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Wednesday Morning, May 22
WEDNESDAY MORNING, MAY 22 FRO 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest (cc) The View (cc) (TV14) Live! With Kelly and Michael Win- 2/KATU 2 2 (cc) (Cont’d) ners Week. (N) (cc) (TVPG) KOIN Local 6 at 6am (N) (cc) CBS This Morning (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right (N) (cc) (TVG) The Young and the Restless (N) (cc) 6/KOIN 6 6 (TV14) NewsChannel 8 at Sunrise at 6:00 Today America’s best beaches; Paul Anka. (N) (cc) The Jeff Probst Show (N) (cc) 8/KGW 8 8 AM (N) (cc) (TV14) EXHALE: Core Wild Kratts Bad Curious George Cat in the Hat Super Why! Pin- Dinosaur Train Sesame Street Baby Bear is embar- Daniel Tiger’s Sid the Science WordWorld (TVY) Barney & Friends 10/KOPB 10 10 Fusion (TVG) Hair Day. (TVY) (TVY) Knows a Lot occhio. (TVY) (TVY) rassed about his doll. (TVY) Neighborhood Kid (cc) (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) The 700 Club People find finan- Paid Paid Better (N) (cc) (TVPG) 12/KPTV 12 12 cial health. (N) (cc) (TVG) Paid Tomorrow’s World Paid Paid Through the Bible Paid Paid Paid Paid Paid Zula Patrol (cc) Pearlie (TVY7) 22/KPXG 5 5 (TVY) (TVY) Creflo Dollar (cc) John Hagee Joseph Prince This Is Your Day Believer’s Voice Alive With Kong Against All Odds Pro-Claim Behind the Joyce Meyer Life Today With Today With Mari- 24/KNMT 20 20 (TVG) Today (cc) (TVG) (cc) (TVG) (cc) (TVG) of Victory (cc) (TVG) Scenes (cc) James Robison lyn & Sarah Eye Opener (N) (cc) The Steve Wilkos Show (cc) (TV14) The Bill Cunningham Show Deep Jerry Springer Some of the most- The Steve Wilkos Show (cc) (TV14) 32/KRCW 3 3 Dark Family Secrets. -
Museum Salutes James Bond and His Creators Critic Judith Crist Moderates Forum
The Museum of Modern Art % 50th Anniversary to MUSEUM SALUTES JAMES BOND AND HIS CREATORS CRITIC JUDITH CRIST MODERATES FORUM In any time capsule of the 20th century, there is sure to be a commentary on and, more than likely, a print of a James Bond movie. So great is the impact of Secret Agent 007, archetypical hero of the second half of this century, that it is estimated one out of three people throughout the world have at one time or another viewed one of his spy thrillers. The most popular Bond film so far, "The Spy Who Loved Me" reportedly has drawn one and a half billion viewers or over one eighth of the earth's population. Given these facts, the Department of Film of The Museum of Modern Art, considers the phenomenon of James Bond noteworthy and is rendering, at an appropriate time concurrent with the premiere of the new James Bond "Moonraker," an homage to the producer, Albert R. Broccoli and his colleagues. Recognizing that each of the Bond films is a collabora tive project, Larry Kardish, Associate Curator in the Department of Film, has included in this tribute Lewis Gilbert, the director, Ken Adam, production designer, and Maurice B inder, title creator and graphics artist. The James Bond program, organized by Mr. Kardish, opens on June 25, with a documentary titled "The Making Of James Bond." It takes the viewer behind the scenes of the production of "The Spy Who Loved Me." Produced by BBC, it consists of four half-hour films: the first deals 11 West 53 Street, New York, N.Y. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Editkings.Com | 323.658.5700 AFTERSHOCK DIGITAL 8222 MELROSE AVENUE SUITE #304 LOS ANGELES, CA 90046
