DOCSLIB.ORG

Legal Assistant Application

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Legal Assistant Application Page 1 of 4 List of Cadidates for the post of Legal Assistant Roll No. 7001 to 7057 Interview on 01-07-2014, Roll No. 7058 to 7114 Interview on 02-07- 2014 at 10:00 AM in Advocate General Office, Mehak Building Near H.P. High Court. Address Sr. Father's Name/ Date Of No. Name Husband Name Permanent Correspondence Birth Roll No. 1 Ritesh Achal S/o Sh. Jawahar R/o Achal Niwas R/o Achal Niwas 12-05-1982 7001 Sharma Sharma Below H.P. Below H.P. Marketiong Board Marketiong Board Lower Khalini Shimla- Lower Khalini 171009 Shimla-171009 2 Sandeep S/o Sh. Ghanshyam R/o Vill. Dohida P/o R/o Vill. Dohida P/o 11-12-1986 7002 Singh BIR Teh. Sadar, Distt. BIR Teh. Sadar, Mandi, H.P.175001 Distt. Mandi, H.P.175001 3 Sanjeev Kumar S/o Sh. Gorkhi Ram R/o V.P.O. Tilopur, R/o V.P.O. Tilopur, 08-09-1982 7003 Teh. Jawali, Distt.- Teh. Jawali, Distt.- Kangra, H.P.176225 Kangra, H.P.176225 4 Vinod Kumar S/o Shubh Karan R/o Vill. Jaorangal, R/o Vill. Jaorangal, 04-03-1980 7004 P/o Karoyana, Teh. P/o Karoyana, Teh. Dharamshala, Distt. Dharamshala, Distt. Kangra, H.P.176052 Kangra, H.P.176052 5 Ajay Kumar S/o Sh. Mahi Dev R/o Vill. Tyawal, P/o R/o Kanwar Niwas, 02-06-1982 7005 Sharma Jeori, The. Rampur Near IARI, Tuti Bsr, Distt. Shimla, Kandi. Shimla, H.P. H.P.172101 171004 6 Kiran Lata D/o Mahendra Dutt R/o Vill. Dangiar(Sec- Lakhanpal Cottage, 15-04-1976 7006 Sharma Sharma 2), P/O Parwanoo, Near Majitha House Teh. Kasauli, Distt. Chotta Shimal - Solan, H.P. 171002 7 Bhavnesh S/o Sh. Mangat Ram R/o Vill. Jadrangal, R/o Vill. Jadrangal, 20-03-1980 7007 Kumar P/o Padder, Teh. P/o Padder, Teh. Dharamshala, Distt. Dharamshala, Distt. Kangra, H.P. 176052 Kangra, H.P. 176052 8 Rajat Chauhan S/o Sh. Ranvir R/o Rajat Villa Below R/o Rajat Villa 26-03-1987 7008 Chauhan Gurudwara Sanjauli Below Gurudwara Chowk Shimla- Sanjauli Chowk 171006 Shimla-171006 9 Tarun Kumar S/o Sh. Manohar Lal R/o Vill. Ladhera, P/o E-III/40, Nabha, 18-12-1986 7009 Tikkri, Minhasan, Estate, Shimla-4, Teh. Bhoranj, Distt. H.P.171004 Hamirpur, H.P.176045 10 Kiran Dhiman D/o Sh. Mohan Lal R/o Vill. & P/o Top Floor, Civil 13-05-1986 7010 Dhiman Kumarsain, Distt. Dispensary Building, Shimla, H.P.172029 Chotta Shimla, Distt. Shimla, H.P.171002 11 Ravi Kumar S/o Sh. Bir Singh R/o Vill. Bassi, P/o & C-31, Radio Colony, 17-08-1985 7011 Verma Teh. Bhoranj, Distt. Summerhill, Shimla, Hamirpur, H.P. 171005 H.P.176045 Legal Assistant Page 2 of 4 Roll No. 7001 to 7057 Interview on 01-07-2014, Roll No. 7058 to 7114 Interview on 02-07- 2014 at 10:00 AM in Advocate General Office, Mehak Building Near H.P. High Court. Address Sr. Father's Name/ Date Of No. Name Husband Name Permanent Correspondence Birth Roll No. 12 Padam Prakash S/o Sh. Ripu Daman R/o Old North Oak R/o Old North Oak 05-07-1984 7012 Verma Singh Verma Building Sanjauli, Building Sanjauli, Shimla-6, H.P. Shimla-6, H.P. 171006 171006. 