DOCSLIB.ORG

Prolegomena to the Automated Analysis of a Bilingual Poetry Corpus, with Particular Reference to an Annotated Edition of “The Cantos” of Ezra Pound

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2016 Prolegomena To The Automated Analysis Of A Bilingual Poetry Corpus, With Particular Reference To An Annotated Edition Of “the Cantos” Of Ezra Pound Robin Seguy University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the English Language and Literature Commons Recommended Citation Seguy, Robin, "Prolegomena To The Automated Analysis Of A Bilingual Poetry Corpus, With Particular Reference To An Annotated Edition Of “the Cantos” Of Ezra Pound" (2016). Publicly Accessible Penn Dissertations. 2576. https://repository.upenn.edu/edissertations/2576 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/2576 For more information, please contact [email protected]. Prolegomena To The Automated Analysis Of A Bilingual Poetry Corpus, With Particular Reference To An Annotated Edition Of “the Cantos” Of Ezra Pound Abstract Standing at the intersection of a theoretical investigation into the possibilities of applying the tools and methods of automated analysis to a large plurilingual poetry corpus and of a set of observables gleaned along the creation of a digitally annotated edition of The Cantos of Ezra Pound — a robust test-case for the TEI — the present dissertation can be read under different guises. One of them, for instance, would be that of a comedy, divina commedia or com�dia de Deus, in which the computer plays — Leibnizian harmonics! — the part of supreme intellect. A: The selva oscura is that of newly born “Digital Humanities” — burgeoning yet obscured already by two dominant paradigms. On the one hand, the constructivism inherited from poststructuralist theory; on the other, a na�ve return to the most trivial kind of linguistic realism. There, the literary text is construed as an object of absolute singularity, transcending any possible analysis based on explicit methods; here, it becomes a mere point in a network of quodities. Literariness is gone. The second circle revolves around a singular, and singularly marked, exemple of antinomian discourse — the concomitant use of the notions of error and genius in respect to The Cantos — the uniqueness of the modernist project supposed to defeat all generalizing claims made by philology. Alas, facts are stubborn things; so are mistakes. These must be corrected, but on what grounds? We plead for the necessity of a genetic — a digital genetic — edition, which only can transcend the arbitrary organizational imperialism of standard sheets of paper. B. The purgatory of labor, the attempts to analyze the text without betraying its intricacies. What is a line? What is a proper name? What is a quotation? The path is steep, but the air starts to clear up. C. Ascension — Love supreme — Paradise in sight: the realm of results. Through graphs, colors appear, in the stead of black ink on white paper — beautifully, but oh so fleetingly! Degree Type Dissertation Degree Name Doctor of Philosophy (PhD) Graduate Group Comparative Literature and Literary Theory First Advisor Charles Bernstein Keywords Cantos, The, Digital Humanities, Philology, Pound, Ezra Subject Categories English Language and Literature This dissertation is available at ScholarlyCommons: https://repository.upenn.edu/edissertations/2576 PROLEGOMENA TO THE AUTOMATED ANALYSIS OF A BILINGUAL POETRY CORPUS, WITH PARTICULAR REFERENCE TO AN ANNOTATED EDITION OF THE CANTOS OF EZRA POUND Robin Seguy A DISSERTATION in Comparative Literature and Literary Theory Presented to the Faculties of the University of Pennsylvania in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy 2016 Supervisor of Dissertation Charles Bernstein, Donald T. Regan Professor of English and Comparative Literature Graduate Group Chairperson Emily Watson, Professor of Classical Studies Dissertation committee Rita Barnard, Professor of English and Comparative Literature Mark Liberman, Christopher H. Browne Distinguished Professor of Linguistics PROLEGOMENA TO THE AUTOMATED ANALYSIS OF A BILINGUAL POETRY CORPUS, WITH PARTICULAR REFERENCE TO AN ANNOTATED EDITION OF THE CANTOS OF EZRA POUND COPYRIGHT 2016 Robin Seguy This work is licensed under the Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc-nd/4.0/ or send a letter to Creative Commons, PO Box 1866, Mountain View, CA 94042, USA. Pour ma mère, qui, dès le premier jour – ou peut-être même avant déjà – n’a eu de cesse de me poser cette lancinante question: « Quand est-ce que tu la finis, cette bon Dieu de thèse ? » À la mémoire de ma grand-mère. UBI AMOR, IBI OCULUS iii Travailler pour l’incertain, aller sur la mer, passer sur une planche. PASCAL iv ABSTRACT PROLEGOMENA TO THE AUTOMATED ANALYSIS OF A BILINGUAL POETRY