FRITZ FEICK | EDITOR | www.editkings.com | 323.658.5700 AFTERSHOCK DIGITAL 8222 MELROSE AVENUE SUITE #304 LOS ANGELES, CA 90046 FEATURES DIRECTOR PRODUCER WHAT WOULD TREJO DO? Kevin Donovan Kevin Donovan Starring Danny Trejo THE TREASURE WITHIN Ryan McGinnis Fritz Feick Starring Robert Loggia, Melissa McGinnis CHE Josh Evans Robert Evans Starring Eduardo Noriega EXPIRED Cecilia Miniucchi Fred Roos, Jeffrey Coulter Official Selection, Cannes Film Festival (2007] Official Selection, Sundance Film Festival (2007) Starring Samantha Morton & Jason Patric SAVE THE LAST DANCE Thomas Carter Paramount Pictures Starring Julia Stiles & Sean Patrick Thomas BETWEEN David Ocanas David Oconas Nominated, Grand Jury Prize, Sundance Film Festival (2005) Starring Poppy Montgomery & Danny Pino OTIS E. Jeff Daniel Phillips Susan R. Rodgers Official Selection, Hollywood Film Festival (2009) Nominated, Best Feature, Noor Film Festival (2009) Starring Kevin Durand EVERYBODY DIES Josh Evans Image Entertainment “Memorable… echoes of Godard and Resnais.” –LA Weekly DARK STREETS Rachel Samuels Claus Clausen, Andrea Balen Starring Gabriel Mann, Bijou Phillips & Elias Koteas BETTER HOUSEKEEPING Frank Novak Modernica Pictures Winner, Grand–Jury Prize, Slamdance Film Festival (2000) Director’s Fortnight, Cannes Film Festival (2000) GACY – THE CRAWL SPACE Clive Saunders Peninsula Films LOS ANGELES Josh Evans Westlake Entertainment Starring Michael Madsen, Dick Van Patten THE ENDURING CALL Fritz Feick Aftershock Digital Gold Award, Houston Worldfest (2009) Official Selections: -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Sandspur, Vol. 41 (1934-1935) No
University of Central Florida STARS The Rollins Sandspur Newspapers and Weeklies of Central Florida 1-16-1935 Sandspur, Vol. 41 (1934-1935) No. 14, January 16, 1935 Rollins College Find similar works at: https://stars.library.ucf.edu/cfm-sandspur University of Central Florida Libraries http://library.ucf.edu This Newspaper is brought to you for free and open access by the Newspapers and Weeklies of Central Florida at STARS. It has been accepted for inclusion in The Rollins Sandspur by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Rollins College, "Sandspur, Vol. 41 (1934-1935) No. 14, January 16, 1935" (1935). The Rollins Sandspur. 416. https://stars.library.ucf.edu/cfm-sandspur/416 s DRIVE 1 ESTABLISHED 40 H CAREFULLY Eoians andspur YEARS AGO Weekly Student Newspaper of Rollins College /^ ^^ VOLUME XLI (Member the United Press) WINTER PARK, FLORIDA, WE DNESDAY, JANUARY'A (Complete Campus Coverage) NUMBERJ*^ Mary Kennedy Prefers Library Receives CHUflCH HEADS Stephen Foster J. I, Writing to Acting Collection 10 IE! By MAXEDA HESS word, find a cold welcome. When Rollins College library has re 10 SPEAK IN "I'm the one that would like to I find myself sheltering some cently received from Mr. Joseph ask the questions," Miss Mary small superstition, I break away Kirby Lilly of Foster Hall, Indi ][D[ Kennedy whimsically told the Rol from it. It is bad for one's charac anapolis, a gift set of Foster Hall lins interviewer Monday morning ter. Stars of today value ensem reproductions of the Songs, Com ORANGLCIIY on the sunny terrace of Miss Annie ble playing very highly. -
PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone
PERRY/REECE CASTING Penny Perry 310-422-1581-Cell Phone 818-905-9917-Home Phone MOTION PICTURES PORKY’S: THE COLLEGE YEARS Larry Levinson Productions Adam Wylie Producer: Larry Levinson Vic Polizos Director: Brian Trenchard-Smith THE INVITED Dark Portal, LLC. Lou Diamond Phillips Producer: Dan Kaplow Megan Ward Director: Ryan McKinney Brenda Vaccaro Pam Greer WHEN CALLS THE HEART Maggie Grace Producer & Director: Michael Landon Peter Coyote DISAPPEARANCES Border Run Productions Kris Kristofferson Producer & Director: Jay Craven Genevieve Bujold Lothaire Bluteau Luis Guzman FEAR X John Turturro Producer: Henrik Danstrup James Remar Director: Nicolas Winding Refn Deborah Unger DIAL 9 FOR LOVE Pleswin Entertainment Jeanne Tripplehorn Producer: Eric Pleskow /Leon de Winter Liev Schreiber Director: Kees Van Oostrom Louise Fletcher Co-Producer: Penny Perry THE HOLLYWOOD SIGN Pleswin Entertainment Burt Reynolds Producer: Eric Pleskow/Leon de Winter Rod Steiger Producer: Penny Perry Tom Berenger Director: Sonke Wortmann EXTREME OPS Diamant/Cohen Productions Brigette Wilson-Sampras Director: Christian Dugay Devon Sawa Rupert Graves FEAR.COM Diamant/Cohen Productions Stephen Dorff Producer: Moshe Diamant Natascha McElhone Director: William Malone Stephen Rea BIG BAD LOVE Sun, Moon & Stars Prod. Deborah Winger Producer: Barry Navidi Arliss Howard Director: Arliss Howard Rosanna Arquette Paul LeMat THE MUSKETEER Universal Mena Suvari Director: Peter Hyams Tim Roth Producer: Moshe Diamant Catherine Denueve Producer: Mark Damon Stephen Rea Nick Moran -
Legends of Screenwriting “Richard Maibaum” by Ray Morton
Legends of Screenwriting “Richard Maibaum” By Ray Morton Screenwriters are generally a cerebral lot and not usually thought of as men (or women) of action, but Richard Maibaum certainly was, especially when it comes to writing about the adventures of a certain British secret agent with a triple digit code name and a license to kill. Maibaum was born on May 26, 1909 in New York City. He attended New York University and the University of Iowa and then became an actor on Broadway. In 1930 he began writing plays, including 1932’s The Tree, 1933’s Birthright, 1935’s Sweet Mystery of Life (with Michael Wallach and George Haight) and 1939’s See My Lawyer (with Harry Clark). When MGM bought the rights to Sweet Mystery of Life to use as the basis for its 1936 film Gold Diggers of 1937 (screenplay by Warren Duff), the studio also signed Maibaum, who moved to Hollywood and began writing for the movies. Between 1936 and 1942 he wrote or co-wrote scripts for MGM, Columbia, Twentieth Century- Fox, and Paramount, including We Went to College (1936), The Bad Man of Brimstone (1937), The Lady and the Mob (1939), 20 Mule Team (1940), I Wanted Wings (1941), and Ten Gentlemen from West Point (1942). After the United States entered World War II, Richard spent several years in the Army’s Combat Film Division. Following the war, Maibaum became a writer/producer at Paramount, where he wrote his first spy movie— O.S.S. (1946), which was based on files and research provided by the actual Office of Strategic Services. -
Fifty Years of Bond, James Bond: the Greatest Film Franchise’S Biggest Birthday | Vanity Fair
