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The Woody Guthrie Centennial Bibliography
LMU Librarian Publications & Presentations William H. Hannon Library 8-2014 The Woody Guthrie Centennial Bibliography Jeffrey Gatten Loyola Marymount University, [email protected] Follow this and additional works at: https://digitalcommons.lmu.edu/librarian_pubs Part of the Music Commons Repository Citation Gatten, Jeffrey, "The Woody Guthrie Centennial Bibliography" (2014). LMU Librarian Publications & Presentations. 91. https://digitalcommons.lmu.edu/librarian_pubs/91 This Article - On Campus Only is brought to you for free and open access by the William H. Hannon Library at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in LMU Librarian Publications & Presentations by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact [email protected]. Popular Music and Society, 2014 Vol. 37, No. 4, 464–475, http://dx.doi.org/10.1080/03007766.2013.834749 The Woody Guthrie Centennial Bibliography Jeffrey N. Gatten This bibliography updates two extensive works designed to include comprehensively all significant works by and about Woody Guthrie. Richard A. Reuss published A Woody Guthrie Bibliography, 1912–1967 in 1968 and Jeffrey N. Gatten’s article “Woody Guthrie: A Bibliographic Update, 1968–1986” appeared in 1988. With this current article, researchers need only utilize these three bibliographies to identify all English- language items of relevance related to, or written by, Guthrie. Introduction Woodrow Wilson Guthrie (1912–67) was a singer, musician, composer, author, artist, radio personality, columnist, activist, and philosopher. By now, most anyone with interest knows the shorthand version of his biography: refugee from the Oklahoma dust bowl, California radio show performer, New York City socialist, musical documentarian of the Northwest, merchant marine, and finally decline and death from Huntington’s chorea. -
American Music Review the H
American Music Review The H. Wiley Hitchcock Institute for Studies in American Music Conservatory of Music, Brooklyn College of the City University of New York Volume XLII, Number 1 Fall 2012 Woody Guthrie and Bob Dylan Hit Manhattan By Sean Wilentz, Princeton University Editors Note: This paper was delivered as the keynote address for the Woody Guthrie Centennial Conference held at Brooklyn College on 22 September, 2012. On February 16, 1940, a freezing blizzardy day, Woody Guthrie—short, intense, and aged twenty-seven—ended a long hitchhiking journey East and debarked in Manhattan, where he would quickly make a name for himself as a per- former and recording artist. Nearly twenty-one years later, on or about January 24, 1961, a cold and post-blizzardy day, Bob Dylan—short, intense, and aged nineteen—ended a briefer auto journey East and debarked in Manhattan, where he would quickly make a name for himself as a performer and recording artist—not as quickly as Guthrie had, but quickly. Dylan had turned himself into what he later described as “a Woody Guthrie jukebox,” and had come to New York in search of his idol. Guthrie had come to look up his friends the actors Will Geer and Herta Ware, who had introduced him to influential left-wing political and artistic circles out in Los Angeles and would do the same in Manhattan. Two different stories, obviously, of two very different young men a generation apart—yet, more than he might have realized, Dylan partly replayed his hero’s entrance to the city where both men would become legends. -
Folk Music, Internal Migration, and the Cultural Left
Internal Migration and the Left Futures That Internal Migration Place-Specifi c Introduction Never Were and the Left Material Resources THE SOUTH AND THE MAKING OF THE AMERICAN OTHER: FOLK MUSIC, INTERNAL MIGRATION, AND THE CULTURAL LEFT Risto Lenz In 1940, actor and activist Will Geer organized the “Grapes of Wraths Evening,” a benefi t concert for the John Steinbeck Committee for Agricultural Workers at Forrest Theater in New York City. The pro- gram served as a blueprint for what would later defi ne the American folk music revival: Urban Northerners sharing the stage with “authentic” rural Southerners, together celebrating America’s musical heritage in a politically charged framework (here: helping migrant farmwork- ers). Among the “real” folk were Aunt Molly Jackson, an organizer for the Kentucky coal mines and a singer of union songs, Huddie “Lead Belly” Ledbetter, an African American songster from Louisiana, and Woody Guthrie, a singer from Oklahoma. The three musicians, 1 He is sometimes also who would all spend their subsequent lives in New York as well as referred to as “Leadbelly.” in California, represent the three main migration fl ows of Southerners Both spellings are pos- sible. I will hereaft er use moving out of farms and towns of the American South in great “Lead Belly” since it was numbers and into cities and suburbs of the North and the West: The the preferred spelling of the singer himself as 1 Great Migration of black Southerners (Lead Belly ), the dust bowl well as of the Lead Belly migration (Guthrie), and the Appalachian migration (Jackson).2 The Foundation. -