CORPUS, WITH PARTICULAR REFERENCE TO AN ANNOTATED EDITION OF THE CANTOS OF EZRA POUND Robin Seguy Charles Bernstein Standing at the intersection of a theoretical investigation into the possibilities of applying the tools and methods of automated analysis to a large plurilingual poetry corpus and of a set of observables gleaned along the creation of a digitally annotated edition of The Cantos of Ezra Pound — a robust test-case for the TEI — the present dissertation can be read under different guises. One of them, for instance, would be that of a comedy, divina commedia or comédia de Deus, in which the computer plays — Leibnizian harmonics! — the part of supreme intellect. A: The selva oscura is that of newly born “Digital Humanities” — burgeoning yet obscured already by two dominant paradigms. On the one hand, the constructivism inherited from poststructuralist theory; on the other, a naïve return to the most trivial kind of linguistic realism. There, the literary text is construed as an object of absolute singularity, transcending v any possible analysis based on explicit methods; here, it becomes a mere point in a network of quodities. Literariness is gone. The second circle revolves around a singular, and singularly marked, exemple of antinomian discourse — the concomitant use of the notions of error and genius in respect to The Cantos — the uniqueness of the modernist project supposed to defeat all generalizing claims made by philology. Alas, facts are stubborn things; so are mistakes. These must be corrected, but on what grounds? We plead for the necessity of a genetic — a digital genetic — edition, which only can transcend the arbitrary organizational imperialism of standard sheets of paper. B. The purgatory of labor, the attempts to analyze the text without betraying its intricacies. What is a line? What is a proper name? What is a quotation? The path is steep, but the air starts to clear up. C. Ascension — Love supreme — Paradise in sight: the realm of results. Through graphs, colors appear, in the stead of black ink on white paper — beautifully, but oh so fleetingly! vi Table of Contents ABSTRACT V TABLE OF CONTENTS VII FOREWORD IX A. PONDERING 1 1. THE BAD TURN OF THE DIGITAL TURN 2 1.1. HARK! THE DIGITAL ANGELS SING 2 1.2. LITERARY COMPUTING BETWEEN SCYLLA AND CHARYBDIS 9 1.2.1. Jerome McGann and the Postmodern School of “Bullshit” 11 1.2.2. Jockers, Moretti, the “Big Data” Fallacy and the Oblivion of Textuality 35 2. INCORRIGIBLE POUND — PHILOLOGY, POLITICS OF RECEPTION AND THE TEXT OF THE CANTOS 49 2.1. REPEAT! 49 2.2. OF WILLS, WISHES AND VOLITIONS 55 2.3. OLD EZ VS PHILOLOGERS 58 2.4. THEORIES OF GENIUS 69 2.5. POLITICS OF RECEPTION 78 2.6. BEYOND COPY-TEXT: HYPERTEXT AS A MODEL FOR GENETIC EDITIONS 84 B. ENCODING 88 3. TOWARDS A READABLE DIGITAL TEXT OF THE CANTOS — STRUCTURAL QUESTIONS 89 3.1. WHAT IS ENCODING? CHOICE OF A STANDARD 90 3.2. DIGITIZING 94 vii 3.3. ENCODING STRUCTURES (1) — THE FORMAL DIMENSION 95 3.3.1. Text and Peritext: the Erasure of Textual Boundaries in the Modernist Project 96 3.3.2 What Is a Line? (1) — Prose in Verse 105 3.3.3 What Is a Line? (2) — The Ideogrammatic Model 114 3.4. ENCODING STRUCTURES (2) — OF DIRECT SPEECHES, QUOTATIONS, AND RESULTING PUNCTUATION FIREWORKS 121 4. PROPER NAMES 130 4.1. HOW TO CLIMB 131 4.2. ANCESTORS: ANNOTATING THE CANTOS AFTER EDWARDS & VASSE AND TERRELL 133 4.2.1. Edwards and Vasse’s Annotated Index 134 4.2.2. Terrell’s Companion 135 4.3. PROPER NAMES BEYOND REFERENCE 143 4.3.1. Reference and textuality 149 4.3.2. Limits of the domain proper names 150 C. READING 160 5. A BIRD’S EYE-VIEW OF SOME FORMAL CHARACTERISTICS OF THE CANTOS 161 5.1. THE FREEING OF THE FORM: LENGTH(S) OF THE CANTOS 165 5.2. THE USE OF FOREIGN LANGUAGES 171 5.3. TOWARDS A GAZETEER: AN GLANCE AT THE USE OF TOPONYMS IN THE CANTOS 181 5.3.1. Quantitative data 184 5.3.2. Introduction of new names — Thematic rhythms 191 5.3.3. For a geography of The Cantos 196 5.4. NEW DIRECTIONS? 209 APPENDICES 211 1. A SAMPLE FROM THE XML-TEI ENCODING: “CANTO LXXIV” 212 2. ADDITIONAL GRAPHS 240 3. CODA TO § 1.2.1. (A POST-FACTUM FIRST-PERSON-SINGULAR APOLOGY — BOTH WAYS) 257 BIBLIOGRAPHICAL REFERENCES 262 viii Foreword And Brancusi repeating: je peux commencer une chose tous les jours, mais fiiniiiir POUND Bresson writes, in one of his Notes, about the abyss separating the film that was conceived, mentally, and the material result of the conception. Such an abyss is of course true for all tasks born out of an idea, then planned and materialized in sublunar time. The following pages both escape and illustrate to an extreme this discrepancy.
Recommended publications
  • Distant Reading, Computational Stylistics, and Corpus Linguistics the Critical Theory of Digital Humanities for Literature Subject Librarians David D