6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair The Birth of Bond Fifty years ago, at the dawn of the commercial-jet age, James Bond strode into movie history, to show audiences how stylish and thrilling life could be. But creating the cinematic Bond was fraught with peril, as best-selling author Ian Fleming discovered when he first tried to take his hero to the screen. David Kamp recalls the unlikely team—two small-time producers, a journeyman director, and a “rough diamond” of a star—behind 007’s film debut, Dr. No, the beginning of a $5 billion franchise. BY DAVID KAMP | OCTOBER 2012 BOND. JAMES BOND. Right, Sean Connery on the set of Dr. No, 1962. Left, in the Alps during the filming of Goldfinger, 1964., left, from photofest, digital colorization by lorna clark; right, © 1962 Danjaq, L.L.C., and the United Artists Corporation, all rights reserved. nter Sean Connery, dark hair slicked with pomade, eyes locking hungrily upon a beautiful greeneyed girl. Her return glance leaves no doubt—the feeling is mutual. His slouch and casual banter exude languor and nonchalance, but there’s an undercurrent of coiled menace to this man, as though E he might, at any moment, spring into tableoverturning, crockeryshattering action. Except nothing of the sort happens. Instead, the other fellow in the scene cuts the tension by taking out his fiddle and favoring the room with a jaunty tune learned, he says in a stagy brogue, “in the old ruins on the top of Knocknasheega!” http://www.vanityfair.com/culture/2012/10/fiftyyearsofjamesbond 1/14 6/4/2017 Fifty Years of Bond, James Bond: The Greatest Film Franchise’s Biggest Birthday | Vanity Fair This isn’t a James Bond picture. -
The Royal Marines 1956-84 Introduction
Published in 1984 by Author's Note: Osprey Publishing Ltd Member company of the George Philip Group My thanks to the Royal Marines PR Office in 12-14 Long Acre, London WC2E 9LP Whitehall; the Commando Forces News Team, © Copyright 1984 Osprey Publishing Ltd Plymouth; the Royal Marines Museum, Eastney; the Ministry of Defence; and the Royal United Services This book is copyrighted under the Berne Convention. Institute. I am grateful to James Ladd, who All rights reserved. Apart from any fair dealing for the introduced me to the Corps in 1982, and whose book purpose of private study, research, criticism or review, The Royal Marines 1919-1980 is an excellent authorised as permitted under the Copyright Act, 1956, no part history; and to Les Scriver, for access to his unique of this publication may be reproduced, stored in a photographic record of today's Corps. Thanks to the retrieval system or transmitted in any form or by any many men of the Royal Marines, especially in 3 means, electronic, electrical, chemical, mechanical, Commando Brigade RM, who gave me their time optical, photocopying, recording or otherwise, without and patience in some testing and trying places. the prior permission of the copyright owner. Enquiries This book is dedicated to VH and SP, to whom I should be addressed to the Publishers. will always be a 'Percy Pongo'. British Library Cataloguing in Publication Data Fowler, William, The Royal Marines 1956-84—(Men at Arms series; 156) 1. Great Britain. Royal Marines—History—20th century 1. Title II. Series 359.9'6'0941 VE57 ISBN 0-85045-568-5 Filmset in Great Britain Printed in Hong Kong The Royal Marines 1956-84 Marines and their supporting Commando-trained Introduction arms are unique. -
Wednesday Morning, June 16