13 Manoj Kumar S/o.Sh. Keshar Singh R/o.V.P.O.-Baloh, R/o.V.P.O.-Baloh, 29-07-1983 7013 Teh.-Bhoranj, Distt.- Teh.-Bhoranj, Distt.- Hamirpur, Pin.- Hamirpur, Pin.- 177029 177029 14 Bimla Devi D/o Sh.Deep Ram R/o. Vill.-Banjan, R/o.B-5/27, Lower 26-03-1985 7014 Sharma P.O.-Mangoo, Teh.- Phagli, Shimla, Pin.- Arki, Distt.-Solan, 171004 Pin.-171102 15 Pushpender S/o Sh. Hira Nand R/o. Vill.-Galah, P.O.- R/o. Near Club, The 29-02-1980 7015 Kumar Dharogra, Teh.-Suni. Mall, Shimla Shimla, Pin.-171019 16 Ashwani S/o.Sh.Kiru Ram R/o. V.P.O.-Dhulara, R/o. V.P.O.-Dhulara, 09-09-1970 7016 Sharma Sub-Teh.-Sihunta, Sub-Teh.-Sihunta, Distt.-Chamba, Pin.- Distt.-Chamba, Pin.- 176207 176207 17 Tej Simgh S/o Sh. Dharam Das R/o Vill. Hirni, P/o Chamber, No.17, 20-05-1981 7017 Laran, Kela, Teh. & Distt. & Session Distt. Kullu, H.P. Court, Kullu, H.P. 175104 175101 18 Umesh Kanwar S/o Sh. Parkash Chand R/o Flat No.7, Popli H.P. High Court 15-12-1975 7018 Kawar Aapartments, Near Shimla, H.P. 171001 Sudhir Cabal, Kasumpti, Shimla, 171009 19 Rakesh Verma S/o Sh. Om Parkash R/o Vill. Ghuggar, House No. 1063, B-I, 12-07-1981 7019 Near Kali Bari Near-Big-Well, Mandir, Teh. & P/o Ratpur, Colony, Palampur, Distt. Distt. Pinjor, 134102 Distt. Kangra, H.P. Panchkula 20 Meghna S/o Sh. Narender Pal R/o #232/7, Upper House No. 1063, B-I, 28-03-1980 7020 Chopra Samkheter, MANdi, Near-Big-Well, H.P. Ratpur, Colony, Pinjor, 134102 Distt. Panchkula 21 Munish Kumar S/o Sh. Harbans Lal R/o Mohallan House No. 3006, 21-09-1976 7021 Txallian, Near Sector 39-D Dhawan Ice Factory, Chandigarh V.P.O. Sultan Pur Lodhi, Distt. Kapurthala, Punjab 22 Rishi Tandon S/o.Sh. Ashok Tandon R/o. Set.No-2, Block- R/o. Set.No-2, Block- 08-12-1985 7022 B, Verma Apartment B, Verma Apartment Near D.D. Mehta Near D.D. Mehta Petrol Pump Sanjauli, Petrol Pump Shimla, Pin.-171006 Sanjauli, Shimla, Pin.-171006 Legal Assistant Page 3 of 4 Roll No. 7001 to 7057 Interview on 01-07-2014, Roll No. 7058 to 7114 Interview on 02-07- 2014 at 10:00 AM in Advocate General Office, Mehak Building Near H.P. High Court. Address Sr. Father's Name/ Date Of No. Name Husband Name Permanent Correspondence Birth Roll No. 23 Atul Kumar S/o.Sh.Ramesh Chand R/o. Vill.-Panjasra, R/o. Vill.-Panjasra, 14-06-1988 7023 P.O.-Raja Ka Talab, P.O.-Raja Ka Talab, Teh.-Nurpur, Distt.- Teh.-Nurpur, Distt.- Kangra, Pin.-176051 Kangra, Pin.-176051 24 Jatin Thakur S/o.Sh.Roop Singh R/o. H.No-35, Station R/o. H.No-35, 22-11-1979 7024 Thakur View Lower Chakkar, Station View Lower Shimla-5, Pin.-171005 Chakkar, Shimla-5, Pin.