    Distant Reading, Computational Stylistics, and Corpus Linguistics the Critical Theory of Digital Humanities for Literature Subject Librarians David D

    CHAPTER FOUR Distant Reading, Computational Stylistics, and Corpus Linguistics The Critical Theory of Digital Humanities for Literature Subject Librarians David D. Oberhelman FOR LITERATURE librarians who frequently assist or even collaborate with faculty, researchers, IT professionals, and students on digital humanities (DH) projects, understanding some of the tacit or explicit literary theoretical assumptions involved in the practice of DH can help them better serve their constituencies and also equip them to serve as a bridge between the DH community and the more traditional practitioners of literary criticism who may not fully embrace, or may even oppose, the scientific leanings of their DH colleagues.* I will therefore provide a brief overview of the theory * Literary scholars’ opposition to the use of science and technology is not new, as Helle Porsdam has observed by looking at the current debates over DH in the academy in terms of the academic debate in Great Britain in the 1950s and 1960s between the chemist and novelist C. P. Snow and the literary critic F. R. Leavis over the “two cultures” of science and the humanities (Helle Porsdam, “Too Much ‘Digital,’ Too Little ‘Humanities’? An Attempt to Explain Why Humanities Scholars Are Reluctant Converts to Digital Humanities,” Arcadia project report, 2011, DSpace@Cambridge, www.dspace.cam.ac.uk/handle/1810/244642). 54 DISTANT READING behind the technique of DH in the case of literature—the use of “distant reading” as opposed to “close reading” of literary texts as well as the use of computational linguistics, stylistics, and corpora studies—to help literature subject librarians grasp some of the implications of DH for the literary critical tradition and learn how DH practitioners approach literary texts in ways that are fundamentally different from those employed by many other critics.† Armed with this knowledge, subject librarians may be able to play a role in integrating DH into the traditional study of literature.
  • II Congresso Internacional As Aves 2018