Yasmina Chavez Electronic Integrated Arts MFA 2016 Thesis School of Art and Design - NYSCC at Alfred University Thesis Exhibit: April 9, 2016
“Sensing Time” Yasmina Chavez Electronic Integrated Arts MFA 2016 Thesis School of Art and Design - NYSCC at Alfred University Thesis Exhibit: April 9, 2016 Committee Members: Peer Bode (Chair), Barbara Lattanzi, Joseph Scheer Introduction In Las Vegas, Nevada, where I’m from, there are three different coexisting strata of time: casinos or casino environments, the regular 24-hour clock calendar day society, and the desert. The casino environment consists of any place with gambling facilities. This includes any place with a gambling license from the major touristic casinos like the MGM to your neighborhood grocery stores or even, on your way out of the city, the airport. The casino environment furnishes the experience of timelessness, which is activated through an infinitely looping hand action. Pushing buttons or pulling levers (slot machine), holding, flicking or arranging cards (table games), and rolling or throwing dice (roulette table) are some examples of this looping hand action. The action holds the gambler in place until they run out of money, win, or something from 24-hour calendar day society pulls them away. Both the casino environment and the 24-hour calendar day society weave in and out of each other like soap bubbles in the wind. These two bubbles of time exist inside a larger bubble – the desert, which visibly surrounds the city a full 360 degrees. It is not only visible everywhere, but it is also felt through the tremendous heat and dry air that it breathes. On some of the hottest days everything seems to pause, even the air. Time in the desert is experienced on a massive scale, as if the land, which exudes a sense of finality, an end of calendar-time and eternality of both, had swallowed time. -
Self-Confidence
An Audio Version of this e-book is available from our friends at learnoutloud.com Enjoy this free version. This e-Book is NOT for resale © in this edition resides with mymillionairebuddy.com and Ozybooks.com learnoutloud.com Lesson Three SELF-CONFIDENCE - 3 - AMIDST all the mys- teries by which we are surrounded, nothing is more certain than that we are in the presence of an Infinite and Eternal Energy from which all things proceed. - Herbert Spencer - 4 - THE LAW OF SUCCESS Lesson Three SELF-CONFIDENCE "You Can Do It if You Believe You Can!" BEFORE approaching the fundamental principles upon which this lesson is founded it will be of benefit to you to keep in mind the fact that it is practical - that it brings you the discoveries of more than twenty- five years of research-that it has the approval of the leading scientific men and women of the world who have tested every principle involved. Skepticism is the deadly enemy of progress and self-development. You might as well lay this book aside and stop right here as to approach this lesson with the feeling that it was written by some long- haired theorist who had never tested the principles upon which the lesson is based. Surely this is no age for the skeptic, because it is an age in which we have seen more of Nature's laws uncovered and harnessed than had been discovered in all past history of the human race. Within three decades we have witnessed the mastery of the air; we have explored the ocean; we have all but annihilated - 5 - distances on the earth; we have harnessed the lightning and made it turn the wheels of industry; we have made seven blades of grass grow where but one grew before; we have instantaneous communication between the nations of the world. -
Singleness.Docx
Episode 312: Q&A – Singleness That Sounds Fun Podcast with Annie F. Downs [00:00:00] <Music> Annie: Hi friends, welcome to another episode, a very special episode of That Sounds Fun. I'm your host, Annie F. Downs. I'm really, really happy to be here with you today. We've got a great show in store for you, thanks to you. But before we dive in, I want to tell you about one of our amazing partners, the Glorify app. Okay, you can just consider this little pre-podcast check-in, again how are you feeling? Do you find yourself struggling with anxiety, or stress, or any sleep challenges? Okay, take a listen to this peaceful meditation from Glorify. Narrator: You don't need to accomplish or solve anything in this moment. You just need to breathe in God's presence, breathe in His peace, and breathe out your anxieties. Annie: Oh, my gosh! Don't you feel better already? That was just one of the many meditations available on the Glorify app, the number one daily worship and well-being app. I love this app, and so do over a million Christians around the world, who use the Glorify app to restore peace to their souls and connect with God daily. Over 96% of Glorify's most active users, shared that using the app has improved their mental health. To get it just search for Glorify in your app store, it's free to download and use. And if you like it, you can unlock their entire content library of daily devotionals, meditations, prayers, and worship music. -