-171005 25 Suchitra Sen D/o.Sh.Rajender Sen R/o.H.No-90/12, Ram R/o.H.No-90/12, 18-06-1984 7025 Nagar, Mandi, Pin.- Ram Nagar, Mandi, 175001 Pin.-175001 26 Anita W/o.Sh.Diwaker Dev R/o.Sheetal Niwas, R/o.Sheetal Niwas, 08-10-1982 7026 Sharma Below Himfed Below Himfed Building, Near Building, Near Hateshwari Mandir, Hateshwari Mandir, B.C.S. New Shimla, B.C.S. New Shimla, Pin.-171009 Pin.-171009 27 Vikhyat Guleria S/o.Sh.Balbir Singh R/o. House.No-90/12, R/o. House.No- 04-05-1981 7027 Ram Nagar Mandi, 90/12, Ram Nagar Distt.-Mandi,(H.P.) Mandi, Distt.- Mandi,(H.P.) 28 Ankush Kumar S/o.Sh.Suraj Parkash R/o.Vill.-Kardial, P.O.- R/o.Vill.-Kardial, 28-06-1984 7028 Pharian, Teh.-Jawali, P.O.-Pharian, Teh.- Distt.-Kangra, Pin.- Jawali, Distt.- 176023 Kangra, Pin.-176023 29 Abhishek Dogra S/o.Sh.J.D.Dogra R/o.House.No.- R/o.House.No.- 13-04-1985 7029 316/11, Near Tarna 316/11, Near Tarna Temple, Teh.-Sadar, Temple, Teh.-Sadar, Distt.-Mandi, Pin.- Distt.-Mandi, Pin.- 175001 175001 30 Sunil Sharma S/o.Sh.Des Raj Sharma R/o.Kamal Kunj R/o.Kamal Kunj 02-11-1982 7030 Building Shiv Nagar Building Shiv Nagar Totu, Shimla, Pin.- Totu, Shimla, Pin.- 171011 171011 31 Geetanjli D/o.Sh.Vinod Goyal R/o.Dass Trading R/o.Dass Trading 16-12-1985 7031 Company Lower Company Lower Bazaar solan, Pin.- Bazaar solan, Pin.- 173212 173212 32 Chander Kanta D/o.Sh.Tulsi Ram R/o. Ex MLA Near R/o. Ex MLA Near 16-10-1977 7032 BDO office Lower BDO office Lower Bhiuli Mandi, Pin.- Bhiuli Mandi, Pin.- 175001 175001 33 Keshav Ram S/o.Sh.Shobha Ram R/o.Vill.-Manjghaon, R/o.Vill.-Manjghaon, 24-11-1979 7033 P.O.-Shadhar, Teh.- P.O.-Shadhar, Teh.- Rampur, Distt.- Rampur, Distt.- Shimla, Pin.-172102 Shimla, Pin.-172102 Legal Assistant Page 4 of 4 Roll No. 7001 to 7057 Interview on 01-07-2014, Roll No. 7058 to 7114 Interview on 02-07- 2014 at 10:00 AM in Advocate General Office, Mehak Building Near H.P. High Court. Address Sr. Father's Name/ Date Of No. Name Husband Name Permanent Correspondence Birth Roll No. 34 Anu Fishta D/o Sh.Rajinder Fishta R/o Village-Dhara,P.o- C/o B.R 10-05-1985 7034 Bachhunch,Teh.Rohru Verma,Laxman ,Distt-Shimla,Pin Niwas,Opposite Code171207 (H.P) Directorate of Energy,Phase- III,New Shimla 35 Lalita Verma D/o Dhani Ram Verma R/o Vill.Tharmas,P.o C/o Sigha Niwas 05-01-1982 7035 Nihri,Teh.Sunder Near Kanwar Nagar,Distt Mandi Shemsher Singh H.P Pin Code 175038 Building Upper Sargheen,Pin Code 171009 36 Arun Kumar S/o Sh.Amar Nath R/o K.C .Bhawan,Top R/o K.C 28-08-1980 7036 Floor,Near Temple .Bhawan,Top Kasumpti,Shimla-Pin Floor,Near Temple Code171009 Kasumpti,Shimla- Pin Code171009 37 Nutan Saxena W/o Sh.Anoop Saxena R/o 20 Housing Board R/o 20 Housing 23-12-1968 7037 Colony Jakhu Shimla- Board Colony Jakhu 171002 Shimla-171002 Legal Assistant .