    II Congresso Internacional As Aves 2018

    EVOLUÇÃO Revista de Geistória e Pré-História SÉRIE I, Nº. 2, VOLUME 1 LISBOA. MAIO. 2018 EVOLUÇÃO - Revista de Geistória e Pré-História. 2 (1).2018 CENTRO PORTUGUÊS DE GEO-HISTÓRIA E PRÉ-HISTÓRIA O Centro Português de Geo-História e Pré-História é uma associação sem fins lucrativos Fundada em 15 de fevereiro de 1995, é reconhecida como Entidade de Utilidade Pública desde 2017. Tem por objetivos o fomento e o desenvolvimento de atividades de investigação e de divulgação nos campos científicos da Geo- História e Pré-História. CONCELHO CIENTÍFICO DO CPGP: Paleontologia / Estratigrafia / Paleobotânica: Silvério Figueiredo; Mário Mendes; Pedro Proença Cunha; Ioanna Bachtsevanidou Strantzali Pré-História / Arte Rupestre: Telmo Pereira; Luís Raposo; Luiz Oosterbeek; Fernando Coimbra Geografia Rita Anastácio EVOLUÇÃO. REVISTA DE GEISTÓRIA E PRÉ-HISTÓRIA A Evolução. Revista de Geistória e Pré-História é uma revista de divulgação Científica, publicada pelo Centro Português de Geo-História e Pré-História e tem por objetivo principal contribuir para o desenvolvimento da divulgação científica, através da publicação de artigos e de trabalhos de investigação, divulgação e informação, de autores ou investigadores nacionais ou estrangeiros, nas áreas da Geistória e da Pré-História, podendo estes artigos ser de âmbito nacional ou internacional. CONCELHO EDITORIAL: Silvério Figueiredo; Fernando Coimbra; David Barão; Sofia Silvério; Fernanda Sousa; Ioanna Bachtsevanidou Strantzali; Marta Gomes. Depósito Legal: 189274/02 ISSN:1645-6297 Impressão: CWORLD (Pinhal Novo) Edição: Centro Português de Geo-História e Pré-História Periodicidade: anual Designe gráfico: Fernanda Sousa Sem autorização expressa do editor, não é permitida a reprodução parcial ou total dos artigos desta revista, desde que tal reprodução não decorra das finalidades específicas da divulgação e da crítica.
  • Il Curaro Degli Indios Dell'amazzonia Da Veleno a Farmaco. Il Ruolo Di G.B

    Il Curaro Degli Indios Dell'amazzonia Da Veleno a Farmaco. Il Ruolo Di G.B

    Istituto Superiore di Sanità In questo volume viene ripercorsa una parte della storia della ricerca sui curari Il curaro degli Indios dell’Amazzonia attraverso il contributo che il chimico G.B. Marini Bettolo diede in questo campo della medicina nella seconda metà del secolo scorso, in particolare negli anni in da veleno a farmaco. cui lavorò all’Istituto Superiore di Sanità. La ricostruzione delle diverse fasi della Il ruolo di G.B. Marini Bettolo sua attività di ricerca è stata possibile grazie alla collaborazione tra l’ISS e l’Acca- e dell’Istituto Superiore di Sanità demia delle Scienze detta dei XL, istituzioni che benefi ciarono entrambe del suo contributo per diversi anni. Il suo impegno viene raccontato da ricercatori ed esperti italiani e latinoamericani che collaborarono in periodi diversi al suo lungo e appassionato lavoro di ricerca, arricchito da numerosi viaggi di studio in America Latina che facilitarono un fruttuoso scambio di conoscenze umane e scientifi che tra diversi paesi di questo Continente e l’Italia. “I beni storico-scientifi ci dell’Istituto Superiore di Sanità” rappresentano una collana di monografi e basate su un’intensa attività di recupero, salvaguardia e valorizzazione del patrimonio di interesse scientifi co, storico e culturale. La serie ha lo scopo di documentare, attraverso le testimonianze sia materiali (strumenti scientifi ci, documenti, fotografi e) che immateriali (interviste a ricercatori e tecnici, racconti orali), la storia dell’Istituto Superiore di Sanità e più in generale della sanità pubblica italiana. A cura di Paola De Castro e Daniela Marsili Istituto Superiore di Sanità Viale Regina Elena, 299 - 00161 Roma Presidente: Enrico Garaci www.iss.it Il curaro degli Indios dell’Amazzonia da veleno a farmaco.
  • KB-Driven Information Extraction to Enable Distant Reading of Museum Collections Giovanni A

    KB-Driven Information Extraction to Enable Distant Reading of Museum Collections Giovanni A

