Armed Attack in Yerevan: One Policeman Killed, Two Wounded
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Armenia Presidential Elections, 19 February 2008
EUROPEAN PARLIAMENT DELEGATION TO OBSERVE THE PRESIDENTIAL ELECTIONS IN THE REPUBLIC OF ARMENIA 19 February 2008 ELECTION OBSERVATION REPORT Mrs Marie Anne Isler Béguin, Chair of the Delegation Annexes: - EP press statement of 20 February 2008 - Joint press statement of 20 February 2008 - Joint statement on preliminary findings and conclusions of 20 February 2008 - Lists of participants - Programme DIRECTORATE-GENERAL FOR EXTERNAL POLICIES OF THE UNION _______________ 26 March 2008 TG/ES NT/716805EN.doc 1 PE 395.987 ARMENIA PRESIDENTIAL ELECTIONS 19 February 2008 A Delegation of four Members, led by Mrs Marie Anne ISLER BÉGUIN and composed of Mr Šarūnas BIRUTIS, Mrs Alexandra DOBOLYI and Mrs Gabriele STAUNER, stayed in Armenia from 17 to 21 February 2008 to observe the presidential elections on 19 February 2008. The Delegation organised its activities in close cooperation with other observing organisations on site. Some 75 parliamentarians and about 250 short-term observers monitored the election under the heading of the OSCE Office for Democratic Institutions and Human Rights (ODIHR), the OSCE Parliamentary Assembly (OSCE PA), the Council of Europe Parliamentary Assembly (PACE) and the European Parliament (EP). On 17 February, the Chair Mrs ISLER BÉGUIN had an exchange of views with the co-chair of the EU-Armenia Parliamentary Cooperation Committee, Mr Avet ADONTS to be briefed from the Armenian side on the state of play with regard to the elections. The preparation of the joint parliamentary observation mission started with a working dinner with OSCE/ODHIHR Ambassadors STROHAL and AHRENS and the Head of the OSCE PA Delegation Mrs Anne- Marie LIZIN. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
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International Conference on Arts, Design and Contemporary Education (ICADCE 2016) Russianness in the Works of European Composers Liudmila Kazantseva Department of Theory and History of Music Astrakhan State Concervatoire Astrakhan, Russia E-mail: [email protected] Abstract—For the practice of composing a conscious Russianness is seen more as an exotic). As one more reproduction of native or non-native national style is question I’ll name the ways and means of capturing Russian traditional. As the object of attention of European composers origin. are constantly featured national specificity of Russian culture. At the same time the “hit accuracy” ranges here from a Not turning further on the fan of questions that determine maximum of accuracy (as a rule, when finding a composer in the development of the problems of Russian as other- his native national culture) to a very distant resemblance. The national, let’s focus on only one of them: the reasons which out musical and musical reasons for reference to the Russian encourage European composers in one form or another to culture they are considered in the article. Analysis shows that turn to Russian culture and to make it the subject of a Russiannes is quite attractive for a foreign musicians. However creative image. the European masters are rather motivated by a desire to show, to indicate, to declare the Russianness than to comprehend, to II. THE OUT MUSICAL REASONS FOR REFERENCE TO THE go deep and to get used to it. RUSSIAN CULTURE Keywords—Russian music; Russianness; Western European In general, the reasons can be grouped as follows: out composers; style; polystyle; stylization; citation musical and musical. -
Fairclough, P. (2016). Brothers in Musical Arms: the Wartime Correspondence of Dmitrii Shostakovich and Henry Wood
Fairclough, P. (2016). Brothers in Musical Arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood. Russian Journal of Communication, 8(3), 273-287. https://doi.org/10.1080/19409419.2016.1213219 Peer reviewed version Link to published version (if available): 10.1080/19409419.2016.1213219 Link to publication record in Explore Bristol Research PDF-document This is the accepted author manuscript (AAM). The final published version (version of record) is available online via Taylor and Francis at http://dx.doi.org/10.1080/19409419.2016.1213219. Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Brothers in musical arms: the wartime correspondence of Dmitrii Shostakovich and Henry Wood Abstract Wartime correspondence between the conductor Sir Henry Wood and the composer Dmitrii Shostakovich marks the earliest point of Anglo-Soviet musical exchange at the highest artistic levels. Though short-lived due to Wood’s death in 1944, the correspondence shows how genuine warmth and mutual regard could co-exist with a relationship that was brokered by government officials. Other archive sources around them reveal the varying shades of cynicism and sincerity that underpinned the whole project of wartime cultural exchange between Britain and the Soviet Union. Though this rendered Anglo-Soviet connections inescapably underpinned by political motivations, it could not prevent genuine artistic and personal relationships from forming, albeit on a limited basis. -