Load more

Recommended publications
  • Magazine1-4 Final.Qxd (Page 3)
    SUNDAY, JULY 19, 2020 (PAGE 4) What we obtain too cheap, BOLLYWOOD-BUZZ we esteem too lightly Unforgettable Bimal Roy V K Singh Inderjeet S. Bhatia "Prince" Devdass (Dilip Kumar) and Paro's (Suchitra Sen). Child music and song " Yeh mera Diwanapan Hai" by mukesh are hood friendship blossoms into love. But Paro is forced to still popular. 'The harder the conflict, the more glorious The 111th birth anniversary of Bimal Roy, the father fig- marry a rich zamindar because Dev Dass's Father (Murad) "Kabuliwala" produced by Bimal Roy and released on the truimph'. These words of Thomas Paine ure of Indian Cinema was held on 12th was against this relationship. This turned Devdass into a 14th Dec,1961 was not a commercial hit but is still remem- written before the American Revolution July. Bimal Roy, lovingly called as depressed alcoholic. Chandramukhi (Vijayanthimala) too bered for power-packed performace of Balraj Sahni in the Bimal Da 1909 to a Bengali Baidya , sought to inspire Americans in their struggle could not provide solace to his bleeding heart. Released on title role of a Pathan called Rahmat whose wife is no more. Dhaka, which was part of Eastern Jan 1 , 1955 film created box office history by collecting He has a little daughter Ameena (Baby Farida) to whom he for freedom against Great Britain. They have Bengal before partition of 1947 (now more 1 crore in those times. Film bagged best actress in a cares like a mother. He also keep saving her from the wrath an evergreen freshness and resonate with the Dhaka division Bangladesh).
    [Show full text]
  • Inside a Dark Hall: Space, Place, and Accounts of Some Single-Theatres in Kolkata
    South Asian History and Culture ISSN: 1947-2498 (Print) 1947-2501 (Online) Journal homepage: http://www.tandfonline.com/loi/rsac20 Inside a dark hall: space, place, and accounts of some single-theatres in Kolkata Madhuja Mukherjee To cite this article: Madhuja Mukherjee (2017): Inside a dark hall: space, place, and accounts of some single-theatres in Kolkata, South Asian History and Culture, DOI: 10.1080/19472498.2017.1304086 To link to this article: http://dx.doi.org/10.1080/19472498.2017.1304086 Published online: 23 Mar 2017. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at http://www.tandfonline.com/action/journalInformation?journalCode=rsac20 Download by: [Madhuja Mukherjee] Date: 23 March 2017, At: 21:24 SOUTH ASIAN HISTORY AND CULTURE, 2017 http://dx.doi.org/10.1080/19472498.2017.1304086 Inside a dark hall: space, place, and accounts of some single-theatres in Kolkata Madhuja Mukherjee Department of Film Studies, Jadavpur University, Kolkata, India ABSTRACT KEYWORDS This essay is a part of ongoing attempts to shift the focus of research on Single-theatre; Calcutta; Indian cinemas from textual analyses, studies of authorial styles, move- viewership; film industry; ments, also from language specific readings of cinema of the regions, to film history a more complex understanding of film practices and viewership. Through research conducted on certain single-theatres of Calcutta, it shows how some of these theatres, namely Rupabani, Chhabighar, and Regal, operating since the 1930s, bore the signs of historical changes. The emphasis on ‘spatial’ transformation draws attention to alterations within the industry, narratives of migration into the city, changes within public cultures and cinematic forms, and the ‘Bengali’ film industry’s dependence on Hindi films or its big-Other.