    KB-Driven Information Extraction to Enable Distant Reading of Museum Collections Giovanni A. Cignoni, Progetto HMR, [email protected] Enrico Meloni, Progetto HMR, [email protected] Short abstract (same as the one submitted in ConfTool) Distant reading is based on the possibility to count data, to graph and to map them, to visualize the re- lations which are inside the data, to enable new reading perspectives by the use of technologies. By contrast, close reading accesses information by staying at a very fine detail level. Sometimes, we are bound to close reading because technologies, while available, are not applied. Collections preserved in the museums represent a relevant part of our cultural heritage. Cataloguing is the traditional way used to document a collection. Traditionally, catalogues are lists of records: for each piece in the collection there is a record which holds information on the object. Thus, a catalogue is just a table, a very simple and flat data structure. Each collection has its own catalogue and, even if standards exists, they are often not applied. The actual availability and usability of information in collections is impaired by the need of access- ing each catalogue individually and browse it as a list of records. This can be considered a situation of mandatory close reading. The paper discusses how it will be possible to enable distant reading of collections. Our proposed solution is based on a knowledge base and on KB-driven information extraction. As a case study, we refer to a particular domain of cultural heritage: history of information science and technology (HIST).
  • Ezra Pound His Metric and Poetry Books by Ezra Pound

    Ezra Pound His Metric and Poetry Books by Ezra Pound

    EZRA POUND HIS METRIC AND POETRY BOOKS BY EZRA POUND PROVENÇA, being poems selected from Personae, Exultations, and Canzoniere. (Small, Maynard, Boston, 1910) THE SPIRIT OF ROMANCE: An attempt to define somewhat the charm of the pre-renaissance literature of Latin-Europe. (Dent, London, 1910; and Dutton, New York) THE SONNETS AND BALLATE OF GUIDO CAVALCANTI. (Small, Maynard, Boston, 1912) RIPOSTES. (Swift, London, 1912; and Mathews, London, 1913) DES IMAGISTES: An anthology of the Imagists, Ezra Pound, Aldington, Amy Lowell, Ford Maddox Hueffer, and others GAUDIER-BRZESKA: A memoir. (John Lane, London and New York, 1916) NOH: A study of the Classical Stage of Japan with Ernest Fenollosa. (Alfred A. Knopf, New York, 1917; and Macmillan, London, 1917) LUSTRA with Earlier Poems. (Alfred A. Knopf, New York, 1917) PAVANNES AHD DIVISIONS. (Prose. In preparation: Alfred A. Knopf, New York) EZRA POUND HIS METRIC AND POETRY I "All talk on modern poetry, by people who know," wrote Mr. Carl Sandburg in _Poetry_, "ends with dragging in Ezra Pound somewhere. He may be named only to be cursed as wanton and mocker, poseur, trifler and vagrant. Or he may be classed as filling a niche today like that of Keats in a preceding epoch. The point is, he will be mentioned." This is a simple statement of fact. But though Mr. Pound is well known, even having been the victim of interviews for Sunday papers, it does not follow that his work is thoroughly known. There are twenty people who have their opinion of him for every one who has read his writings with any care.
  • El Profesorado De Universidad Del Tercer Milenio. El Nuevo Horizonte De Sus Funciones Y Responsabilidades

    El Profesorado De Universidad Del Tercer Milenio. El Nuevo Horizonte De Sus Funciones Y Responsabilidades

    El profesorado de Universidad del Tercer Milenio. El nuevo… El profesorado de Universidad del Tercer Milenio. El nuevo horizonte de sus funciones y responsabilidades por José A. IBÁÑEZ-MARTÍN Universidad Complutense de Madrid 1. Introducción conjunto de amplias modificaciones lega- Una de las más grandes aportaciones les en el ámbito educativo, con el deseo de de Europa a la cultura universal ha sido la corregir las inadecuaciones, los errores y creación de la institución universitaria, cla- los efectos perversos de las leyes que desa- ramente más antigua que el Estado. Han rrollaron el artículo 27 de nuestra Consti- pasado muchos siglos, quizá podemos tución. Esas reformas eran urgentes y remontarnos a la Academia platónica y tal confío en que de ellas se obtengan frutos vez a la liga pitagórica, desde que apare- positivos. Ahora bien, las estructuras lega- año LIX, n.º 220, septiembre-diciembre 2001, 441-466 cieron los primeros lugares en los que se les no son suficientes para responder al pretendía proporcionar un saber superior gran reto ante el que encuentra hoy la Uni- —y libre de las imposiciones del poder po- versidad, ya que la cuestión más grave a lítico— a los jóvenes adultos. A partir de la que hemos de responder no es tanto la organización del gobierno universitario o entonces se fue configurando lo que hoy revista española de pedagogía llamamos Universidad, siguiendo una com- los sistemas de selección del profesorado, pleja evolución, que no siempre supo res- cuanto cómo avizorar los nuevos caminos ponder con acierto a los cambios sociales, que la Universidad debe seguir para res- pero sí tuvo la inteligencia imprescindible ponder acertadamente a las actuales cir- como para permitir su supervivencia y con- cunstancias sociales, muy distintas de las solidación.
  • IXA-Pipe) and Parsing (Alpino)