WEDNESDAY MORNING, JUNE 16 6:00 6:30 7:00 7:30 8:00 8:30 9:00 9:30 10:00 10:30 11:00 11:30 VER COM 4:30 KATU News This Morning (N) Good Morning America (N) (cc) AM Northwest Who Wants to Be The View Bryant Gumbel; Valerie Live With Regis and Kelly Lisa Kud- 2/KATU 2 2 (cc) (Cont’d) (cc) a Millionaire Bertinelli. (N) (cc) (TV14) row; David James Elliott. (N) KOIN Local 6 KOIN Local 6 The Early Show (N) (cc) Let’s Make a Deal (N) (cc) (TVPG) The Price Is Right Country music The Young and the Restless (N) (cc) 6/KOIN 6 6 Early at 6 (N) Early at 6:30 (N) band Lonestar performs. (N) (TVG) (TV14) Newschannel 8 at Sunrise at 6:00 Today Alison Arngrim; André Rieu performs. (N) (cc) Rachael Ray (cc) (TVG) 8/KGW 8 8 AM (N) (cc) Body Electric Between the Curious George Sid the Science Super Why! (cc) Dinosaur Train Sesame Street Abby’s Tricycle. Clifford the Big Dragon Tales WordWorld (TVY) Martha Speaks 10/KOPB 10 10 (cc) (TVG) Lions (TVY) (TVY) Kid (TVY) (TVY) (TVY) Abby rides her tricycle. (TVY) Red Dog (TVY) (TVY) (TVY) Good Day Oregon-6 (N) Good Day Oregon (N) The 700 Club (cc) (TVPG) The Bonnie Hunt Show Kathy Grif- Mid-Day Oregon Paid 12/KPTV 12 12 fin; Richard Kind. (TVPG) (N) Paid Paid Paid Paid Turbo Dogs (cc) Jane & the Through the Bible Christians & Jews Paid Paid Paid Paid 22/KPXG 5 5 (TVY) Dragon (TVY) Changing Your John Hagee Rod Parsley (cc) This Is Your Day Kenneth Cope- The Word in the 360 Degree Life Lifestyle Maga- Behind the Alternative James Robison Marilyn Hickey 24/KNMT 20 20 World (TVG) Today (cc) (TVG) (TVG) (cc) (TVG) land (TVG) World (TVG) (cc) zine Scenes (cc) Health (cc) (cc) (TVG) (cc) Paid Paid Edgemont (cc) Paid That ’70s Show The King of My Name Is Earl My Name Is Earl Are You Smarter? Are You Smarter? The Steve Wilkos Show Fourteen- 32/KRCW 3 3 (TVPG) (cc) (TV14) Queens (TVPG) (TV14) (TV14) year-old dates 19-year-old. -
Festival Catalogue 2015
Jio MAMI 17th MUMBAI FILM FESTIVAL with 29 OCTOBER–5 NOVEMBER 2015 1 2 3 4 5 12 October 2015 MESSAGE I am pleased to know that the 17th Jio MAMI Mumbai Film Festival is being organised by the Mumbai Academy of Moving Image (MAMI) in Mumbai from 29th October to 5th November 2015. Mumbai is the undisputed capital of Indian cinema. This festival celebrates Mumbai’s long and fruitful relationship with cinema. For the past sixteen years, the festival has continued promoting cultural and MRXIPPIGXYEP I\GLERKI FIX[IIR ½PQ MRHYWXV]QIHME TVSJIWWMSREPW ERH GMRIQE IRXLYWMEWXW%W E QYGL awaited annual culktural event, this festival directs international focus to Mumbai and its continued success highlights the prominence of the city as a global cultural capital. I am also happy to note that the 5th Mumbai Film Mart will also be held as part of the 17th Mumbai Film Festival, ensuring wider distribution for our cinema. I congratulate the Mumbai Academy of Moving Image for its continued good work and renewed vision and wish the 17th Jio MAMI Mumbai Film Festival and Mumbai Film Mart grand success. (CH Vidyasagar Rao) 6 MESSAGE Mumbai, with its legacy, vibrancy and cultural milieu, is globally recognised as a Financial, Commercial and Cultural hub. Driven by spirited Mumbaikars with an indomitable spirit and great affection for the city, it has always promoted inclusion and progress whilst maintaining its social fabric. ,SQIXSXLI,MRHMERH1EVEXLM½PQMRHYWXV]1YQFEMMWXLIYRHMWTYXIH*MPQ'ETMXEPSJXLIGSYRXV] +MZIRXLEX&SPP][SSHMWXLIQSWXTVSPM½GMRHYWXV]MRXLI[SVPHMXMWSRP]FI½XXMRKXLEXE*MPQ*IWXMZEP that celebrates world cinema in its various genres is hosted in Mumbai.