TEACHER CANDIDATES: They Do Make a Difference by Krystal Bishop, Ed.D
VOL 14 2015 Congratulations December 2015 Graduates! UNRAVELED Pages 4-5 Meet Our New Faculty Member Nivischi Edwards Pages 8-10 TEACHER CANDIDATES: They Do Make a Difference By Krystal Bishop, Ed.D. Education majors Amy Flores, Bianca Labrador, and Shaina Vargas Da Silva I graduated from the Teacher Education Program (TEP) at Southern Missionary College (now Southern Adventist University) in 1975. I returned in 1996 as a faculty member. There are not many similarities between my preparation and the preparation of teacher candidates today. This article will focus on one of the outstanding differences—field experiences. My field experiences were limited to a few classroom visits to schools in metro Chattanooga and an eight-week student teaching placement in one school. (Continued on page 3) “I Am the Way” From the Statue Dean’s Desk Have you been to Southern’s campus in the fall? It really is spectacular. Colorful foliage makes a gorgeous setting, but having our building full of students is what truly makes it come alive! Thanks to recent renovations, our classrooms, computer lab, John and conference rooms have McCoy, Ed.D. served both our students For the faculty The student, and those from other departments whose and staff of the School distracted by her classes meet in our building. of Education and personal struggles, One of our crown jewels is the Teaching Psychology, Summerour searches for answers, Materials Center (TMC). This unique space Hall is a second home. then realizes that Jesus is holds numerous items available for check out, As renovations began, at her side saying, “I am and functions as a workroom, with everything we wanted to mark our the way.” Because this from lamination to color printing and commitment to leading message applies to us Ellison die cuts. -
Ii WOODY GUTHRIE
ii WOODY GUTHRIE THIS COLLECTION PRESENTS FOR THE FIRST TIME the full range of material Woody Guthrie recorded for the United States government, both in song and the spoken word. This publication brings together two significant bodies of work – the songs and stories he recorded for the Library of Congress, and the material he created when hired to write songs for the Bonneville Power Administration. There have been records released in the past of the Library of Congress recordings, but this collection is the first time that the complete and unedited Library of Congress sessions have been released. The songs from those recording dates have been available in the past – notably from Elektra and from Rounder – but we offer here the full body of work, including the hours of Woody Guthrie talking and telling his story. TO THE LIBRARY OF CONGRESS AND BPA RECORDINGS, we have also added material which Woody recorded for governmental or quasi-governmental efforts – some songs and two 15-minute radio dramas for the Office of War Information during the Second World War and another drama offered to public health agencies to fight the spread of venereal disease. WOODY GUTHRIE AMERICA N RADICA L PATRIOT by Bill Nowlin Front cover photo: marjorie mazia and woody guthrie in east st. louis, missouri. july 29, 1945. Inside front and inside back cover photo: woody, “oregon somewhere” on the coast in oregon. this is the only known photograph of woody guthrie during the time he spent touring with the bpa. ℗ 2013 Woody Guthrie Foundation. © 2013 Rounder Records. Under exclusive license to Rounder Records. -
VENMO (Ben-Landsverk) PAYPAL: [email protected]
O Solo Low Bar Presents Won’t You Be Our Valentine*? The Sing Your Feelings Edition Feb. 13 7pm PDT *If you’re here, we will assume this is a hard YES. THE “SHOW YOUR LOVE OF LOW BAR” TIP JAR VENMO (ben-landsverk) PAYPAL: [email protected] 1. LET MY LOVE OPEN THE DOOR – Pete Townshend When people keep repeating That you'll never fall in love When everybody keeps retreating But you can't seem to get enough [chorus] Let my love open the door Let my love open the door Let my love open the door To your heart (my love open the door…) When everything feels all over When everybody seems unkind I'll give you a four leaf clover Take all the worry out of your mind [chorus] I have the only key to your heart I can stop you falling apart Try today, you'll find this way Come on and give me a chance to say Let my love open the door It's all I'm living for Release yourself from misery There's only one thing gonna set you free That's my love When tragedy befalls you Don't let it drag you down Love can cure your problems You're so lucky I'm around Let my love open the door Let my love open the door Let my love open the door To your heart. 2. Never Gonna Give You Up - Rick Astley We're no strangers to love You know the rules and so do I A full commitment's what I'm thinking of You wouldn't get this from any other guy I just wanna tell you how I'm feeling Gotta make you understand [chorus] Never gonna give you up Never gonna let you down Never gonna run around and desert you Never gonna make you cry Never gonna say goodbye Never gonna tell a lie and -