    [Show full text]
  • Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM
    Sync Sound and Indian Cinema | Upperstall.Com 29/02/12 2:30 PM Open Feedback Dialog About : Wallpapers Newsletter Sign Up 8226 films, 13750 profiles, and counting FOLLOW US ON RECENT Sync Sound and Indian Cinema Tere Naal Love Ho Gaya The lead pair of the film, in their real life, went in the The recent success of the film Lagaan has brought the question of Sync Sound to the fore. Sync Sound or Synchronous opposite direction as Sound, as the name suggests, is a highly precise and skilled recording technique in which the artist's original dialogues compared to the pair of the are used and eliminates the tedious process of 'dubbing' over these dialogues at the Post-Production Stage. The very first film this f... Indian talkie Alam Ara (1931) saw the very first use of Sync Feature Jodi Breakers Sound film in India. Since then Indian films were regularly shot I'd be willing to bet Sajid Khan's modest personality and in Sync Sound till the 60's with the silent Mitchell Camera, until cinematic sense on the fact the arrival of the Arri 2C, a noisy but more practical camera that the makers of this 'new particularly for outdoor shoots. The 1960s were the age of age B... Colour, Kashmir, Bouffants, Shammi Kapoor and Sadhana Ekk Deewana Tha and most films were shot outdoors against the scenic beauty As I write this, I learn that there are TWO versions of this of Kashmir and other Hill Stations. It made sense to shoot with film releasing on Friday.
    [Show full text]
  • Koel Chatterjee Phd Thesis
    Bollywood Shakespeares from Gulzar to Bhardwaj: Adapting, Assimilating and Culturalizing the Bard Koel Chatterjee PhD Thesis 10 October, 2017 I, Koel Chatterjee, hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: Date: 10th October, 2017 Acknowledgements This thesis would not have been possible without the patience and guidance of my supervisor Dr Deana Rankin. Without her ability to keep me focused despite my never-ending projects and her continuous support during my many illnesses throughout these last five years, this thesis would still be a work in progress. I would also like to thank Dr. Ewan Fernie who inspired me to work on Shakespeare and Bollywood during my MA at Royal Holloway and Dr. Christie Carson who encouraged me to pursue a PhD after six years of being away from academia, as well as Poonam Trivedi, whose work on Filmi Shakespeares inspired my research. I thank Dr. Varsha Panjwani for mentoring me through the last three years, for the words of encouragement and support every time I doubted myself, and for the stimulating discussions that helped shape this thesis. Last but not the least, I thank my family: my grandfather Dr Somesh Chandra Bhattacharya, who made it possible for me to follow my dreams; my mother Manasi Chatterjee, who taught me to work harder when the going got tough; my sister, Payel Chatterjee, for forcing me to watch countless terrible Bollywood films; and my father, Bidyut Behari Chatterjee, whose impromptu recitations of Shakespeare to underline a thought or an emotion have led me inevitably to becoming a Shakespeare scholar.
    [Show full text]
  • Filmography Dilip Kumar – the Substance and the Shadow
    DILIP KUMAR: THE SUBSTANCE AND THE SHADOW Filmography Year Film Heroine Music Director 1944 Jwar Bhata Mridula Anil Biswas 1945 Pratima Swarnlata Arun Kumar 1946 Milan Meera Mishra Anil Biswas 1947 Jugnu Noor Jehan Feroz Nizami 1948 Anokha Pyar Nargis Anil Biswas 1948 Ghar Ki Izzat Mumtaz Shanti Gobindram 1948 Mela Nargis Naushad 1948 Nadiya Ke Par Kamini Kaushal C Ramchandra 1948 Shaheed Kamini Kaushal Ghulam Haider 1949 Andaz Nargis Naushad 1949 Shabnam Kamini Kaushal S D Burman 1950 Arzoo Kamini Kaushal Anil Biswas 1950 Babul Nargis Naushad 1950 Jogan Nargis Bulo C Rani 1951 Deedar Nargis Naushad 1951 Hulchul Nargis Mohd. Shafi and Sajjad Hussain 1951 Tarana Madhubala Anil Biswas 1952 Aan Nimmi and Nadira Naushad 1952 Daag Usha Kiran and Nimmi Shankar Jaikishan 1952 Sangdil Madhubala Sajjad Hussain 1953 Footpath Meena Kumari Khayyam 1953 Shikast Nalini Jaywant Shankar Jaikishan 1954 Amar Madhubala Naushad 1955 Azaad Meena Kumari C Ramchandra 1955 Insaniyat Bina Rai C Ramchandra 1955 Uran Khatola Nimmi Naushad 1955 Devdas Suchitra Sen, Vyjayanti S D Burman Mala 1957 Naya Daur Vyjayantimala O P Nayyar 1957 Musafir Usha Kiran, Suchitra Salil Chaudhury Sen 1 DILIP KUMAR: THE SUBSTANCE AND THE SHADOW 1958 Madhumati Vyjayantimala Salil Chaudhury 1958 Uahudi Meena Kumari Shankar Jaikishan 1959 Paigam Vyjayantimala, B Saroja C Ramchandra Devi 1960 Kohinoor Meena Kumari Naushad 1960 Mughal-e-Azam Madhubala Naushad 1960 Kala Bazaar (Guest Appearance) 1961 Gunga Jumna Vyjayantimala Naushad 1964 Leader Vyjayantimala Naushad 1966 Dil Diya Dara Liya
