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THAT MAGAZINE from Citr Fm 102 OCTOBER 1990 FREE Timbre Productions Presents
THAT MAGAZINE FROM CiTR fM 102 OCTOBER 1990 FREE Timbre Productions Presents iPRESFNT I CiTR s __ September 15 show of 101.9 fM V Death Angel, Forbid den and Sanctuary at MON. OCT. 1 the New York Theatre I has been postponed for m . now. Ticket holders can > NEW YORK THEATRE I get a refund at point of j purchase locations or 639 Commercial ticket will be honoured DOORS: 7:00PM SHOW: 7:30PM at the Death/Pesti lence/Carcass show. ALL AGES SHOW and CiTR present from Nigeria Mango Recording Artists WEA Recording Artists WED. OCT. 17 DOORS 8:00PM SSSr- SHOW 9:30PM CiTR PRESENTS ENIGMA RECORDING ARTISTS 101.9 fM A a\ ak4 ad TUES. OCT. 23 COMMODORE mop nixon band BALLROOM * with quests DOORS: 8:00PM CBS RECORDING ARTISTS INDIGO FIAJJHJ, Oct. 26 Ike 0ifo&eu4K IkecxVie W\ih £U€*U (TICKETS AVAILABLE ONLY THROUGH TICKETMASTER) TICKETS AVAILABLE AT: Zulu, Black Swan, Track, Highlife, Scratch, Razzberry Records (95th & Scott), Reminiscing Records (across from The Bay at Surrey Place), and all Ticketmaster outlets or charge by phone: 280-4444 A/AROWUAK THB HUMAN SEM1B1TB (OF CTR 1019 FAA) CONTENTS m&etrrs OCTOBER • 1990 Issue #93 ORGANIZED SHINDIG '90 WITH The lowdown on that local band competition from CiTR (present) 5 DJ SOUND WAR CHAPTER ONE The lowdown on that rap competition from CiTR (past) 5 NIRVANA Tom Milne finds it atthe New York Theatre 8 SHADOWY MEN ON A SHADOWY PLANET Don Pyle picks up the phone and screams at Nardwuar 10 TRINI LOPEZ rHe A regular guy meets the tattoo of his dreams 12 FAST3ACK$ URBAN DANCE SQUAD Pete Lutwyche and an Amsterdammer DJ join at the ear 15 PANKOW iMRTBCPER/EWCE No Kunst, No Wahnsinn. -
September 1995
Features CARL ALLEN Supreme sideman? Prolific producer? Marketing maven? Whether backing greats like Freddie Hubbard and Jackie McLean with unstoppable imagination, or writing, performing, and producing his own eclectic music, or tackling the business side of music, Carl Allen refuses to be tied down. • Ken Micallef JON "FISH" FISHMAN Getting a handle on the slippery style of Phish may be an exercise in futility, but that hasn't kept millions of fans across the country from being hooked. Drummer Jon Fishman navigates the band's unpre- dictable musical waters by blending ancient drum- ming wisdom with unique and personal exercises. • William F. Miller ALVINO BENNETT Have groove, will travel...a lot. LTD, Kenny Loggins, Stevie Wonder, Chaka Khan, Sheena Easton, Bryan Ferry—these are but a few of the artists who have gladly exploited Alvino Bennett's rock-solid feel. • Robyn Flans LOSING YOUR GIG AND BOUNCING BACK We drummers generally avoid the topic of being fired, but maybe hiding from the ax conceals its potentially positive aspects. Discover how the former drummers of Pearl Jam, Slayer, Counting Crows, and others transcended the pain and found freedom in a pink slip. • Matt Peiken Volume 19, Number 8 Cover photo by Ebet Roberts Columns EDUCATION NEWS EQUIPMENT 100 ROCK 'N' 10 UPDATE 24 NEW AND JAZZ CLINIC Terry Bozzio, the Captain NOTABLE Rhythmic Transposition & Tenille's Kevin Winard, BY PAUL DELONG Bob Gatzen, Krupa tribute 30 PRODUCT drummer Jack Platt, CLOSE-UP plus News 102 LATIN Starclassic Drumkit SYMPOSIUM 144 INDUSTRY BY RICK -
June 26, 1995
Volume$3.00Mail Registration ($2.8061 No. plusNo. 1351 .20 GST)21-June 26, 1995 rn HO I. Y temptation Z2/Z4-8I026 BUM "temptation" IN ate, JUNE 27th FIRST SIN' "jersey girl" r"NAD1AN TOUR DATES June 24 (2 shows) - Discovery Theatre, Vancouver June 27 a 28 - St. Denis Theatre, Montreal June 30 - NAC Theatre, Ottawa July 4 - Massey Hall, Toronto PRODUCED BY CRAIG STREET RPM - Monday June 26, 1995 - 3 theUSArts ireartstrade of and andrepresentativean artsbroadcasting, andculture culture Mickey film, coalition coalition Kantorcable, representing magazine,has drawn getstobook listdander publishing companiesKantor up and hadthat soundindicated wouldover recording suffer thatKantor heunder wasindustries. USprepared trade spokespersonCanadiansanctions. KeithThe Conference for announcement theKelly, coalition, nationalof the was revealed Arts, expecteddirector actingthat ashortly. of recent as the a FrederickPublishersThe Society of Canadaof Composers, Harris (SOCAN) Authors and and The SOCANand Frederick Music project.the preview joint participation Canadian of SOCAN and works Harris in this contenthason"areGallup the theconcerned information Pollresponsibilityto choose indicated about from.highway