Proquest Dissertations
NOTE TO USERS Page(s) not included in the original manuscript and are unavailable from the author or university. The manuscript was scanned as received. pg297 This reproduction is the best copy available. UMI DIASPORIC REPRESENTATIONS: A STUDY OF CIRCASSIAN AND ARMENIAN IDENTITIES IN GREATER SYRIA by Kari S. Neely A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Near Eastern Studies) in The University of Michigan 2008 Doctoral Committee: Professor Kevork B. Bardakjian, Chair Professor Anton Shammas Associate Professor Carol Bardenstein Associate Professor Andrew J. Shryock UMI Number: 3305049 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. ® UMI UMI Microform 3305049 Copyright 2008 by ProQuest LLC. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 E. Eisenhower Parkway PO Box 1346 Ann Arbor, Ml 48106-1346 © KariS.Neely 2008 For Nico Sevan, who made this difficult but also necessary. If any one thing made me connect to these authors and their works it was looking at you, my child, and thinking about theirs; lost, orphaned, emaciated, murdered. I wish for you perpetual happiness and that you may never know loss. -
Siberia and India: Historical Cultural Affinities
Dr. K. Warikoo 1 © Vivekananda International Foundation 2020 Published in 2020 by Vivekananda International Foundation 3, San Martin Marg | Chanakyapuri | New Delhi - 110021 Tel: 011-24121764 | Fax: 011-66173415 E-mail: [email protected] Website: www.vifindia.org Follow us on Twitter | @vifindia Facebook | /vifindia All Rights Reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form, or by any means electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher Dr. K. Warikoo is former Professor, Centre for Inner Asian Studies, School of International Studies, Jawaharlal Nehru University, New Delhi. He is currently Senior Fellow, Nehru Memorial Museum and Library, New Delhi. This paper is based on the author’s writings published earlier, which have been updated and consolidated at one place. All photos have been taken by the author during his field studies in the region. Siberia and India: Historical Cultural Affinities India and Eurasia have had close social and cultural linkages, as Buddhism spread from India to Central Asia, Mongolia, Buryatia, Tuva and far wide. Buddhism provides a direct link between India and the peoples of Siberia (Buryatia, Chita, Irkutsk, Tuva, Altai, Urals etc.) who have distinctive historico-cultural affinities with the Indian Himalayas particularly due to common traditions and Buddhist culture. Revival of Buddhism in Siberia is of great importance to India in terms of restoring and reinvigorating the lost linkages. The Eurasianism of Russia, which is a Eurasian country due to its geographical situation, brings it closer to India in historical-cultural, political and economic terms. -
Docorent Rime
1 DOCORENT RIME ED 156 613. SO 1 011'022 4 . i 1 ' . AUTHOR $ .WAgstaff; Jeri' Lou TITLE - .Hussian Iconography: Russia's Contribution to the Art . of Westrn,Civilizaticn. INSTrTUTION Wright State,Univ., Layton, Chic. Public Education, Religion Studies Center. 6ONS AGENCY NatiOnal Endowment for the Humanities (NUM, Washington, D.C. PUB DATE . p [763 NOTE 10p.; For related documents, see SO 011 C12-024 AVAILABLE' FROM Public Education Religion, Studies Center, Wright , State Uniiersityi Dayton, Ohio 454'31($1.00, paper, cover) . , EDRS PRICE HF-$0.83 RC-41.67 Plus Postage.. DESCRIPTORS . *Art Activities;. *Art Appreciation; *Art Education; Elementary Secondary Education; *European History; Learning Activities; Nedietal History; *Religious' - Educitiob; Russian Literature; Social Studies Units;, Teacher Developed Materials;' Units of Study; 'Western Civilization IDENTIFIERS *Russia ABSTRACT This one- to thred-week high school unit cn Russian iconography was developed as part of a series by the-'sublic Education Religion Studies Center At -Wright State University. lbe unitcan be . incorporated into a larger gnit on Russian literatufe, art, religion, or history. Foul reasons for studying iconography are: 1) it is a .splendid Russian art form; 2),it is the most significant Russian contribution to-painting; 3) it gives insight into Russfar religion and the,Russian Orthodox Chufch; and, 4) it is a good example of religious influence upon art and artists. Generalizations, concepts, and- vocabulary are briefly outlined. Thirteen cognitive objectives (are identified, such- as the student will'be able tc identify three general subjects of Russian 'icons. Eight affective ctjectivesare identified, such as students will express a desire to visit the Soviet Union. -