    [Show full text]
  • The Journal of International Communication Film Remakes As
    This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • The Winning Woman of Hindi Cinema
    ADVANCE RESEARCH JOURNAL OF SOCIAL SCIENCE A CASE STUDY Volume 5 | Issue 2 | December, 2014 | 211-218 e ISSN–2231–6418 DOI: 10.15740/HAS/ARJSS/5.2/211-218 Visit us : www.researchjournal.co.in The winning woman of hindi cinema Kiran Chauhan* and Anjali Capila Department of Communication and Extension, Lady Irwin College, Delhi University, DELHI (INDIA) (Email: [email protected]) ARTICLE INFO : ABSTRACT Received : 27.05.2014 The depiction of women as winners has been analyzed in four sets of a total of eleven films. The Accepted : 17.11.2014 first two sets Arth (1982) and Andhi (1975) and Sahib Bibi aur Ghulam (1962), Sahib Bibi aur Gangster (2011), Sahib Bibi aur Gangster returns (2013), explore the woman in search for power within marriage. Arth shows Pooja finding herself empowered outside marriage and KEY WORDS : without any need for a husband or a lover. Whereas in Aandhi, Aarti wins political power and Winning Woman, Hindi Cinema returns to a loving marital home. In Sahib Bibi aur Ghulam choti bahu after a temporary victory of getting her husband back meets her death. In both films Sahib Bibi aur Gangster and returns, the Bibi eliminates the other woman and gangster, deactivates the husband and wins the election to gain power. she remains married and a Rani Sahiba. In the set of four Devdas makes and remakes (1927–2009) Paro is bold, shy, glamorous and ultimately liberated (Dev, 2009). Chanda moves from the looked down upon, prostitute, dancing girl to a multilingual sex worker who is empowering herself through education and treating her occupation as a stepping stone to HOW TO CITE THIS ARTICLE : empowerment.
    [Show full text]
  • Responses to 100 Best Acts Post-2009-10-11 (For Reference)
    Bobbytalkscinema.Com Responses/ Comments on “100 Best Performances of Hindi Cinema” in the year 2009-10-11. submitted on 13 October 2009 bollywooddeewana bollywooddeewana.blogspot.com/ I can't help but feel you left out some important people, how about Manoj Kumar in Upkar or Shaheed (i haven't seen that) but he always made strong nationalistic movies rather than Sunny in Deol in Damini Meenakshi Sheshadri's performance in that film was great too, such a pity she didn't even earn a filmfare nomination for her performance, its said to be the reason on why she quit acting Also you left out Shammi Kappor (Junglee, Teesri MANZIL ETC), shammi oozed total energy and is one of my favourite actors from 60's bollywood Rati Agnihotri in Ek duuje ke Liye Mala Sinha in Aankhen Suchitra Sen in Aandhi Sanjeev Kumar in Aandhi Ashok Kumar in Mahal Mumtaz in Khilona Reena Roy in Nagin/aasha Sharmila in Aradhana Rajendra Kuamr in Kanoon Time wouldn't permit me to list all the other memorable ones, which is why i can never make a list like this bobbysing submitted on 13 October 2009 Hi, As I mentioned in my post, you are right that I may have missed out many important acts. And yes, I admit that out of the many names mentioned, some of them surely deserve a place among the best. So I have made some changes in the list as per your valuable suggestion. Manoj Kumar in Shaheed (Now Inlcuded in the Main 100) Meenakshi Sheshadri in Damini (Now Included in the Main 100) Shammi Kapoor in Teesri Manzil (Now Included in the Main 100) Sanjeev Kumar in Aandhi (Now Included in Worth Mentioning Performances) Sharmila Togore in Aradhana (Now Included in Worth Mentioning Performances) Sunny Deol in Damini (Shifted to More Worth Mentioning Performances) Mehmood in Pyar Kiye Ja (Shifted to More Worth Mentioning Performances) Nagarjun in Shiva (Shifted to More Worth Mentioning Performances) I hope you will approve the changes made as per your suggestions.