    IXA-Pipe) and Parsing (Alpino)

    Details from a distance? CLIN26 Amsterdam A Dutch pipeline for event detection Chantal van Son, Marieke van Erp, Antske Fokkens, Paul Huygen, Ruben Izquierdo Bevia & Piek Vossen CLOSE READING DISTANT READING NewsReader & BiographyNet Apply the detailed analyses typically associated with close (or at least non-distant) reading to large amounts of textual data ✤ NewsReader: (financial) news data ✤ Day-by-day processing of news; reconstructing a coherent story ✤ Four languages: English, Spanish, Italian, Dutch ✤ BiographyNet: biographical data ✤ Answering historical questions with digitalized data from Biography Portal of the Netherlands (www.biografischportaal.nl) using computational methods http://www.newsreader-project.eu/ http://www.biographynet.nl/ Event extraction and representation 1. Intra-document processing: Dutch NLP pipeline generating NAF files ✤ pipeline includes tokenization, parsing, SRL, NERC, etc. ✤ NLP Annotation Format (NAF) is a multi-layered annotation format for representing linguistic annotations in complex NLP architectures 2. Cross-document processing: event coreference to convert NAF to RDF representation 3. Store the NAF and RDF in a KnowledgeStore Event extraction and representation 1. Intra-document processing: Dutch NLP pipeline generating NAF files ✤ pipeline includes tokenization, parsing, SRL, NERC, etc. ✤ NLP Annotation Format (NAF) is a multi-layered annotation format for representing linguistic annotations in complex NLP architectures 2. Cross-document processing: event coreference to convert NAF to RDF 3.
  • On the Months (De Mensibus) (Lewiston, 2013)

    On the Months (De Mensibus) (Lewiston, 2013)

    John Lydus On the Months (De mensibus) Translated with introduction and annotations by Mischa Hooker 2nd edition (2017) ii TABLE OF CONTENTS Abbreviations .......................................................................................... iv Introduction .............................................................................................. v On the Months: Book 1 ............................................................................... 1 On the Months: Book 2 ............................................................................ 17 On the Months: Book 3 ............................................................................ 33 On the Months: Book 4 January ......................................................................................... 55 February ....................................................................................... 76 March ............................................................................................. 85 April ............................................................................................ 109 May ............................................................................................. 123 June ............................................................................................ 134 July ............................................................................................. 140 August ........................................................................................ 147 September ................................................................................
  • ISSN: 1647-0818 Lingua

    ISSN: 1647-0818 Lingua

    lingua Volume 12, Número 2 (2020) ISSN: 1647-0818 lingua Volume 12, N´umero 2 { 2020 Linguamatica´ ISSN: 1647{0818 Editores Alberto Sim~oes Jos´eJo~aoAlmeida Xavier G´omezGuinovart Conteúdo Artigos de Investiga¸c~ao Adapta¸c~aoLexical Autom´atica em Textos Informativos do Portugu^esBrasileiro para o Ensino Fundamental Nathan Siegle Hartmann & Sandra Maria Alu´ısio .................3 Avaliando entidades mencionadas na cole¸c~ao ELTeC-por Diana Santos, Eckhard Bick & Marcin Wlodek ................... 29 Avalia¸c~aode recursos computacionais para o portugu^es Matilde Gon¸calves, Lu´ısaCoheur, Jorge Baptista & Ana Mineiro ........ 51 Projetos, Apresentam-se! Aplicaci´onde WordNet e de word embeddings no desenvolvemento de proto- tipos para a xeraci´onautom´atica da lingua Mar´ıaJos´eDom´ınguezV´azquez ........................... 71 Editorial Ainda h´apouco public´avamosa primeira edi¸c~aoda Linguam´atica e, subitamente, eis-nos a comemorar uma d´uziade anos. A todos os que colaboraram durante todos estes anos, tenham sido leitores, autores ou revisores, a todos o nosso muito obrigado. N~ao´ef´acilmanter um projeto destes durante tantos anos, sem qualquer financi- amento. Todo este sucesso ´egra¸cas a trabalho volunt´ario de todos, o que nos permite ter artigos de qualidade publicados e acess´ıveisgratuitamente a toda a comunidade cient´ıfica. Nestes doze anos muitos foram os que nos acompanharam, nomeadamente na comiss~aocient´ıfica. Alguns dos primeiros membros, convidados em 2008, continuam ativamente a participar neste projeto, realizando revis~oesapuradas. Outros, por via do seu percurso acad´emico e pessoal, j´an~aocolaboram connosco. Como sinal de agradecimento temos mantido os seus nomes na publica¸c~ao.
  • A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997