SECURITY and STABILITY in the SOUTH CAUCASUS: FOSTERING ENDURING REGIONAL PEACE 19 May 2015
ROSE-ROTH 093 SEM 15 E rev. 3 Original: English NATO Parliamentary Assembly 89th ROSE-ROTH Seminar With the National Assembly of the Republic of Armenia Yerevan, Armenia 18-20 June 2015 SECURITY AND STABILITY IN THE SOUTH CAUCASUS: FOSTERING ENDURING REGIONAL PEACE 19 May 2015 OFFICIAL SEMINAR HASHTAG #NATOPAARM15 WITH THE SUPPORT OF THE SWISS GOVERNMENT www.nato-pa.int Place du Petit Sablon 3 1000 Brussels, Belgium • Tel: + 32 (0) 2 513 28 65 093 SEM 15 E rev. 3 Wednesday 17 June Arrival of participants Accommodation Marriott Hotel Yerevan Republic Square, Amiryan 1 street, Yerevan, 0010 Armenia Phone: 374 10 599 000 | Fax: 374 10 599 001 http://www.Marriotthotels.com Seminar Venue Government Guest House 47 Mashtots avenue, Yerevan 0009, Armenia Thursday 18 June 8:30-10:15 Registration of participants staying at the Marriott Hotel, hotel lobby 10:15-11:00 Registration of local participants in front of the Government Guest House Hall 10:15 Departure by bus to the Government Guest House 10:45 Arrival and seating of participants OPENING SESSION Moderator: Koryun NAHAPETYAN, Head of the Armenian Delegation to the NATO PA 11:00-11:10 Opening remarks by Galust SAHAKYAN, Speaker of the National Assembly of the Republic of Armenia (to be confirmed) 11:10-11:20 Introduction by Paolo ALLI, Vice-President, NATO Parliamentary Assembly 11:20-11:25 Welcome address by Ambassador Lukas GASSER, Ambassador of Switzerland to Armenia 11:25-11:40 Keynote address by Edward NALBANDYAN, Minister of Foreign Affairs of the Republic of Armenia (to be confirmed) 11:40-12:00 Keynote address by speaker to be confirmed 12:00-:1300 Questions and Answers 13:00-14:15 Lunch hosted by the National Assembly of the Republic of Armenia in the Government Guest House 1 093 SEM 15 E rev. -
A Study of the Place of Music in the Religious Service Ruth
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 1937 A study of the place of music in the religious service Ruth. Pushee University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Pushee, Ruth., "A study of the place of music in the religious service" (1937). Masters Theses 1911 - February 2014. 1890. Retrieved from https://scholarworks.umass.edu/theses/1890 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. MASSACHUSETTS STATE COLLEGE UNIV. OF MASSACHUSETTS/AMHERST LIBRARY LD 3234 M268 1937 P987 A Study of the Place of Music in the Religious Service by Ruth Pushee Department of Education Thesis Submitted for degree of Master of Science Massachusetts State College Amherst, Mass. 1937 Acknowledgements Acknowledgement Is hereby made to the Jones Library in Amherst, the Massachusetts State College Library ^Goodell Library) , and the Smith College Music Library. The amount of material found in these libraries has been invaluable in the compilation of this thesis. Acknowledgement is also made to Professor Welles of the Department of Education, Professor Coding of the Department of Languages, and Professor Chenoweth of the Department of Horticultural Manufactures for their interest and assistance in this thesis. Thesis Outline Problem : A Study of the Place of Music in the Religious Service. Introduction ; Through a survey of music in all of the established religious exercises, I hope to luake a fairly simplified history so that I can turn to these items of interest without consulting various volumes. -
The Colorful Music of Russia Fifty-Seventh