    [Show full text]
  • Mana Sanskriti (Our Culture)
    VEPACHEDU EDUCATIONAL FOUNDATION మన సంసకృ逿 (MANA SANSKRITI) हमारी संकृ ति (HAMAAREE SANSKRTI) OUR CULTURE Home The Foundation Management The Andhra Journal of Industrial News The Telangana Science Journal Mana Sanskriti (Our Culture) Vegetarian Links Disclaimer Solicitation Contact VPC Vedah-Net ॐ भभू ुवभ ः वः तत्सववतभवुरेण्यम भर्गो देवय धीमवि। वधयो यो नः प्रचोदयात॥ Issue 254 Chief Editor: 萾呍ట쁍 శ్రీ ꀿవాస쀾푁 푇ప桇顁 | डॉ啍टर श्रीनिवासराव ु वेपचेद ु | Dr. Sreenivasarao Vepachedu |博士 斯瑞尼瓦萨饶 韦帕切杜 ROYALTY IN BOLLYWOOD Sachin Dev Burman was born on 1st October 1906 in Comilla, Bengal Presidency, present-day Bangladesh. His father was Nabadwipchandra Dev Burman, son of Maharaja Ishanachandra Manikya Dev Burman, Maharaja of Tripura. His mother was Raj Kumari Nirmala Devi, the royal princess of Manipur. SD Burman started working as a radio singer on Calcutta Radio Station in the late 1920s before commencing his musical journey in 1937 by composing songs for Bengali films. In 1944, Burman moved to Mumbai to score music for two films of superstar Ashok Kumar Shikari, Aat Din (1946) and Do Bhai (1947). Mera Sundar Sapna Beet Gaya sung by Geeta Dutt brought him fame. Burman embellished more than 100 films in Hindi and Bengali with his excellent music. His songs have been sung by all the established singers of the period such as Lata Mangeshkar, Asha Bhosle, Geeta Dutt, Shamshad Begum, Mohammed Rafi, Manna Dey, Kishore Kumar, Hemant Kumar, Mukesh, and Talat Mahmood. Rahul Dev Burman (aka Pancham)1 was born on 27 June 1939 and is the son of Sachin Dev Burman (above).
    [Show full text]
  • RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE Et
    Direction de la communication DOSSIER DE PRESSE VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE et www.centrepompidou.fr VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) DDirection sommaire de la communication 75 191 Paris cedex 04 responsable du pôle presse I. COMMUNIQUE DE PRESSE page 2 Carole Rio-Latarjet chargée des relations presse Albane Jouis-Maucherat II. VOUS AVEZ DIT « BOLLYWOOD » ! page 4 téléphone par Nadine Tarbouriech 00 33 (0)1 44 78 13 81 télécopie III PROGRAMMATION ET SYNOPSIS DES FILMS page 6 00 33 (0)1 44 78 13 02 mél IV. CALENDRIER DES PROJECTIONS page 29 albane.jouis-maucherat @cnac-gp.fr V. RENCONTRE ORGANISEE PAR LES FORUMS DE SOCIETE La « résistance » de Bollywood ? page 38 VI. EVENEMENTS AUTOUR DE LA MANIFESTATION page 40 VII. LISTE DES PHOTOS DISPONIBLES POUR LA PRESSE page 48 VIII. REMERCIEMENTS page 52 IX. INFORMATIONS PRATIQUES page 53 VOUS AVEZ DIT BOLLYWOOD ! RÉTROSPECTIVE DU CINÉMA INDIEN POPULAIRE 4 FEVRIER – 1er MARS 2004 ET 17 MARS – 19 AVRIL 2004 CINEMA 1 (NIVEAU 1), CINEMA 2 (NIVEAU –1) Direction Pour la première fois en France, une grande rétrospective consacrée à la cinématographie de la communication indienne populaire est proposée par les Cinémas du Centre Pompidou. 75 191 Paris cedex 04 responsable du pôle presse er Carole Rio-Latarjet Pensée en deux temps, la manifestation rend d’abord hommage, du 4 février au 1 mars 2004, chargée des relations presse aux auteurs des grands classiques en noir et blanc des années 50 considérées comme l’âge Albane Jouis-Maucherat d’or des studios indiens : Guru Dutt, Raj Kapoor, Bimal Roy, Mehboob Khan, V.