Constitutional Culture Or Ordinary Politics: a Reply to Reva Siegel
Constitutional Culture or Ordinary Politics: A Reply to Reva Siegel Robin Westt Reva Siegel's lecture, Constitutional Culture, Social Movement Conflict and Constitutional Change: The Case of the de Facto ERA,1 ex- plores the interaction between the courts and social movements in creating constitutional meaning. In the primary part of this response I focus my comments on Siegel's three major contributions: First, the historical expla- nation of the source of the Court's authority in the development of the so- called defacto ERA;2 second, the articulation of a general, jurisprudential thesis regarding social contestation as a source of constitutional authority apart from text, history, and principle;3 and third, the quasi-sociological descriptive account of the form social contest must take to be juris genera- tive.4 I find Siegel's historical interpretation, jurisprudential thesis, and so- ciological analysis compelling, and in this response I offer thoughts on how Siegel's basic thesis might be expanded and strengthened. The subsequent part of this response raises some questions and doubts about Siegel's underlying invitation in this lecture: an invitation to social activists, whether or not legally trained, to participate more frequently and self-consciously in the umbrella of social processes commonly referred to as "popular constitutionalism."5 While we should worry-as the popular Copyright © 2006 California Law Review, Inc. California Law Review, Inc. (CLR) is a California nonprofit corporation. CLR and the authors are solely responsible for the content of their publications. t Professor of Law, Georgetown University Law Center. Many thanks to the participants at the Brennan Lecture at Boalt Hall, for thoughtful comments and conversations on the early draft of this reply. -
Download the Transcript
Episode 63: LOSE WEIGHT This is the Become an Unstoppable Woman podcast with Lindsay Preston Episode 63, Lose Weight. [music] Welcome to the Become An Unstoppable Woman podcast, the show for goal-getting, fear-facing women for kicking ass by creating change. I'm your host, Lindsay Preston. I'm a wife, mom of two, and a multi-certified life coach to women all over the world. I've lived through enough in life to know that easier doesn't always equate to better. We can't fear the fire, we must learn to become it. On this show, I'll teach you how to do just that. Join me as I challenge you to become even more of the strong, resilient, and powerful woman you were meant to be. Let's do this. [music] Hey there, Miss Unstoppable. Happy to have you for this episode about losing weight. Believe it or not, I have never talked about losing weight directly in any of my podcasts, either this one or my former one Life Lovers Radio and any of my content and my courses directly. I'm just getting more and more people who are coming to me saying, "Lindsay, part of coaching is why I want to lose weight. That's one of my big goals," so I am taking these goals on and I'm helping clients make it happen. Now, I must admit weight loss isn't something I'm super passionate about. It's not something I've overly struggled with in my life. I am just one of those people, you may hate me, but I'm just pretty naturally thin. -
Nora Guthrie Graduated from NYU Tisch School of the Arts in 1971
WOODY GUTHRIE PUBLICATIONS, INC. 125-131 E. Main Street, Suite #200, Mt. Kisco, NY 10549 (914) 241-3844 | www.WoodyGuthrie.org N O R A G U T H R I E PRESIDENT, Woody Guthrie Publications, Inc. PRESIDENT | Woody Guthrie Foundation FOUNDER & DIRECTOR | Woody Guthrie Archives (1992-2013) Nora Guthrie graduated from NYU Tisch School of the Arts in 1971. Following a successful career in modern dance Nora began working with her father’s materials in 1992. Based on her intimate connection to her father’s ideas and ideals, Nora brings a refreshing interpretation of his work and a new understanding of his legacy. Her first project, in 1992, was the publication of a lost songbook of Woody’s original lyrics and illustrations, Woody’s 20 Grow Big Songs. Nora co-produced the accompanying album with her brother Arlo Guthrie, which received a Grammy nomination in the Best Children’s Album category. In 1994, Nora co-founded the Woody Guthrie Archives with Harold Leventhal and archivist Jorge Arevalo. In addition to managing the Archives and preserving her father’s personal materials and original creative works, Ms. Guthrie develops and produces new projects which continue to expand Woody Guthrie's cultural legacy. In 1996, the Woody Guthrie Archives was open for free research to scholars and students, making Woody Guthrie’s personal & professional collection available for the first time to the public. In 1996, Ms. Guthrie co-produced the first ever Rock and Roll Hall of Fame Museum Tribute series honoring Woody Guthrie. Main events consisted of a scholarly symposium held at Case Western Reserve University and a tribute concert in Cleveland’s famed Severance Hall.