preserving that to He ensure a and alsomajority that our pointedthere culturalthe of isgovernment Canadiansout Canadian identity that in MusiccompositionsofHarris three MusicConcert newCanadian Company at Hallcollections Toronto's on pianist presentedJune Royal 1.of Monica Canadian a Conservatory musical Gaylord preview piano of Chatman,introducedpresidentcomposers of StevenGuest by the and their SOCAN GellmanGaylord.speaker respective Foundation, and LouisThe composers,Alexina selections Applebaum, introduced Louie. Stephen were the originatethatisspite "an 64% of American the ofKelly abroad,cultural television alsodomination policies mostuncovered programs from in of place ourstatisticsscreened the media."in US; Canada indicatingin 93% Canada there of composersdesignedSeriesperformed (Explorations toThe the introduceinto previewpieces. -
Andy Warhol's
13 MOST BEAUTIFUL... SONGS FOR ANDY WARHOL’S SCREEN TESTS FEAUTURING DEAN & BRITTA JANUARY 17, 2015 OZ ARTS NASHVILLE SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler aA MESSAGE FROM OZ ARTS President John F. Kennedy had just been assassinated, the Civil Rights Act was mere months from inception, and the US was becoming more heavily involved in the conflict in Vietnam. It was 1964, and at The Factory in New York, Andy Warhol was experimenting with film. Over the course of two years, Andy Warhol selected regulars to his factory, both famous and anonymous that he felt had “star potential” to sit and be filmed in one take, using 100 foot rolls of film. It has been documented that Warhol shot nearly 500 screen tests, but not all were kept. Many of his screen tests have been curated into groups that start with “13 Most Beautiful…” To accompany these film portraits, Dean & Britta, formerly of the NY band, Luna, were commissioned by the Pittsburgh Cultural Trust and The Andy Warhol Museum in Pittsburgh, Pennsylvania, to create original songs, and remixes of songs from musicians of the era. This endeavor led Dean & Britta to a third studio album consisting of a total of 21 songs titled, “13 Most Beautiful.. -
Qurrat Ann Kadwani: Still Calling Her Q!
1 More Next Blog» Create Blog Sign In InfiniteBody art and creative consciousness by Eva Yaa Asantewaa Tuesday, May 6, 2014 Your Host Qurrat Ann Kadwani: Still calling her Q! Eva Yaa Asantewaa Follow View my complete profile My Pages Home About Eva Yaa Asantewaa Getting to know Eva (interview) Qurrat Ann Kadwani Eva's Tarot site (photo Bolti Studios) Interview on Tarot Talk Contact Eva Name Email * Message * Send Contribute to InfiniteBody Subscribe to IB's feed Click to subscribe to InfiniteBody RSS Get InfiniteBody by Email Talented and personable Qurrat Ann Kadwani (whose solo show, They Call Me Q!, I wrote about Email address... Submit here) is back and, I hope, every bit as "wicked smart and genuinely funny" as I observed back in September. Now she's bringing the show to the Off Broadway St. Luke's Theatre , May 19-June 4, Mondays at 7pm and Wednesdays at 8pm. THEY CALL ME Q is the story of an Indian girl growing up in the Boogie Down Bronx who gracefully seeks balance between the cultural pressures brought forth by her traditional InfiniteBody Archive parents and wanting acceptance into her new culture. Along the journey, Qurrat Ann Kadwani transforms into 13 characters that have shaped her life including her parents, ► 2015 (222) Caucasian teachers, Puerto Rican classmates, and African-American friends. Laden with ▼ 2014 (648) heart and abundant humor, THEY CALL ME Q speaks to the universal search for identity ► December (55) experienced by immigrants of all nationalities. ► November (55) Program, schedule and ticket information ► October (56) ► September (42) St. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
Razorcake Issue
PO Box 42129, Los Angeles, CA 90042 #17 www.razorcake.com It’s strange the things you learn about yourself when you travel, I took my second trip to go to the wedding of an old friend, andI the last two trips I took taught me a lot about why I spend so Tommy. Tommy and I have been hanging out together since we much time working on this toilet topper that you’re reading right were about four years old, and we’ve been listening to punk rock now. together since before a lot of Razorcake readers were born. Tommy The first trip was the Perpetual Motion Roadshow, an came to pick me up from jail when I got arrested for being a smart independent writers touring circuit that took me through seven ass. I dragged the best man out of Tommy’s wedding after the best cities in eight days. One of those cities was Cleveland. While I was man dropped his pants at the bar. Friendships like this don’t come there, I scammed my way into the Rock and Roll Hall of Fame. See, along every day. they let touring bands in for free, and I knew this, so I masqueraded Before the wedding, we had the obligatory bachelor party, as the drummer for the all-girl Canadian punk band Sophomore which led to the obligatory visit to the strip bar, which led to the Level Psychology. My facial hair didn’t give me away. Nor did my obligatory bachelor on stage, drunk and dancing with strippers. -
