety of voices both male and female; the poems invariably have addressees and in order to replicate Horace’s approach use, irony, comedy and self-deprecation.
    [Show full text]