The Colorful Music of Russia Sunday, February 16, 2020, 3pm Gideon S. Ives Auditorium 11411 Masonic Home Drive Bloomington Manny Laureano Music Director & Conductor Michael Sutton 2019–2020 Violin fifty-seventh SEASON sponsored by Allan & Debby Schneider photo by Leslie Plesser The Program Programby Manny Notes Laureano Dmitri Kabalevsky Overture to Colas Breugnon Two Works by Dmitri Kabalevsky This concert by the BSO partially features a look into two well-known works by Soviet composer Dmitri Kabalevsky (1904-1987). He, like several other Russian Violin Concerto in C Major, Op. 48 composers, can truly be considered a child of two revolutions, as he began his I. Allegro molto e con brio formal studies in music at the Scriabin School at the age of 15 and later, at the II. Andantino cantabile Moscow School. III. Vivace giocoso Upon listening, you can hear that his music is different from that of Shostakovich or Prokofiev even though they were contemporaries. He doesn't Michael Sutton, violin challenge the listener to intensely private moments portrayed in his music or stir the queries of whether there are hidden meanings within it. His music is lyrical, yet never filled with the angst we associate with so many other Soviet composers of the time and hints more at trips to the circus in his youth. There — INTERMISSION — is an enjoyable predictability when compared to other composers that grew up and developed at the same time in the same place as Kabalevsky. It is important to note that Kabalevsky was and still is, recognized for the piano music he composed for children, helping to hone their skills through fingerings Piotr Ilych Tchaikovsky Symphony No. -
Iran in the South Caucasus
Archive of SID International Studies Journal (ISJ) Vol. 15, No. 4 (60), Spring 2019 Recived Date: February 6, 2019 Acssept Date: March 27, 2019 PP: 99-131 Science Diplomacy of the Islamic Republic of Iran in the South Caucasus Elaheh Koolaee Seyed Mehdi Hosseini Taghiabad Abstract Science diplomacy is a concept that has attracted much attention in twenty- first century more than ever before and the need for understanding it is growing. Because of many factors, the South Caucasus is an important region for Iran, including its geographical proximity and historical ties. The region is located between Iran, Russia and Turkey and Iran is the only country that has official political relations with all these states, but this does not mean that relations between Iran and the above-mentioned countries are in a favorable position. Considering the capacities for using science diplomacy in relations between Iran and the South Caucasus States, understanding an assessment of Iran's performance in this field is essential. This paper mainly seeks to examine the opportunities and challenges of applying science diplomacy as a tool in Iran’s relations with South Caucasus countries and also tries to examine the roles of other foreign players in the field of science diplomacy in the region. Keywords Iran, Science Diplomacy, South Caucasus, Republic of Azerbaijan, Armenia, Georgia This paper is part of the results of a research has finished by financial protection of “Centre for International Scientific Studies and Collaboration” of “the Ministry of Science, -
Ancient Scotish Melodies from a Manuscript of the Reign of King
; /G> *7u Digitized by the Internet Archive in 2011 with funding from National Library of Scotland http://www.archive.org/details/ancientscotishme1838bann : ^/u) ho ANCIENT SCOTISH MELODIES, FROM A MANUSCRIPT OF THE REIGN OF KING JAMES VI. WITH AN INTRODUCTORY ENQUIRY ILLUSTRATIVE OF THE HISTORY OF THE MUSIC OF SCOTLAND. BY WILLIAM DAUNEY, ESQ. F.S.A. SCOT- EDINBURGH THE EDINBURGH PRINTING AND PUBLISHING COMPANY; SMITH, ELDER, & CO., CORNHILL, LONDON. M.DCCC. XXXVIII. EDINBURGH PRINT1NC COMPANY. TO THE PRESIDENTS AND MEMBERS OF THE iJannatgne antr j&aitlattti eiuftg, THIS WORK (UNDERTAKEN through their encouragement) IS MOST RESPECTFULLY INSCRIBED. — 7 CONTENTS. PRELIMINARY DISSERTATION. PAGE Introductory Remarks, ....... 1 Description of the Skene MS. and its Contents, .... 5 Enquiry into the probable date and history of tlie MS., ... 10 How far this is the earliest Collection of Scotish Airs which has been published Orpheus Caledonius—D'Urfey's Pills, . 15 Introduction of Scotish Music into England—Dr Blow—Dryden—Mary, Queen of William III.—Charles II Extract from " Shadwell's Scowrers," . 1 Scotish musical publications of the Seventeenth Century—Forbes's Cantus— City of Aberdeen—-Louis de France, pupil of M. Lambert— Revival of a taste for Music in Scotland—Forbes's Cantus contains the songs which were taught at the music schools, ..... • 20 History of the Music Schools in Scotland, ..... 24 Remarks on the Cantus, ....... 28 History of the " Godly and Spiritual Songs," " Compendium," and " Saint's Re- creation," ......... 30 The ancient Scotish Lyrical poetry and musical instruments, two collateral en- quiries necessary, in order to arrive at a just conception of the ancient Music of .