    [Show full text]
  • Vol. 40 February 2016 No. 2 This Service Meant Primarily for the Use
    Vol. 40 February 2016 No. 2 This service meant primarily for the use of the Ministry of Information & Broadcasting and its media units gives an annotated index to select articles on mass media published in various periodicals and newspapers received by the Centre. NATIONAL DOCUMENTATION CENTRE ON MASS COMMUNICATION NEW MEDIA WING (FORMERLY RESEARCH REFERENCE AND TRAINING DIVISION) MINISTRY OF INFORMATION AND BROADCASTING Room No.437-442, Phase IV, Soochana Bhawan, CGO Complex, New Delhi-3 Compiled, Edited & Issued by National Documentation Centre on Mass Communication NEW MEDIA WING (Formerly Research, Reference & Training Division) Ministry of Information & Broadcasting Chief Editor L. R. Vishwanath Editor Alka Mathur Sub Editor Sushma Gautam How to read at page 7 CONTENTS Cartoonist Biography 1 Film Awards 1 Film Biography 2 Film Certification 2 Film Festivals 3 Film Industry 4 Film Short 4 Film Society 4 Film Theme 4-5 Information Technology 5 Mass Media Biography 5 Mass Media Freedom 5 Radio 6 Television 6 CARTOONIST, BIOGRAPHY SUDHIR TAILANG: Strokes of genius. By Ananda K. Sahay. Asian Age. 7 February 2016; 7. FILM, AWARDS, BAFTA (Great Britain) O’ LEARY (Naomi). The Revenant continues sweep with five Baftas. Asian Age. 16 February 2016; 12. A report on the 69th British Academy Film Awards (BAFTA) held on 14th February 2016 to honour the best British and international contributions to film in 2015. FILM, AWARDS, FILMFARE GANESAN (Sharmila). Bajirao Mastani triumph, Bhansali rules. Times of India. 16 February 2016; 12. Gives a complete list of winners of the 61st Britannia Filmfare Awards, 2015 presented on 15th January 2016 at the Prince Ahuja Studio.
    [Show full text]
  • Rreeemmmeeemmmbbbeeerrrii
    CINEMA DOWN MEMORY LANE 51ST ANNUAL GRAMMY AWARDS NewsNews IndiaIndia TimesTimes Suchitra Sen as Paro left, and Dilip Kumar as Devdas in the From left, Jay-Z, Lil Wayne, Kanye West and M.I.A, perform at 1955 version of the film ‘Devdas’, directed by Bimal Roy. the 51st annual Grammy Awards on February 8. (Photo: Reuters) All About Issues and Achievements ‘Devdas’, the immortal novel of Sarat Chandra South Asia connection at the Grammy’s; one win and four Published Weekly • 60 Cents • Founded in 1975 Chatterjee written in 1917 has had an immense nominations. Nine-month pregnant M.I.A on stage on her Vol. XXXX No. 8 New York Friday, February 20, 2009 impact on Indian cinema. — PAGE 16 due date. — PAGE 15 ON THE HILL SPECIALS Grants & Schollarshiips Fulbright fellowships for 2010 - 2011; application deadline, October 20. RReemmeemmbbeerriinngg —PAGE 12 Giiviing ppiioonneeeerriinngg The Asian University for Women, located in Chittagong, Bangladesh aims to educate ppuubblliisshheerr women from diverse cultures and socio-economic GGooppaall RRaajjuu backgrounds. —PAGE 13 Pakiistan Testimony before Pakistan admitted for the Testimony before first time on February 12 HHoouussee JJuuddiicciiaarryy that part of the conspiracy in November’s Mumbai attack SSuubbccoommmmiitttteeee oonn was hatched on its soil. — PAGE 18 CCoommmmeerrcciiaall aanndd On the Hiillll Rep. John Lewis (D-GA), AAddmmiinniissttrraattiivvee along with 5 other LLaaww oonn HH..RR..66114466 Democrats, introduced H.Res. 134 in the House on February 4, 'Recognizing the 50th Anniversary of ‘‘IInn 11999911,, II wwaass Reverand Martin Luther King, Jr.'s visit to India’ and aasskkeedd bbyy tthhee llaattee the positive influence the teachings of Mahatma GGooppaall RRaajjuu wwhheetthheerr Gandhi had on Dr.
    [Show full text]