    A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997

    A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events.
  • VIANA: Visual Interactive Annotation of Argumentation

    VIANA: Visual Interactive Annotation of Argumentation

    VIANA: Visual Interactive Annotation of Argumentation Fabian Sperrle* Rita Sevastjanova∗ Rebecca Kehlbeck∗ Mennatallah El-Assady∗ Figure 1: VIANA is a system for interactive annotation of argumentation. It offers five different analysis layers, each represented by a different view and tailored to a specific task. The layers are connected with semantic transitions. With increasing progress of the analysis, users can abstract away from the text representation and seamlessly transition towards distant reading interfaces. ABSTRACT are actively developing techniques for the extraction of argumen- Argumentation Mining addresses the challenging tasks of identi- tative fragments of text and the relations between them [41]. To fying boundaries of argumentative text fragments and extracting develop and train these complex, tailored systems, experts rely on their relationships. Fully automated solutions do not reach satis- large corpora of annotated gold-standard training data. However, factory accuracy due to their insufficient incorporation of seman- these training corpora are difficult and expensive to produce as they tics and domain knowledge. Therefore, experts currently rely on extensively rely on the fine-grained manual annotation of argumen- time-consuming manual annotations. In this paper, we present a tative structures. An additional barrier to unifying and streamlining visual analytics system that augments the manual annotation pro- this annotation process and, in turn, the generation of gold-standard cess by automatically suggesting which text fragments to annotate corpora is the subjectivity of the task. A reported agreement with next. The accuracy of those suggestions is improved over time by Cohen’s k [11] of 0:610 [64] between human annotators is consid- incorporating linguistic knowledge and language modeling to learn ered “substantial” [38] and is the state-of-the-art in the field.
  • Discentes Vol. 1 No. 1

    Discentes Vol. 1 No. 1

    Discentes Volume 1 Issue 1 Volume 1, Issue 1 Article 1 2016 Discentes Vol. 1 No. 1 Follow this and additional works at: https://repository.upenn.edu/discentesjournal Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons, Classics Commons, and the History Commons Recommended Citation . 2016. "Discentes Vol. 1 No. 1." Discentes 1, (1). https://repository.upenn.edu/discentesjournal/vol1/iss1/ 1 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/discentesjournal/vol1/iss1/1 For more information, please contact [email protected]. Discentes Vol. 1 No. 1 This full issue is available in Discentes: https://repository.upenn.edu/discentesjournal/vol1/iss1/1 DISCENTES December 2012 Discentes Vol. I, No. I December 2012 The undergraduate magazine for the Department of Classical Studies at the University of Pennsylvania Editors-in-Chief Carson Woodbury and Laura Santander Research Editor News Editor James Levy Alethea Roe Faculty Advisor James Ker Cover illustration by Laura Santander. 2 Contents from the editors 5 News 7 ResearcH Reconciling Physical Mortality with Literary Immortality: The Lyric Poets Sappho and Horace on Old Age By Charlotte Edelson 12 Recycling Homer in Greco-Roman Egypt: The Appreciation and Consumption of Homeric Papyri By Laura Santander 24 The Making of a Statesman: Demosthenes’ Philippics and the Education of James Madison By Madeleine Brown 37 The Survival of Winged Victory in Christian Late Antiquity By Jesse DuBois 42 Xenia Perverted: Guest-host Relationships in Apuleius’ Metamorphoses By Noreen Sit 59 Conversations Professor Jeremy McInerney 70 Darien Perez 78 3 Final Thoughts Aphrodite By Amy Conwell 80 Why I’m a Hellenist By James Levy 81 4 from the editors The idea for Discentes sprung from melancholy tidings.