A Zeitgeist Films Release Theatrical Booking Contact: Festival Booking and Publicity Contact
Theatrical Booking Festival Booking and Contact: Publicity Contact: Clemence Taillandier / Zeitgeist Films Nadja Tennstedt / Zeitgeist Films 212-274-1989 x18 212-274-1989 x15 [email protected] [email protected] a zeitgeist films release act of god a film by Jennifer Baichwal Is being hit by lightning a random natural occurrence or a predestined event? Accidents, chance, fate and the elusive quest to make sense out of tragedy underpin director Jennifer Baichwal’s (Manufactured Landscapes) captivating new work, an elegant cinematic meditation on the metaphysical effects of being struck by lightning. To explore these profound questions, Baichwal sought out riveting personal stories from around the world—from a former CIA assassin and a French storm chas- er, to writer Paul Auster and improvisational musician Fred Frith. The philosophical anchor of the film, Auster was caught in a terrifying and deadly storm as a teenager, and it has deeply affected both his life and art: “It opened up a whole realm of speculation that I’ve continued to live with ever since.” In his doctor brother’s laboratory, Frith experiments with his guitar to demonstrate the ubiquity of electricity in our bodies and the universe. Visually dazzling and aurally seductive, Act of God singularly captures the harsh beauty of the skies and the lives of those who have been forever touched by their fury. DIRECTOR’S NOTES I studied philosophy and theology before turning to documentary and, in some ways, the questions I was drawn to then are the ones I still grapple with now, although in a different context. Two of these, which specifically inform this film, are the relationship between meaning and randomness and the classical problem of evil. -
Psaudio Copper
Issue 107 MARCH 23RD, 2020 Cover: violinist Jascha Heifetz (1901 - 1987). Many consider him to be the greatest violinist ever. He was one of the most influential performing artists of all time and in his later years became a teacher and an advocate of causes he believed in, including clean air and the establishment of 911 as an emergency phone number. Stay safe. Be careful out there. Maintain social distancing. Wash your hands frequently. Familiar phrases in these tough times. To those I’d add: listen to music. Read a book or magazine. Watch a movie. Play your instrument. Surf the web. Don’t let the endless barrage of TV news make you crazy. Ignore (except to debunk) misinformation on Facebook and social media. Call or video chat with a family member, friend or loved one. Though we may be temporarily separated, we’re all in this together and we’ll help each other stay strong. In this issue: Anne E. Johnson gives us incisive looks into two of the modern era’s greatest artists: Frank Sinatra and the Kinks! John Seetoo contributes his CanJam NYC 2020 Part Two report. J.I. Agnew continues his series on linearity in audio, with clear explanations of this technical topic. Tom Gibbs gives unrestrained opinions on Brandy Clark, King Crimson, Charlie Parker and Tame Impala. Professor Larry Schenbeck enthuses about Sanctuary Road, a new oratorio. Dan Schwartz asks: why don’t musicians use audiophile speakers? Veteran broadcaster Bob Wood shakes his head over the state of today’s commercial radio. Wayne Robins provides a step by step operating manual for Miss Anthropocene by Grimes. -
Une Discographie De Robert Wyatt
Une discographie de Robert Wyatt Discographie au 1er mars 2021 ARCHIVE 1 Une discographie de Robert Wyatt Ce présent document PDF est une copie au 1er mars 2021 de la rubrique « Discographie » du site dédié à Robert Wyatt disco-robertwyatt.com. Il est mis à la libre disposition de tous ceux qui souhaitent conserver une trace de ce travail sur leur propre ordinateur. Ce fichier sera périodiquement mis à jour pour tenir compte des nouvelles entrées. La rubrique « Interviews et articles » fera également l’objet d’une prochaine archive au format PDF. _________________________________________________________________ La photo de couverture est d’Alessandro Achilli et l’illustration d’Alfreda Benge. HOME INDEX POCHETTES ABECEDAIRE Les années Before | Soft Machine | Matching Mole | Solo | With Friends | Samples | Compilations | V.A. | Bootlegs | Reprises | The Wilde Flowers - Impotence (69) [H. Hopper/R. Wyatt] - Robert Wyatt - drums and - Those Words They Say (66) voice [H. Hopper] - Memories (66) [H. Hopper] - Hugh Hopper - bass guitar - Don't Try To Change Me (65) - Pye Hastings - guitar [H. Hopper + G. Flight & R. Wyatt - Brian Hopper guitar, voice, (words - second and third verses)] alto saxophone - Parchman Farm (65) [B. White] - Richard Coughlan - drums - Almost Grown (65) [C. Berry] - Graham Flight - voice - She's Gone (65) [K. Ayers] - Richard Sinclair - guitar - Slow Walkin' Talk (65) [B. Hopper] - Kevin Ayers - voice - He's Bad For You (65) [R. Wyatt] > Zoom - Dave Lawrence - voice, guitar, - It's What I Feel (A Certain Kind) (65) bass guitar [H. Hopper] - Bob Gilleson - drums - Memories (Instrumental) (66) - Mike Ratledge - piano, organ, [H. Hopper] flute. - Never Leave Me (66) [H. -
The Dark Room Collective Kindling a Literary Movement Move Forward
Animal Law • Musical Theater • The Eugenics Era March-april 2016 • $4.95 The Dark Room Collective Kindling a literary movement Move forward. With confi dence. No matter how complex your business questions, we have the capabilities and experience to deliver the answers you need to move forward. As the world’s largest consulting fi rm, we can help you take decisive action and achieve sustainable results. www.deloitte.com/confi dence Audit | Tax | Consulting | Advisory Copyright © 2016 Deloitte Development LLC. All rights reserved. 160307_Deloitte_ivy.indd 1 1/15/16 11:59 AM MARCH-APRIL 2016 VOLUME 118, NUMBER 4 FEATURES 32 Elbow Room | by Sophia Nguyen The Dark Room Collective and a generation of African-American writers 40 Are Animals “Things”? | by Cara Feinberg p. 16 The evolving law of animal welfare—and rights 46 Vita: Caleb Strong | by Richard D. Brown Brief life of an exemplary politician: 1745-1819 48 Harvard’s Eugenics Era | by Adam Cohen When the academy embraced scientific racism, immigration restriction, forced sterilization, and suppression of “the unfit” JOHN HARVard’s JournAL 16 The Kennedy School’s crane, debating diversity and inclusion, laugh-out-loud computer scientist, the crew on ice, an Overseers’ challenge slate, augmenting the Corpora- tion’s academic ranks, “flyover-state” students, netminder from Alberta, and an up-and-down season for men’s basketball p. 40 DEPARTMENTS 2 Cambridge 02138 | Letters from our readers—and comments on the College’s curricular challenges 3 The View from Mass Hall AVILLA 8 | Scarcity and -
Meet Him in St. Louis Their Seats and Listened to Family-Friendly Productions of Oklahoma! and Fiddler on the Scott Miller “Saves Shows from Broadway” Roof
Montage Art, books, diverse creations 54 Open Book 55 Exact Changes 56 Chapter & Verse 58 The Man Who Has Been King 59 Off the Shelf 60 The “Little Republics” Miller in his new theater, and (clockwise) scenes from recent productions: Bonnie and Clyde, Hands on a Hardbody, Jerry Springer, and High Fidelity consecutive summers, he guided patrons to Meet Him in St. Louis their seats and listened to family-friendly productions of Oklahoma! and Fiddler on the Scott Miller “saves shows from Broadway” Roof. Itching to tackle “more challenging, adult stuff,” he arrived at Harvard ready by meredith redick to start a concentration in musical theater, only to learn there wasn’t one. “It didn’t cott miller ’86 dreams of produc- pect of a theater devoid of patrons doesn’t dull even occur to me to ask,” he says. He brief- ing an absurdist musical called Prom- Miller’s smile. The self-described “bad boy of ly considered transferring before learn- enade. The author, Maria Irene Fornés, musical theater” has earned a following in his ing that the College would fund student S recorded a series of nouns on index hometown, St. Louis. And New Line Theatre, productions. Then he proceeded to stage cards and then randomly selected from the the nonprofit company he founded, recently what he calls “guerilla theater” in com- stack to write each scene. “It’s so bizarre,” he celebrated its twenty-fifth anniversary and mon rooms, libraries, and wherever else says, grinning and leaning back against the moved into its first permanent home. he could find space.